Dame Zandra Rhodes Leads the Charge for a Stylish Spring Clean

The much-loved British fashion icon has created an exclusive print for Recycle Your Electricals. The campaign aims to get UK households to stop throwing away or hoarding their small old electricals and start doing something useful with them, like donating or recycling them.

recycling, electrics, electrical, phones, toaster, Zandra Rhodes,

The print appears on an ethically sourced, organic cotton tote bag featuring Dame Zandra’s trademark ‘Painted Lady Head’ illustration, with bold and colourful electrical items placed around it. Fans will instantly recognise the work of one of fashion’s most respected names. Profits from the sales of the bag will go to a cause close to Zandra’s heart, Waste Aid, which helps fight poverty, pollution, and climate change by sharing waste management and recycling skills in the world’s poorest places.

The bags will help Recycle Your Electricals launch this year’s Little Spring Clean campaign, which encourages UK householders to de-clutter and sort their unused household electricals, which are creating the world’s fastest growing waste stream. The totes are a handy and stylish way to help people recycle, by popping their electricals into the bag rather than a bin, ready to be taken to the nearest recycling point.

In the UK alone we are holding onto 527million small old electricals, and 155,000 tonnes of waste electricals are thrown away in general household rubbish each year. However, if the thrown away or hoarded electricals were recycled, 2.8 million tonnes of CO2 emission could be saved, equivalent to taking 1.3 million cars off the road. Any item with a plug, cable or battery can be recycled, such as mobile phones, laptops, hairdryers, speakers or irons.

A passionate campaigner for sustainability, Dame Zandra led the way for a greener approach to fashion, and living, before many others. With impeccable fashion credentials and an eye for stunning design that oozes personality and demands attention, there was no better person to support the campaign.

Dame Zandra Rhodes said, “I knew right away that Recycle Your Electricals was a campaign I wanted to get behind. I’ve been a huge advocate of zero-waste fashion for many years and really helped to get it on the radar of the general public. Now, we must also raise awareness of the problem of old electricals. Not many people know that they can, and should, be recycled or donated. I hope that people buy my charity tote, pop their electricals into the bag ready to be recycled, and organise their own ‘Little Spring Clean’ to help do something about this problem.”

Scott Butler, Executive Director, Material Focus the not for profit behind the Recycle Your Electricals campaign said:  “It’s wonderful to have Dame Zandra Rhodes on board for this campaign. Not only is she a champion of sustainability, but she is a true fashion icon. The bag she has designed is both useful and stylish and I hope it encourages everyone to organise their own Little Spring Clean and start recycling their unwanted electricals.” 

The Dame Zandra Rhodes exclusive print tote bags are available in light brown or white and cost £12 from www.shoprecycleyourelectricals.org.uk all profits go to Waste Aid. Pop your unwanted electricals into the bag before finding your nearest recycling or donation point at  www.recycleyourelectricals.org.uk

 

Hold Still … captures the personal moments of lives lived during this unparalled Covid-19 period in our history: by Margaret Graham

 

I bought Hold Still because I admire HRH The Duchess of Cambridge and enjoy the National Portrait Gallery when in London, and knew that this project was to raise funds for the Gallery and Mind. What project? To call upon the British community for their iconic moments caught on camera.

I hadn’t expected that it would move, amuse,and fascinate me to the extent that it has.

It is quite simply an understated but remarkable chronicle of this memorable moment in our history, expressed through ‘the faces of our nation,’ as Nicholas Cullinan Director of the National Portrait Gallery writes. And as HRH The Duchess of Cambridge also intimates when she writes that she hopes the final 100 photographs chosen, pay tribute to the efforts of all who have worked to protect those around them.

And this is the key I believe. The kindness of strangers, of community, of family, of carers and professionals has indeed  been  faithfully presented by so many many people – 31,000 at least.

The intention behind this Hold Still  was to use the power of photography to create a lasting record, a photographic record – a photographic record not taken by professionals but by us, the community, accompanied by text. In page after page  the brief is fulfilled as  individual stories are laid bare, stories that perhaps reflect our own.

Out of over 31,000 submissions the daunting task was to slim down to 100. The committee included Nicholas Cullinan, the Duchess of Cambridge, and several others. Not an easy task, but this book really is a record of a time we cannot, must not, and will not forget, Within its covers are images of triumph, loss, humour, exhaustion, despair.

I love and laughed at the brilliant postman who donned fancy dress to keep up people’s spirits. I wept at the endeavour of the 5 year old boy who was inspired by Captain Tom to walk on his prosthetic legs and crutches 10km throughout June, to raise £500 but actually  raised £1.2 million pounds for NHS charities. Read the text beneath the image. It will stop any  grumbles in its tracks.

I loved and empathised, and was grateful for the sacrifice, the weariness of those on the frontline,.

I stared into the past at  the pain of the final goodbye between father and daughter, his hand flat on the glass window, she outside, mirroring his hand, the glass separating them but inconsequential in the face of  so much love. This was a goodbye, the text explains , made possible by the kindness and effort of carers.

And on and on.

It is a noble, heartwarming, heartwringing history of a fragmentary moment in the span of time, a moment in which  so many excelled, a moment in which so many sacrificed, so many found a new normal, reached out, and helped others along the way. It has been a time  in which many found the courage to stand tall and though afraid,  reach out, support, until  finally here we are, vaccinated (oh bravo) and here they are, 3100 photographers who  did not shrink from recording their emotions. And finally 100 of these images have been captured in this book, a precious few but symbolic of a time in which nobility triumphed, in all its self-deprecating shades.

Our thanks must go to those who spearheaded this project in a quiet but determined way: HRH The Duchess of Cambridge, Nicholas Cullinan, and the team, the  Co-op who helped so much in taking the final portraits to the communities and to their  photographers, through community exhibitions and this book.

Especially thanks to those 31,000 who contributed, and congratulations to the 100 who aspired, and whose work will be – if not set in stone, at least preserved in a beautifully presented book.

Buy it, keep it for those who come after, to introduce  them to a time when we held the line, remembered kindness. A time in which so many millions became heroes.

Hold Still can be obtained here  Remember that it benefits Mind and The National Gallery.

 

 

Week 8 of the wonderful Alex Bannard’s Mindfulness series for Frost Magazine’s readers, including access to TWO free mindfulness meditations this time

 

Now that we have explored the various obstacles to formally practicing mindfulness, let’s take some time to explore the informal practice of mindfulness.

As we’ve discussed before, mindfulness is a way of life, a way of living & being more present & engaged in the only moment that really matters: the here & now.  There’s an old expression: the past is history, the future is a mystery, the present is s gift which is why it’s called the present. Being more consciously aware of the present moment is a beautiful gift, after all it is only in this present moment that we can that we can learn, grow, create & take action.

And this is where the more informal mindful activities can really help us to cultivate this awareness & attention. As we practice mindfulness in an informal capacity, we gradually start to become more actively engaged & aware of where we are, what we’re doing, how we’re feeling, what we’re thinking, as well as enjoying the moment just for the pure joy of being there. Informal practices can include simple things like walking mindfully, turning off the phone or better still leaving it at home, and being aware of our feet touching the ground, the sounds of the birds in the trees, the sun on our face instead of walking on automatic pilot.

I go out everyday with my dog & relish the time in nature: the sun on my face, birdsong all around, the wind in my hair, noticing the blossom on the trees or the leaves turning in Autumn. I even channel a bit of Billy Connelly wisdom when it’s raining: there’s no such thing as bad weather, just the wrong clothes! I find it deeply nurturing & replenishing & often use the time to process & plan, which gives me the space & time to be more efficient & productive elsewhere in my life.

Indeed, there have been many studies about how daily time in nature is very beneficial for our wellbeing. Our brain prefers the natural environment to an urban setting. A study by Queensland University states that as little as 30 minutes a week in nature can help boost mental health, reduce cortisol levels, feelings of depression & anxiety, boost feelings of connection, confidence & self-esteem & increase feelings of happiness.

Eating is another way in which we can practice mindfulness. Eating mindfully is a beautiful experience as we become so much more aware of the taste of the food & when we are full rather than shovelling it in mindlessly! Taking sometime to acknowledge the colours & textures on the plate, savouring the smells & taking a mindful munch & really appreciating the taste of the food takes a simple meal to a different level.

Eating mindfully also helps us to avoid over-eating. We practiced mindful eating on a retreat I ran & one of my clients who had problems over-eating, discovered when she mindful ate a piece of brownie that it wasn’t nearly as enjoyable or tasty as she had thought!

Whenever we do something we normally do habitually, in a slightly different way it helps bring us to the present moment. Try brushing your teeth with your other hand & see how much more present & aware you are doing it.  Eventually when we’ve been practicing mindfulness for a while we will gravitate to more mindful every day practices: standing in a queue & being present for a moment or two; coming back to ourselves whilst sitting at traffic lights instead of being irritated we missed the light; taking a pause when we are triggered & choosing how to respond instead of reacting.

As we become more actively engaged & mindful of the moment, we start to notice when we have drifted away with our thoughts & can ground ourselves back in the moment. This helps us to create some distance between the thought & ourselves, watching them like clouds in the sky instead of getting trapped in the narrative & down the rabbit hole with that train of thought before we’re even aware that we are!

If you would like to try some mindful activities, I am making 2 meditations available for you this week: the mindful walking meditation & the mindful eating meditation. To claim your copies please email me at alex@alexbannard.com stating FROSTINFML.

Alex is based on the edge of the stunning Cotswolds & has been sharing her love for all things yoga & mindfulness for almost a decade, not just in the UK but also around the world. Her mission is to help everyone discover a more mindful way of living & to encourage them to embrace regular self-care practices for a happier & healthier way of being.

If you would like more information on how to practice mindfulness, meditation & yoga message her at alex@alexbannard.com.

For free resources check out her Facebook group: Mindfulness & Yoga for Self-Care, here is the link: https://www.facebook.com/groups/MindfulnessYoga4Relationships

Alternatively please check out her website: alexbannard.com

Animal by Lisa Taddeo Book Review

Lisa Taddeo, Animal, book, book review,

Animal is a searingly dark book. Lisa Taddeo takes you into the dark heart of what trauma does to a woman. All of those ‘tiny little rapes’ and things that happen that build up to the pure rage of a woman. It is so refreshing to have a writer who writes about women to unapologetically, and who writes about their anger and rage. Even if the character is one who makes bad life decisions. Yet Taddeo writes the story so perfectly that she unwraps the psychology of her character and how she came to be who she is with precision. You don’t need to like female characters.

Taddeo is so brave and writes with no filter. It is how all writing should be done, of course. That makes the writer no less brave for putting a story out there. There was never any doubt that Animal was going to be one of the books of 2021. But beware, before you read it: brace yourself. You will not be able to forget it.

This is the first novel from the author of Three Women which was a global phenomenon.

I drove myself out of New York City where a man shot himself in front of me. He was a gluttonous man and when his blood came out it looked like the blood of a pig.

That’s a cruel thing to think, I know. He did it in a restaurant where I was having dinner with another man, another married man.

Do you see how this is going? But I wasn’t always that way.

I am depraved. I hope you like me.

MEET JOAN: 24th June 2021.

Animal is available here.

 

Orla Kiely Spring 2021 Collection | Frost Loves.

I have to confess that I love beautiful things. I mean, who doesn’t? If you want beauty then Orla Kiely is the answer. Known for bold, gorgeous, patterned designs: Orla Kiely has a new Spring 2021 collection of bags. The hardest thing is choosing just one of them. The quality is as high as it can be obviously, it is Orla Kiely. Buying one of these bags is an investment piece. It is impossible to open the package and not gasp. If you do anything this month then treat yourself, or someone else, to one. You deserve it and you will not regret it.

Orla Kiely bag, Orla kiely, backpack

As we step into Spring 2021 and the world starts to open again after the latest lockdown, you might be looking to refresh your style. Bright and bold prints that evoke happiness and instantly update your wardrobe are easy to come by, thanks to Orla Kiely’s latest collection.

The popular Irish brand, famed for its colourful prints and signature patterns, has launched a brand-new collection of handbags, with a retro feel. The S/S ’21 season features geometric flower patterns, stylish stripes and clean, simple designs that fit effortlessly into any lifestyle.

With rucksacks, crossbody styles and new purses; the latest collection offers something for every taste; with many using the much-loved durable matt-coated cotton canvas that Orla Kiely has become known for. Designed to withstand unexpected spills and rain showers; these handbags and purses are the definition of stylish but practical.

All handbags can be bought directly via www.orlakiely.com

 

Bromell Handbag: £115

Available in Solid Stem Sunflower, Stripe Flower and Nouveau Stem designs.

The petite Bromell crossbody comes with a zip closure, two carry handles and an adjustable, removable shoulder strap. Made from a coated cotton canvas, it’s neat enough to carry under your arm and equally stylish when worn as a crossbody.
Orla Kiely , bag, fashion

Bestie Backpack: £160

Available in Stripe Flower, Solid Stem Sunflower, Nouveau Stem and Classic Multi Stem designs.

The Bestie is Orla Kiely’s staple backpack tote and the brand’s bestselling bag! It’s been perfectly designed for anyone who travels regularly. With a sleek shape, it’s surprisingly roomy with a zip pocket on the front for easy access to your essentials. It has multiple pockets to store your valuables safely and can fit A4 documents and laptops up to 15 “.
Orla Kiely backpack orla kiely backpack

Tennison Backpack: £240

Available in Lobster Pot Rockpool and Flower Tile Navy designs.

Your new favourite backpack for all occasions. This medium-sized bag is roomy enough to hold your essentials and more. Part of the brand’s new Barkcloth collection, it offers a sophisticated alternative to leather, with a sleek and stylish silhouette. The bag comes with luxe gold hardware and an elegant little hand strap for easy carrying.
tennison orla kiely backpack

Forget Me Not Crossbody: £90

Available in Stripe Flower and Beluga designs.

This version of the Forget Me Not can be worn across the body using the long, adjustable strap that attaches to the wallet. It’s roomy enough to fit a large smartphone along with all your card, receipts, and coins, so you need never misplace your phone or purse again.
Orla Kiely crossbody bag
 Forget Me Not Wallet: £80

Available in Solid Stem Sunflower and Nouveau Stem designs.

The Forget Me Not wallet is classic in shape and function. It has a multitude of compartments and slots to keep your cards, notes, receipts, and coins organised.
orla kiely wallet

Iveley Mini Crossbody: £88

Available in Stripe Flower, Beluga and Nouveau Stem designs.

Featuring a long adjustable strap, the colourful Iveley mini can be worn either crossbody or on the shoulder. Made from Orla Kiely’s much loved durable matt coated cotton canvas, it’s designed to withstand unexpected spills and rain showers.
Orla Kiely crossbody

Fielder Crossbody  print: £130

Available in Stripe Flower, Beluga and Solid Stem Sunflower designs.

The Fielder is a reliable crossbody you’ll want to take everywhere. Made from Orla Kiely’s much-loved matt-coated cotton canvas, it is water-resistant, scratch-resistant and wipeable, with two additional pockets for all your everyday needs.

 

 

Frost Loves Spanish Skincare brand Sepai

With the last couple days highlighting that summer is nearly upon us, many of us realise that after the year we’ve had, our skin needs some TLC.
Spanish skincare brand, Sepai delivers ultra-performing, customisable skincare that mimics the effect of a personal trainer for your skin, with the ultimate concoction to condition your body. This bodycare cocktail hydrates, firms and revitalises skin.
I love Sepai Sublime Youth. This all-purpose rescue oil is deeply nourishing and leaves skin glowing. You can use it on its own or mix it in with your regular products. I cannot recommend it enough. It has left my skin looking so much better.
sepia , beauty, reviews

My Writing Process Kat Dunn

  • What you have written, past and present

DANGEROUS REMEDY was my debut novel, published in 2020. MONSTROUS DESIGN is the second in the series, out June 2021, and I’m in the midst of writing the third and final book in the series, 

Before my debut I wrote a whole host of finished, part-written and completely abandoned novels, none of which I let myself take seriously.

  • What you are promoting now

MONSTROUS DESIGN is the sequel to DANGEROUS REMEDY, and comes out 10 June 2021. The first book in the series saw Camille, her girlfriend Ada, and their band of outcasts rescue a girl with strange powers from the guillotine in revolutionary Paris. In the second book, the gang is split between London and Paris struggling against Royalist forces that are growing ever stronger. Think duels, necromancy, betrayal, and a cast of queer, found family misfits.

  • A bit about your process of writing

I work a 9-5 day job, so I write evenings, weekends, lunch breaks and early mornings. It’s not always been easy to find the time to write, and I’ve had to put aside other aspects of my life to make it work. But I’ve been writing since I was a small child, and there’s nothing else I’ve ever wanted to do with my life.

I usually have anything from 5-10 ideas fermenting in my head at once, but I try to focus on 1-2 projects at a time. I’ll usually write a draft in 3-4 months, go back straight away and fix all the bits I know are wrong, then chunk it over to someone else (whether my editor, agent, or a friend) to get some more direction for the next round of edits. 

  • Do you plan or just write?

I used to think I was a planner, but the more real planners I meet the more I realise I’m somewhere between planner and pantser.  

It feels like someone’s dumped out a jigsaw puzzle into my brain, and I have some pieces that are obviously corners or edges, or here are a whole heap that connect together to make a building or cloud or something, and then there’s the mess of unknown pieces. So I’ll try to write the bits I know out in a very sketch note form. I like scrivener for this, because I can make a document for each puzzle piece and then start grouping them and moving them around, while making notes of all the things I think should happen in that scene. 

Then writing it is like putting the puzzle together. Sometimes it zooms along, sometimes you realise what you thought was a cloud was actually snow and it’s in the wrong place and you have to pull things apart…. You get the idea. 

  • What about word count?

Apart from a few outliers, I end up somewhere between 80-110k for most drafts. Things grow and shrink during edits, but I don’t have an over or under writing problem. I write the right number of words, they’re just the wrong words and have to go in the bin.

  • How do you do your structure?

I really love books about story structure. I don’t think there are really any hard and fast rules (and a lot of those rules are western-centric and automatically dismiss other forms of storytelling). But I like knowing what sort of patterns are out there, and pulling them apart. 

DANGEROUS REMEDY and MONSTROUS DESIGN are fast paced stories that take place over a handful of days each. I didn’t get to play around with structure too much, but I did use the structure to think a lot about what information I share with the reader and what I withhold until the right moment. I love a good twist and to make them work you’ve got to do a lot of work before you can whip back the curtain and reveal the truth. Having a clear idea of my structure helps me work out where I need to lay seeds. 

  • What do you find hard about writing?

I’ve found it tricky know how to structure stories that are driven by emotions and character over big flashy plots. I’ve been working on a side project where this has been my main challenge and I’ve learnt so much. It’s made me think about my writing in a really different way and prove to myself that even though I’m a published author now, there’s still so much more to do and learn.

I find editing harder than drafting. It stops being potential and starts being a real thing, which will always disappoint me a bit for not being exactly the thing in my head.

  • What do you love about writing?

I had to think about this for a while. It’s like someone’s asked me what do I love about air. I like that it means I can breathe? I’ve been through a lot of difficulty in my life, and for a lot of it been on my own, so writing has been as essential as water or sunlight. It means I can exist. It gives me purpose and meaning and joy. 

If I have to say something specific, I think my greatest joy is when character drives plot and plot drives character in a really effective way – a slow burn character arc that takes a hero to a villain. I love writing in moral grey areas, where good people do terrible things and terrible people do good things.

 

WELSH WRITING WEDNESDAYS: JUDITH BARROW ON HONNO PRESS

“Great Women, Great Writing, Great Stories”

Honno Press was set up in 1986 with four core aims: to provide a feminist perspective, to give Welsh women writers an opportunity to see their work published, to get earlier important, but neglected, writing by Welsh women back into print and to provide employment in publishing for women in Wales.

At the time, none of the publishing houses in Wales were particularly interested in promoting Women’s literature or writers, especially not in English.  There was a practice of publishing Welsh-language material by winners of competitions in the National Eisteddfod by the traditional presses, who would then pursue those particular authors. But the thought of going out to look for new female talent and female voices was not a priority

The establishment of Honno, their active search for women writers in both languages in Wales widened opportunities for women and saw all the Welsh publishers take women’s writing and the subjects women write about more seriously.

When asked why there is such a great variety in the books published by Honno, Janet Thomas, former editor of Honno and now on the committee, says, “I think a key reason for the vitality of Honno’s list that we are run as a group, with a variety of tastes, enthusiasms and expertise.  Honno tries to be open to all the broad range of writing that Welsh women want to write, looking for talent as widely as possible, Welsh and English, in all different kinds of fiction and non-fiction. As long as the skill is there, whatever the genre, style or subject matter, Honno will consider publishing their work.”

The commitment to provide opportunities for women in Wales in the publishing world is still at the heart of Honno. As well as the experienced staff, who appreciate the chance to work in publishing in mid-Wales, over the years there have been many volunteers in the Honno office, allowing them to gain practical experience and an insight into how publishing works. Volunteers generally take part in marketing activities, read manuscripts, help with general office procedure, and work on other projects as required. Gaining experience at Honno has helped many to go on to work in various areas of publishing.  (Of course, at the time of writing, due to the pandemic, this is on hold.)

Throughout the years the Press and its titles have garnered many awards including Wales Book of the Year. Even so, as Caroline Oakley, Editor for Honno says, “For independent presses to survive and compete against the big publishers they need strong customer support and to build a community of enthusiastic readers – a lot of which recent tech advances enable. Social media is vital to creating a groundswell of interest in any new title from a small press with ‘word of mouth’ (or more likely ‘tweet’) becoming an essential viral marketing tool.”

Finally, when asked to sum up what Honno have done, Janet says, “It’s hard not to see all we haven’t done – the writers we want to find, the histories we want to tell. I have a note my late father once wrote out for me, a quote from Ecclesiastes: ‘And of the making of books there is no end.’ I think he gave it to me as a comfort when I was feeling overwhelmed by one project or another, but it’s also optimistic. We keep going. Books matter. They last. The books we haven’t published yet are, with luck, the books we will publish next year. For Honno to have survived thirty-five years is a great achievement and a testimony to all the women who’ve been part of it.  It’s also, hopefully, just the beginning.”

https://www.honno.co.uk/