Anonymous: Damaging The Vital Cause Of Internet Freedom

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Anonymous – the radical decentralised online community ostensibly associated with the goal of ‘free speech’ – has caused controversy by issuing a statement sympathising with the UK riots.

It is yet another example of action by the organisation that damages the vital cause of internet freedom. A cause which the organisation claims to defend.

The Anonymous collective has become increasingly prominent. It is most famous for its DDoS attacks which bombard a target webserver with so many requests that it is forced to shut down. The Mastercard and Visa websites have been victims.

Frost readers will know how much I believe in the freedom of the internet and it pains me to see the cause tarnished in this way. It was always wrong for Anonymous to take criminal action. Their actions only give governments further justification to clamp down on the internet further. This is now more the case than ever following their recent statement.

For a supposedly decentralised community, the comments on the UK riots were pretty categorical, worryingly and obviously so. There is an elite within Anonymous that has its own agenda. http://pastebin.com/V00tbr01

The comments can only be interpreted as seeking to incite a revolution, saying: ‘Your politicians mask the extent to which a significant section of society is stuck in an impoverished way of life with little hope for the future.

“It is time to take a stand and realise that solutions will not be found in today’s corrupt political landscape.”

Anonymous called for people to join them in a day of action on October 15th. Although Anonymous made clear it did not condone the violence, it was sympathetic to the rioters. It suggested the riots were as a result of political anger and resentment. Let’s get real here. These riots had no political point (save perhaps the initial riot in Tottenham), and everybody knows that. These riots were about self-gratifying violence and greedy opportunism.

Anonymous will point to the government response to the riots, potentially regulating and controlling social media sites. They will argue this makes it a legitimate target. Undoubtedly, the government is disgracefully jumping on the riots as an excuse for further regulation. No one truly blames twitter for the looting.

That doesn’t mean anarchy is the answer. It doesn’t make it right to incite a revolution. Internet regulation doesn’t have anything to do with anti-cuts protests or unions and it doesn’t mean ‘justice is only for the wealthy’. You have gone beyond your remit, Anonymous.

A revolution might sound romantic, but we only need to look back a few years to see the true horror they bring. They also never end in free speech.

A Hard STrainGE Gonna Call

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Well folks, here’s a duo which just about sums up everything I’ve mentioned up to now while writing for this delightful magazine. Great songs, great playing and just about every style of rock and roll music on one album.

STrainGE (Strange Rain) are in fact two drummers from London who are both deeply absorbed in musicality from doo-wop, rock, pop, soul, garage, punk, progressive, freakbeat, psychedelic etc. etc.

All the tunes are recorded in lo-fi, which makes the songs stand up even more as there’s no room for overdubbing or production tricks. It’s just plain and simple soul-shattering music – written, played and sung by two musicians. Enjoy!

http://www.beggarsharvest.co.uk/page3.htm

First Supper Review – Theatre

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The Expeditionary Force presents The First Supper @ The Etcetera Theatre, Camden as part of the Camden Fringe Festival.

Sketch shows, especially ones on the fringe, are often filled with either gurning comedians constantly winking knowingly at the audience or a bunch of students throwing catchphrases and ‘wacky’ characters against the wall in the hope that one of them sticks and they’ll become the next Fast Show or Little Britain.

The First Supper by The Expeditionary Force fortunately avoids both stereotypes by assuming something rare in comedy – that its audience is as intelligent as they are. However, even if the audience was as clever as Mike Shephard, Jack Baldwin and Luke Sutherland, they’re probably not as verbose.

This sketch show happily wallows in obscure historical references, literary puns and fast talking absurdity. And, fortunately, it’s well written enough that you don’t need to know, for example, that the people who lived in the ancient Greek city of Byzantium did not refer to themselves as Byzantium to get the joke.

The gags and sketches are not your typical set up, catchphrase, punchline. First Supper often has no distinct ‘gag’ but instead, finds humour in the situation and performances. When Baldwin’s Anubis, the jackal–headed god, is introduced to the parents of his new girlfriend, it is his stoney-faced delivery of lines like: “I held her bloody heart in my hand and judged her,” that get the laughs.

The quality of the sketches does rely heavily on the performances of the three actors. Shephard brings huge energy and verve, while Baldwin, often playing the group’s straight man, offers beautiful comedy timing. Sutherland, however, often feels misused. He has an innocence that fits perfectly in some sketches, but when called upon to provide energy, they feel a bit flat.

And this highlights one of the main problems, not with the show, but with fringe show audiences. If the energy is not in the room, comedy like this suffers. It works on the premise that, even if the audience doesn’t get every reference, the energy will carry them along. If the energy falls, so does the comedy.

But these are minor quibbles. The First Supper is brilliantly written, laugh out loud funny and intelligent comedy.

However, this means that no one will probably ever see it past the sell-out audiences at the Camden Fringe. It’s too clever for mainstream audiences and too absurd for the Radio 4 crowds. But we can hope that this does break out from the fringe and into the mainstream.

Passengers Outraged As Rail Fares Set To Rise Above Inflation Again

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Rail commuters are outraged as the so called ‘green’ government backed an above-inflation rail fair rise for already overpriced, overcrowded trains. Fares are expected to rise at least 8%.

The formula for fare increases is usually RPI inflation plus 1%, but for the next three years it is RPI plus 3%.

Rail minister Theresa Villiers said passengers were being asked to pay more for the next three years so that the government could “deliver a massive programme of rail upgrades.” However, Villiers was less than impressive while trying to defend the shocking rise in a BBC interview.

Rail fares for Londoners are also set to rise by up to 13% from January 2012, thanks to government changes to the rules on annual fare rise.

“These massive fare rises will be a disaster for people already struggling with rising costs, and risk pricing those on lower incomes out of jobs,” said Alexandra Woodsworth of the Campaign for Better Transport, who was protesting against the fare rises at Waterloo station today.

It is feared that some people will be priced out of being able to work.

Every New Year, train companies are allowed to push up fares based on the inflation rate published the previous August. Today, that figure was 5%.

Previously, the rule was that companies could only increase fares by 1% more than inflation, which would have seen bad-enough rises of 6% next year. But the current government raised the fare-hike limit to inflation-plus-3%, allowing for rises of 8% in early 2012. It also allows for rises of up to 8% above inflation on some routes, giving the 13% figure.

A 13% hike would see the current cost – £3832 – of an annual season ticket from Brighton to London rise to £4291.

The government blamed its lack of finances for the rail fare hike. Rail companies are subsidised by the government, which means unhappy commuters pay for it both through their taxes and when they pay for their fares.

Rail travel is notoriously bad in the UK. Rail journeys from London to Glasgow cost from £100-170 before these rises with trains often so overcrowded, it is usually standing room only. London is not much better, with people paying more money than anywhere else in Europe to ride in a carriage with no air conditioning and in worse conditions than a sardine in a can. Trying to get anywhere on the weekend is worse, as most lines are having maintenance, causing huge service disruption.

The Coalition government has promised to be a ‘green’ government, but rail fares are now so expensive that it is cheaper to fly, I know a number of people who do. Not so green after all.

Rock & Roll 1954 – Alive & Kickin`

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With popular rock and roll music rapidly running out of ideas for new twists and turns to which – let’s face it – was, and still is, a very basic American art form, I say, why bother changing something that’s not for changing anyway?

Great Rock and Roll music, if played and sung right from the soul, can – and indeed will – change the way we feel about almost any subject in life. But its basic function is to make us feel fabulous inside!

I have been a professional musician for over 30 years, working with some great artists. Most of them are huge music fans and it will surprise a few people to find how eclectic most working musicians are in taste and the ways you can find alternate routes into real established artists such as Dylan , Springsteen, and even Elvis himself.

The King alone has a recorded legacy bordering on over 900 sessions, all of which are now easy to access and show another world of rock and roll music – right back to its mid-50’s infancy. But I’m going to try to present some new contemporary bands / singers that still have that same depth or outburst from the soul that all great artists from the 50s , 60, 70s seemed to possess with sheer out the blue inspiration. We’ll call it  EARS TO HEAR`.

 

(Stratocaster pic by Vinicius de Carvalho Venâncio courtesy of http://www.publicdomainpictures.net)

New Band, Old Tricks

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Our first trip will be to the Jim Jones Revue – http://www.jimjonesrevue.com/website/home

Here’s a band from the UK that have all the ingredients for the perfecto rock n roll cake. Formed in London around 2008, they are a good introduction if you want to hear just how rock music from the 50s would sound if invented today.

The vocals are ‘on it’, as is the fuzzed-up guitar and abandoned drumming. Very basic music that can give you goosebumps in much the same way Cochran, Vincent, Presley, and Little Richard all have done in the past. A big hunk o’ rock.

Domino: The Spot For Indie

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Domino recording company, London is a good place to visit if you like your sounds indie and easy on the ears, but with a few little touches of brilliance thrown in.

Obviously, you have the big pop names like Franz or the Arctics, but the hidden gems are artists like Cass McCombs, The Kills or Bonnie Prince Billy and a host of others which you no doubt will discover once you click onto their website at  http://www.dominorecordco.com

It’s all very tried and tested music, and easy to listen to in the best possible sense.  If you dig pre-Space Oddity Bowie or Aphrodite’s Child, Bobby Vee/Vinton/Rydell  or even very early XTC, this site’s music will fire you up no end. There are some fabulous tunes to be had which will lead you to other bands and sites of a similar nature.

It’s all rock n roll and these are the best at what they do – full stop!

My 9-11: One Man's Journey Through September 11, 2001

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My 9-11: One Man’s Journey Through the Unexpected Events of September 11, 2001′ Launches With a Book, Gallery Show & Soundtrack

Multi-Media Art Retrospective to Commemorate the 10th Anniversary of the September 11th Attacks Will Also Raise Healthcare Funds for First Responders and Families

Music and celebrity portrait photographer and author, Richard Agudelo, presents, My 9-11: One Man’s Journey Through the Unexpected Events of September 11, 2001. This multi-media arts retrospective includes a book that contains never before published images from Ground Zero, captured moments after the attacks. These powerful images will be presented in a photography exhibit at NYC’s new Charles West Gallery. In addition to the book and gallery show, 13 diverse musicians have contributed original works to the My 9-11 Project soundtrack. All net proceeds from the My 9-11 Project efforts will be donated to first responder charities including the FealGood Foundation

The beautifully crafted book presents 144 pages, containing 40 images that include 23 never before published pictures that were taken 20 minutes after One World Trade Center collapsed. The photographs are accompanied by a vividly detailed 11,000 word narrative that gives a glimpse of the chaos and heroism at Ground Zero immediately following the towers downfall. Contributors to the book include 9-11 first responder advocate, John Feal of the FealGood Foundation and World Trade Center Health Organization’s leading expert, Dr. Jacqueline Moline. All the names of victims lost on 9-11 are also included in a commemorative section.

“My 9-11 Project began to take shape after I returned from an annual check-up at the World Trade Center Health Organization,” explains author, photographer and founder of My 9-11 Project, Richard Agudelo. “I saw the suffering of many first responders and over the years have witnessed the untimely deaths of too many of these heroes,” Agudelo adds, “My 9-11 Project not only aims to raise funds to help prevent more of these deaths, but also helps to provide a larger platform to bring light and conversation to this unfortunate circumstance.” Agudelo further states, “We not only need to honor and applaud these heroes, we need to take care of them, just as they did for us.”

My 9-11: One Man’s Journey Through the Unexpected Events of September 11, 2001 has been brought to light by efforts and funding from Barry Leistner and Koenig Iron Works, Inc. in New York City. “When I met Ric Agudelo, he was looking for a gallery space to show a project he was working on to commemorate September 11th,” explains Barry Leistner, president of Koenig Iron Works. “Once I started to hear the details of this amazing project, suddenly I knew exactly how I was going to honor the friends and loved ones lost on 9-11,” further explains Leistner, “I was not only going to get Ric a space to launch the My 9-11 Project, I asked to personally help and became Co-founder and Producer of the multi-media project.”

ABOUT MY 9-11 PROJECT

My 9-11 Project is a 501(c)3 non-profit organization that provides monetary assistance to various organizations that push to alleviate the financial burdens of the September 11th first responders who suffer from health ailments due to the time spent at Ground Zero. My 9-11 Project also aims to generate general public awareness about the many health issues that plague these heroes. Funds will be raised through multi-media arts projects which will also support and nurture NYC downtown artists. My 9-11 Project was founded by photographer Richard Agudelo and philanthropist Barry Leistner. For more information on My 9-11 Project, please visit www.My9-11Project.org.