ROSIE FORTESCUE UNITES WITH LEADING BREAST CANCER CHARITY TO SUPPORT FASHION TARGETS FRIDAY

Fashion icon Rosie Fortescue, from E4’s Made In Chelsea, is heading up Fashion Targets Friday – a brand new fundraising initiative from Fashion Targets Breast Cancer to help beat breast cancer.

Fashion Targets Friday is taking place on Friday 26th April 2013 and is aimed at British students; encouraging them to raise vital funds for Fashion Targets Breast Cancer, the UK’s leading charity fashion campaign in aid of Breakthrough Breast Cancer.

In her role as Fashion Targets Friday Ambassador Rosie is urging everyone to style up and sign up to hold a fashionable fundraising event. One in eight UK women will be diagnosed with breast cancer in their lifetime, so every penny raised is crucial in order to help beat the disease.

Rosie Fortescue, Fashion Targets Friday Ambassador, says: “I love fashion so what better way to help all the families affected by breast cancer than holding a stylish fundraising event. Fashion Targets Friday is the perfect way to raise money for this incredible cause – whether you wear your support with a non-uniform day at school or style up your student union with a fashion party – the money you raise will help to stop women dying from breast cancer.”

Fashion Targets Breast Cancer is the leading charity fashion campaign raising money for Breakthrough Breast Cancer. The campaign raises funds through the sale of specially designed products from leading high street retailers including M&S, River Island, Coast, Topshop, Warehouse, Laura Ashley and Debenhams so those who can’t hold or attend a Fashion Targets Friday event can still Wear their Support with a visit to their local high street (from April 22nd).

 

To find out more information about Fashion Targets Friday visit www.fashiontargetsfriday.org.uk

Can’t Wait For More New Girl? Watch This!

New Girl is back (whoop, cheer!). Returning to our screens tonight on its new home on E4 at 9pm.

If you can’t wait the three or so hours, or if you just want a little bit of Schmidt in your lives, watch this video and get your fix.


The Unpaid Acting Work Dilemma by Professionally Resting.

Casting call: ““Unfortunately we’re not able to offer a fee on this occasion.”

Sadly this type of casting call is one that I’m all too used to seeing. At least 75% of castings will
contain the above sentence or a wonderfully inventive version of it (such as the incredible ‘This is
a no-pay experience!’) It’s unfortunately become a fact of acting life and I’ve become as skilled as
sifting through castings as I have at rifling through sandwiches for rogue tomatoes. Directors will try
and soften the blow by telling you that you’ll get a credit to put on your CV (gee, thanks) and that
they’ll be providing you with food on set. On-set catering can be a thing of beauty (pizza) but it can
also be an utter horror made of stale sandwiches. Apparently actors can live on credits and bread
alone. If only landlords, phone companies and councils could be fobbed off in the same way.

Unpaid work has become a rather aggressive disease in the acting world. What was once the domain
of film students and wannabe filmmakers; it has now entered the world of television. And this is
a worrying development. I understand that however much they’d like to, students and smaller
production companies can’t always afford to pay people. The ethics bother me because I believe
that if you can’t afford to pay everyone then you probably shouldn’t be making the piece in the first
place but that’s an argument for another day. Unpaid work happens and sadly, just like the damp in
our flat, I have to deal with it for now and watch it ever so slowly ruin me. I should also admit that
I’ve taken on my fair share of unpaid work in the past. Unfortunately there are times when you have
very little choice and so you can either do nothing or take on some unpaid work in the hope that
it might just get you spotted. It won’t, but you never know when that top agent is going to turn up
at a secondary school in Northampton to watch you prance about telling kids about the dangers of
heroin. But now the bigger companies have jumped on the bandwagon and suddenly everything is
starting to topple over.

There have been a string of very high-profile companies that have recently started advertising
unpaid or expenses only work. And when I say ‘high-profile’ I mean the type of companies
that produce widely watched primetime programmes that air on terrestrial channels. These
are companies that clearly have plenty of money, or at least enough cash to make sure that all
performers are fairly paid. When they start offering unpaid work, what kind of message does that
send out to all the other companies? Apparently it’s now perfectly acceptable for these businesses
(one of whom made a profit of £471m last year) to get performers to work for free. But these
companies forget that actors often have a lot of time on their hands so it doesn’t take too long
before they’re ousted via the beauties of social networking. But what happens when they get found
with their devious trousers around their tight-fisted ankles? Well, what has happened recently
is that they make like George Osborne and u-turn. However, they don’t then promise to do the
honourable thing and actually pay actors. Oh no. Their reaction is to say that they will instead be
casting friends, family or employees. That’s what this profession has been downgraded to. Actors
are now regarded so poorly that we can be instantly replaced with the make-up artist’s cousin and
the focus puller’s university mates the second we start to complain. We find ourselves so low on the
career ladder that we’ve now been downgraded to the lackey that just holds the ladder and watches
everyone else climb up it.

So what this means is that actors will yet again be forced into unpaid work as they desperately try
to keep hold of a career that’s more slippery than a greased-up seal. We continually find ourselves
being held to ransom where we can either ‘shut up and put up’ or keep fighting and risk the chance
of never working again. Just like the next actor, I’d love the exposure that a primetime programme
would offer but never at my own expense and certainly not just so an exec can save a few precious
pennies and ensure that their bonus is intact for another year. Why should they get to go on exotic
holidays when I’m left wondering how to survive for the next week on a tin of chopped tomatoes
and a rapidly ageing nectarine? It’s at its lowest, meanest level and until all actors make a stand against these companies, all we’re doing is encouraging them to turn our already fragile
industry into a laughing stock.

Cardinal Burns Video Interview

Cardinal and Burns, the blokes behind E4 comedy Cardinal Burns, have a chat about, well, E4 comedy Cardinal Burns.

Cardinal Burns is a new comedy sketch show written and performed by Seb Cardinal and Dustin Demri-Burns. Catch it Tuesdays at 10:30pm on E4. It is brilliant. (Thank God they didn’t call it Cardinal Demri-Burns though).

2 Broke Girls Debuts with 1.1 million viewers

It’s the biggest launch since Glee.

With zingy one-liners and two talented actresses in the lead roles, E4’s brand new smash hit US comedy 2 Broke Girls launched on E4 drawing an average audience of 1.1m,  more than doubling the 2012 slot average of 443k.

The programme attracted the biggest overnight  audience so far this year on E4, after The Big Bang Theory and the largest audience for a new title on the channel since Glee in 2010.

Between 21.00 and 21.30, E4 drew the biggest 16-34 share across all channels and was the top digital channel for individuals in both the slot and peak time (17.30-00.00). The channel also drew its second highest daily and peak share YTD for individuals and 16-34s.

Big Bang Theory continues to be a hit and drew its 3rd and 4th highest overnight audiences of 2012.

Fresh Meat To Return For Second Series

SECOND SERIES FOR FRESH MEAT AND BEAVER FALLS

NEW RUNS GREENLIT FOR HIT CHANNEL 4 and E4 DRAMA

FRESH MEAT
‘it has hit written all over it’ – Sunday Times
‘smart, sympathetic and pretty much adorable from the get-go’ – The Guardian
‘brilliant new comedy drama’ – The Sun

Channel 4’s critically-acclaimed smash-hit show Fresh Meat has been recommissioned mid way through its first eight-part run.

The Jesse Armstrong/Sam Bain created comedy drama centres on a group of six housemates embarking on the hilarious and painful business of being a student and features an ensemble cast of hot young talent.

Made by Objective Productions and Lime Pictures and produced by Rhonda Smith, the series is executive produced by Sam Bain and Jesse Armstrong, Judy Counihan, Phil Clarke and Andrew Newman for Objective Productions and Tony Wood for Lime.

BEAVER FALLS
‘heart-warming and gut-wrenchingly funny .. you’re guaranteed to fall for Beaver Falls!’ – The Sun

E4, home to BAFTA award-winning series Skins, Misfits and The Inbetweeners gets set to get out the Factor 50 (safety first) as it heads back to Beaver Falls for a second six-week run.

It’s Summer 2012 and while all is not perfect between Barry (John Dalgleish), A-Rab (Arsher Ali) and Flynn (Samuel Robertson) the three of them are ready and raring for another summer of mischief. But with a night in jail, a shotgun wedding and a run-in with the locals, the Brits are going to have their hands full …

The 6 x 60’ series was created by Iain Hollands, produced by Liz Lewin and executive produced by Charlie Pattinson for Company Pictures.

Commenting on the recommissions, Channel 4 Head of Drama, Camilla Campbell, said: ‘I am delighted that our strong series output has been recognised with a double recommission. Our series continue to reach the heart of the 16-34 audience, and consistently bring loyal viewers to Channel 4 and E4.’

Third Season of Made In Chelsea Confirmed.

C4 Entertainment Commissioning Editor David Williams has green-lit a ten-part, third series of hit reality drama Made In Chelsea from Monkey.

The announcement follows the news that E4 will also be screening a feature length 90 minute, Made in Chelsea Christmas Special, in December.

The show follows the lives of a glamorous group of globe-trotting young socialites and first aired on E4 in May, becoming the channel’s highest rated non-scripted debut.

Series 2 finishes Monday 21 November and is averaging 701k viewers to date, with the total average audience rising to over 1 million, when consolidated and VoD viewing is included. More than half of the audience is aged 16 to 34.

Made In Chelsea also remains one of Channel 4’s most talked about programmes, trending worldwide on Twitter and generating a total of 475k tweets to date.

Series 2 introduced a new online element with three 30 minute live video webchats in the form of ‘Live in Chelsea’. A first for E4.com, this online spin off consolidated 90K users who had the opportunity to watch cast members take questions from Twitter and Facebook and enjoy exclusive preview clips.

To further harness the show’s strong presence across social media, E4 is the only UK television network working with GetGlue; A new social network for entertainment that allows fans of the show to ‘check-in,’ earn virtual and physical stickers and share their activity with their friends on Facebook and Twitter.

To date, Made In Chelsea has recorded 45k ‘check-ins’ for series 2, generating a total online reach of more than 8m.

Commissioning Editor David Williams said: “With such a loyal audience tweeting, checking-in and following the lives of our new TV stars, it’s fantastic to be once again returning to the hallowed streets of the Royal Borough of Chelsea.”

Exec Producer, Sarah Dillistone from Monkey said: “We’re delighted by the connection so many people have made with the show, its cast and the incredible world they live in. We look forward to bringing new bed hopping, name dropping, champagne popping characters to series 3.”

Monkey is a division of NBCUniversal International Television Production.

MADE IN CHELSEA'S CAGGIE DUNLOP APPOINTS RUSHDIE MEDIA FOR PR REPRESENTATION

Caggie Dunlop, 22, star of E4’s hit docu-soap series Made In Chelsea, has appointed PR agency Rushdie Media for UK representation.

Educated at the Harrodian School in Barnes and then at Wellington College she went on to study philosophy at Leeds University. Her love of performing and acting took her to New York where she spent a year studying at the Lee Strasberg Theatre and Film Institute. There she performed in a number of productions including Rabbit Hole by Mauricio Bustamente, Barefoot in the Park by Lola Cohen, Proof by David Auburn, and Picnic by Mauricio Bustamante. She is also developing a music career as a singer, and is currently writing songs for an album. She lives in West London.

Rushdie Media is located in Central London and other clients include Sir Salman Rushdie and classical group Blake.