Cashing in at Christmas: Christmas songs earn £800,000 Per Year

christmas songsTake a bow! Noddy Holder, the man who admitted his song ‘Merry Christmas Everybody’ is like winning the lottery each year. He’s never admitted the actual income he receives form the PRS (Performing Rights Society).

The budding team of researchers at Prezzybox have spent the last year adding up all the factors that contribute to a wealthy annual Xmas cheque to find. For the first time here’s a definitive Christmas Royalty Calculator! As you can see here: http://www.prezzybox.com/apps/christmas-song-royalties.aspx the money keeps rolling in, second by second, minute by minute.

This shows the Christmas Songs Royalty Earnings so far in 2013 *Keep checking as it updates every second. In 2013 Noddy Holder has earnt an amazing half a million pounds so far.

 

  1.  Slade – Merry Xmas Everybody                        £512,000
  2. Pogues – Fairy-tale OF New York                      £386,270
  3.  Mariah Carey – All I Want For Christmas          £347,615
  4.  Wham – Last Christmas                                    £301,622
  5.  Cliff Richard – Mistletoe & Wine                       £98,408
  6.  Band Aid – Do they Know It’s Christmas          £78,030
  7.  Shakin’ Stevens – Merry Christmas Everyone £53,834
  8.  Pretenders – 2000 Miles                                   £45,344
  9.  East 17 – Stay Another Day                              £30,219
  10. John Lewie – Stop The Calvary                         £13,258

By the 31st of December Noddy Holder will have made well over £800,000, Whilst Mariah will have raked in £455,000 and the Pogues £520,000, not bad for a year’s work! Our researchers take into account PRS royalties, plays on radio, TV, duke box plays, shop plays and compilation album sales.

Nicole Scherzinger And Natasha Bedingfield Rock the Roundhouse

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Who: Nicole Scherzinger, Natasha Bedingfield, Lizzie Cundy, journalist and television presenter Esther Rantzen, Hofit Golan, Britain’s first female fast jet pilot Jo Salter, Molly Bedingfield

 

What: Annual Global Angels Charity Awards including ‘An evening with Natasha Bedingfield & Friends’ Concert & VIP After Party

 

When: Friday 15th November 2012

 

Where: The Roundhouse, London

 

Dress Code: Cocktail with a touch of gold

 

What they Ate:

Starters
Marinated vine tomatoes with ricotta, crispy basil, aged balsamic vinegar and croutes

Main Course
Lamb shank with Jerusalem artichoke puree, Winter greens and chanternay carrots

Desserts
Sharp lemon posset and blackcurrent mousse with a lavender and lemon shortbread

 

What they Drank:

Sauvignon Blanc 2012 – Alianza Estate, Tempranillo Malbec 2012 – Fuzion Estate. `

 

X Factor judge Nicole Scherzinger and Grammy and Brit nominated singer Natasha Bedingfield performed together last night at the Roundhouse for an inspirational evening celebrating the 2013 annual Global Angels Awards, paying tribute to outstanding individuals and philanthropic businesses who have contributed to the Global Angels vision.

 

The star studded event, hosted by Vietnam’s Next Top Model Judge, international model Ha Anh Vu, and Russ Kane, Capital Radio’s Eye in the Sky, included a glamorous cocktail reception, three course meal, charity auction with all proceeds going directly to The Global Angels Foundation, and climaxed in an Angels in Concert spectacular with Natasha Bedingfield performing with her good friend Nicole Scherzinger.

 

Lighting and set designers, Simon Deary (LED Poison – X Factor, Strictly Come Dancing, 2011 Take That Tour) and Jonathan Park (Pink Floyd, The Wall, Thriller) crafted a visual spectacle which kept the crowds captivated throughout the evening.

 

The two hour after-party featured KRYSTALROXX Live, DJ Ashley Beedle, Sugababe Amelle & singer/songwriter Raphaella, which took the celebrations into the early hours.

 

Thurston Moore joins The Solo Series

Blank Editions continue their Solo Series of limited edition 7″ releases with a new single from Thurston Moore, founding member of Sonic Youth, Chelsea Light Moving and, most recently (and locally!) Thurston Moore UK in February 2014.Thurston Moore

The new single sees the ever prolific songwriter deliver two new original compositions, ‘Detonation’, which pays homage to N16

London libertarian and communitarian activists, while the flipside features ‘Germs Burn’, a celebration shout to punk rock secret society love.

Recorded and mixed on the 24th of October 2013 in London by Orlando Leopard with assistance by Charlie Nash and contains art direction and design by Ecstatic Peace Library.

 

The edition contains:

 

1. Handcut, numbered, stamped and printed numbered card covers

 

2. 7” vinyl record

 

3. Limited edition postcard made especially for this release

 

Limited hand numbered edition of 500 only.

Pre-order now at blankeditions.com

 

Thurston Moore will be supporting his Sonic Youth bandmate Lee Ranaldo at The Garage, London on the 21st of November.

Lily Allen Makes A Comeback And We Love It

While Lily Allen’s new music video Hard Out Here has drawn some criticism I love it. It is cheeky and it has drawn debate. It starts of with Lily having liposuction while her manager and the surgeons wonder how ‘anyone can let themselves get like these’. ‘I’ve had two babies’, she responds.
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Lily had to deny claims the video was racist and said she just hired the best dancers.

She said the video, “has nothing to do with race, at all, is meant to be a lighthearted satirical video that deals with objectification of women within modern pop culture … The message is clear.”

She also said said she didn’t request “specific ethnicities” for her dancers; simply hiring the “the best dancers” from the auditions. “I would not only be surprised but deeply saddened if I thought anyone came away from that video feeling taken advantage of, or compromised in any way,” Allen’s “insecurities” stopped her twerking alongside them in her underwear “I actually rehearsed for two weeks trying to perfect my twerk, but failed miserably,” she said. “if I was a little braver, I would have been wearing a bikini too, but I do not and I have chronic cellulite, which nobody wants to see.”

All of Allen’s dancers – Seliza Sebastian, Melissa Freire, Shala EuroAsia, Monique Lawrence, and Temple – stood by Lily and the video, posting links to it and retweeting Allen’s remarks. “Critics will be critics,” Men have been exploiting women in the stereotype Lily sends up in her video for decades. Is she not aloud to point it out because she is of another race?

She also send up Robin Thicke and his rapey ‘Blurred Lines’ video by replacing the ‘Robin Thicke has a big d**k” (more like is) scene with “Lily Allen Has a Baggy Pussy”. It’s rude but amusing.

Lily Allen has gotten a lot of stick, and numerous people are pointing out that her comeback after four years away from music coincides with her vintage store she had with her sister, Lucy in Disguise, going broke, but we need more Lily Allen’s. Not because she is perfect- she sings about women being objectified but has posed topless for GQ– but because she has an opinion, isn’t afraid to share it and proudly calls herself a feminist- something that not all celebrities are brave enough to do. She may not be everyone’s idea of a role model but it is sexist that every women in the public eye has her every move questioned, and is always supposed to be a role model. Men are never held up to the same lofty heights. We need more of her because Lily Allen is a happily married mother-of-two. She works hard and goes for what she wants. Some people call her mouthy but that is only because she is a women, if she was a man she would just have an opinion. Go Lily, we love you.

What do you think?

MonaLisa Twins Interview | Music

We have interviewed MonaLisa Twins, we have featured these talented women, Lisa and Mona Wagner,  before but thought it was time to get their own thoughts in their own words.

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Have you always wanted to make music?

Lisa: Music has always been a big part of our lives, so it was a very natural thing for us and a smooth transition into being “professional musicians”. The radio was always on and we were constantly singing, even on car rides or in school. As kids we got easily excited for a lot of things: we had a passion for animals, all kinds of art, we loved books, movies and everything that was fun to do. But music stuck with us the most, so yes, we always wanted to “make” music, since we were always doing it anyways, but the wish, dream and passion to really make it our profession, started growing from the age of about 13.

 

What are the origins of Mona Lisa Twins?

Mona: Since we’re twins we’ve been living together for 19 years now. That’s quite a lot of time, considering that we’ve spent nearly every single day under the same roof. It’s actually a miracle we can still stand each other, but for some odd reason we do.

When we were younger, our Dad ran a recording studio at home, so we have always been messing around there and recorded cute Birthday songs for family members or friends and the like. Music always meant good times and spending time with our Dad. To this day we still work together with him, write the songs and record them in our own studio.

L: So it was all just a really natural development, we grew up and over the years became better and more certain of where we wanted to head with our music. There was no date or year where it all started, but you could mark a family concert back in 2007 as the first milestone of the musical journey.

 

How would you describe your sound?

M: When we started out covering lots of songs and later to write our own music, we discovered a great passion for the 60s, especially the early beat music. It was the kind of more sophisticated Rock’n’Roll that we were so in awe of. We loved the easy but somehow very powerful songwriting style of that era and tried to integrate as many of the musical elements in our own songs as possible.

L: After listening to loads of 60s bands we were looking for newer groups who wrote in a similar kind of matter, but were a bit disappointed by the lack of it. So we tried to write the kind of songs that we would enjoy listening to. We incorporated many of the elements that we thought made the whole 60s era so special – mainly focusing on interesting, catchy but diversified melodies in our vocals but also guitars, bringing back the strong harmonies and wiry, bright guitar sounds.

 

What is your favorite Mona Lisa Twins song?

L: This is nearly like having to pick a favorite child! But well, I could say that for our more upbeat songs, I personally am very proud of “This Boy is Mine”, since it really brings the raw 60s Beat music vibe across we were aiming for.

M: For me “The Wide, Wide” land has got a very special place in my heart. We wrote it for our grandma who passed away of Alzheimer, and we first played it at her funeral together with our cousin. It was such an emotional moment, and people seem to connect very well with this song.

 

What is your favorite non MonaLisa Twins song?

L: Ah, that’s even harder! It normally is some kind of Beatles song, but there are also so many wicked ones to choose from. One of my all-time favorites would be “You’re Gonna Loose That Girl”. As for more recent songs I’ve been listening to John Mayer’s “Born & Raised” album a lot lately and especially love his song “Speak For Me”.

M: Probably “Because” by the Beatles.

Who is your favorite modern, and non modern artist?

M: As for “modern” artists I would probably say John Mayer. I’ve been going through an unhealthy obsession with his music lately, but I just love the way he puts words together with sing-along melodies. Non modern is easy, the Beatles in my opinion will always be the most mind-blowing band that ever existed.

 

L: It’s hard for me to pick favorites, but for more “recent” bands I enjoy The Belle Brigade, The Arctic Monkey and Josh Pyke to mention a few. Overall I prefer bands from the past, which next to the Beatles would be Donovan, Simon & Garfunkel and Cat Stevens, but the list goes on and on.

 

Who inspires you?

M: People who do more than you would expect them to. This doesn’t have to be art related at all, but I just get really excited when I hear about stories where people go out of their comfort zones to reach their goals. Everything worthwhile on this world was done by people who are not afraid to try out something different and new and are not constantly held back by the desire to “fit in”. I think that’s what life is all about.

L: I completely agree with that. And of course that would also be my musical heroes and idols from the past and present.

 

Describe your style.

L: It’s probably best described as reinvented 60s sound. Bright guitar riffs, harmonies, melodic and catchy, but certainly not trivial songs.

 

What’s next for you?

M: We are planning to release a Live-CD in spring 2014. We played so many shows this last year that it would be a shame if no one got to hear the songs we performed, except the people who saw the shows. So we figured we put out another live record, before going back in the studio to record new original material.

L: We’ll include live versions of our original songs as well as covers. Our voices changed quite a bit, since we recorded the last album, so it should be interesting for our fans to hear how we perform our music these days. Besides that, we are planning to write many more songs and release them as singles one at a time.

 

Norine Braun “Coventus The Eye Of The Heart” | Music Profile

Norine Braun "Coventus The Eye Of The Heart"Artist: Norine Braun
Location: Vancouver BC
Styles: Roots Rock, Blues Rock, Adult Album Alternative, Funk influenced
Similar to: Patti Smith, Bob Dylan, Joni Mitchell, KD Lang, City and Colour, Grace Slick, Sade
CD: Conventus The Eye of the Heart (Advance)
Members/Instruments: Norine Braun vocals and guitar Adam Popowitz lead guitar and bass, Elliot Polsky drums and percussion Alice Fraser keys and Huggybear Leonard blues harp and penny whistle
Production: Adam Popowitz produced and engineered at Rear Window Song and Sound Coquitlam BC
Bio:
Canadian artist Norine Braun bridges the gap between a singer-songwriter and a rock and roll performer with her new release Conventus The Eye of the Heart. Norine Braun’s music falls somewhere in between the intimate, heartfelt approach of folk and the energy of pop, roots rock, just as if Joni Mitchell, kd lang and Colin James would join Patti Smith and Prince for a jam, somewhere in the vast wilderness of the Canadian landscape.
Her music blinks an eye to the past, while firmly looking forward, blending timeless elements such as blues, rock, funk and country and presenting them to the audience with a freshness and balance that are in tune with today’s sensibilities.
Norine’s diverse approach to songwriting and her prowess as a heartfelt performer are the fundaments of her solid reputation within her local scene, and beyond: This talented artist received recognition from events such as L.A. Music Awards, The Best Female Musicians Magazine and many more.
Ever the chameleon, hardworking DIY Norine Braun is set to release her ninth studio album, adding to her impressive and prolific catalogue. “Conventus The Eye of the Heart”, an inspired piece of music centered around the concept of “unions”, something that affected Norine’s life in several disguises. Vancouver’s finest musicians have joined her again on the musical journey for Conventus. Adam Popowitz has produced, engineered and performed guitar and bass on Conventus, Elliot Polsky performs on drums and percussion, Alice Fraser performs on keys and Huggybear Leonard performs on blues harp and penny whistle.

Emotional, heartfelt and eclectic: Norine Braun in 3 words. “Her voice has the viscosity of a jazz crooner, the elegance of a gospel singer, and the heart of a folk or blues artist.” Bryan Rogers
About her latest release, Norine says “Conventus The Eye of the Heart is my new and ninth album born out of life’s unions and struggles. The past couple of years I encountered many unions in different disguises. I was diagnosed and cured of colon cancer. As I lay in my hospital bed last January, I listened to my roughly recorded demos of these songs and I let them show me the way to health. Music was a healing activity that held my interest and focus in my recovery.
This past year I also embraced a most magnificent union. I married my partner of 25 years on Halloween 2012 the anniversary of our first meeting. I watched my partner’s mother dementia advance and witnessed a great love and strength as we moved through this life transition. I looked at the union in my own family of origin relationship and how my life’s journey as an adoptee has greatly shaped who I am. All of these unions, union of self and body, self and spirit, family union, union of love and marriage are found in the creation of these songs and my new album.
This music is not only my story, it’s also your story in fact it’s our story, it’s everybody’s story. We have all known someone who felt lonely, defeated, betrayed, rejected, scared, and yet found the strength to get back up, fight and win. We all know when we find that union with someone, something or within ourselves we can overcome and celebrate and cherish everything. This is what Conventus is about for me. Conventus is a celebration of union and of life”
What do you think?

Killing Fields of Ontario Release Free Download Prior to Album Drop Monday #Halloween

Killing Fields of Ontario

 ‘How the World Ends’ out 4th November

Ft Lead the Single, ‘Cloud’ (23rd Sept)

Out on KFoO Records

Killing Fields of Ontario, free download, music, download

With Halloween and the release of folk rockers Killing Fields of Ontario’s second LP ‘How the World Ends’ looming, one of the stand out tracks on the record is being offered out as a timely free download today (Halloween), as the band reassure you there is actually ‘Nothing To Be Frightened Of’.

Killing Fields of Ontario have a gift for turning the unspoken fears and realities of life into a fluid musical product. Combining tender progressions with climactic eruptions of madness, their new album ‘How the World Ends’ is at times elevating in its honesty and beauty, and at others wholly scornful of emotive truths. Wonderfully diverse elements of leftfield pop and contemporary folk are hardened by an immutable grit that spits and attacks, as showcased in its leading single, ‘Cloud’.

‘Cloud’ is a whirlwind of lament delivered with an urgency that will blow you away; its tortured plea reluctantly accepts the energetic orchestration offered by the proficient rhythm section providing the listener with a certain ambiguity. At first offering you its hand, Cloud promptly takes you by the arm on a journey through the warmest of acoustics and the most sensitive of themes.

HTWE, due to be released October 28th is decorated with a shimmering melancholy, reminiscent both in palette and texture; of the orchestral grandeur of Broken Social Scene, while other tracks demonstrate stylistic versatility as well as a more streetwise modern angst like Frightened Rabbit’s ‘Pedestrian Verse’ or the seasoned insight and worldly lyricism of Interpol.

Other influences include hints of We Are Augustines, Arcade Fire and Local Natives. In the arena, the band have shared stages with Sparrow and The Workshop, Broken Records, Chris Mills and Mount Eerie.

This is a band who clearly have a wonderful ability to engage with dark emotions, yet can still format to become radio darlings. Tom Robinson recently hailed them as ‘long-standing 6Music Introducing favourites’ and ‘Tired of Being a Man’, the frontrunner on their last record, was in Amazing Radio’s ‘Top 20’ for a month in summer 2011.

The upcoming record was produced and mixed by the band’s own Tom Loffman – whose album credits as engineer include VV Brown, Idlewild, and Billy Bragg – having cut his teeth working alongside some of the county’s top producers in Phil Brown (Robert Plant) and Dave Eringa (Manic Street Preachers). With all tracks mastered by Ed Woods (Bloc Party, The Futureheads), this is all sure evidence that ‘How the World Ends’ will be as enthralling a listen as its titled suggests.

 

Track Listing

01 Twisted Little Theatre

02 Nothing To Be Frightened

03 When We Were Born

04 Cloud

05 Weight

06 Left In Shadow

07 Creeper

08 Our Place to Drown

09 How The World Ends

10 God Or Country

 

Ron Littlejohn & the Funk Embassy “Shining On” | Music Profile

 Ron Littlejohn & the Funk Embassy, music, music profile, music newsWe are always searching for good music that more people should listen to. This funk/soul band definitely fit into that category. Have a listen to the track below.
Band: Ron Littlejohn & The Funk Embassy
Location: Montreal / Toronto, Canada
Styles: Funk/Soul
Similar to: Isaac Hayes, Curtis Mayfield,  Marvin Gaye, Al Green
CD: Shining On

Accolades:
– Ron Littlejohn (Songwriter, Singer) : opened for James Brown, Maceo Parker, Bettye Lavette, KOS, Holly Cole, War

– Thierry Matrat (Songwriter, Keyboards) : Opened for Warren G, The Roots (Lyon, France)
– Olivier Babaz (Bass) : played in multiple countries & festivals : Montreal Francofolies and Jazz Festival, Sakifo Music Festival (Reunion Island), Jazz In Marciac (France), Angeradona (Madagascar), Jazz a Port-Au-Prince (Haiti), Milatsika Festival (Mayotte), New Morning (Paris, France)

Kevin Turcotte : recorded and toured with Time Warp, The Mike Murley Quartet, Rob McConnell and The Boss Brass, Don Byron. Played with Tito Puente, Dave Holland, Kenny Kirkwood, Pat LaBarbera, Bill Grove, Kenny Wheeler…

Alana Bridgewater : voice of the 2008 Olympic Bid. In 2007 she was nominated for a Gemini Award for her contribution to The Gospel Christmas Project (CBC). Alana has a recurring role on Nickelodeon Jr.’s Dino Dan. In 2008 she played the role of ‘Killer Queen’ in the Toronto production of ”We will Rock You.

Award won (Funk Embassy alone, not with Ron Littlejohn):
International Songwriting Competition, 2012, Dance/Electronica Category, with the single ‘Unity’

Members/Instruments:
Ron John Littlejohn : Vocals, Lyrics
Alana Bridgewater : Vocals
Dwight Chase : Drums
Joe Hackl : Guitar
Olivier Babaz : Bass
Moise Matey : Percussions
Kevin Turcotte : Trumpet
Thierry Matrat : Keyboards, Songwriting, Producer
Guillaume Larouche : Flute (A day in San Francisco)
Etienne Lebel : Trombone (Unity)
Steve Donald : Trombone (Soul Devotion, My Magination)
Glenn Crosse : Solo Guitar and Video Production (Shining On)
DJ Mana : Turntables (Soul Devotion, The Village)
DJ Horg : Turntables (Cream #9, Unity)
Obed José : Graphic Arts, Animated Movies (A day in San Francisco, Unity)
Production:
EP produced by Thierry Matrat
Recorded mixed by :
– Jason Steidman at Number 9 Studios, Toronto, On, Canada
– Karl de Serres at Saint-Phonic Studios, Montreal, Qc, Canada
– Mastered by Steve Corrao at Sage Audio, Nashville, Tn, USA (except ‘Shining On’, mixed and master by Glenn Crosse, Toronto)

Tracklisting:

1- Shining On
2- Seem Like Yesterday
3- Light Me Up
4- Soul Devotion
5- Cream #9
6- My Magination
7- A day in San Francisco
8- Emma Lee

< Websites:

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Bio:

Ron Littlejohn & the Funk Embassy is a funk collective founded by main songwriters Thierry Matrat and Ron Littlejohn. It’s members have achieved amazing things on their own, including opening for James Brown (Ron) and The Roots (Thierry). The project features Ron Littlejohn on vocals, Thierry Matrat on keyboards, Alana Bridgewater on vocals, Olivier Babaz on bass, Joe Hackl on guitar, Moise Matey on percussion, Dwight Chase on drums, and many other talented musicians contributing to individual tracks.

The project began with Thierry Matrat, who, after a long history as a hip hop artist in France, started the Funk Embassy project in 2009. He began composing music originally with the intention of creating soul/funk songs for rappers. After many collaborations, he decided to switch the project’s focus and hire the best musicians and singers he could find. Craigslist made this happen, and it was Craigslist Toronto that brought Thierry and Ron together.

Unknowingly, Thierry has found the perfect person to help him spearhead the ideal direction for his music. Ron Littlejohn had a long history in the Toronto soul/funk scene with his popular group Planet Earth, who Thierry listened to for “5 seconds before he knew Ron was the singer he was looking for”. Prior to finding Ron, Thierry has advertised in Montreal and found three very notable funk musicians in Olivier Babaz (bass), Joe Hackl (guitar) and Dwight Chase (drums).< Thierry and Ron recorded the initial music by communicating through emails as to what the song structures and melodies should be. Music was then recorded in studio in both Montreal and Toronto. After the initial demos, Ron recommended additional musicians to complete the collective needed for the debut album (Steve Donald, Kevin Turcotte and Alana Bridgewater).Fast forward to Fall 2013, and Ron Littlejohn & The Funk Embassy are preparing to see their album “Shining On” released (Oct 19).

About the inspiration for the title track “Shining On”, Ron says “When I was about to become a father, some friends actually became resentful at the idea of me having new priorities. This hurt me like a bitch. I wrote this song to my unborn daughter trying to tell her no matter how mean the bastards get, keep on shining. I think it’s the best song I’ve ever written. So I thank those negative folks for the inspiration.”

Inspired by their heroes such as Isaac Hayes, James Brown, Curtis Mayfield,  Marvin Gaye and Al Green, the album was a labor of love, consisting of work and dedication from some of Toronto and Montreal’s best soul/funk artists, ironically brought together by a songwriter from Lyons, France.