Some years ago I was honoured to be invited to speak at the commemoration of Vera Brittain’s life, at St. Martin’s in the Fields. I was delighted to pay homage to the author of Testament of Youth, (soon to be released as a film) who wrote with an eye to the social and political context of the time, as indeed do I. So, on went the hat, and off I went.
In the front pews were the great and the good, rewardingly attentive. At the back, secure in the knowledge they were welcome at St. Martin’s whatever else was going on, were the sleeping, snoring homeless. St. Martin’s has endeared itself to me ever since; with its balance of religion, and community.
Part of this ethos had led, 65 years ago, to the free lunchtime concerts. At last I caught one, featuring Joo Yeon Sir and what a treat.
Joo Yeon Sir photograph by www.benjaminharte.com
Joo Yeon Sir (violin), acclaimed and award winning Korean born British violinist, has performed as soloist, recitalist and chamber musician at major venues across the UK. At the concert on 9th January she was accompanied by Russian born Irina Andrievshy .So there I was, sitting in St. Martin’s again: did it disappoint?
Absolutely not, it was a tour de force.
As I sat towards the back, pre-concert, admiring the East Window created by Shirazeh Houshiary and Pip Horne with its etched mouth blown clear glass, I wondered if St Martin’s ethos of ‘all welcome’ still held good; especially in such a full house. Then I heard it… A homeless gentleman sitting in a pew across from me, asking where was God, loudly, and then rather more vehemently where the …. was he? Security arrived, a kindly security, who had a little chat, and the visitor left, amicably, to return halfway through the concert. A frisson ran round our area. He plonked himself in a congested pew, (they all were) getting everyone to shove up, and then settled to listen to the marvelous music, along with the rest of us. Perfection at all levels – again.
Joo Leon Sir had chosen to open the concert with Grave in style of F. Bach. I’m a great weeper when listening to the violin, because I find it the most beautiful of instruments, if played well. It was played, more than well, so things became blurred. What enhanced the piece was the glorious building. Both the playing and the architecture inspired awe.
Then it was the Sonata No 3 in C minor for Violin and Piano, which was beautifully and empathetically imagined and finally a Concert Fantasy on Gershwin’s Opera ‘Porgy and Bess’, which was cheeky, energetic and as haunting, as Gershwin always is.
Joo Yeon Sir plays not just with her fingers, but her whole body. She is a joy to listen to, and to watch. So, take the upcoming opportunity: Joo Yeon performs all ten of Beethoven’s sonatas for violin and piano, in a series of four rush-hour recitals at the Royal College of Music, starting 3rd March.
Again, all recitals are free but tickets are required from the RCM Box Office. 020 7591 4314/ www.rcm.ac.uk/events Royal College of Music, Prince Consort Road, SW7 2BS.
