Coriolanus DVD Review.

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Coriolanus DVD Review.

This blood splattered adaptation of Shakespeare’s classic tale is very obviously Ralph Fiennes baby. It is his directorial debut. The film is star-packed and glorious. It is hard to think how someone could take this tale and tell it in a modern way until they do.

 

Fiennes plays Caius Martius Coriolanus, Rome’s most courageous general. His downfall comes after the people’s fury grows as he publicly expresses scorn for their suffering. The people of Rome are hungry and riots are widespread. War and Mayhem ensues.

 

Gerald Butler plays Tullus Aufidius, Coriolanus mortal enemy, who becomes his ally. This film is action-packed and is full of brilliant lines. Well obviously, Shakespeare did write it.

 

Coriolanus accurately describes itself as a ‘bloody, but timeless, tale of war and revenge’. It does not disappoint. Full marks for this film. It is a spectacular film which is cinema at its best.

 

Coriolanus Available from the 4th of June on DVD, Blu-ray and download.

Max Payne 3 Game Review

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What would you do if you came home one day to find your beloved family murdered by a bunch of psychos? Become a manic depressant? Turn to drink? Drugs? Not rest until you had hunted the scumbags down and wiped them off the face of the planet? Well, Max Payne did all of the above. Now, after a lengthy nine-year hiatus and with the franchise firmly in the hands of Rockstar Games – proprietor of titles such as Red Dead Redemption, the Grand Theft Auto series and LA Noire, – Max Payne is back, gulping painkillers down like no tomorrow and killing his foes softly and…erm, not to mention slowly. But has the wait been worth it?

Rockstar Games have built a solid reputation in creating games of high calibre. Just look at their back catalogue. They don’t release a game without it being tested to extinction, they flourish in building deep storyline arcs and cinematic traits in all their titles, and in nearly all their games, they invest highly in intricate details. Plus, they’re unafraid of raw violence. Max Payne 3 might not rank as their best title to date – let’s just get that out of the way – but let’s also be clear, it doesn’t fall too wide of the mark.

The quality in Max Payne 3 shows from the moment you load up the disc. Faithful to the original game, it starts at the end and rewinds to the beginning. Strong cinematics give you a taste of what his world has become introducing you to some of the main characters with real vigour and energy. Max is now a reluctant bodyguard charged with looking after a millionaire’s family who like to live fast, and die young.

The in game graphics are superb

Looking at the screen as the sequences unfold, you can’t help but take pleasure in the quality of the animation and Rockstar’s trademark dialogue. If you enjoy movies, you’ll find it draws parallels with movies of its genre – the chromatic aberrations and the dialogue between characters where key words appear on screen – there are flavours here of ‘Man on Fire’, ‘Miami Vice’,  ‘Wanted’. ‘Domino’ and ‘Lethal Weapon’. Oh, and not forgetting ‘The Matrix’.

A shootout in a nightclub demonstrates all that’s good about bullet-time – moving from cover to cover in slow motion, flying through the air delivering headshot after headshot to save a woman from being kidnapped,  shooting a vehicle’s tyres so it has to stop or taking out foes while you dangle helplessly from a helicopter. It’s scenes like this that make you semi-orgasmic and pleased you bought this title.

Max Payne is simply a badass with badass guns and badass quips, even when he takes painkillers to restore his health. Having lost everyone he cared about in his life, he really couldn’t care less and is ‘damaged goods’ with inner demons – a reluctant hero who would be happier doing other things.

As the storyline develops, it is hard not to be engaged with Max and the struggle he gets drawn into. And wow! What a struggle he has on his hands…or rather, you have. Max Payne 3 will prove to be one tough game for some players and some levels especially can be hugely frustrating. Enemies are just so numerous and hard to kill, leg shots won’t do it, chest shots won’t always do it and if they have head gear expect to expend a whole clip. Even when enemies go down, they will fire a last few rounds to take you down with them. Now, some will argue that my criticism is unfair, after all, a game where enemies fall to the ground like dominoes would quickly become boring and let’s be honest, Max Payne himself only needs a handful of painkillers to restore his entire health. However, when some guy you have shot point-blank in the chest gets up a few seconds later and comes running at you, and delivers a head shot that means you have to restart, excuse the pun, but it is a tough pill to swallow.

It’s flaws like this that start to creep in, and the longer you play, the more apparent they become. Painkillers are few and far between and the checkpoints are unevenly and unforgivingly spread which means if you die, you will often have to redo entire sections again, and with the game as challenging as it is you can expect to die more than once.

Because of this, frustration quickly sets in. I think the programmers realised this because if you die in a section too many times the game will restart you with extra painkillers. It’s a weird compensation, especially thinking you may have to die a good number of times to get it. The steep difficulty curve also means that to survive you are forced to engage bullet-time more often and then entire stages just become a repetitive matter of slowing things down and holding out long enough behind cover.

It’s also a shame too, that unlike the original game, Rockstar did not build in some kind of bullet-time reward system so that you could increase the length of time you could enter slo-mo. I can’t help thinking it was a bit of a missed opportunity. However, if you do manage to stick with it ,you are rewarded with a dark and deep storyline full of betrayal and deceit, not to mention some of incredible set pieces.

In multiplayer, Max Payne 3 delivers excellently too. At first you’re limited to straight death-match and team death-match modes and it all feels slow and a little second-rate, but prolonged play provides benefits.

Bullet-time makes all the difference, with its use balanced by the same post-slow-mo movement issues as in the single-player game, and by the fact that it also affects line-of-sight targets, not just your character. Gain enough kills in the boot-camp scenarios, and you can also join in a Gang Wars mode. This sees two teams running through objectives in a themed mini-campaign. It’s another example of a game that can start off on the wrong foot, but that works hard to turn your initial impression around.

My Verdict
Max Payne 3 might not be Rockstar’s best work to date, but it probably is the best example of its genre. What Rockstar brings to Max Payne 3 is style, personality, cinematics, gritty rawness and an exciting and memorable experience. Max Payne 3 might not be perfect and might be frustrating as hell. But one thing’s for sure, it packs a mean punch and, despite its flaws, is a quality title

9/10

Phillip Larkin: The Mower.

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The Mower

The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.

Cardinal Burns Video Interview

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Cardinal and Burns, the blokes behind E4 comedy Cardinal Burns, have a chat about, well, E4 comedy Cardinal Burns.

Cardinal Burns is a new comedy sketch show written and performed by Seb Cardinal and Dustin Demri-Burns. Catch it Tuesdays at 10:30pm on E4. It is brilliant. (Thank God they didn’t call it Cardinal Demri-Burns though).

Spotted!

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The Saturdays in Glossybox.

Millie Mackintosh launching the 2012 Nature Valley games at Potter’s Field in London. Alongside Millie, former British Olympic team mates Roger Black and Jamie Baulch.

And last but not least, Game of Thrones actress Laura Pradelska at Nozomi for an exclusive Italian fashion party. Some of the finest Italian designers showcased their wear, whilst guests sipped on Champagne, nibbled on Nozomi’s revered canapés and relaxed in the chilled atmosphere.

How to Avoid Sun Damage.

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We all know that sun damage is the biggest cause of premature ageing…

… So why is it that even celebrities like Simon Cowell and Kim Kardashian are being caught short..?

And it’s not just celebrities who are affected. In a recent survey by sensitive skin experts Eau Thermale Avène, 55% of us in the UK admit to suffering with sun damaged skin, with 54% agreeing that this has an impact on their psychological well-being and 30% recognising that pigmentation makes us look older or less attractive.

To prevent premature ageing and pigmentation Cosmetic dermatologist, Dr. Sam Bunting, says “Sun avoidance is crucial; a diet rich in antioxidants may also be beneficial, as is applying topical antioxidants.”

Very High Protection SPF 50+ Emulsion (£15.00, 50ml Boots)

Ideal for those looking for high protection, this non-greasy formula is suitable for face and body application. This light and readily absorbed formula contains oil regulating Cucurbita pepo extract to give normal to combination skin a matte finish.

Hydrance UV Light

Paraben-free, hypoallergenic and non-comedogenic, the Eau Thermale Avène Hydrance Optimale UV SPF20 moisturisers (£14.50, 40ml Boots) are perfect for dealing with the aggressions of everyday life. They offer SPF 20 protection against damaging UV rays (without leaving chalky white marks on the skin) and Pre-tocopheryl which lends an anti-radical action and shields skin from the environment’s harmful effects, e.g. pollution, cold and stress.

Trilogy’s Daily Defence Moisturiser with SPF15 (£28.50 Boots)

Easy to apply and with 100% pure plant oils for long lasting hydration, this lightweight botanical moisturiser includes a new generation SPF15 for effective UVA/UVB protection. By absorbing, reflecting and scattering UV rays, this new generation SPF coats the entire surface of the skin, not just the higher ridges, for maximum protection. It has clinically proven natural actives to help you achieve your best complexion from the first signs of ageing and as your skin matures.

To help reduce future sun damage and erase age spots try Avène’s new D-Pigment (£35, 30ml Boots). Using a trio of skin lightening actives D-Pigment slows down melanin production, lightens the skin, helps to renew cells and provides a protective antioxidant to help prevent new spots and patches appearing. In clinical trials, D-Pigment was found to reduce lentigo hyperpigmentation, by an average of 81%, significantly higher than the placebo after three months.[2] Use D-Pigment as part of your night time regime to leave you with a glowing and even complexion.

To further avoid getting caught out, Bao-Tam Phan, pharmacist and skincare expert at Eau Thermale Avène offers these top tips to keep skin sun-safe:

· Reapply sunscreen frequently, especially after swimming, sports or during prolonged periods of exposure

· Never remain in the sun for long periods – even if using a high SPF product

· Avoid sun exposure between noon and 4pm

· Beware of reflected sun – you can burn even wearing a hat or staying under an umbrella

· Avoid exposing young children (under 3 years) to the sun – protect them with a hat and T-shirt as well as Eau Thermale Avène SPF50+ Very High Protection Mineral Cream even on cloudy days.

· Use the correct amount of sunscreen to get the maximum protection (as a general rule, apply ‘one finger’ of product to the face, and ‘two fingers’ for each other part of the body)

Esther Rantzen Highlights International Missing Children’s Day 2012

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May 25th is International Missing Children’s Day. So where are the children and why have they gone? Esther Rantzen, founder of ChildLine opens the lid on a growing problem for the UK.

It is frightening, shocking and deeply disturbing that even in these enlightened days, even in this civilized country, thousands of children can become invisible. And their invisibility can put them into the gravest danger. We have seen cases that have made headlines recently as the evidence was revealed in court of children being plied with drugs and alcohol and then used as sex slaves. This has happened, not in the back streets of third world slums where these children were be living in rubbish dumps or starving. It happened to ordinary children living in our own towns and cities.. The new website for fresh thinking on parenting.

How is it that children like these suffer such a terrible fate? The cloak of invisibility that surrounds them seems to have been fashioned out of adult indifference. They ‘bunk off’ school and nobody notices. They run away from care and no one can restrain them. They sleep rough and nobody seems to take responsibility for them, or ask questions, or even search for them and find a safe refuge for them.

We sometimes hear from these children at ChildLine. One girl I know well ran away when she was eleven from her mother’s alcoholism and violence. She stayed on a bus until it was dark and she had run out of money, and then rang ChildLine, the children’s helpline. The first time she, and we were lucky, we found a bed for her in the only children’s refuge in London. The next day she was placed in foster care, but when that placement broke down, she ran away again and rang ChildLine once more.

This time we were not so lucky and were not able to locate a place for her, so she promised she would go home. In fact she slept in a local park overnight. I dread to think what could have happened to her. Happily she survived, rang ChildLine in the morning, and from then on was looked after. Although there were other crises in her life, each time she rang our helpline we were able to empower her and inspire her to move forward. Now she is married, with children of her own and has a thriving career working for a children’s charity. She is a wonderful success story, but how many others end up in our prisons, or addiction units, or dying in A & E with no one to mourn their passing?

It is estimated that 100,000 children run away from their homes, or from care each year in the UK – but nobody really knows the true figure. Railway Children is one of the most effective charities which supports children living on the streets, the children most of us pass by without a glance in their direction. According to Railway Children, two-thirds of runaways will be victims of violence on the streets and few are reported missing by their parents or carers in the first place. It’s not enough to suggest that the police should pick them up and return them home.

When a child runs away there can be a very good reason. And yet they may be too ashamed or fearful to tell the police what that reason is. And what happens if they do tell? One of the most appalling aspects of the recent case of teenage girls abused by gangs of predatory men is that when one did ask for help, and reported the abuse, she was not believed.

It is clear that we urgently need to open our eyes and ears. We need to see and hear the children before the moment when their desperation forces them onto the streets. Many of these children know what they are running from but have no idea what perils they are running towards.

I talked to a girl who was running away to Piccadilly but paused to ring ChildLine. She was in floods of tears so she could hardly find the words to explain what had driven her from home. Eventually she explained that she had just discovered her own adoption papers. Her parents had never revealed to her that she had been adopted. “I realise now that they could never have loved me,” she said. “They never told me the truth.” As I asked more questions she painted a picture of parents who deeply cared about her. I suggested to her idea that parents can make mistakes and that sometimes children need to forgive them. She said she had run away before and met a man who offered to let her work for him in Piccadilly, but another girl had warned her to go home. At the end of our conversation she said she would return home and talk to her mother about the adoption that they had never discussed before. I will never know if she went back. I pray that she did. Otherwise she might have ended up like so many of our invisible children, believing no one knew or cared how she lived or if she lived at all.

If you would like more information about these charities or want to get involved visit www.childline.org.uk or call 0800 1111. www.railwaychildren.org.uk or call 01270 757596.

This feature was written and commissioned for www.yano.co.uk

Hotel Unveils New Interactive Theatre Experience | Things To Do

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Summer has finally hit London and if you are looking for something to do in London then the Hotel Undigo might have something for you.

Guests can be part of ‘The Hit’ immersive theatre at Hotel Indigo London Tower Hill

Hotel Indigo London Tower Hill is offering visitors the chance to become part of ‘The Hit’; an interactive theatre experience inspired by the hotel’s location in the heart of London’s financial district.

Available exclusively for three nights from 25 – 27 May, the audience will be swept up in the story as the drama unfolds with an escapade centred on the hotel’s historic past as a prestigious bank.

The action will take place throughout various areas of the hotel where guests will be immersed in an incredible live performance. Guests will become part of the drama as it unfolds around the story of an historic heist, greed, deception and a lover’s tale.

Characters will entice the audience through the art of emotional storytelling as they subtly reveal details of the hotel’s past. The 50 minute performances will be available to guests and members of the public via www.facebook.com/hotelindigoeurope.

Alex Apostolakos, General Manager of Hotel Indigo London Tower Hill said, “Our interactive theatre experience brings to life Hotel Indigo London Tower Hill’s location and financial past in a really inspiring way. Guests are going to have a story to tell long after they’ve left the hotel and our original bank vault provides the perfect setting for the dramatic ending to our story ‘The Hit’.”

Mike Greenup vice president marketing Europe, IHG, said, “Every Hotel Indigo draws inspiration from its local area to give guests an individual experience. The immersive theatre performances are a great way to bring to life Hotel Indigo London Tower Hill’s local story. Last month saw the new Hotel Indigo Edinburgh open in Scotland and we plan to open a total of 11 new hotels in Europe in the next three to five years.

Hotel Indigo London Tower Hill is situated in the heart of London’s historic Square Mile with the city’s financial district on its doorstep. Many of the capital’s banks are located nearby, with the Thames just a short walk away along with St Paul’s Cathedral and the iconic Gherkin building.

Hotel Indigo offers guests the best of both worlds; with all the charm of a boutique hotel coupled with the trust of a bigger brand.

Apply for tickets