International Independent Author Book Award 2nd place winning entry

 

At Words for the Wounded, which raises funds to help veterans in need we love this part of our Award – talking about our winners.

The standard has been so high this year and now is the time to hear more about our second place winner – Ellie Holmes. Let me just repeat that we’re so excited about the breadth of subject our aspiring writes are attempting, so much so that we have some new ideas for 2018 we are sorting out and will announce in the autumn.

The Flower Seller by Ellie Holmes

 

Jessie Martin believes that when it comes to love there are three types of people: the skimmers, the bottom dwellers and the ones who dive for pearls. Jessie is a pearl diver. She had thought her husband William was too. But events prove her wrong.

 

She dusts herself off, and gets into the dating scene, and hunkers down to create a successful career. What could possibly go wrong?

Judge’s comments:

She writes very well, her writing is fluent and pacy, her characters are well-drawn, and the author does emotions brilliantly. I enjoyed reading it but I had reservations: the 40-something single woman on the dating scene felt more like someone older, and I felt it lacked a bit of courage in the plotting, I felt she played it too safe: perhaps too little conflict, too little choice. Either way, the writing is good and the whole book extremely enjoyable.

 

courtesy of Paula Guyver

Ellie Holmes writes commercial women’s fiction with her heart in the town and her soul in the country. Ellie’s debut release was The Flower Seller. A member of the Romantic Novelists’ Association and the Alliance of Independent Authors, Ellie’s latest book, The Tregelian Hoard, set in Cornwall, is the first novella in her Jonquil Jones Mystery Series and her next book White Lies is due for release on 27th June.

 

http://Author.to/EllieHolmes   www.ellieholmesauthor.com www.facebook.com/EllieHWriter

 

 

The Business of Books: A Taste for Romance | Jane Cable visits a Choc Lit roadshow

Jane Cable visits a Choc Lit roadshow

As regular readers of this column will know, I’ve been keeping my eye on Choc Lit for a while. As a writer of romance, you simply can’t ignore them; they’re up there, they’re out there – and they have a definite brand.

It’s this clear branding which draws me to them as a publisher. They have prettily and cleverly set out their stall as purveyors of delicious (in their words) women’s fiction from historical romance through to contemporary romantic thrillers. The books they publish are accessible and good quality; their readers know exactly what they are going to get.

When I saw that one of Choc Lit’s roadshows was coming to Southampton I knew I had to sign up. I was fascinated to see how they balanced an event aimed at readers and writers – not always the easiest of tasks. And the promise of chocolate was pretty enticing too.

Initially I hadn’t intended to pitch to one of their editors but when the email came through confirming my place I wondered if I should. Careful of their brand, Choc Lit have very precise submission criteria and I wasn’t sure I had a manuscript which would meet them. Or to be honest, one of them in particular: the requirement (for all but their Choc Lit Lite imprint) to show the hero’s point of view.

The book I am just starting could certainly be written that way, but Choc Lit only want completed – and professionally assessed – manuscripts. This is a really sensible move as it must make their slush pile less, well, slushy as a certain level of quality is assured. But reading their requirements again it became clear that self-published novels are acceptable and one of mine, The Faerie Tree, fits the bill.

The basic premise of The Faerie Tree is that when a couple meet again twenty years after their brief affair they discover that their memories of it are completely different, and this meant that the best way to tell the story was to alternate the hero’s and heroine’s points of view. It is the right length and certainly has romance at its heart, so I decided to give it a go.

If nothing else, it could be a foot in the door. Choc Lit are looking for authors with whom they can build a long term relationship, and as a writer, that’s what I am looking for too. I would love to be able to work with an editor to plan books ahead, knowing that they had a home when the writing was done. I would love a publisher where I could build my author brand alongside their own.

After listening to the Choc Lit authors’ stories (one of them, Laura E James, will feature in Business of Books later this summer) I was even more excited about setting out my stall to editor Lusana Taylor. In the main she was interested in my social media profile and how I marketed myself as a writer. I wanted to know about the importance of the hero’s point of view and what they looked for in an author. When we finally got around to talking about The Faerie Tree, she delighted me by asking to see the full manuscript.

Except it isn’t Lusana who will be assessing it. Choc Lit have a unique and rather wonderful way of choosing manuscripts for publication – their Tasting Panel of real readers. How refreshing is that? Once Choc Lit consider an author has potential it is up to this panel to decide whether the actual book is good enough. It seems a fairer process and a recipe for commercial success. I’m just hoping that The Faerie Tree delivers on flavour.

The final Choc Lit roadshow of the summer is at Stockton on Tees on 17th June. Find more details here: http://www.choc-lit.com/choc-lit-on-tour/

 

 

WforW International Independent Author Book Award winner Chris Donaldson

As promised, we are featuring more about the 1st place award winning book, and author of our fantastic and exciting competition for aspiring authors. It’s what we do here at Words for the Wounded: provide opportunities for writers while raising funds to help veterans in whatever way we can. So thank you all. Now I know all you want is to read more about Not a Girl, by Chris Donaldson –  our winning entry:

Not a Girl by Chris Donaldson

Not A Girl is a collection of short stories reflecting aspects of the universe. They are a mix of adventure, horror and science fiction. Some are based in a world we can recognise, some are not. All are fascinating, and almost addictive.

Judge’s comment.

For me this is the winner hands down. The author has a distinctive and original voice, his writing is very accomplished and sometimes beautiful, and some of the stories are stunning. Admittedly, not all, and there are very clear influences, but I liked his ability to draw me in, to create a world in just a few words. I think he’s incredibly talented. And yes, he must have a novel in him. However, he clearly isn’t sure what direction to take, so he’s experimenting a bit. I liked it a lot.

Chris taught Skydiving professionally for 26 years, and travelled widely to pursue this.  Bad weather allowed plenty of time for his writing fixation, and after two unpublished novels he turned to short fiction, finding the medium easier to clip and prune until satisfaction was achieved.  Most of his stories, although generally dark and speculative, try to reflect his wonder at the wide, wild and sometimes bleak places of the earth, and of those same places inside each of us.

Chris lives in Peterborough with wife Stéphanie, where he currently works as a fundraising manager for the East Anglian Air Ambulance.  Any spare time is spent cycling the fens and hunting for that rarest of things – a literary agent who deals in short stories…

Chris will be telling us about A Day in his Life soon.

Not a Girl by Christopher Donaldson. pub. Troubador. £8.99 pb.

www.troubador.co.uk

www.wordsforthewounded.co.uk

Interview with actor Steven Cree by Paul Vates

 

 

Steven Cree is an up-and-coming young actor and I was given the chance to chat to him for a few minutes…

 

Steven Cree by Pip

 

Thanks for giving me a few minutes to chat. You’re not driving or doing anything dangerous are you?

No, no. I’m in my living room just doing a little house stuff.

 

I’m told you’re a Scottish heartthrob.

(Laughing) It’s never crossed my mind…

 

What were you like at school?

I was pretty skinny, but I kind of oscillated between a quiet and shy side, and I was undoubtedly a bit of a class clown.

 

Is that how you got into the acting?

I guess I always enjoyed being the entertainer or performer. When my mum used to have friends round, when I was a kid, I apparently used to put on my Michael Jackson tunes and do a little impersonation for them. Then I got into the school shows and did the musicals at secondary school. I was very lucky – we had an incredible music and drama department. There was a fantastic music teacher called Fiona McKenzie who was one of those teachers who inspired me.

 

In which part of Scotland did you grow up?

I grew up in Kilmarnock. You may know Kilmarnock from the famous football team. I am a Kilmarnock fan, born and bred. I have to say, when you come from Scotland people expect you to be a Celtic or Rangers fan, but I’m a lot happier being a fan of a small town team. There’s no expectation and when you do win it’s a great feeling.

 

Do you still go and watch them?

Yeh. My family all still live in Scotland so I go back as much as I can. I got a friend here in London who goes to the Arsenal games quite a lot. Sometimes I go with him and when you go into a stadium with sixty or seventy thousand people and then you go to Kilmarnock where there’s about four thousand, you would imagine that I would enjoy the Arsenal games much more, but I don’t know – if you’re a football fan, there’s nothing like going to see your own team. Do you like football?

 

I’m a Leeds United fan.

Ah! When I was a kid, about eleven years old, somebody bought me a Leeds United top and Leeds have always been my soft-spot English team. Billy Bremner and all that!

 

Silly question – how tall are you?

I’m five feet ten inches.

 

Ooh, does that mean you’re too short to play James Bond?

Probably. I imagine James Bond as over six feet, so if there’s any kind of list for James Bond I would think I’m nowhere near it.

 

Think ahead.

You never know. In ten years time, maybe.

 

How about Doctor Who?

Doctor Who? They’re gonna go for a lady, I think. But you know, it’s obviously a cracking programme, but I’ve never seen Doctor Who in my life!

 

How shocking is that? Considering your career, it started with small parts in big projects, things like Vera, Shetland, The Musketeers, Silent Witness and Outlanders. Do you feel that your career is growing as the years go on?

 

[Steven in Outlanders]

 

I spent the first few years out of drama school being the classic actor who never actually got any acting work, so my first few years were spent working in bars, restaurants, offices, that kind of thing, with the odd acting job interspersed. So, yes, my trajectory in the last few years, certainly, is getting better and better. The main thing about it is, I have to say, when you’re going through those times and you’re struggling to get work and it’s really tough, it’s not necessarily the most enjoyable, but then I’m extremely grateful for having had those times because it makes you more grateful for when things are going well.

 

Have you come across someone who has given great advice?

Actually, Tim Piggott-Smith, who sadly passed away recently. He directed a play that I did when I was twenty-five. Tim was a huge inspiration and he gave some fantastic advice, too numerous to go into. But I remember he said, when you’re not working, just try and do two things every day that are constructive towards trying to get work, be it reading a play or writing a letter to a director or to a theatre company. That kind of thing. Persistence is the biggest one, I think.

 

Sterling advice. That culminated for you, a couple of years ago, with Macbeth and Kenneth Branagh. I actually saw this as an NT Live production.

Oh, did you?

 

How was that?

One of my abiding memories about that, which is possibly the wrong one. It was an amazing experience. If you’re gonna do a Shakespeare, because I’d never done Shakespeare before – I haven’t done it since, actually – do it with someone like Ken Branagh. But, I am a massive Andy Murray fan. Huge Andy Murray fan. And when we started the rehearsals, we were in Manchester and on the first day we turned onto the street – and it was the first year Murray won Wimbledon and I had a bet on with a couple of members of the cast that Murray was going to win – and we walked onto the street that we were rehearsing on and it was on Murray Street! I was like, right, this is a sign. And on the Sunday of the final, you very rarely in this country do plays on a Sunday, every time I was offstage I was watching the game before limping back on.

 

[Kenneth Branagh’s Macbeth]

 

But it was an amazing experience working with Ken and doing a live theatre performance of something that’s being beamed out to cinemas. Exhilarating as well.

 

Would you like to do more theatre acting?

Yeh. I would absolutely love to. I mean, I’ve done a couple of musicals in my time. I did Cabaret in the West End a few years ago with Julian Clary, no less. He was a great, great, lovely guy. So, I would love to do more, but the last few years, the way things have gone, it’s been more tv and film. I think film is my ultimate passion.

 

Stumbling across your Unofficial Facebook page, I noticed the banner picture which shows you in a studio with the likes of Jason Isaacs and Derek Jacobi. What was that project?

Oh, yeh. And Catherine McCormack. That was an amazing cast. That was a radio play called Mayflies and Catherine, in that play, there was a scene where her character had to give birth. And I remember being in the studio watching her doing it, thinking this must be the most convincing giving-birth scene ever heard on radio… That was good. They were all extremely lovely… That’s what actors want to strive towards. You want to work on projects with great people who you can learn from.

 

Which neatly brings us to your latest project. You’re in a film which comes out in a couple of weeks. I assume it’s not about a dog selling insurance…

Oh, that’s the twist!

 

No, don’t give away the ending… It’s called Churchill. Who do you play?

I’m playing Captain James Stagg who is a character that I had never heard of. I think, one of the fascinating things about World War Two is that there are so many stories and so many characters that were heroes and their story has not been told. And, Captain Stagg, for me, was one of those guys who played a pivotal part in the D-Day landings because he was in the meteorological department of the Navy. He was the only one of that department who had direct access with Eisenhower and he recommended that they delay the landings by several hours because the weather in the Channel was going to be so bad. And then the next day he suggested there was going to be a break in the bad weather and they should launch then and Eisenhower took his advice. D-Day could have been a complete disaster so he played a really important part in the success of it. He’s a Scottish hero of war… I feel as though I’ve watched just about every documentary on World War Two and I’d never heard of him.

 

Is history one of your hobbies?

It’s certainly one of my passions. I was lucky enough that five or six years ago I narrated a documentary on World War Two called Apocalypse: The Second World War. It had been colourised and watching it in colour really brings it home.

 

Brian Cox plays Churchill…

Yeh, it kind of looks at Churchill in a way that I can’t remember seeing in other films before and doesn’t just portray him as the outright hero. It looks at his emotional state and the doubts that he had and the fears he had about making the right decision.

 

So it’s a good old-fashioned drama, a thriller.

Yeh. I haven’t seen the finished version yet so I don’t know how it’ll come across on the screen.

 

It would be a surprise if they’ve turned it into a Carry On movie.

It would be an interesting take on it. I have to say, with period dramas, they’re always a fine line away from being a Carry On film anyway. When you get into some of these costumes and some of these wigs…

 

And it’s so serious.

Exactly. An eyebrow raise away from becoming slightly farcical. It’s a thriller, a biopic, it’s a character-driven drama.

 

Did you do months of research for the part at the Weather Centre?

I didn’t. Partly because I got the part very late in the day so I didn’t have much time to prepare. I found out as much as I could about Captain Stagg. I found out where he was from – an area in Scotland called Dalkeith – I couldn’t find any voice recordings of him. I adopted a tone I thought would be appropriate for that region and I grew a moustache. The best kind of preparation you can have!

 

You’ve got two films in post-production. A big film, The Titan. Can you say anything about that?

It’s basically a love story, set slightly in the future. We need somewhere else to live, so there’s the moon called Titan, just passed Saturn, and these astronauts have been sent to see if they can become attuned to living there.

 

And what’s The Little Princess?

The Little Princess is a film that I wrote and acted in. We made it a couple of months ago and we’re in the process of editing it now. Hopefully we’ll get it into festivals later on in the year. To summarise it, it’s a film about a man who’s going through a deep depression in his life and he happens to have a chance encounter with a little girl who reminds him of the beauty and simplicity of life… We found a little girl, a nine-year-old girl who is absolutely fantastic in it.

 

Finally, a few quick-fire questions – favourite fruit?

Apple.

 

Would you prefer a cooked breakfast or a healthy one?

I would prefer a cooked breakfast but I would probably go for the healthy one.

 

Your favourite book to recommend?

Carter Beats The Devil by Glen David Gold.

 

Favourite comedian?

Billy Connolly.

 

Somehow, I knew you were going to say that…

He’s the first one that came to mind.

 

What’s guaranteed to make you cry?

The theme tune to Cinema Paradiso. Every time.

 

What’s your favourite kind of music?

Musical theatre. Or Das Punkt!

 

And, finally, as I know you’re into your animals and charity work – what’s your favourite animal?

Ooh.. er. My favourite animal? Erm… Let’s go for orang utan.

 

I like it. That is lovely. Well, I wish you all the luck with the movie and everything else you do in the future. Thanks for chatting.

My pleasure. Bye!

The film Churchill is on general release from June 16th. It is certificate PG and stars Brian Cox and Miranda Richardson.

 

 

 

 

International Independent Author Book Award results by Margaret Graham

WORDS FOR THE WOUNDED are delighted to announce the results of its fundraising  2017 international Independent Author Book Award

 

This year, as with every other year the judging team feel the standard had risen, making our task harder but extraordinarily satisfying. Structure, show not tell mostly in place. Crime, non fiction, romantic novels, short stories refreshing in their execution and subject, several written with humour, some inspiring… In all, such a great pleasure for us.

In fact, such was the variety we received, and the number, that we have decided it is time to take the competition up a level and over the next few months we will be finalising plans to provide even more opportunities for aspiring authors in our 2018 Award.

To kick start the new initiatives, and because we received many children’s picture books we have introduced a Special Category this year for Children’s Picture Books. Why? We found it impossible to compare these against entries for the adult and young adult market. This Special Category will be listed at the end of the results listed below.

We will be featuring day by day (starting tomorrow) each of the winners, including the  judge’s comments, biography of the author  and description of the book. So do tune in.

Congratulations and thank you to everyone who entered and helped, especially our judge, editor Gillian Holmes, and the young team who read, or listened to, all the picture books.

Now to business:

1sr Place     Not a Girl: A book of short stories.          Christopher Donaldson

2nd Place     The Flower Seller                                    Ellie Holmes.

3rd Place     True Colours                                            Elly Redding

 

Highly Commended (alphabetical order)

 

Face Value                                             Ian Andrew

Eye Spy                                                 Tessa Buckley

Front of the Wilderness                         Jeremy Good

An Orchid in Winter                                Michelle Gunner

Not in the Pink                                       Tina Martel

Wyrm Gold                                             Richard Middleton

Uncertain Light                                       Marion Molteno

Accidental Traveller                                Raphael Wilkins

 

Commended (alphabetical order)

A Jarful of Moonbeams.                           Chrissie Bradshaw

Dorothy Lyle in Avarice                            Ella Carmichael

A Material Harvest                                    Paul Cranwell

Strip Naked and Re-Dress Happiness      Maria Hocking

The Postmistress of Nong Khai                 Frank Hurst

Against all odds                                         Ishbel Kargar

Standing Orders                                        David Rose

Highlanders’ Revenge                               Paul Tors

 

Special category.

Children’s picture books:

1st: The Ruby the Routemaster series: Ruby’s Story.     By Christophe Dupuy

2nd Little Hoglet’s Egg Race.                                           By Richard Middleton

www.wordsforthewounded.co.uk

 

That’s a lotta press ups…

The John Thornton Young Achievers Foundation (JTYAF) would like to congratulate Royal Marine Richie, Amber, Adam, James, Shaun and Tom for their incredible achievement in completing 30,000 press ups at Sainsbury’s Ferndown! Together with 55 JTYAF volunteers their challenge raised an incredible £3,600 in donations from shoppers over the weekend!

 

This challenge required a huge amount of time and commitment to ensure success and the charity can’t thank the team enough for their support.  Richie however is the main man, he got them all together and ran the whole event.

 

Thanks must also go to Overhang, My Protein and Letter X, who sponsored the challenge and a very special thank you to Sainsbury’s Ferndown for hosting the event.  They always go that extra mile for the JTYAF.

 

Congratulations to Karen and Paul who were winners of the One Minute Press Up Challenge and received amongst their prizes 3 months Free at Richie s Fit Camp, a meal for two at the Angel Inn and a Ringwood Brewery Tour. 

 

Without the generosity of the Sainsbury’s customers this would not have been possible but thanks must also go to those who supported Richie’s Team on line and raised another £2852!

 

In total Richie and his team raised £6,452 which is an incredible achievement and will make a massive difference to local young people in the year ahead.

 

This is not the first crazy challenge that Richie has organised to support John’s Foundation.  With Rowathons, 46 Mile Runs, Marathons, Pram Races and 350 Mile Cycles he has now raised £19,000 for the charity!

 

The JTYAF is extremely privileged to have his support.  All the funds raised will help young people to discover their potential, develop their talents and inspire them to ‘climb as high as they can dream

 

For more information about the work of the JTYAF please visit their website at www.jtyaf.org

Castle of Water by Dane Huckelbridge

 

It’s refreshing to read a book which is ‘different’.

 

The story starts with a plane crash in the middle of French Polynesia. On board the plane are three people; one is an American called Barry who has spent too many years working in finance in New York, though his dream is to be an artist. He takes the plunge, literally as it turns out, as the small plane crashes on its way to Paul Gauguin’s island. The other occupants of the plane are Etienne and Sophie Ducel a newly married couple who run an architectural firm in France. They are honeymooning in French Polynesia and want to see the grave of the singer Jacques Brel, buried on the same island as Paul Gaugin.

 

The plane sinks, as does Etienne. The artist and the architect have to work together to survive once the reach the island.

 

They do more than that, over several years – as they find love in the process.

 

Huckelbridge creates a sense of place like no other, and I laughed out loud many times as the ups and downs of needing to depend on one another takes precedence over wanting to deliver a shape smack.

 

The octopus capture is hysterical. The whole thing complete and compelling. A lovely novel.

 

Dane Huckelbridge has sent Frost Magazine his A Day in the Life in which you get a taste of his gloriously quirky turn of phase.

 

 

A Day in the Life of author Dane Huckelbridge

 

Well, I’d love to be able to say that I start each day here in Paris with a crack-of-dawn run along the Seine and some sort of nourishing health shake, but that would be what the French call une bold-faced lie—although I do enjoy the occasional piña colada, which is a health shake of sorts, and my groaning march to the writing desk each morning feels just as challenging as any Ironman Triathlon. All of which makes for a vigorous spiritual work-out, at the very least. After all, if I weren’t an athlete, why would I have so many second-hand sports coats?

 

However, once my electrolytes have been replenished via the weird little European Nespresso machine in the kitchen, and I’ve adequately warmed up with a callisthenic regimen of intense procrastinative dawdling, I get down to work—which usually isn’t so bad. I especially enjoy writing novels, like my latest one Castle of Water, although at the moment I’m working on a historical book about a man-eating tiger in 19th century India, which is precisely as weird and intriguing as one might think. I’m not too picky about where I write—back in New York, I lived and worked for a year in a pantry under my friend’s stairs known as “The Harry Potter Suite”—but Paris ain’t all bad. It is, simply by dint of its architecture, a predominantly grey city, and winter certainly does little to improve its spectrum. In spring and summer, however, Paris is wonderful, and upon stuffing the leftover Nespresso capsules into my ears to muffle the incessant, high-decibel whine of all the motor-scooters down below, it’s actually quite nice to type away with the balcony doors open and a baguette-scented breeze wafting in. I won’t lie—being a writer has plenty of attendant stresses, and it’s certainly not all beer and skittles. But there are those rare moments when it is sweet indeed. Even sweeter than skittles, as a matter of fact, although perhaps not the red ones. Nothing is sweeter than those.

 

I try to finish up for the day by late-afternoon, and if it’s not too close to supper, I like to squeeze in a walk, or even the odd beer. I do like wine, although being from the American Midwest, having to drink it too often is a bit like making a dog walk on its hind legs. Namely, it’s hard on my knee joints. So I’ll usually find a spot at a café on Oberkampf, or by the Place des Vosges, and enjoy a nice, cold…well, ok, the French never serve anything cold, and sometimes I’m not even sure it’s beer, but it’s definitely not wine. A piña colada, perhaps? Who knows.

 

But being healthy never tasted so good. And what is writing, after all, if not an exercise in good ta—

 

Dangit! Just spilled piña colada mix all over my skittle-red sports coat.

Castle of Water  HQ paperback £7.99

 

Gay UK: Love, Law and Liberty by David C. Dawson

 

In the entrance gallery of the British Library until 19th september – Free

 

 

 

If you were alive in 1967, chances are you would never believe the day would come when a glossy magazine would feature a same sex family positively on its front cover. Or the heir to the throne would give an in-depth interview to a gay magazine. But that is how far Britain has come in the fifty years since the first, partial decriminalisation of homosexuality.

You can see all this and more at a fascinating free exhibition called Gay UK: Love, Law and Liberty, in the entrance gallery of the British Library in central London.

I judge exhibitions on how well they tell their story. This one scores full marks. It starts in 1533, when the Buggery Act was passed during the reign of Henry VIII. It continues with the oppression of Victorian England, and tells the stories of steady and persistent campaigns for sexual equality that were mounted throughout the twentieth century and into the twenty-first.

For example, you will see an original copy of the Criminal Law Amendment Act 1885 which created a much more oppressive law against homosexuality. Even homosexual acts carried out in private were made illegal. It was this Act that brought about the trial and imprisonment of Oscar Wilde.

There is a great deal of fascinating Wildean archive here, including a copy of Lippincott’s Magazine

,

in which his only novel; The Picture of Dorian Gray was first published. The book was slammed by critics of the time as “effeminate and contaminating”. Wilde rewrote it to try to play down the homoerotic content.

The narrative of the exhibition shows how literature and humour were used effectively by the gay men and women oppressed for nearly a century by the Victorian’s 1885 legislation. Did you know that Terence Rattigan’s play The Deep Blue Sea was originally written with two gay men as the protagonists? Rattigan had based their story in part on his secret relationship with the actor Kenny Morgan.

There is a copy of Virginia Woolf’s transgender classic Orlando, about a male poet who becomes a woman and lives for centuries meeting key figures of English literary history. Alongside it is an interview with Woolf’s lover Vita Sackville-West talking about the inspiration for the book.

 

I had forgotten that the British Library not only has a vast collection of books and documents, but also a comprehensive audio archive. I spent a wonderfully nostalgic time listening to Julian and Sandy, AKA Hugh Paddick and Kenneth Williams, from the BBC radio show Round the Horne. At a time when homosexuality was still illegal in Britain, they regularly brought the secret gay language Polari to a weekly listening audience of up to fifteen million.

Then there is a recording of the late Mark Ashton, one of the founders of Lesbians and Gays Support the Miners, portrayed in the 2014 film Pride. Or you can listen to a recording from 1932 of Noel Coward singing Mad About the Boy.

This is archival story telling at its educational best. I learned a great deal, most importantly, about the bravery of the many campaigners whose efforts have led to the increasing sexual equality we enjoy today.

In the entrance gallery of the British Library until 19th september – Free

www.bl.uk/events/gay-uk-love-law-liberty