Anne Hathaway Losing Roles To Younger Actresses At Grand Age of 32

AnneHathawayAAFeb09Being an actor is hard and being an actress even more so. An actresses career used to be over by the time she was 40. Thankfully, there are still some roles for actresses in their 40s now, but it seems that ageing is still a disadvantage for a woman in film. Women have always had a tough time in film but recently more actresses have been speaking out about sexism and ageism. Sometimes with depressing results. In this months Glamour magazine, cover girl Anne Hathaway said that she was already losing roles to younger actresses. “I can’t complain about it because I benefitted from it, When I was in my early twenties, parts would be written for women in their fifties and I would get them. And now I’m in my early thirties and I’m like, ‘Why did that 24-year-old get that part? I was that 24 year old once. I can’t be upset about it, that’s just the way things are.” She admitted.

Anne also says “…there are fewer roles [for women] and the competition is just as fierce as ever. I look around at my peers and I’m so blown away by their talent…and we’re all trying to get the same parts.” She had to audition for her role in The Intern. In the great interview she also says she doesn’t beat herself up as much anymore. Buy this months Glamour and have a read.

 

 

Professionally Resting Interview: Lifting the Lid on Acting.

The talented actor behind the blog Professionally Resting first caught my eye on Twitter. She is brave, witty and accurate about the downside of the acting industry. As an actor myself I just read her tweets/blog posts and nod. I just had to interview her for Frost, so here it is! I also have a guest post coming from her soon, so look out for that too.

What made you start your blog?

I’d been reading a few other acting blogs online and I soon realised that none really covered what it’s like to be an actual working actor. Many are written by actors who are constantly in work and that was something that I just couldn’t really identify with. Most actors I know spend a great deal of their time resting and I wanted to create something fun and supportive for those of us that regularly find ourselves within the unemployed majority. I also wanted to use it as an excuse to keep busy. There are days when there’s very little work coming in and having a blog to think about really keeps me feeling like I’m at least doing something creative.

Tell us a bit about yourself (without giving too much away)!

It’s always tough answering these questions without sounding like you’re on Blind Date! I’m in my late twenties and have been acting (on and off) since graduating from drama school in 2006. I had a break for a couple of years after getting a bit trapped in a temping job that became permanent. It was a horrible job but it meant I could have a couple of years actually earning money and being able to buy things that had previously been a luxury like food that isn’t on the reduced shelf. However, there’s nothing quite like a miserable job to remind you exactly what it is that you really want to be doing and that was the catalyst to making me find acting work again so that I could finally escape.


What do you think of the acting industry?

It’s very much a love/hate relationship. I regularly complain about it on Twitter and on my blog because it honestly drives me insane. It can feel that it often has more to do with luck than talent and you are completely at the mercy of those in control of the work that is out there. It often feels like many companies and channels operate a closed shop policy and I think many of them are guilty of working with the same very tiny gang of actors time and time again. I read an article recently that said there was a very small pool of talent out there which simply isn’t true. There’s an absolute ocean of clever and gifted people out there but they often get ignored as there are other names and faces that are deemed more popular. Unfortunately viewing figures and ticket sales are placed about creating quality work and while I accept that many of those performers that are used time and time again are very good at what they do, a bit of variety really wouldn’t go amiss!
However, having said that, there are very industries that would pay you a month’s rent to mess around as a time-travelling police officer for the day and that’s why I’m still slogging away at it!

What is the worst casting you have ever seen?

There are so many to choose from! The reason I started tweeting about castings was because people were so shocked at just how insulting and offensive and downright baffling they often were. Ones such as ‘No pay unfortunately but you will get to ride in a white stretch limo with a midget and the band’ and ‘She looks a bit like a trollop but tries to dress a bit classy’ have been incredible finds. However, I think the worst has to be one that I saw recently asking for actors to play characters in a sweatshop and the company (a very well-known TV channel) were only offering expenses. I thought I was past being shocked by castings but this one was offensive on so many levels that I genuinely had to keep re-reading it just to make sure that I was seeing it properly. Sadly I was.

What was the catalyst behind you starting your blog?

As I said, it was because I felt like I couldn’t relate to the other acting blogs out there and I felt that there needed to be a voice that represented normal working actors who often find themselves out of work. However, although I knew that it was something I wanted to do, it took me a while to actually get it started. It only happened when I was coming back on the train after a month performing at the Edinburgh Festival. I’d stupidly forgotten to bring a book and my boyfriend and I were unable to sit together so to keep myself occupied, I just started writing. After nearly 4 hours of solid writing, I realised I had a lot to say on the subject of acting and after a bit of encouragement from my boyfriend who’s also a blogger, the blog was born.

What can be done to improve the kind of roles women get?

It has to start with the writing. There is not a day goes by that I don’t see at least one casting where a woman isn’t required to either be a stripper or a prostitute and although I often make a joke of it on Twitter, it is very worrying too. There is such great writing out there for men but female roles are so often overlooked. So many times I read castings where all the male characters are given weird and wonderful characteristics while the women are just written to look nice. There are some incredible writers out there who are really trying to make sure that there are strong, interesting roles for women but they need support from the major producers for their work to get made and seen. I do think that it’s changing and television and film is starting to listen but it feels like a very slow process that needs to speed up a little!

What is your favourite, and least favourite, thing about the industry?

Let’s start with my least favourite and get the negative stuff out the way. It has to be the lack of good, paid work out there for actors. So many companies expect actors to work for free and although I completely understand how difficult it must be working on a tight budget, it’s tough when you’re faced with it day after day. Acting is something that I stupidly want to do for the rest of my life but it’s hard when people seem to think that by offering you a limp cheese sandwich and £5 to cover your travel expenses, they’re doing you a favour. I’ve done jobs in the past where I’ve essentially been paying to be part of them and that’s when you know that something has gone wrong.

And my favourite thing about the industry? It’s that you just don’t know what’s coming up next. A few months ago I was whinging on Twitter about how there didn’t seem to be any work out there and literally minutes later, my agent was on the phone with an audition for an incredible part in a feature film. I didn’t get the role but I do love how your luck changes from one minute to the next. Although it can be pretty unnerving at times, especially when you’re going through a particularly quiet spell, it’s incredibly exhilarating too. I think it’s a little bit addictive which is why actors put themselves through such torment.

You blog and tweet under a pseudonym, do you believe it would harm your acting career if you didn’t? Can you be critical?

The decision to write under a pseudonym was made so that I could be openly critical about the industry. As an actor you have to be so careful because you never know who you’re going to be working with next and I think that means a lot of actors are worried about speaking out about how infuriating this industry can be. Writing anonymously gives me the freedom to be brutally honest about the problems I face without jeopardising my acting career. Although there are days when I wish I could just tweet under my real name, I’m sure I’d have been in a fair bit of trouble for some of my comments, especially about casting calls and auditions.

What was your favourite ever job?

Despite going on about getting paid, my favourite job was one when I didn’t receive a penny. It was one of the first jobs I did after graduating from drama school and was a devised piece. It was pretty shambolic most of the time and we didn’t even get expenses but it was incredible experience seeing a project from the first meeting where we had some terrible ideas to the final night of performance. We barely sold any tickets (mainly because it was listed incorrectly meaning that most audience members turned up about 5 minutes before it was about to end) but it was great fun and real learning curve for me as a new actor.

and your least?

A summer-long Shakespeare festival. It was fun for about a fortnight but after three months away from home on only £25 a week, I was a state. The plays were performed outdoors and it was a particularly bad summer which meant that we spent a lot of time performing in soaking wet velvet dresses. British audiences are incredibly resilient and would determinedly sit there huddled up in anoraks and shelter under umbrellas while we battled with wind, rain, thunder and lightning. Because I was earning so little money, I was mainly living off value bran flakes and tomato soup so I ended the three months malnourished, exhausted, utterly sick of the sight and sound of Shakespeare and with about £4 in my bank account. That was something they really didn’t warn me about in drama school!

You can read the Professionally Resting Blog here and follow her on Twitter.

One To Watch: Leoni Kibbey

On Wednesday 5th of October I attended Short Film Premieres. A premiere of five short films at BAFTA; In the Can, Taken, Ellie, The Unknown and Bird Brain. The short films were well-acted, well-written, well-directed with very high production values.

 

All of the films had a running theme: Leoni Kibbey, she either acted, produced, wrote or cast them. She’s a one women film industry. She is Frost’s One To Watch this month not only because she is talented – the world is full of talented people who do nothing- but because she takes that talent and does something with it, she is one of the hardest working people I know, and she is a working mother! Frost also got a thank you on the Bird Brain credits – which proves Leoni is a classy lady.

 

I previously worked with Leoni on Love Tourettes, a comedy web series I am part of and Frost interviewed her last year. http://frostmagazine.com/archives/688

 

Check out Leoni’s IMDB http://www.imdb.com/name/nm3156365/

Bubbles: Short Film Perfection

I went to see Bubbles at the Soho Screening Rooms, and it was perfection.

Short films are hard to do. Trying to tell an entire story in under 20 minutes is something not everyone can achieve, although they do try. Bubbles succeeds on many levels. When it ended, everyone at the screening was disappointed.

Bubbles is an amazing accomplishment: a short film that you don’t want to end. Beautifully shot and framed, Bubbles is a high quality film which is well-written and well-acted. A triumph for all involved.

Vanessa Bailey is wonderful in her part, sexy, beautiful and smart. Playing a role most actresses would kill for. She is definitely one to watch.

The film tells the story of three generations in a country mansion after a funeral. A photograph resurfaces that changes everything. The past becomes present, and former loves refuse to be forgotten. Leyla Pope is an outstanding talent, I cannot wait for her next film, or, indeed, a feature length version of Bubbles.

http://www.shortfilmbubbles.com/index.html

New Film 'Bubbles' Paves Way For Women In Film

Following on from Bridesmaids, a new film written and directed by women, lead role is a women and a high proportion of women on the crew. The shape of things to come? Let’s hope.

Here is all you need to know about Bubbles.

The Director

Leyla Pope comes from a professional background in communications working for Medecins Sans Frontiers, but her passion for filmmaking led her to the decision to make a career shift and follow her dream to work as a writer/director. Her short film Bubbles is a huge milestone for a female (also juggling the roles of wife and mother) in an industry which is still very much a male-dominated work environment.

The Film

The film’s central character, Lily, is a strong, intelligent woman struggling with suppressed desires and tense family dynamics. Following the death of her mother, Lily steels herself to organise her father’s move out of the family home. She has little support from her husband who is deeply absorbed in his latest composition and unable to relate to Lily’s tense presence. In the midst of this turmoil, a former lover appears and Lily finds her ordered life thrown out of balance. Buried feelings emerge and Lily begins to question her life’s choices. Will she live life as her mother did, putting expectation above desire? Or will she confront her feelings at the risk of unravelling the life she has built for herself? As Lily’s inner turmoil surfaces her young teenage daughter begins her own journey of sexual awakening.

Bubbles is an intelligent and evocative drama. Just as the novels of Jane Austen dissected and explored the choices for women in marriage and love, so Bubbles throws light on how these same choices are played out within a contemporary, upper class family. With a visually rich, Merchant-Ivory feel, Bubbles is a potent blend of classic storytelling and contemporary British drama.

The locations

From the outset it was clear that no ordinary location would do justice to the themes of Bubbles, so we secured the use of the stunning, rambling Grade II listed manor house “Plas Dinam” in Mid Wales as the setting for the majority of the shoot. This afforded not only the authentic interior of an historic family home, but also panoramic external shots.

The crew

The crew needed to be extremely skilled and experienced. Key to the final result were Bafta-winning cinematographer Huw Walters and top industry professional John Richards (Little Black Book, Girls’ Night, Band of Brothers) as Executive Producer.

The cast

With castings taking place individually in both Wales and London, it is testament to Leyla’s instinct and her rigorous casting process that she brought together a talented and balanced cast, including Welsh acting legend Howell Evans, to bring reality and depth to the characters in the script. Across the cast there is a vast amount of experience in TV and film.

The music

Music is not just a finishing touch for Bubbles, it is an integral part in the story. In the early stages of the film we see the building tension within Lily’s relationship to her husband Robin, a once-successful classical composer. Robin is no longer able to connect with Lily. His mounting frustrations with his wife’s attitude towards him are reflected in his struggles to express himself through his compositions.

Bubbles needed an original score that would help the audience to feel the changing emotional dynamics of each character, particularly in the final montage section of the film which has no dialogue.

Composer Jack Westmore was the perfect choice for this crucial element of the film. He possesses an incredible sensitivity to story dynamic and emotion. Jack wrote a score integrating solo cello into themes which are haunting and lyrical and perfectly express the contained but shifting restlessness of the film.

Soloist Rosie Biss is lead cellist with The Welsh National Opera. We were absolutely delighted when she agreed to play the solo cello parts. Her masterful interpretation of Jack’s score fully brings to life the complex emotions which are written into the music.

The continuing journey

Bubbles has finished post production but is only just beginning the journey to reach a national and international audience. We are now actively pursuing development of the short into a full-length feature or episodic TV series, including the American market.
There is an upcoming private London screening in late September for anyone interested in investing in or sponsoring the future development of Bubbles.

With a combination of visual beauty and strong plot and an emphasis on celebrating “Britishness” we see Bubbles very much as a showcase for the very best in British creativity. Opportunities to collaborate with British fashion designers, songwriters and musicians, perfumiers, luxury car brands, interior design etc abound. We see Bubbles as a canvas on which to paint a highly marketable picture of the best of British creativity on many levels.

For more information on investing in, supporting or sponsoring Bubbles, or for any other information you may require about the film or Bottlegreen Productions please email FAO Sophie Walcott at: bottlegreenproductions@gmail.com

Website: www.shortfilmbubbles.com

Facebook: www.facebook.com/pages/Bubbles-Short-Film/173451646048497

Twitter: @bubblesfilm
Tumblr: http://bubblesshortfilm.tumblr?.com/

Bridesmaids Review: Is The Tide Turning For Women In Film?

Women in films used to be sassy, brilliant, full of quips, But somewhere along the way, we lost it all. Rosalind Russell was replaced with Shannon Elizabeth (The actress in American Pie, who was there to be a sex object and show her breasts), and Katherine Hepburn, replaced by, oh, all those actresses in those dire 1980’s films, too many to name, who were there solely to take their clothes off.

Some people think the film Bridesmaids is ‘ground-breaking’. It is, because Bridesmaids just became a Box Office hit, taking a smidge below $150 million – so far. It was a mainstream comedy written by women, starring women, about women, which won in the only way Hollywood recognises, by making money.

Helen Mirren once said that Hollywood wasn’t sexist, it just made films that people wanted to see. Young men go to the cinema more often and go to see films they liked. Women will only see more films with women if they go out and see them. Vote with your purses!

Bridesmaids is funny, it has wowed critics and audiences alike and it breaks even more boundaries, the actresses are (shock, horror!) not all 21 and a size zero. Some of them are in their 30s and are beautifully curvy. There is nothing wrong with being thin (I have been discriminated against for being thin, so I know it works both ways), I am just sick of my friends thinking they are fat when they are not.

Zoe Williams said this film was more feminist that Thelma and Louise and urged everyone to go and see it.  I am doing the same. Salon’s Mary Elizabeth Williams went even further, saying the film is ‘your first black president of female-driven comedies’.

It is ironic that as women have progressed, on screen we’ve only gone backwards. As an actress, I know more than most about what people cast and what they want. Women have to be between a size 8-12. Size 12 being a grey area, it hurts an actress to be more than a size 10. I was told by one casting director than anything above a size 10 meant ‘character actor’.

Some people have attacked Bridesmaids for not being ‘feminine’. Do they ever attack men for not being ‘gentlemen’?  I think not. Women have to be celebrated, we have to have our stories told and not just as naked, skinny, 21-year-olds. I will soon be making my own movie about women and their lives, and I thank Bridesmaids for clearing the way.

1.Bridesmaids
2.Production year: 2011
3.Country: USA
4.Cert (UK): 15
5.Runtime: 125 mins
6.Directors: Paul Feig
7.Cast: Chris O’Dowd, Ellie Kemper, Jill Clayburgh, Jon Hamm, Kristen Wiig, Matt Lucas, Maya Rudolph, Melissa McCarthy, Rose Byrne, Terry Crews, Wendi McLendon-Covey