Is Acting Training Worth It?

acting, acting advice, acting book, how to be a successful actor, actorpreneur, auditions, castings, casting breakdown, how to be an actor,To train or not to train, that is the question. To paraphrase some little known writer, ahem. It is a debate that has raged on. The truth is, there is no easy answer. Frankly, studying at Cambridge will get you noticed but training at some random never-heard-of polytechnic won’t do you much good. In a recent Mark Strong Acting masterclass I went to Mark made the excellent point that it is not the training that is important, but the confidence it gives. Sometime people who don’t train have a chip on their shoulder, Mark said, much like people who don’t go to university think they missed out on something. It is all rubbish and in fact they did not miss anything at all, but the lack of confidence is there.

So, do you need three years worth of training? Especially with the exorbitant fees that universities now charge? The answer is yes, and no. There is still a hierarchy to acting. If you go to a school which is a brand name it will look great on your CV and open some doors. RADA is one, as is Central and LAMDA. Ditto Oxford and Cambridge. The acting industry is just as snobby as the wider world. People love brand names.

Some training is smart. Although I believe that acting is a talent you either have or don’t, but you can improve. Take classes, join improv groups, make your own work. Keeping up your skills as an actor is important but just doing three years of training for the sake of it is not. Many great actors have no formal training. You will also have the added bonus of not having any debt which will take you years to pay off.

In the end the decision is yours. Just don’t think that your acting career is over before it began just because you cannot go to a prestiges school. Not everyone has the money to do so and they only take a small number of applicants every year. Developing your skills is important but this can be done on the job, doing student films, fringe theatre, in drama classes and even in (shh) amateur dramatics. None of this has to go on your CV. Just get out there and work. The acting industry is not the closed shop it used to be. Go to the theatre, watch film and TV. Learn as much as possible. Actors who went to one of the top schools may get a head start but the good news is that the acting game is a marathon, not a sprint.

 

Catherine Balavage has been an actor for over ten years. Her book on acting, How To Be a Successful Actor: Becoming an Actorpreneur, has gotten numerous five star reviews and has been called the ‘best advice available’ by numerous sources.

 

 

Deadfall Film Review

Deadfall film review*Spoiler Alert*

One of the best things about Deadfall is Eric Bana. His turn as Addison, a man on the run with his sister (Olivia Wilde) after a botched casino heist is outstanding: chilling and ruthless. He plays psychopath incredibly well. The wintry landscape and the pace of the film makes this a wonderfully entertaining thriller/western/noir.

However his stone-cold killer has a different side. Whilst on the run he sees a man abusing his wife and children, throwing them out into the snow, he helps the family but in the morning gets into a shoot out with the police. The small daughter, who thought he was there to save them, says ‘You’re no angel!’. “No, I’m not.’ he says and makes a run for it.

Addison is clearly loved by his sister Liza, but unlike him she actually has a conscious and morals. They separate as the police are looking for a man and a woman. Olivia Wilde is great as Liza but must have been freezing in her skimpy clothes. All of the characters are multi-layered and crash into each other before coming together in a tension filled finale.

Sissy Spacek is always brilliant, and here she is calm and collected as the woman who has unwelcome thanksgiving guests.

There is also an excellent snowmobile chase and the film starts with a well-shot car crash. An excellent crime drama. Go see.

New Film From The Makers of Prose & Con

Filmmakers Catherine Balavage and Steve McAleavy.

The filmmakers behind Prose & Cons, a black comedy about poetry, alcoholism and plagiarism, have started an ambitious new project: The Descending of Fate.

The script is written by Catherine Balavage who also co-wrote Prose & Cons. It will be produced, directed and edited by Catherine and filmmaking partner Steve McAleavy.

The film is about a 10-year-old boy who kills his best friend. Was it an accident? Can people be rehabilitated? Can forgiveness every be given, to yourself and others? And is it right that someone should be blamed for the worst thing they have done for the rest of their life?

A dark drama about criminal responsibility and healing. Will life ever be the same again?

[disclaimer: Catherine Balavage writes for this magazine]

Julian Ruck The Bent Brief | Book Review

This legal thriller is full of unlikeable characters but I still enjoyed it. Like all good books it has brilliant observations on life and some good literary quotes. It’s author, Julian Ruck, has also worked as a lawyer so he knows what he is talking about. This book draws you in and also shows both sides of infidelity.

It has very good twists, some that I really did not see coming. My only complaint is that the main character, Edwin Hillyard is quite crude. Something that I don’t like. He is not a likable chap either, and is quite sexist, but the story still works. He is amusing even if you don’t like him.

Edwin Hillyard, a disillusioned Suffolk-based lawyer, spends his life dealing with inadequate clients who are constantly moaning about their self-esteem, or his even more inadequate ex-air stewardess wife, Claire, who believes life is all about make-up, mobile phones, trips to the shops – and of course Coronation Street. Feeling frustrated and abused, Hillyard finds diversion in the pursuit of a beautiful Sikh doctor, Jaspreet, whom he meets when called to the scene of a suicide in the London Underground. It is an inauspicious start to the relationship. But Hillyard is not the only one seeking a diversion; his wife Claire has fallen hopelessly in love with an old friend from her flying days, Jessica Howard, an ambitious sexual predator. As their affairs entwine and jealousy and resentment build on both sides, the ensuing hell starts to blow Hillyard’s life to pieces. When Claire is found dead in their bedroom, Hillyard finds himself on trial for murder. Was Jessica involved? Will Jaspreet stand by him? Did he kill her? It’s down to the defence and prosecution barristers to battle it out in court and readers will be on the edge of their seats until the very end to find out the truth.


Worth a read. Especially if you like legal dramas. The Bent Brief is very well-written.

Professionally Resting Interview: Lifting the Lid on Acting.

The talented actor behind the blog Professionally Resting first caught my eye on Twitter. She is brave, witty and accurate about the downside of the acting industry. As an actor myself I just read her tweets/blog posts and nod. I just had to interview her for Frost, so here it is! I also have a guest post coming from her soon, so look out for that too.

What made you start your blog?

I’d been reading a few other acting blogs online and I soon realised that none really covered what it’s like to be an actual working actor. Many are written by actors who are constantly in work and that was something that I just couldn’t really identify with. Most actors I know spend a great deal of their time resting and I wanted to create something fun and supportive for those of us that regularly find ourselves within the unemployed majority. I also wanted to use it as an excuse to keep busy. There are days when there’s very little work coming in and having a blog to think about really keeps me feeling like I’m at least doing something creative.

Tell us a bit about yourself (without giving too much away)!

It’s always tough answering these questions without sounding like you’re on Blind Date! I’m in my late twenties and have been acting (on and off) since graduating from drama school in 2006. I had a break for a couple of years after getting a bit trapped in a temping job that became permanent. It was a horrible job but it meant I could have a couple of years actually earning money and being able to buy things that had previously been a luxury like food that isn’t on the reduced shelf. However, there’s nothing quite like a miserable job to remind you exactly what it is that you really want to be doing and that was the catalyst to making me find acting work again so that I could finally escape.


What do you think of the acting industry?

It’s very much a love/hate relationship. I regularly complain about it on Twitter and on my blog because it honestly drives me insane. It can feel that it often has more to do with luck than talent and you are completely at the mercy of those in control of the work that is out there. It often feels like many companies and channels operate a closed shop policy and I think many of them are guilty of working with the same very tiny gang of actors time and time again. I read an article recently that said there was a very small pool of talent out there which simply isn’t true. There’s an absolute ocean of clever and gifted people out there but they often get ignored as there are other names and faces that are deemed more popular. Unfortunately viewing figures and ticket sales are placed about creating quality work and while I accept that many of those performers that are used time and time again are very good at what they do, a bit of variety really wouldn’t go amiss!
However, having said that, there are very industries that would pay you a month’s rent to mess around as a time-travelling police officer for the day and that’s why I’m still slogging away at it!

What is the worst casting you have ever seen?

There are so many to choose from! The reason I started tweeting about castings was because people were so shocked at just how insulting and offensive and downright baffling they often were. Ones such as ‘No pay unfortunately but you will get to ride in a white stretch limo with a midget and the band’ and ‘She looks a bit like a trollop but tries to dress a bit classy’ have been incredible finds. However, I think the worst has to be one that I saw recently asking for actors to play characters in a sweatshop and the company (a very well-known TV channel) were only offering expenses. I thought I was past being shocked by castings but this one was offensive on so many levels that I genuinely had to keep re-reading it just to make sure that I was seeing it properly. Sadly I was.

What was the catalyst behind you starting your blog?

As I said, it was because I felt like I couldn’t relate to the other acting blogs out there and I felt that there needed to be a voice that represented normal working actors who often find themselves out of work. However, although I knew that it was something I wanted to do, it took me a while to actually get it started. It only happened when I was coming back on the train after a month performing at the Edinburgh Festival. I’d stupidly forgotten to bring a book and my boyfriend and I were unable to sit together so to keep myself occupied, I just started writing. After nearly 4 hours of solid writing, I realised I had a lot to say on the subject of acting and after a bit of encouragement from my boyfriend who’s also a blogger, the blog was born.

What can be done to improve the kind of roles women get?

It has to start with the writing. There is not a day goes by that I don’t see at least one casting where a woman isn’t required to either be a stripper or a prostitute and although I often make a joke of it on Twitter, it is very worrying too. There is such great writing out there for men but female roles are so often overlooked. So many times I read castings where all the male characters are given weird and wonderful characteristics while the women are just written to look nice. There are some incredible writers out there who are really trying to make sure that there are strong, interesting roles for women but they need support from the major producers for their work to get made and seen. I do think that it’s changing and television and film is starting to listen but it feels like a very slow process that needs to speed up a little!

What is your favourite, and least favourite, thing about the industry?

Let’s start with my least favourite and get the negative stuff out the way. It has to be the lack of good, paid work out there for actors. So many companies expect actors to work for free and although I completely understand how difficult it must be working on a tight budget, it’s tough when you’re faced with it day after day. Acting is something that I stupidly want to do for the rest of my life but it’s hard when people seem to think that by offering you a limp cheese sandwich and £5 to cover your travel expenses, they’re doing you a favour. I’ve done jobs in the past where I’ve essentially been paying to be part of them and that’s when you know that something has gone wrong.

And my favourite thing about the industry? It’s that you just don’t know what’s coming up next. A few months ago I was whinging on Twitter about how there didn’t seem to be any work out there and literally minutes later, my agent was on the phone with an audition for an incredible part in a feature film. I didn’t get the role but I do love how your luck changes from one minute to the next. Although it can be pretty unnerving at times, especially when you’re going through a particularly quiet spell, it’s incredibly exhilarating too. I think it’s a little bit addictive which is why actors put themselves through such torment.

You blog and tweet under a pseudonym, do you believe it would harm your acting career if you didn’t? Can you be critical?

The decision to write under a pseudonym was made so that I could be openly critical about the industry. As an actor you have to be so careful because you never know who you’re going to be working with next and I think that means a lot of actors are worried about speaking out about how infuriating this industry can be. Writing anonymously gives me the freedom to be brutally honest about the problems I face without jeopardising my acting career. Although there are days when I wish I could just tweet under my real name, I’m sure I’d have been in a fair bit of trouble for some of my comments, especially about casting calls and auditions.

What was your favourite ever job?

Despite going on about getting paid, my favourite job was one when I didn’t receive a penny. It was one of the first jobs I did after graduating from drama school and was a devised piece. It was pretty shambolic most of the time and we didn’t even get expenses but it was incredible experience seeing a project from the first meeting where we had some terrible ideas to the final night of performance. We barely sold any tickets (mainly because it was listed incorrectly meaning that most audience members turned up about 5 minutes before it was about to end) but it was great fun and real learning curve for me as a new actor.

and your least?

A summer-long Shakespeare festival. It was fun for about a fortnight but after three months away from home on only £25 a week, I was a state. The plays were performed outdoors and it was a particularly bad summer which meant that we spent a lot of time performing in soaking wet velvet dresses. British audiences are incredibly resilient and would determinedly sit there huddled up in anoraks and shelter under umbrellas while we battled with wind, rain, thunder and lightning. Because I was earning so little money, I was mainly living off value bran flakes and tomato soup so I ended the three months malnourished, exhausted, utterly sick of the sight and sound of Shakespeare and with about £4 in my bank account. That was something they really didn’t warn me about in drama school!

You can read the Professionally Resting Blog here and follow her on Twitter.

Fresh Meat To Return For Second Series

SECOND SERIES FOR FRESH MEAT AND BEAVER FALLS

NEW RUNS GREENLIT FOR HIT CHANNEL 4 and E4 DRAMA

FRESH MEAT
‘it has hit written all over it’ – Sunday Times
‘smart, sympathetic and pretty much adorable from the get-go’ – The Guardian
‘brilliant new comedy drama’ – The Sun

Channel 4’s critically-acclaimed smash-hit show Fresh Meat has been recommissioned mid way through its first eight-part run.

The Jesse Armstrong/Sam Bain created comedy drama centres on a group of six housemates embarking on the hilarious and painful business of being a student and features an ensemble cast of hot young talent.

Made by Objective Productions and Lime Pictures and produced by Rhonda Smith, the series is executive produced by Sam Bain and Jesse Armstrong, Judy Counihan, Phil Clarke and Andrew Newman for Objective Productions and Tony Wood for Lime.

BEAVER FALLS
‘heart-warming and gut-wrenchingly funny .. you’re guaranteed to fall for Beaver Falls!’ – The Sun

E4, home to BAFTA award-winning series Skins, Misfits and The Inbetweeners gets set to get out the Factor 50 (safety first) as it heads back to Beaver Falls for a second six-week run.

It’s Summer 2012 and while all is not perfect between Barry (John Dalgleish), A-Rab (Arsher Ali) and Flynn (Samuel Robertson) the three of them are ready and raring for another summer of mischief. But with a night in jail, a shotgun wedding and a run-in with the locals, the Brits are going to have their hands full …

The 6 x 60’ series was created by Iain Hollands, produced by Liz Lewin and executive produced by Charlie Pattinson for Company Pictures.

Commenting on the recommissions, Channel 4 Head of Drama, Camilla Campbell, said: ‘I am delighted that our strong series output has been recognised with a double recommission. Our series continue to reach the heart of the 16-34 audience, and consistently bring loyal viewers to Channel 4 and E4.’

Scotland’s Islands autumn & winter 2011 events

Celebrate island culture and heritage this autumn and winter with an action-packed line-up of exciting events as part of the Year of Scotland’s Islands festivities.

Royal National Mod

Lewis

14-22 October 2011

Scotland’s premier Gaelic festival returns to the Outer Hebrides in 2011, providing opportunities for people of all ages to celebrate Gaelic linguistic and cultural heritage, including Gaelic music and song, dance, instrumental, drama and literature.

Although the focus of the Royal National Mod is on competition, the event also offers a wide and comprehensive programme of non-competitive events which include performances from some of Scotland’s top traditional musicians and Gaelic singers.

http://www.scotlandsislands.com/festivals-events/info/64/royal-national-mod

Scottish International Storytelling Festival (Summary of Island-Based Events)

21-30 October 2011

An ideal place to discover Scotland’s treasure-trove of stories in a lively celebration of storytelling performance exploring the links between Scotland’s rich storytelling heritage and other cultures. These island-based events take place on Bute, Fair Isle, Iona, Cumbrae, Mull, Skye, Orkney, Shetland and the Outer Herbrides.

This year the Festival is all about exploring and pursuing the island experience through story, myth, music, song and dance. Greek and Roman myths mix with sagas of the Celts in this ten day festival. Enjoy the traditions of Scotland’s Islands alongside Mediterranean tale spinners and musicians from Corsica, Sardinia, Malta, Greece and Cyprus.

http://www.scotlandsislands.com/festivals-events/info/502/scottish-international-storytelling-festival-(summary-of-island-based-events)

Comedian Ed Byrne

Shetland mainland (24 October 2011 )

Orkney mainland (25 October)

As an observational stand up Ed Byrne, has played in major comedy venues across the UK and Ireland, including the Vaudeville, Riverside, and New Ambassadors theatres in London, and the Gaiety, Olympia, Ambassador, and Vicar St. theatres in Dublin. His UK tours and regular TV appearances are always hugely popular and well received by the critics.

http://www.scotlandsislands.com/festivals-events/info/447/comedian-ed-byrne

Night Time Tour of the Spectacular

Mount Stuart

Bute

27 October 2011

Mount Stuart is claimed to be Britain’s most astounding Victorian gothic mansion. An opportunity to experience the house at its most peaceful.

By candlelight and torchlight, your guide will lead you through the house on a specially devised route, taking in many private areas of the house.

http://www.scotlandsislands.com/festivals-events/info/507/night-time-tour-of-the-spectacular-mount-stuart

Shetland Food Festival

Shetland Mainland

5-13 November 2011

A celebration of mouth-watering Shetland produce, including some more unusual specialities such as seawater oatcakes, Shetland Black potatoes and more-ish fudge!

Food lovers’ events include cookery demonstrations, producers’ markets and Christmas craft fair. There’s also a ‘Ready, Steady, Shetland’ cook-off, where Shetlanders present their take on the popular TV programme, Ready, Steady, Cook.

http://www.scotlandsislands.com/festivals-events/info/440/shetland-food-festival

Harris Tweed – Past, Present and Future (celebrating the centenary of the Orb 1911-2011)

Lewis

18 November 2011

This one-day event marks the centenary of the orb by reviewing the history of this vitally important and distinctive island industry with a variety of engaging talks, poetry, film, story-telling and discussion sessions.

Arranged by the Island Book Trust in conjunction with the Harris Tweed Authority, the event will bring together people from different backgrounds to celebrate the island’s successes and achievements and reflecting on the current and future challenges it faces.

The Ba

Orkney mainland

25 December 2011

Traditional street rugby, played by the Uppies and Doonies with a much prized locally made leather Ba’ (ball).

The Ba’ is thrown up outside St. Magnus Cathedral and the game ranges through the town. This game is played annually on Christmas Day and New Year’s Day. Spectators are welcome but be careful!

http://www.scotlandsislands.com/festivals-events/info/491/the-ba

Up Helly Aa

Shetland mainland

31 January 2012

Shetland’s biggest fire festival, Up Helly Aa, celebrates Shetland’s history with a series of re-enactments, culminating in a torch lit procession and Viking Galley burning.

Considering it’s held in mid-winter on the same latitude as southern Greenland, Up Helly Aa has never been cancelled

http://www.scotlandsislands.com/festivals-events/info/434/up-helly-aa

Papay Gyro Nights 2012 Art Festival

Pap Westray, Orkney

6-13 February 2012

Papay Gyro Nights is an international film and video art, contemporary art, music and architecture festival based on folklore and tradition of Orkney. The Festival takes place in unique and remote settings on the island of Papa Westray. The idea of the festival has originated from the ancient Papay tradition of the Night of The Gyros. The Festival is also a reflection the island’s landscape and heritage as well as interpretation of tradition and ritual.

http://www.scotlandsislands.com/festivals-events/info/274/papay-gyro-nights-2012-art-festival

For more information on the Scotland’s Islands initiative visit: www.scotlandsislands.com

Keith Allen to star with Tara Fitzgerald in BBC One’s new crime drama series The Body Farm

Keith Allen has been cast to star alongside Tara Fitzgerald in BBC One’s new modern crime series The Body Farm. Keith plays Detective Inspector Hale who calls upon Waking the Dead’s pathologist Dr Eve Lockhart (Tara Fitzgerald) and her private forensics facility to help solve crimes and find justice for the victims.

Keith says: “I’m delighted that the BBC has given me the chance to delve into the murky world of The Body Farm”.

In the modern world, private forensics are being used by the law more and more. Eve’s brilliant and ambitious team of scientists turn to police work to pay the bills, but in this team, it’s only Eve who has had any previous experience of dealing with the aftermath of a horrific crime.

Eve’s team is made up of Rosa, Mike and Oggy. Wunmi Mosaku (Moses Jones, Father & Son, Silent Witness) plays Rosa, who is young and eager to put her research into practise, Mark Bazeley (The Queen, The Bourne Ultimatum) plays Mike, Eve’s right-hand man, and Finlay Robertson (How Not to Live Your Life) is Oggy, a hardcore science geek who has had his head buried in his studies so long that he has begun to fear the real world.

Kate Harwood, Controller, Drama Series and Serials, says: “We are tremendously excited to have such a wonderful cast line-up and be following the character of Eve Lockhart into a new job as she leads her pioneering forensic team out to fight crime; Eve will face her challenges in the same way that she did in Waking the Dead, with cool professionalism and quiet compassion.”

We see D.I. Hale introduced to Eve’s team in the opening 90-minute special episode. Viewers are led into their world within the Body Farm, a facility that is pushing back the boundaries of scientific research and solving crimes – it’s unchartered territory. Here no horror is taken for granted and murder is seen to be what it is – visceral and shocking.

Created by Declan Croghan, this is a new six-part series made by BBC Drama Production in association with Trevor Eve’s company Projector Pictures for BBC One (1×90′ and 5×60′). Produced by Simon Lewis, the executive producers are Sue Hogg from BBC Drama Production and Trevor Eve for Projector Pictures. Filming started this week