Figure 8 Railway Set And The Record Listen & Light Station From Hape

When it comes to toys for children you can never go wrong with Hape. You can also not go wrong with a railway set. So the Figure 8 Railway Set is a great present for little ones. Easy to build and well made, it sparks your childs imagination and gives hours of fun. The set comes with a figure eight track, a bridge, three rainbow trains, and two trees. The Frost toddler loved it.

For charming and characterful railway sets look no further then Hape and their extensive range for children 3 Years +.

Over the bridge and through the woods guide the little rainbow train around and about with the Figure 8 Railway Set from Hape. It makes the perfect starting point for any little train enthusiast to begin their exciting adventure as this set grows alongside your child, build and make it your own, helping inspire new ways to play and imaginations to grow. Children can explore real life situations with The Hape Figure 8 Railway Set available online from Amazon for £19.77 suitable for 3 Years +.

Add a great finishing touch with The Record Listen & Light Station. A wonderful little set which includes an authentic light up station, ticket machine, train timetables and station clock. Children can record their very own personalised greeting for those passengers entering the station. It is an adorable and well made set. A perfect addition to any rail set.

All aboard with The Record Listen & Light Station from Hape.  What railway wouldn’t be complete without this adorable set? The Hape Record Listen & Light Station is available to buy online from Amazon for £10.83 suitable for 3 Years +.

 

Last Chance for Fiz in Soho…

 


We all dread the toll of the bell when “Last Orders” are up, but we’re here to give you plenty of notice to try out Fizbar in Soho for one last time before they close there doors this Saturday. London’s first sparkling wine bar opened it’s doors 9 weeks ago for a 10 week residency at iconic London haunt, Lights of Soho. Started by three friends, their quest was to bring a hint of Barcelona’s backstreet Cava bars to London. With a playful and eclectic list of international fizz, the aim was to take a step away from the pretentious wine bars and over-priced, bourgeois culture associated with drinking sparkles in the Capital. As well as a damn good list of drinks to make your way through, the food here is also well curated and carefully selected to pair with your drinks. The atmosphere here is like no other, you can enjoy your bubbles whilst watching the Chef’s cook your food to order right at the bar.

Just to give you an example of how eclectic this wine list was, we made our way from House Fiz which was a crisp Cava at £4.5 a glass all the way to the unusual ‘Black Queen’. Hailing from Barossa Valley Australia, Black Queen is a red fizz with hints of dark cherry and fruit. Not for the faint hearted, this was described by one of the owners as the Marmite of Fiz. There are of course a few Proseccos that feature on the menu but our stand out fizz by far was a lot closer to home, all the way from Kent. Balfour Estate by Hush Heath winery in Kent was an example of something very elegant, dry and sophisticated. The production of this fizz is very similar to Champagne and is unsurprisingly award-winning. If an adventurous journey through fizz is more of what you’re after, there is something for everyone at Fiz, alongside the sparkling red, there is an Italian Sparkling wine with notes of lemon and lime and also something from Brazil too. The wines on the list go from £4.5-£10 a glass to give you an idea of how casual and affordable this joint is. The food offerings include a cheese board, a meat board and a selection of sliders to name a few, we recommend the Pastrami which we are told is made on site. As well as a bottomless brunch available on the weekend. We really enjoyed the little quirks and added extras to the place including a couple of alcoholic ice pops to choose from and of course the striking backdrop that is Lights of Soho featuring many neon light designs.

We highly recommend you checking out Fiz before they close there doors this Saturday before they move on to their next location so stay tuned for more info…

https://www.fizbar.com

Homeowners Can Only Afford 66% of Their Annual Home Repairs

Homeowners are expected to save on average £2,158.47 per year for home repairs
58% of first time buyers would prefer to buy a new build over an older building

Over a quarter of Brits said that fixing a roof was their most concerning home repair
Infographic map included showing the average maintenance shortfall (per year) across the UK
Unexpected disasters are the worst – they catch us by surprise, and mean we have to search frantically for a solution. If an unexpected disaster happens in our home, that usually means the solution will involve money – and probably lots of it – to fix what’s gone wrong. In an ideal world, we’d have a little pot of cash stored away for exactly these kinds of problems. Housing experts agree that sensible homeowners should budget 1% of the value of their property every year to maintenance and property repair. And with the average house price in the UK being £215,847, that means we should have a home improvement and repair account to the tune of £2,158.47 per year. But how many of us do that? Not enough, apparently. Rubber roofing specialists Rubber4Roofs surveyed 3,000 UK homeowners to find out what their home-fixing slush fund was worth. Taken on average, they found that Brits only budget £1,438.98; that’s a national shortfall of £719 (or 33% less than what they should be budgeting). Not ideal if your boiler suddenly breaks down over the winter, or your washing machine suddenly springs a leak.
But while that’s the UK average, some regions are doing even worse, as the infographic below illustrates:

As you would expect with such high property prices, Greater London comes out on top (well, bottom) with an average budget shortfall of £3,288. That’s a big gap, particularly if something major goes wrong with your house. That could also be because the cost of living is substantially higher here, so that people don’t manage to save that much (plus all those metropolitan cappuccinos and avocados on toast don’t come cheap…). Close on their heels is the South East of England, with a gap of £1,947.

The money-savviest region, in contrast, is the North East – they’re only short by £800, not that much more than the national average. They know the value of a penny or two up there! But regardless of how much you do or don’t have saved, many of us are likely to put the cost of any repairs straight onto a credit card, thus delaying the pain of parting with actual cash – nearly a fifth of us do this.

Rubber4Roofs also asked first time buyers whether they preferred new builds, or older buildings; over half of them (58%) said new builds, presumably because fewer things were likely to go wrong – well, not in the first few years at any rate! But when asked which type of repair worried homeowners the most, due to the cost, the majority of them said roof repairs. Over a quarter of us (27.5%) know that this is usually a substantial cost, due to the nature of the work needing to be done, from the risk of sending workers onto the roof, to the heavy graft needed to fix any holes or leaks. Though you might want to avoid any future issues by installing rubber roofing instead: it’s a single-ply synthetic membrane you can use on low-sloping or flat roofs because it’s durable, pliable and waterproof; the benefit is that, although the cost difference to traditional flat roofing materials is negligible, rubber roofing has a life expectancy of 50 years which is up to 5 times as long.

This was closely followed by plumbing issues (26.5%); again, when something goes wrong and you’re left with indoor flooding, caused by anything from a blocked loo to overflowing drains, it’s not going to come cheap. Fixing foundations (18.5%) and removing mould (17.5%) were also concerns, due to the amount of work and associated costs involved. Few of us worry about electrical issues (7%) as that usually seems pretty straightforward, usually involving a change of wiring or a fuse, and the least problematic repair is repairing the drain pipe (3%).
‘It looks like Brits might have to start putting a little bit more away each month to ensure they’re covered for unforeseen repairs,’ says Tom Cullingford, owner at Rubber4Roofs. ‘There’s nothing worse than the headache of a major housing issue, coupled with the headache of trying to find the money to pay for it. But putting precautions in place, such as installing rubber roofing, can save time and money in the long run.’

The People at Number 9 by Felicity Everett: Reviewed by Penny Gerrard

 

Occasionally Frost Magazine has a treat and receives a review of a book they’ve already featured. It’s good to see another take, and The People at Number.9  seems to please most people.

Penny Gerrard has this to say: Felicity Everett’s first book “The Story of Us” was hugely enjoyable, and I have been looking forward to her second, though have  had to wait four years while she has been in Australia.

The wait was worth it because this is a fascinating book dealing with the complex interwoven relationship between two very different couples.    Sara and Neil are conventional  – Sara a copywriter and Neil a manager for a Housing Association.   Sara suspects that she has a novel  inside her and Neil is hoping  to rise up the ladder to the top of the housing association tree.     The other couple are new neighbours Lou – a glamorous and unpredictable maker of art films and her husband Gavin – a successful artist.    To the more staid couple Neil and Sara, Gavin and Lou’s lives seem wild, free and exciting and increasingly they find they are being taken over by the overpowering newcomers.

Most of us expect that making friends with another couple will be a positive experience but  this compelling novel certainly raises doubts about whether that’s always the case.   Can a friendship with a demanding and unusual couple lift a steady but rather unexciting marriage, or will it damage it beyond repair?  I can guarantee that you won’t be able to wait to find out as you read this well-crafted and satisfying book.

The People at Number 9 by Felicity Everett pub HQ hb £12.99/eBook £5.99/Audio Edition £12.99

Five Books To Read This August

 

The Upstairs Room is one of our favourite books of the year. Now out in paperback. Read it now.

 

A very clever and well written book with a message. An environmental wake up call for a fragile planet.

 

A engrossing and fun novel. Perfect for fans of Call The Midwife. The second book in the Nurses of Steeple Street series.

 

A stunning book from Lisa Jewell. An edge of your seat unputdownable thriller. One of the books of the year. You won’t forget it.

 

A smart take on the original classic. Written in an unconventional way that works. The story of one woman and her life. Well observed and entertaining.

All available from amazon.co.uk

READY BREK READIES FOR ADVENTURE WITH ‘WE’RE GOING ON A BEAR HUNT’

ready breakSuper smooth kids’ porridge Ready Brek and Walker Books’ popular children’s brand We’re Going on a Bear Hunt are embarking on a joint adventure.  The two bear-loving brands come together to serve up a nutritious helping of outdoor fun in a bid to help parents and kids adopt a healthy, balanced lifestyle.  Ready Brek will be inviting kids and families to create their very own bear hunt featuring fun activity ideas to try at home on their packs.

The free We’re Going on a Bear Hunt guide, inspired by the hit Channel 4 animated film, will feature beautiful artwork from the film, each guide suggests games and activities showing kids how to go on their very own bear hunt swishy-swashing through grass and splash-sploshing through puddles. Packs also include three delicious recipes to collect; Bear Hunt Banana Muffins, Protein-packed Bear Hunt Bites and Bear Hunt Blueberry and Apple Flapjacks which are all nutritionally balanced, energy boosting snacks that will keep little adventurers going.

The on-pack promotion is on sale now (in the UK) and will feature on packs including Ready Brek Original 450g (RRP £1.99) and 750g (RRP £2.99) and Ready Brek 450g Chocolate (RRP £1.99). Packs will be available in Tesco, Asda, Sainsbury’s, Morrisons, Waitrose and Coop.

 

 

Frost Loves: Upcoming In The Beatles Vinyl Collection

Frost loves The Beatles Vinyl Collection:  a 23-part series from DeAgostini. Single album copies retail at £16.99; double and triple albums will sell for £24.99. Issues are available fortnightly in shops, with subscribers receiving two issues in one delivery every four weeks. Subscriptions can be purchased online at www.deagostini.co.uk/beatlesvinyl

 

Issue by issue, the #BeatlesVinylCollection of single, double and triple albums builds into a comprehensive library of the momentous music made by The Beatles. Presented in exact replicas of the original sleeves, the specially pressed 180-gram vinyl LPs ensure the music will be heard in the best quality sound. Remastered at Abbey Road Studios in London, The Beatles’ reissued LPs have been universally acclaimed by sound experts and the group’s fans. Produced by George Martin in the 1960s, the albums contain some of the most celebrated recordings ever made. Collect them all we say.

 

Business of Books: Going Up! Jane Cable on the importance of the elevator pitch

Jane Cable on the importance of the elevator pitch

It is indeed true that the word is getting shorter. Everything reduced to bitesize for folks in too much of a hurry to stop and listen, hungry to gulp down as many tweet-sized pieces of information as possible.

This is not entirely a bad thing. The book business knows that with so much competition for leisure time and money the potential consumer’s attention needs to be grabbed in a flash. A reader may spend hours savouring a good book, but their buying decision is often made in an instant.

Enter the elevator pitch – the ability to describe your latest work in two sentences at most. Catherine Miller’s excellent talk at the Romantic Novelist’s Association conference drew quite a crowd, encouraged no doubt by the lure of a competition for the winning pitch’s manuscript to be read in full by her agent, Hattie Grunewald of Blake Friedmann.

I learnt a great deal while preparing my entry. On a large piece of paper I set out the major themes and keywords for the book, turning them in my mind and distilling them into two neat sentences. I fiddled with the words, one at a time. I was happy with the first sentence: ‘When archaeologist Rachel Ward visits a remote Lincolnshire field she realises it’s where the voice in her head has been leading her for years.’ For ages I couldn’t get the second to gel, then the next morning I woke up with the perfect solution in my head: ‘But as she starts to dig an unseen danger circles ever closer and Rachel is forced to confront her own past in order to survive.’

The process of preparing what turned out to be the winning pitch had actually shown me that the ending of the book wasn’t sufficiently strong – to be fair, the edit notes I’d received said the same – but crystallising the very essence of the story into a couple of sentences made me focus on the issue – and solve it – in a way that nothing else had.

This week has shown me that two sentences is too long. Try pitching in 140 characters – actually 124 when you need to leave space for #HQBookPitch2017 – when Harper Collins’ HQ Digital division opened its virtual doors for tweeted pitches. I tried but failed to pack enough excitement into so few characters but again it was a great learning experience.

At no deadline was given so rather than research the type of books they were looking for I plunged straight in. At any one time I have a number of concepts on the block so I picked one I thought would do and tried to make it sound succinct and sexy. Not sexy enough, clearly, but I have learnt to target publishers I’m interested in better (a number of them do use this technique) and hone relevant pitches so they’re ready.

So what does a successful Twitter pitch look like? I am lucky enough to know two authors who have been asked to submit further and this is what they came up with and how they describe themselves in a tweet:

‘Lucy swaps her husband for a motorbike and has the best ride of her life’ from Sue McDonagh: “I love building my characters, then letting them loose. Should I admit that they do things I hadn’t planned for them and make me laugh?”

‘Millie should have known an archaeological dig is no place to escape the past. But can she uncover her future there too?’ from Kirsten Hesketh: “Pantser, people watcher, procrastinator extraordinaire. Twitter counts as writing, right?”

It goes without saying that everyone at Frost is rooting for them. We’ll let you know how they get on.