I don’t usually do tear-jerkers. Life can be heartbreaking enough as it is, and whilst I don’t want my fiction sugar-coated as such, I do object to being strung up by my heartstrings for kicks. More often than not, I find, it’s just not worth the emotional payout.

And yet. Sairish Hussain’s epic debut The Family Tree had me crying on four or five separate occasions – I can’t actually remember the last novel that had me cry once – and I didn’t resent the emotional bleed one bit. What’s more, I felt sort of gratified by it.

Let me back track a bit. When I first heard of this book, at a debut author showcase at HQ publishing, it wasn’t sold as an emotional rollercoaster. Hussain gave an impassioned 60 second introduction of her novel, lamenting the stereotyped and stigmatised representation of Muslims in fiction – terrorism, forced marriage and every other trope – which ultimately informed her tale of a regular British Muslim family, facing the kind of hardships that could befall anyone, anywhere. Well, she sure succeeded. And then some.

There are no shortage of hardships that befall the Sharif family.

The Family Tree traverses 20 years, beginning in 1993, when Amjad loses his wife during childbirth, leaving him with the care of his young son Saahil and newborn daughter Zahra. Understandably, Neelam’s untimely death remains a defining marker in their lives. An emblem remains in the form of a Pakistani shawl – a gift from her own mother – worn by Neelam as she died. Interwoven in its fibres is a tree, decorated with a bird montage. A grieving Amjad comforts his baby with the fabric, anointing each bird with a name from their family. At the top, watching, her mother. Literally, a family tree.

Enough spoilers.

Hussain has crafted a tale that is alive with culture. Amjad and his family are of Pakistani extraction, speaking both Punjabi and Urdu, as well as English. I can relate. As much as I adore cultural markers in any story, as a way of bringing them to life, I’ve taken a particular pleasure in enjoying the Pakistani or desi offerings in the books I’ve been reading of late. Hussain does this particularly well, from the trials of roti training, chilling with chai and flying chicken botis. I revelled in it all.

Diversity matters, people. For children, but for adults too, a bit of positive representation goes a long way. Especially for the generations who grew up without it.

Truly, this is a great book. I am in awe that Hussain – particularly as a debut author – never once shies away from the big issues, all of which we are all guilty of sweeping under the carpet. The Family Tree grapples with bereavement, homelessness, addiction, identity, race and all manner of cultural and political issues with a directness and sensitivity that is quite masterful for one so young to the craft. And yet, at heart, it remains a personal and a familial novel. This, I think, is Hussain’s unique brand of magic in bringing about The Family Tree.

I don’t, after all, cry easily. Perhaps I have learned to harden my heart over the years. Yet Sairish Hussain carries her characters with such intelligent empathy that you cannot help but open your heart to them. Feel for them. Weep for them.

Thank you for leaving my heart a little softer and a little warmer. And my mind just that little bit more aware.

Reviewed by Nadia Tariq

The Family Tree by Sairish Hussain will be realesed on Feb 20th, by HQ

credit Justine Stoddart

1. Your latest novel All the Rage is the fourth  in the DI Adam Fawley series, tell me a little about it and how the series came to be?

The series started with Close to Home, which is a story about a missing child. The heart of that story came to me in the form of the final twist. I remember Sophie Hannah once saying that you always know if you’ve got a good twist if you can get it down to four words (look at Murder on the Orient Express – ‘They all did it’). Close to Home was a four-word twist – and no, I’m not going to tell you what it is! I then ‘worked backwards’, as it were, and developed the plot that led up to that final moment. That included creating the police team who investigate the case. So that, in essence, was the birth of Adam Fawley! I had no idea, of course, that the book would even get published, never mind become a series, but I’ve been very lucky that the characters I came up with for the first book have turned out to be so interesting. I’m learning things about them now that I never knew at the start!

As for All the Rage, this new story starts with the discovery of a young girl in a distressed state on an Oxford road. She’s clearly been assaulted, but refuses to press charges. But why? And then another girl goes missing…

2. When did you first realise that you wanted to be a writer and how did you pursue your dream?

I used to write all the time when I was a little girl – I think every writer starts out that way. I always had a passionate love of reading too, and ended up studying English at Oxford (that was a dream-come-true as well). After that I spent a long time working in completely unrelated jobs like finance and PR, but I eventually found myself working as a freelance copywriter, which gave me some time to start writing creatively again. And the rest, as they say, is history.

3. Where do you get your information and ideas from?

I watch a lot of true crime on TV (my husband teases me endlessly about it!). I find real-life crime particularly fascinating, not just because of what people do, but why they do it. It’s the motivation for crime that intrigues me most. But that’s just one source – I pick things up all over the place, like a magpie. My brain is a bit like a great big melting pot, where I throw all sorts of bits and pieces: something I see in the paper, a person’s face glimpsed in the street, something remembered from a dream, something overheard in a coffee shop. And eventually, if I’m patient, some of those scraps start to cluster together and a story starts to emerge.

4. What do you like to do when you’re not writing?

See above! I also reads a lot (more crime!), I enjoy theatre and music and art, and I adore travelling. We just got back from Iceland, which was out of this world.

5. Out of all the books you have written, which one is your favourite and why?

I have a fondness for Close to Home, because it started this whole rollercoaster ride, and because it was a Richard & Judy book. I think No Way Out probably contains some of my best writing, and my husband’s favourite is In the Dark. So I love them all in different ways – I guess it’s the same with children!

6. What advice would you give to a new or aspiring writer?

Three things: practice, practice, practice! You also need a lot of determination in this game, and a thick skin, because there’ll always be someone who doesn’t like what you write (go and have a look at one-star Amazon reviews for the great classic novelists like Austen or Dickens for proof – it’s absolutely hilarious!).

credit Justine Stoddart

7. How do you develop your plots, characters and settings?

One of the advantages of writing a series is that I have my police team already in place, so each time I sit down to start a new Fawley book it’s like meeting up with old friends. The same goes for my setting, Oxford. Everyone knows this city, and everyone can picture it, and that gives me the freedom to take readers to parts of the city which are darker and edgier. As for the characters in each separate story, like my plots, they come from all over the place – things I’ve seen or read, my own imagination, even bits of my own past, all mixed up together and reinvented as something new.

8. Who is your favourite author?

I have many! I’ve loved Tolkien since I was a child, I still read English classic fiction, and I admire many of the great crime novelists writing today – Ian Rankin, Shari Lapena, Fiona Barton, Peter James, Nicci French…

9. What books or authors have most influenced your own writing?

Those I just mentioned, and many others, both on page and screen. Joan Smith for her Loretta Lawson novels; Agatha Christie for her twists, Jed Mercurio for his mastery of pace, Ruth Rendell for her dark imagination. The list goes on.

10. If you could tell your younger self anything, what would it be?

Be more confident. I so envy the self-assurance young people have now. I’ve never had that.

11. What would you choose for your mascot/spirit animal?

A cat, no question. I have two (as readers of my newsletter and social media feeds will know!).

12. If you could invite any 3 people alive or dead, real or fictional, to a dinner party who would you invite?

Bryan Ferry (yeah, yeah, I know).

The Romantic poet Samuel Taylor Coleridge, who was not only a genius but apparently the greatest talker of his generation (no danger of awkward silences there, then!).

And Joan Collins, because I know she’d make me laugh.

All the Rage by Cara Hunter is available in all good bookshops and Amazon, in kindle, audio and paperback.

‘dark and suspenseful, but, sadly, a little too on the safe side’

This play is based on a true story about the serial fraudster George Love, who, at the start of the 20th Century, took pride in tricking young women to marry him, then after the wedding nuptials he would take their money and disappear into the night. So far, so good…. or not, depending on where your sympathies lie.

[Fred Perry as George]

Fred Perry plays George – with that enormous task of making a rogue both likeable and believable. He has to win us over quicker than his victim, otherwise the whole exercise will be in vain. In that task, Perry succeeds. He is immensely watchable – as is Scarlett Brookes, all innocence and shocking vulnerability as Adelaide.

[Scarlett Brookes as Adelaide]

However, were it not for these two strong performances, the weaknesses in the play would be even more apparent. There is a confusion of styles: reportage and straight play – fourth wall and no fourth wall, as it were. Also the design is messy rather than stylish, at times I found my eyes just as confused as my ears. Karoline Leach’s script has a few monumental jumps in logic as the characters have their psychological battles. Who is in charge here? Is it George? Adelaide? The script? Hard to tell.

[Fred Perry and Scarlett Brookes]

Director Phoebe Barran has tried to make a serious thriller out of something not quite as clever as it thinks it is. Overall, there are many worse ways of spending an evening in the theatre – Tryst is dark and suspenseful, but, sadly, a little too on the safe side.

Paul Vates.

Photography ℅ Savannah Photographic

Producer Chiswick Playhouse Productions

Writer Karoline Leach

Director Phoebe Barran

Cast Fred Perry and Scarlett Brookes

Designer Jessica Statton

Running Time 85 mins (no interval)

Ages 11+

Performances until Saturday 29th February 2020 – Monday to Saturday at 7.30pm

Venue Chiswick Playhouse, 2 Bath Road, London W4 1LW

Tube Turnham Green (District Line and, occasionally, the Piccadilly Line)

Tickets Box Office and www.chiswickplayhouse.co.uk

Twitter @ChiswickPlay, #TrystChiswick

Fred Hageneder is in love… with trees. This is obvious from the passion emanating from his impeccably researched and illustrated book, The Living Wisdom of Trees (illustrations by  Lizzie Harper) 

Full of stimulating facts, thought-provoking symbolism and intriguing knowledge of the healing power of trees, it is a book that should be absorbed slowly. 

Run your hand over the sepia cover with its beautifully simple illustration of a monkey-puzzle tree. Open it and smell the innocence of childhood, to a time when libraries were magical places of silence and learning, and you will see that each tree — intricately but simply illustrated by Lizzie Harper, a talented natural history and botanical illustrator — is given its place.

From the humble apple tree with its quirky habit of regrowing thorns when left to its own devices, to the majestic willow tree; the bark of which is still used as an anti-inflammatory, then the giant redwood; believed to be capable of living for up to two thousand years, and the humble, thought-provoking yew. 

In the hollow trunk of the yew, a new ‘root’ develops, destined to take over the business of keeping the tree alive. Eventually the old trunk falls away, creating an apparently young tree. This, as you can imagine, makes the age estimation of yew trees very difficult.

In these days of uncertainty, when we are torn between instant profit and the long term future of our planet, take time to be transported on a reflective journey of times past, and allow yourself to be led into a world of hope for the future that is The Living Wisdom of Trees.

HB and Kindle available on Amazon.co.uk