Trampled by Turtles announce UK & Ireland shows | Music News

Trampled by Turtles, the indie folk band from Duluth, Minnesota, have announced a string of shows in the UK & Ireland for later this year. The jaunt begins in London on 13th November and ends in Birmingham 6 days later. Details below.

 

[youtube http://www.youtube.com/watch?v=Xjdkc14-zwQ&w=560&h=315]

Trampled by Turtles UK & Ireland tour dates:

Nov 13 London, UK Hoxton Bar & Kitchen
Nov 14 Leeds, UK Hi Fi Club
Nov 15 Edinburgh, UK Sneaky Petes
Nov 16 Belfast, UK McHughs Basement Bar
Nov 17 Dublin, IE Workmans Club
Nov 18 Birmingham, UK Hare & Hound

The Computers Live Dates | Music News

 

From Exeter’s very own tight-knit and fertile punk scene, The Computers return in July for a string of live dates below:

Saturday 7th July – NASS (Front Stage), Shepton Mallet

Sunday 8th July – Eden Sessions, Cornwall

Friday 13th July – 2000 Trees Festival, Cheltenham

Friday 27th July – Leopalooza Festival (Main Stage), Cornwall

Saturday 28th July – Hatherleigh Festival, Hatherleigh

 

[youtube http://www.youtube.com/watch?v=Lgf7dMcWp6g&w=420&h=315]

External Links

Myspace page

Official Website

Tilbury | Music Profile

 

Icelandic band Tilbury was founded by drummer Thormodur Dagsson (Skakkamange, Jeff Who?, Hudson Wayne) back in the summer of 2010 and was originally intended as a solo project, named Formadur Dagsbrunar, but quickly evolved into the full blown monster of a band that is Tilbury. The band play a sort of folk-synth-pop sound, not dissimilar to Grandaddy. It’s led by the synthesizers of Kristinn Evertsson (ex Valdimar) and the lush guitar sound of Orn Eldjarn (ex Brother Grass). Gudmundur Oskar (Hjaltalin) decorates the sound with his French-ish baselines and drummer Magnus Trygvason Eliasen (Sin Fang, Amiina, Moses Hightower) binds it all together with his dynamic drumming.

The band half from ultra cool Reykjavík in Iceland. Everyone I met during a holiday there was in a band. I guess with up to 20 hours of darkness a day during winter it makes sense to play rock n roll to cure the boredom. The band’s Exorcise LP has been one of my favourite album’s this year. An absolute gem of a record.

Tilbury’s debut album, ‘Exorcise’, was released in May 2012 on Record Records. Check it out here. Also have a watch/listen to the opening track from the album, ‘Tenderloin’, below:

[youtube http://www.youtube.com/watch?v=UnwOvjYOepk&w=420&h=315]

External Links:

Facebook page

 

Free Gatekeeper download ahead of new album | Music News

 

New York electro due Gatekeeper have unveiled a free download, ahead of their forthcoming record ‘Exo’, which will be available worldwide July 17th, 2012 on Hippos In Tanks. Have a listen and download below:

[soundcloud url=”http://api.soundcloud.com/tracks/50674229″ iframe=”true” /]

 

External Links:

Hippos In Tanks website

Gatekeeper Facebook page

 

 

 


Our Burgundy | Music Profile

 

I must admit I don’t know a lot about Our Burgundy but what I do know is that they rock! They’re two kids from Pomfret, Conneticut, Seth David Christian (guitar/vocals) and Alex Herr (drums), who have created a sort of Bush meets White Stripes sound. Don’t take my word for it, have a watch of their ‘Bad Things’ video below:

[youtube http://www.youtube.com/watch?v=3p_YHuZfMt0&w=560&h=315]

Also head to the Our Burgundy bandcamp page for free downloads of their Through The Grapevine 1 and Through The Grapevine 2 EP’s

 

External Links:

 

Facebook Page

Bandcamp page 

Official website

Traditional Roles Changing For Men.

Father’s day has been and gone but one thing is becoming clear: the times there are a changin’.
Online marketplace notonthehighstreet.com reveals the evolution of ‘Dad’ with nationwide survey.

A survey of over 1,000 respondents has found that modern day fathers are more likely to be seen in the kitchen preparing the evening meal, or with a duster and hoover sprucing up the house, in comparison to the ‘traditional’ idea of fathers whose primary role was seen to be working and other stereotypical male roles. The nationwide survey showing that while 77% of respondents recall the traditional primary role of the father from their own childhoods to be concerned with earning the keep, 70% now view the modern day father’s primary role to be cooking.

Further results from the survey showed the following:

* When growing up, respondents remember their father’s taking on roles such as working, painting and decorating, DIY, gardening and taking the bins out.
* When asked which roles the modern day father is known for, the top three primary roles were cooking (70%), shopping (61%) and cleaning (58%)
* Results showed that modern day fathers are 48% less likely to discipline their children in comparison to the generation of fathers before them.
* Results also found that the modern day father is much more likely to take an active, fun parental role with their children. It was found that fathers are now 49% more likely to spend time playing with their children and 48% more likely to take their children to school.

Kate Middleton Has To Curtsy To ‘Blood’ Royals.

Kate Middleton may now be the Duchess of Cambridge, but she has been told that she must bow to ‘blood’ royals when her Prince is not around.

Middle-class Middleton has come a long way but the Queen has updated the Order of Precedence to account for the Duke of Cambridge’s wife.

Kate must curtsy to the “blood princesses”, the Princess Royal, Princess Alexandra, and the daughters of the Duke of York, Princesses Beatrice and Eugenie when Prince William is not around as she does not have any blue blood in her veins.

When her husband is with her she only has to curtsy to the Prince of Wales, the Duchess of Cornwall, the Queen and the Duke of Edinburgh.

If Kate thinks she has it bad then give the Countess of Wessex is probably even less happy, she has to curtsy to Kate even when William is not there.

The last time the order was updated after Prince Charles married Camilla the Countess of Wessex then had to curtsy to Camilla. According to a courtier: “She didn’t like it one bit,”

The Queen has changed the Order of Precedence “on blood principles”

What do you think? Would you curtsy to The Queen or another member of the Royal household?

The Unpaid Acting Work Dilemma by Professionally Resting.

Casting call: ““Unfortunately we’re not able to offer a fee on this occasion.”

Sadly this type of casting call is one that I’m all too used to seeing. At least 75% of castings will
contain the above sentence or a wonderfully inventive version of it (such as the incredible ‘This is
a no-pay experience!’) It’s unfortunately become a fact of acting life and I’ve become as skilled as
sifting through castings as I have at rifling through sandwiches for rogue tomatoes. Directors will try
and soften the blow by telling you that you’ll get a credit to put on your CV (gee, thanks) and that
they’ll be providing you with food on set. On-set catering can be a thing of beauty (pizza) but it can
also be an utter horror made of stale sandwiches. Apparently actors can live on credits and bread
alone. If only landlords, phone companies and councils could be fobbed off in the same way.

Unpaid work has become a rather aggressive disease in the acting world. What was once the domain
of film students and wannabe filmmakers; it has now entered the world of television. And this is
a worrying development. I understand that however much they’d like to, students and smaller
production companies can’t always afford to pay people. The ethics bother me because I believe
that if you can’t afford to pay everyone then you probably shouldn’t be making the piece in the first
place but that’s an argument for another day. Unpaid work happens and sadly, just like the damp in
our flat, I have to deal with it for now and watch it ever so slowly ruin me. I should also admit that
I’ve taken on my fair share of unpaid work in the past. Unfortunately there are times when you have
very little choice and so you can either do nothing or take on some unpaid work in the hope that
it might just get you spotted. It won’t, but you never know when that top agent is going to turn up
at a secondary school in Northampton to watch you prance about telling kids about the dangers of
heroin. But now the bigger companies have jumped on the bandwagon and suddenly everything is
starting to topple over.

There have been a string of very high-profile companies that have recently started advertising
unpaid or expenses only work. And when I say ‘high-profile’ I mean the type of companies
that produce widely watched primetime programmes that air on terrestrial channels. These
are companies that clearly have plenty of money, or at least enough cash to make sure that all
performers are fairly paid. When they start offering unpaid work, what kind of message does that
send out to all the other companies? Apparently it’s now perfectly acceptable for these businesses
(one of whom made a profit of £471m last year) to get performers to work for free. But these
companies forget that actors often have a lot of time on their hands so it doesn’t take too long
before they’re ousted via the beauties of social networking. But what happens when they get found
with their devious trousers around their tight-fisted ankles? Well, what has happened recently
is that they make like George Osborne and u-turn. However, they don’t then promise to do the
honourable thing and actually pay actors. Oh no. Their reaction is to say that they will instead be
casting friends, family or employees. That’s what this profession has been downgraded to. Actors
are now regarded so poorly that we can be instantly replaced with the make-up artist’s cousin and
the focus puller’s university mates the second we start to complain. We find ourselves so low on the
career ladder that we’ve now been downgraded to the lackey that just holds the ladder and watches
everyone else climb up it.

So what this means is that actors will yet again be forced into unpaid work as they desperately try
to keep hold of a career that’s more slippery than a greased-up seal. We continually find ourselves
being held to ransom where we can either ‘shut up and put up’ or keep fighting and risk the chance
of never working again. Just like the next actor, I’d love the exposure that a primetime programme
would offer but never at my own expense and certainly not just so an exec can save a few precious
pennies and ensure that their bonus is intact for another year. Why should they get to go on exotic
holidays when I’m left wondering how to survive for the next week on a tin of chopped tomatoes
and a rapidly ageing nectarine? It’s at its lowest, meanest level and until all actors make a stand against these companies, all we’re doing is encouraging them to turn our already fragile
industry into a laughing stock.