Win! Friends Prize Pack, oversized cappuccino mugs and a picture frame

Warner Bros. Pictures is proud to announce the release of Friends: The Complete Series Blu-Ray Box Set November 12th 2012; along with the 30 Days of Friends: Trivia Challenge Blog App and Video Player! and Frost Magazine has prizes to giveaway!

 

 

You will win a Friends prize pack with two oversized cappuccino mugs and a picture frame just like the one on Monica’s door to giveaway to your audience.

2. 30 Days of Friends: Trivia Challenge! Come back everyday to earn a different Friends character badge, unlock hidden badges, and earn awesome Friends content along the way.  

3. Mashup Clip Countdown! Relive all your favorite Friends moments in these fun clips.  Each week a new clip will be unlocked. 

4. Which Friend Are You Most Like Quiz! Everybody loves the characters of Friends for their distinct and quirky personalities. Chandler’s wit, Monica’s OCD, and Phoebe with her free-spirit. Take this quiz to find out what Friends character you are most like!

5.Get Social! Tweet with the #FRIENDS hashtag to get your audience excited for the long awaited release of Friends: The Complete Series Blu-Ray Box Set.

To win just follow @Frostmag on Twitter and tweet, ‘I want to win #friends prize with @Frostmag’ or subscribe to our newsletter.

 

Alison Jackson creates lookalike images for Channel 4 Dispatches

Channel 4’s current affairs strand Dispatches has asked the award winning photographer and filmmaker Alison Jackson to create images to sit alongside a special edition of the programme called Nuclear War Games, about the tense relations between Iran and Israel and the possibility of a military confrontation.

The lookalikes of Benjamin Netanyahu and Mahmoud Ahmadinejad are pictured playing actual games including chess, backgammon, arm wrestling and computer games.

Alison takes figures who look like well-known people and places them in scenarios which often provide an engaging and pertinent commentary on real life situations and the public perception of her subjects.

Nuclear War Games has gained exclusive access to an Israeli ‘war game’, in which an Israeli attack on Iran is played out in detail. It will be broadcast on Channel 4 on November 5th at 8pm.

Alison Jackson said: “This shoot was the perfect example of getting someone who looks nothing like the famous person he is supposed to resemble and turning him into a spitting image. The Ahmadinejad lookalike didn’t even have a beard, but by the beginning of the shoot we had managed to make him look just like the Iranian president.

It’s always fun to put fake celebrities in unlikely situations, but somehow it’s even more fun when politicians are involved. We’re really not used to seeing them with their guards down and acting like normal people. They all take themselves so seriously”

Dispatches: Nuclear War Games will be shown on Channel 4 at 8pm on Monday 5th November

Photo credit Alison Jackson: www.alisonjackson.com

The Comic Strip Presents ‘Five Go To Rehab’

Three decades after the renowned Five Go Mad in Dorset, Jennifer Saunders, Dawn French, Peter Richardson and Ade Edmondson return to celebrate 30 years of the series, with The Comic Strip Presents ‘Five Go To Rehab’, which premieres on 7th November on GOLD at 9pm.

The famous children’s characters have been brought back from the past to confront today’s modern world, but this time they must account for their outmoded racist and sexist views. But the quintet seem blissfully unrepentant as they gather for a reunion on Dick’s birthday in leafy Dorset – still a magical land of rolling hills, woods, ruined castles and dodgy villains in big black cars.

Dick (Ade Edmondson) has changed little since those early years and is now Assistant Manager for Plasmold, a plastic guttering company in Dorking. Eager to rekindle the joys of their Famous Five youth, he has engineered a few surprises for their reunion. However the others are not as keen to revisit their past. George (Dawn French) is a struggling alcoholic with a string of ex-husbands behind her and only faithful Timmy by her side. Julian (Peter Richardson) having disappeared to Equatorial Guinea for many years, apparently working for a dubious ‘charity’, is now also in need of a stint in rehab. Anne (Jennifer Saunders) the pretty shy one never did become the ‘perfect housewife’. Now a militant feminist / animal rights campaigner, she lives life on the edge of a nervous breakdown.

The famous five are met along the way by a number of familiar faces. Robbie Coltrane returns as a guest house landlady and lecherous Gypsy. Stephen Mangan plays a sexually charged actor, eager to impress Anne and Nigel Planer returns as a police inspector and sinister barmaid. Rik Mayal plays an evil villain who is determined to decapitate a terrified Julian and Daniel Peacock also makes an appearance as snubbed Toby Thurlow who has had 30 years to plan his revenge on the famous five.

Five Go To Rehab was created by the award winnings writers Peter Richardson and Pete Richens who wrote the original Five Go Mad in Dorset film and have since collaborated on many of the Comic Strip films including The Strike, A Fistful Of Travellers Cheques, Four Men In A Car and more recently the highly acclaimed The Hunt for Tony Blair. Five Go to Rehab was directed by Peter Richardson and produced by Nick Smith who also produced The Hunt for Tony Blair.

‘The Comic Strip Presents ‘Five Go To Rehab’, 7th November on GOLD 9pm.

JAMIE LAING RECRUITS NEW CANDY KITTEN

Jamie Laing, entrepreneur and star of Channel 4’s hit show “Made in Chelsea”, has ventured into the world of racehorse ownership as co-founder of The Candy Kittens Racing Club.

The Racing Club is just one within the Celebrity Race Clubs portfolio, offering customers the chance to mingle with their favourite celebrities while experiencing what it is like to own their own racehorse. Each group has a racehorse running under its name and in its colours and membership can cost as little as £10 per month, offering exciting opportunities to go behind-the-scenes of the sport, as well as enjoy some top on-track action.

The Candy Kittens racehorse has been named by Jamie after his brainchild sweet shop, Candy Kitten, which opened this May in London. The two year old filly is trained by Alastair Lidderdale, in Lambourn, and is due to make her debut at Goodwood Racecourse on 14th October 2012.

Jamie (pictured) visited his new horse last week, meeting female jockey Leonna Mayor, Apprentice Jockey for Alastair Lidderdale, who rode Candy Kitten on the gallops in the Club’s chosen silks. He commented during his visit:

“I am very excited to be adding to my Candy Kitten family with this fine filly of a racehorse and hopefully she’ll give us reason to celebrate during the coming months. Everyone is welcome to join in and I am looking forward to meeting lots of Candy Kitten fans at the races.”

Interview with Zawe Ashton of Fresh Meat

Zawe Ashton can totally identify with her character Vod’s sense of style in Fresh Meat because she has been there and done it herself.

“It’s not even like I have outfits in mind for Vod – I have influences in mind. So after last year instead of listening to so much riot girl punk, Vod is maybe going into a more androgynous place where she is playing with gender and masculinity and at the same time her musical influences are extending to discovering more Bowie or New Romantic post punk music.

“She’s not that self-conscious, she draws so much from her surroundings and is so perceptive that anything that seems vaguely anti-establishment she can really chime with and I can identify with that because that is exactly what happened to me when I was studying in Manchester. Being in a smaller environment with people from so many different backgrounds I changed on a daily basis. One day you’d be having an existentialist conversation with a random in a bar then someone would say ‘do you want to get pissed and dance all night to 80s music’. And I’d be like ‘Yeah’. And because Vod is a yes woman she will say yes to all of that and have all these different influences and experiences. She’ll never miss out. Never regret something she didn’t do…I totally did that at uni after I broke up with my first boyfriend, who of course was a musician. I thought, “Right I am going to have a summer of saying yes to everything.” Which I did.

“This job is such a touch! It is so collaborative but you can also trust every single department to just be on it. If I send June, our costume designer, a picture of Prince and say this is our touchstone for this series – the next thing you know I’m wearing a ruffle shirt, a bolero jacket and my hair’s sticking up and it’s Prince. She runs with it, she is so inventive.”

So how has Vod changed since last term?

Explains Zawe: “This series Vod is exploring the friendships she’s made with these people. What is interesting is having new characters come in and seeing Vod’s reaction – she doesn’t like it at all. She is fiercely protective over the whole group. Vod takes on a hell of a lot more than she lets on and the fact that she has lived with these people and let them in over the course of a term has been a big deal. Seeing her relationship with other characters deepen, especially with JP and Josie, has been really satisfying. Also the episode where she falls in what she thinks is love was really funny because it’s Vod opening up even more to different experiences.

“This season we do see her slightly more vulnerable side but she is also almost like a narrator in a way, she clocks absolutely everything – nothing happens in the house without her knowing about it.

“She’s really caring but at the same time she’s sort of weirdly indestructible. She has such a big heart but is also one of those amazing people who can drink far too much and take too many drugs – like you might say to Iggy Pop ‘you’ve put yourself in some bad situations but you seem to have come through them alright. Still rolling on…’

Also because she is so blunt about things I think she has got a really good grip on what life is. If people die that is just something that happens and you move on. Who knows, maybe aged 40 she’ll have a huge emotional breakdown but for now she’s just a character who has very little subtext, enjoys a good time, has time for people but also insight and will share that. She is her own little thing.”

But Vod also has a few money worries this term and needs to find a job…

“Starting work as a chamber maid is Vod’s idea of hell – that is working for the man. But she is also really good at it. She is massively creative and hard-working but she doesn’t fit into a system and I really identify with that – your work ethic not being that of an institution or a machine. She could probably be great at anything she put her hand to, she’s not limited. But you wouldn’t get out of it what you think… She is definitely born out of her time, she is really modern but at same time there is something sort of old school and punk about her.”

And what are Zawe’s stand-out moments of this series? “I love doing the scenes where we are all together. Those big group scenes are beasts – seriously we are there all day – but they are so satisfying. What is so nice is that you can have reactions off of people, even if you are not saying anything I get an awful lot out of those scenes. The reaction shots are my favourite bits. And exploring the physical proximity of each other – giving this real sense of being in a student house.

Talking of her eclectic mix of fans, Zawe says: “Some people are really drawn in by the hard-living side of Vod and are watching the show thinking ‘that’s someone really good on a night out’. Unfortunately I’m not that person anymore. It is the realisation that I can’t go clubbing all night; I have a job and I’m tired. On the flip side I get lots of lovely mature men and women in their 50s and 60s coming over and saying how nostalgic the whole show feels and how much they like the character because they knew someone like that, so I get both ends of the spectrum. Some lovely fans on twitter made t shirts saying Keep Calm and Trust in the Vod… in that font with a little picture of me. That is definitely the nicest thing that has happened.”

Zawe is currently filming Case Histories for the BBC. She also has another project in the pipeline. “I’ve written a short film for Greg (McHugh). Greg is a superstar, one of the best actors out there working – the characters he creates on screen are superb. I want to direct that. To have a production company and be working out of that writing, directing and acting and hiring teams of people I know will do a good job would be amazing; a dream come true.”

 

Fresh Meat returns to Channel 4 on Tuesday 9th October at 10pm.

Interview with Joe Thomas of Fresh Meat

Joe Thomas got to enact a childhood dream while filming the second series of Fresh Meat.

“I couldn’t quite believe it but basically I got to be filmed busking in the style of Blur,” says Joe. “It was like being able to vent my childhood dream of being in a band when my favourite band was Blur.”

Returning to university for the second term, Joe’s character Kingsley has a new look…

“In the last series Kingsley was relatively innocent but this term he is trying to contrive an image for himself – he has become quite pretentious, probably because he was quite badly hurt in the first term. This includes growing a little beard called a soul patch, which doesn’t really suit him, and developing an interest in music.

“On the downside I have to sing but on the upside it is a song written by Graham Coxon from Blur who are pretty much my favourite band of all time. I got to meet him and it was really nice to meet someone so famous who has done an awful lot with their life yet seemed very much a normal bloke. He is a fan of Fresh Meat which is why he wanted to be involved.

“It is interesting because the song isn’t supposed to be very good so Graham must have had to pull against all his natural instincts to write this tortuous and pretentious thing. The lyrics are very funny and it felt like we really got what we wanted from it; an adolescent, overly complicated epic.

“I do play guitar but only to a level many people can, which is a few chords to a few Blur songs. The only other person in the cast who sings in the series is Charlotte Ritchie, who is actually a professional singer, so it is an unfortunate point of comparison for me.”

The other major change in Kingsley’s life is the arrival of Heather…

“Kingsley has a new girlfriend, Heather, who is slightly cooler than Josie and maybe, in the long run, not as well-suited. However in the short term she is definitely more together and more able to organise a relationship and as Kingsley needs to be told what to do they fall into one. And immediately he is in way over his head.

“This series Kinglsey is getting on with the outward appearance of being grown up but fundamentally he is still sorting himself out. He doesn’t resolve any of his issues.

“Take the soul patch; it tends to be the first bit of hair that grows so it is a bit like a boy pretending to be a man. Also in Kingsley’s case trying to look a bit tougher.

On a personal note it wasn’t great for me to have to go round in my normal life with a soul patch either – it is not something I’d have chosen.

“It was an interesting experiment and I suppose made me appreciate not having it after I shaved it off. I might grow a full rugged beard one day; I can understand that back to nature, wild look but the soul patch isn’t really in the same category…”

So how does Kingsley feel about Josie this term?

“Kingsley is increasingly worried about Josie and he is really good to her as is not unaware that she is having a bad time. But when somebody is your friend but you do still really like each other it confuses things. So he has this mix of sympathy and desire which is frankly a bit weird. They have this relationship that neither of them are in control of.

“They both behave like they don’t care about each other, Kingsley is uber chilled and relaxed about her and Josie acts like she lives to party but neither of them mean that. They like stability and feeling at peace with the world but by carrying on as if they don’t care and are just free spirits they are damaging each other in the process. And as a consequence they mess up the opportunity to be together.”

So what were Joe’s stand out moments of the series?

“I got to do some minor stunts when we filming in the Peak District and I do like a tussle. There aren’t many times you get to wrestle in the great outdoors and let off a bit of steam; normally it is all about being very controlled. I didn’t do anything particularly adventurous but I got to fight with Greg or even better with Howard who is definitely not a fighter and probably hadn’t had any physical contact with a human for some time.

“And filming on location in the big country house was great – it was the only time it didn’t rain, apart from when we were in the Peak District, and it was so nice to sit in a garden rather than a car park outside the studios. A change of environment can really change your frame of mind plus there is always a bit of fun when cast and crew are staying in the same place – it’s a bit like a school trip!”

Joe is currently co-writing Chickens, a comedy series for Sky, with Simon Bird and Johnny Sweet in which they will also star.

Fresh Meat returns to Channel 4 on Tuesday 9th October at 10pm.

Don’t forget to check out Fresh Meat House which will launch 9th October directly after transmission of the first episode on Channel 4. Go to www.channel4.com/freshmeathouse for a tour of the student digs and to watch exclusive content released at the end of each episode.

Fresh Meat House is a new commission from Channel 4’s Education team who have a focus on life skills for young people

Interview with Homeland Actor David Harewood

David Harewood is the British actor who plays David Estes, the director of the CIA’s Counterterrorist Centre, the the brilliant Channel 4 drama Homeland. A graduate of the Royal Academy of Dramatic Arts, Harewood has been a fixture on the London stage for many years, earning praise for his work in such plays as Sam Mendes’ Othello at the National Theatre, which later went to Broadway.

Harewood appeared in Separate Lies, written and directed by Julian Fellowes; the 2004 screen version of Shakespeare’s The Merchant of Venice, starring Al Pacino and Jeremy Irons; and Blood Diamond, alongside Leonardo DiCaprio and Jennifer Connelly.

On British television, Harewood was a regular on such series as The Vice, Robin Hood and Babyfather. He was also seen as Mandela in the television movie Mrs. Mandela. Harewood also guest stars in a number of series including Doctor Who, Strikeback and Criminal Justice.

 

A surprising number of fans of Homeland don’t realise that you’re a Brit. Explain where you’re from…

I’m from Small Heath in Birmingham. It’s hilarious to me. I’ve been acting for 26 years, in everything from Casualty to The Bill to The Vice, I’ve played Othello at The National Theatre – it’s taken me 26 years to be an overnight success, as the old gag goes, and it’s hilarious that all these Brits think that I’m American. And here in America, whenever I turn up on the red carpet, they’re all stunned to find out that I’m British.

 

That’s particularly impressive that the Americans themselves are stunned. That clearly shows that you’re doing something right.

Well, yeah. It’s always something I try to do. I’ve always tried to put character ahead of personality. I’m really glad that, even today, people kind of recognise me, they kind of know where I’m from, but no-one’s able to place me. I think that’s because I’ve done so much stuff, and hopefully it’s a testament to my ability to act.

 

Growing up in Birmingham, you were a very useful goalkeeper, weren’t you?

Very useful – The Cat, I was once known as. [Laughs] I used to play a lot as a kid, and I had trials as an All England Schoolboy. But I was never going to do it too seriously. Whenever it rained, on a wet, windy Saturday morning, I’d stand there thinking “What on earth am I doing here?” My heart was never really in it. But I played with some fantastic footballers, and it was a huge part of my life.

 

You went to RADA at the age of 18. Did that open up a whole new world for you?

Completely! I’d never really paid much attention at school – I was always a bit of a clown, really – that’s why I started acting. I wasn’t particularly attractive, and I wasn’t particularly academic, so the only way I could really get any attention was to mess about and be a bit of an idiot. At the time it was fantastic, but I suppose it was to the detriment of my education. Then I turned up at RADA, and went in on my first day, and they’re all talking about Brecht and Moliere and Dostoyevsky, and I’m thinking “Who the hell are they?” It was a real eye-opener. I really started to appreciate literature, and it was a wonderful journey. I was very lucky, I had a wonderful few years there.

 

Did you struggle to find work after you left?

I was very lucky, I came straight out and got a job. I played Romeo for Temba Theatre Company, which was the biggest black theatre company at the time. I’ve always been really, really busy, I’ve been very lucky. I think I spent the first five or six years just not stopping. I didn’t have any difficulty – the difficulty came much later on, when I got older and started to play roles with more authority on stage, that there were fewer and fewer roles for me on screen to do. That’s when I started to struggle, because of the frustration of playing really authoritative, strong roles at The National, but really struggling to match that on screen. I’ve been really, really fortunate to fall into this role [in Homeland].

 

Landing the role must have been a great thrill – acting opposite actors of the calibre of Claire Danes, Damian Lewis and Mandy Patinkin.

I hadn’t worked for a year when I got the gig – partly for personal reasons, and partly because I just couldn’t get a gig, and then suddenly to find that I was sharing a screen with them was just extraordinary. I’ve just had a wonderful year. I suppose it’s like football – you play with better footballers, you get better. I’ve really found that just by watching them and working closely with them, seeing how they prepare and how they execute, has been a real joy, and I can only hope that there are more roles for me of this calibre, working with this calibre of actor. It’s been an absolute pleasure, it really has.

 

When you’re filming something like Homeland, do you get a real sense that you’re making something that’s going to be really, really good, or can you never tell?

A bit of both. I think everybody was very surprised by the immediacy of the success of the show – we were still filming the show when it became a massive hit in America. It’s kind of a goldfish bowl filming here in Charlotte, North Carolina – I think people do watch it here, but I was really surprised when I went to New York how many people were coming up to me and saying they enjoyed the show. I think in LA it’s such a huge show – it’s on posters and billboards everywhere, and this isn’t that kind of town, where there are billboards for TV shows.

 

David Estes is a fairly ambitious character, intent on climbing the greasy pole. What are your feelings towards him?

To be honest with you, I really struggled with him during the first season – I just didn’t know who he was. I told that to the writers at the end of the season, and they’ve done a fantastic job of really filling him out this year and giving him much more of a personality. Last year he was just the authority figure in the background who was always anti-Carrie. That was difficult, because I didn’t know why he had such antagonism towards her, and I didn’t know who he was. I only really discovered that when I played a scene right at the end of the season, when I played a scene with Mandy Patinkin, when you realise that actually he is implicated, and inextricably linked to this whole bomb attack on Abu Nazir, and how much he’d buried all of that information, and how much he was linked to the Vice President. I didn’t know any of that until the very last couple of episodes. It was a huge revelation to me that the reason why I’d been so antagonistic about Carrie finding out about Abu Nazir was because I’d been responsible for this drone strike. It was a huge piece of the jigsaw for me, when I read those scenes, and it’s been like taking a cork out of a bottle. This season has been fantastic for me, because now I know who he is, I understand him, I like him. Yes, okay, he may have sold his soul to a certain extent to get where he wants to, but who wouldn’t? A lot of us, to get where we want to be, would do what we can. It’s fascinating being out here in the world of American politics during an election. You see the real dirty side of politics, with the ads they’re running. If you want to get where you want to get to, you might have to do things that are seemingly unpalatable.

 

Why do you think they went for two Brits in key roles in the series?

That’s the million dollar question, isn’t it? It’s what everybody’s been asking. And we’ve got a third Brit – we’ve got Rupert Friend joining in this series. The director just says that they were the most interesting tapes that he saw.

 

When you’re on set, between scenes, or when you break for lunch, do you keep talking in an American accent, or do you revert back?

It’s quite extraordinary – all three of the British actors have almost an unspoken rule that nobody’s ever mentioned – we nearly always stay in our American accents when we’re at work. Damian’ll come to work and I’ll be like [puts on American accent] “Hey, man, how’s it goin’?” And he doesn’t look at me and say “What the f*** are you talking like that for?” It’s just unspoken. Every now and again one might drop out of accent and talk about the Olympics, or about something political that happens in the country, like the riots last year, when you have to get out of the accent. But most of the time you just forget, it becomes second nature.

 

You’ve mentioned that it’s election year in America. I hear that Homeland is Barack Obama’s favourite show. Is that a great thrill?

Oh it is. He’s metnioned it several times in interviews – it’s a fantastic thrill. It’s unfortunate that we were on hiatus when he was here for the Democratic convention. I’m sure he knows that we film the show here in Charlotte. Apparently, because his big speech was moved from the stadium to indoors because of the weather, he might be coming back to the state just to do something for the volunteers. Wouldn’t it be amazing to get a visit from the President?

 

Dare I say that it probably wouldn’t be as much of a thrill to have Mitt Romney visit?

Not really! I am astonished it’s so close, to be honest with you. It’s just beyond me that people are even considering him. But there are a lot of people who aren’t convinced by Obama. A lot of people are saying they’re not even going to bother voting this time. That’s bad, that people feel that politics doesn’t mean anything to them. That’s the scary part, that he’s going to lose because the people who voted for him last time just can’t be bothered this time.

 

Season 2 is about to Premiere in the US. Are you excited?

I’m really genuinely excited. From a personal point of view, it’s great because Estes has been given a lot more to do in this series. But it’s just such a fantastic show, I think people are going to be really, really excited to see it. I’ve read so many tweets and blogs where people have said it’s just a one season show which they can’t take any further, but these writers are fantastic. They’ve managed not only to recreate the same amount if tension, but to ratchet it up again. I think fans of the show are going to be very, very pleased.

 

Are you allowed to give us any hints about what we can expect from the series?

I can tell you that the second season begins in Israel. And I can tell you that Carrie will be back in the CIA in some capacity, and that, from what I hear, though I still don’t know, the mole will be revealed. You’re all going to be very surprised.

 

You were awarded an MBE at the beginning of the year. How did that feel?

Absolutely tremendous. It remains, and always will be, one of the proudest days of my life. To have gone there and got that pinned on, and had my daughter and mum be at the palace watching me get that award, it’s one of the proudest things that ever happened to me. I’m really, really chuffed about it.

 

Series 2 of Homeland will be on Channel 4 in October.

Doctor Who: Series 7

CONTAINS SPOILERS!

1. Asylum Of The Daleks

“Is it bad to say how much I’ve missed this,” asks Amy, as Doctor Who returned to our screens, mirroring the thoughts of millions across the UK and world. Yes, the Timelord finally reappeared on BBC1, last seen saving Christmas (again).

And returning too were the iconic Daleks, with the production team boasting this series opener would see every variation of those pesky pepper-pots on screen together for the first time. However, a simple nostalgia-fest this was not, and while Doctor Who has fallen deeply into decades worth of its’ own mythology in the past, this was all about moving the current story arc forward, as part of Steven Moffat’s master-plan.

Picking up where we left off last year, the universe believes the Doctor to be a dead man, a legend in the past-tense, all designed to prevent “The Question” being asked. But there are those who know better, including the Daleks themselves. Reuniting the Timelord with Amy and Rory, now seen suffering marriage issues, they make a simple request – save the Dalek race. The monsters of Skaro are now living in fear – deep in their Asylum, a place where the maddest of all the genocide-loving race reside, is a secret threatening their entire existence. Terrified of their own insane, they decide to send the one thing they fear more… The Doctor himself.

“You think hatred is beautiful?”

Ah yes. This is the start of Matt Smith’s third series in the title role. A faultless performance where the Doctor is forced to express more humanity than he would for a Timelord – including hate, fear and a surprising understanding of human relationships for an awkward alien who is now over 1,100 years old. It’s going to be exciting to see where he’s going to go next with the role, as the story arc begins to take the character into uncharted territory.

Running parallel to this is the beginning of the end for the Ponds. When we rejoin Amy and Rory, they are still in London and on the brink of divorce; the ramifications of the last year’s events at Demon’s Run bringing their relationship to near-collapse. Deeply ingrained in all of Moffat’s work has always been the sense of what it means to be a couple in a relationship and that was very much on show here. With the Ponds heading to their final days in the TARDIS, I’m sure we’ll see more sparkling dialogue, heart-breaking moments and cracking interplay from Karen Gillan and Arthur Darvill. Their marriage domestics not only emotional ground the audience as the show goes all-out SF-Fantasy, but also helps take us inevitably towards their exit…

“What do you know of the Dalek Asylum?”

This is less of the action spectacle the trailers promised and more of a body horror survival story including mad Daleks, augmented human slaves and, yes, even undead zombies. Chillingly designed within family-friendly limits to bring back the fear factor to Saturday nights, director Nick Hurran and the production team not only evoke horror classics such as The Thing, they also bring and surpass the cinematic spectacle we now expect from modern Who. The Parliament of the Daleks will live in your mind for a long time to come, as will the ruinous landscapes of Skaro. Long-time fans will query the return of the Dalek home world; perhaps it was restored when the Universe got ‘rebooted’ at the end of Series 5? Unless something else is afoot…

Steven Moffat’s confidence as show-runner was on display here, keeping the story-telling linear (but, as we’ll see, not without at least one major timey-whimey surprise), tackling the Daleks fully for the first time since he took the reigns of the show and very much in a serious and emotional way. Treating TV’s most familiar villains with a new spin is never easy, yet here it was simply remembered a Dalek best effects the viewer when it’s written as a well-rounded, devious, clever, murderous maniac. And now we got to meet the most insane of the insane.

Dalek stories are an unique collection within Doctor Who episodes themselves. While this never tops the heights of previous classics – the psychological face off in Dalek (2005), the apocalyptic invasion The Stolen Earth (2008), the murky morality of Genesis Of The Daleks (1975), the issues of eugenics, fascism and racism in Remembrance Of The Daleks (1988) – Moffat broadly sketches enough of those elements to shade the Asylum to remind you why they not only make great TV, but also why they make great villains. Treated with fear and respect, plus with the darker edge to Smith’s performance and the maturer emotional arc of the Ponds seen here, you can only wonder what already-spooky Asylum would have been like if written for a later time slot and an older audience. The Daleks en mass were returned to their grass roots – fascist killing machines, prepared to create an entire concentration camp-style planet for those of their race that even they could not control, yet also could not destroy. The thought of Daleks driven mad beyond acceptable limits but still being considered too beautiful to destroy is a sickening one. That they further had to be preserved in a Dalek Hell rather than purged from existence showed another surprising and odious development in their characters.

“Hello, hello, come in Carmen, hello?”

Now we have to turn to the biggest development; if you don’t want to know, look past this bit…

***MAJOR SPOILER***

The secret threat at the heart of the Asylum was also the biggest secret of the story. Oswin Oswald, the survivor of a ship-wrecked Alaska, maker of Soufflés, lover of Carmen the Opera – played by Jenna-Louise Coleman. Yes, the SAME Jenna-Louise Coleman who joins the TARDIS this Christmas as new companion Clara. Or does she? Not sure now. Or has she already? Her dialogue suggests this is not the case. Will she? Ummm… Are they one and the same? Your brain is going explodey-whodey too, right? And as for the reveal that prevented her joining the Doctor in the TARDIS at the end… It’s seriously enticing in terms of what happens next, especially give her final actions. Some could argue Moffat may be repeating the story tropes he used with River Song, but surely there has to be more to it than that?

“Remember me.”

Aside from the obvious questions, Jenna-Louise gives a fantastic turn, all broad smiles, sparkly eyes, clever wit and charming bisexual flirts, leaving viewers excited for her arrival full-time, promising a great début/return/re-introduction/lamp-shading [delete as applicable, in a few years time] on the cards for this Christmas. However, until then, everyone will be left scratching their heads to work out how this all fits together – and I imagine that Christmas will not bring us the answers immediately either. Bravo to Team Who for managing to keep this big spoiler very secret; Jenna-Louise has arrived in style.

***MAJOR SPOILER ENDS***

Finally… three words to those of a certain age who remembered it the first time: Special. Weapons. Dalek.

 

VERDICT:
The Doctor is back and very much on form. Roll on next week…

 

Next Week:
“Dinosaurs. On A Spaceship!”

Best Line:
Doctor: “The soufflés. Seriously, is no-one wondering about that??”

Best Moment:
The Daleks in a completely bemused state at the end.

Rhymey-Whimey:
“Explodey-Whodey!”

Wibbley-Wobbley Timey-Whimey:
Oswin Oswald. Let’s see how this one makes sense…

The Grand Moff Masterplan:

“Doc. Tor. Who?” …It is *the* question, after all.