Tag Archives: Acting

First Québec Cinema Showcase for London

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Following the international success of Québécois films including Monsieur Lazhar (Philippe Falardeau), Incendies (Denis Villeneuve) and Café de Flore (Jean-Marc Vallée), a showcase of new cinema from Québec will take place for the first time in London at the Institut Français, South Kensington (2-4 November).

Québec Cinema Showcase is part of the 50th anniversary celebrations marking the opening of the Québec Government Office in London. The programme of five feature-length films and four shorts will present some of Québec’s finest and most recent cinematic offerings, including the latest work from award-winning director, 23-year-old Xavier Dolan, Laurence Anyways.

Québec Cinema Showcase will open with the UK premiere of Ken Scott’s massive box office hit comedy Starbuck (2 November).  Veteran comedy actor Patrick Huard plays David Wozniak, a 40-something delivery man whose life is out of control. But things are worse than he thinks. In his twenties, David was a prolific sperm donor to help pay the bills but the past comes back to haunt him when nearly 150 of his more than 500 offspring, now young adults, collectively take court action for their right to know the identity of their father. The film has been so successful – Canada’s biggest domestic hit in 2011 taking $3.5 million at the box office – that Scott has been asked to direct the US remake starring Vince Vaughn for Steven Spielberg’s DreamWorks Studios. Starbuck is on general release in the UK from November 23.

Laurence Anyways (3 November) is the latest offering from Cannes award-winning director Xavier Dolan, (I Killed My Mother, Heartbeats). Dolan’s success continued in 2012 at the Cannes Film Festival when Laurence Anyways’ female lead, Suzanne Clément, won best actress in the festival’s “Un certain regard” category and the film was awarded the Queer Palm. Laurence Anyways also won the award for Best Canadian Feature Film at Toronto International Film Festival 2012. Dolan made his Cannes debut with I Killed My Mother, a film he made in his teens, resulting in an eight-minute standing ovation and three awards in the Directors’ Fortnight section in 2009. Spanning a decade, Laurence Anyways tells the story of a couple who are passionately in love. But when Laurence (Melvil Poupard) announces to girlfriend Fred (Suzanne Clément) on his 30th birthday that he wants to live as a woman, the consequences are tumultuous – and unexpected.  Laurence Anyways screened at the BFI London Film Festival on 11 and 12 October and is on general release in UK cinemas from 30 November.

“The Québec Government Office in London takes pride in witnessing Québec cinema’s current popularity worldwide. We are delighted to welcome the first edition of the Québec Cinema Showcase as part of our 50-year anniversary celebrations marking the opening of our London office,” says Pierre Boulanger, Agent-General of the Québec office in London.

Other films in the programme include Karakara from Claude Gagnon (3 November), a Canadian/Japanese co-production which follows Pierre (Gabriel Arcand), a retired professor in his early sixties who goes on a short, unsettling trip around Okinawa in Japan with Junko (Youki Kudoh), a 40-year-old runaway wife. Bestiary (Bestiaire) from Denis Côté (4 November) is an intriguing documentary which reflects on human fascination with animals.  Behind Closed Doors (Catimini) from Nathalie Saint-Pierre (4 November), the final film in the Québec Cinema Showcase, is a touching story about a reunion between four girls living under the care of the child protection services.

Across the weekend there will be director Q&As: Claude Gagnon, on Saturday, 3 November after the screening of Karakara and Nathalie Saint-Pierre on Sunday, 4 November after Behind Closed Doors.

Cinema from Québec is currently enjoying the international spotlight with two films – Incendies and Monsieur Lazhar – shortlisted for best foreign language Oscars in the past two years, as well as a BAFTA nomination for Incendies. Québécois director, Jean-Marc Vallée’s Café de Flore starring Vanessa Paradis, has also garnered critical acclaim. Earlier this month (October) at the Raindance Film Festival – Europe’s leading independent film festival – a number of films were screened in a special Québec Strand and Laurentie by directors Mathieu Denis and Simon Lavoie scooped Best International Feature.

François Macerola, President and CEO of SODEC, Québec’s development agency for cultural enterprises added: “For many years, the international market’s interest in Québec cinema and its filmmakers has grown considerably.  New audiences and new possibilities have allowed films from Québec, and our filmmakers’ vision to cross borders, thanks to events such as the Québec Cinema Showcase in London.”

 

Tickets for Québec Cinema Showcase are £10 (conc £8) and are available from the Institut Français website (https://www.institut-francais.org.uk/book)

Québec Cinema Showcase is an extension of the marketplace event Cinema du Québec a Paris which is celebrating its 16th year (6-11 November). Québec Cinema Showcase is also part of the 20th French Film Festival UK, which will present a selection of the best shorts from Québec in Glasgow and Edinburgh . (http://frenchfilmfestival.org.uk/FFF2012/wp/)

 

Québec Cinema Showcase has been organised by the Québec Government Office in London, with the support of SODEC and the Ministry of Culture and Communications, in collaboration with the Institut Français in London and the French Film Festival UK.

The Québec Government Office in London’s cultural services implements market development initiatives for artists and cultural industries from Québec.

For more information:
www.quebec.org.uk
www.sodec.gouv.qc.ca
www.mcc.gouv.qc.ca
www.institut-francais.org.uk
www.frenchfilmfestival.org.uk

 

Starbuck 
Dir: Ken Scott 2011 – 109 mins
Friday 2 November, 8.15pm

The biggest Canadian box office hit in 2011, Ken Scott’s comedy Starbuck follows a likeable middle-aged loser as he wrestles with regret and responsibility. Hapless deliveryman David Wozniak (Patrick Huard) gets parking tickets at every stop along his route, has thugs on his tail for massive overdue loans, and his girlfriend tells him she’s pregnant just before dumping him. These are the least of David’s concerns, however, when he returns home to find a lawyer in his kitchen. The past comes back to haunt him in the form of a class-action lawsuit launched by 142 of the 533 children who resulted from sperm donations he deposited over 20 years ago.

Starbuck will be preceded by Demoni, a short directed by Theodore Ushev.

 

Karakara  
Dir: Claude Gagnon 2012 – 101 mins
Saturday 3 November, 5pm

Gabriel Arcand plays Pierre, a retired professor in his early sixties who has decided to renounce sex and achieve spiritual peace until Junko (Youki Kudoh), a  40-year-old Japanese housewife arrives on his doorstep seeking refuge from her abusive husband. They end up making a short, unsettling trip around Okinawa, Japan, together. Though the confused intellectual would rather not get involved with this unlikely and unexpected lover, he decides to follow his destiny, wherever it may take him.

Karakara will be preceded by Anata O Korosu, a short directed by Phillipe David Gagné and Jean-Marc E. Roy

Laurence Anyways 
Dir: Xavier Dolan 2012 – 159 mins
Saturday 3 November, 7.30pm

The third Cannes award-winning film by 23-year-old writer-director Xavier Dolan (Heartbeats, I Killed My Mother), Laurence Anyways follows the story of Laurence and Fred, his girlfriend – a couple passionately in love who attempt to sustain their relationship and fight the prejudices of their family, friends and society when Laurence turns 30 and can no longer deny his desire to be a woman.  Winning two awards at Cannes including Best Actress in the festival’s “Un certain regard” category for Suzanne Clément and the Queer Palm and, as well as the award for Best Canadian Feature Film at Toronto International Film Festival 2012.he film had its UK premiere at this year’s BFI London Film Festival on 11 and 12 October.

Bestiaire ( Bestiary)

Dir: Denis Côté 2012 – 72 mins
Sunday 4 November, 4.15pm

The documentary explores the fascination humans have for animals, combining footage from a drawing class, a taxidermist’s workshop and a Québec safari park. The poet, essayist and naturalist Diane Ackerman has reflected on animal parks as venues for the discovery of interspecies shared identity, but also as places where humans focus “on the lives of other creatures to dispel the usual mind theatres that plague us.” Those notions are challenged as often as they are reinforced in Denis Côté’s soberly beautiful Bestiaire, but exact conclusions are left for the viewer to form.

Bestiaire will be preceded by Tout va Mieux (Everything is alright) a short directed by Robin Aubert.

Catimini (Behind Closed Doors)  
Dir: Nathalie Saint-Pierre 2012 – 112 mins
Sunday 4 November, 6.30pm

Four girls are living under the care of child protection services: Cathy, six-years-old, arrives in a new foster family, the Bilodeaus; 12-year-old Keyla is transferred into a group home for teenage girls; Mégane, a rebellious 16-year-old, ends up in a detention centre in late winter; on her 18th birthday, Manu leaves her youth centre and moves into her first apartment. In the hope of reconnecting with the few people that have meant something to her, Manu attends a reception honouring the Bilodeaus, one of her former foster families. She bumps into Keyla and Cathy, and ends up hanging out with Mégane. It proves to be a reunion that no-one will forget anytime soon. Behind Closed Doors won the Valois d’or prize at the fifth festival of francophone cinema in Angoulême.

Behind Closed Doors will be preceded by Ina Litovski, a short directed by Anaïs Barbeau-Lavalette and Andre Turpin.

 

Theatre Collection Presents Pinky Cagebirds

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If you are looking for a top night out at the theatre go and see the latest play from the Theatre Collection.
After David Campton

“There is nothing either good or bad, But thinking makes it so”.
William Shakespeare

Set in a bird-cage, each of the birds is totally absorbed in her own particular characteristics. But then the Mistress introduces the Wild One who tempts them to fly for freedom.

Directed by Victor Sobchak

October 30 – November 11

Tuesday – Saturday 7:30pm
Sunday 5pm

Tickets: £12/10

Booking:

www.theatrecollection.net

Phone: 07966597190

 

Theatre Collection

51 Camden Park Road

London NW1 9BH

www.theatrecollection.net



THEATRE COLLECTION was founded in 2009 by Victor Sobchak (Artistic Director) and Shaban Arifi (Producer,Director and Actor)

TC is the sequel of the highly acclaimed ‘ART-VIC’(Anglo-Russian Theatre) and ‘Act Provocateur Int.’ With a history spanning for 15 years.

During this period our companies have produced over 100 productions which gained great interest and awards from both audiences and Press all over the world.

We have performed at 11 Edinburgh Fringe Festivals and in various National and International festivals in USA, Africa, Europe and Russia.

TC will continue to justify its name presenting to the audience a collection of very different styles: from medieval farce to experimental theatre, from classic to modern International drama and new writing.

Dark Hearts Director Rudolf Buitendach On Film & Inspiration

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Frost went along to the world premier of Dark Hearts at the 2012 Raindance Film Festival. We had lots of fun and really enjoyed the film. Here is our interview with the film’s director, Rudolf.

Tell us about Dark Hearts

Dark Hearts is on one level a neo-noir, a film that gives a voice to the dark side – on another it is a film about passion and obsession and the thin line in-between. How some of us will give anything for our art,

Dark Hearts is an impressive first film. Are you happy with the finished film?

I find it very hard to watch anything I’ve done objectively, but thanks.


Dark Hearts reminded me of a film noir. Can you tell us about the general look and feel you were going for?

Yes, as mentioned above I consider it a neo-noir. I based the film’s palette on the rust and decay of Downtown LA’s art district. With the help of Travis Zariwny, a great production designer, Kees Van Oostrum a great DP and Suzanne Barnes, a great costume designer we wanted the ‘mise en scene’ to be portraits in themselves. I think we succeeded quite well in places, despite our modest budget.

Dark Hearts is your first feature film. Was it scary making the leap?

It wasn’t scary at all as I had done quite a few shorts at this point, I just wished I had a bit more time to enjoy losing my ‘feature virginity’

Tells us a bit about you. How did you get into film?

I was studying law when I saw a film that changed my life, Wim Wenders’ Wings Of Desire. I finally knew what I wanted to do with my life and enrolled in film school, I was hooked for life.

What is the hardest thing about directing films?

Everyone with a TV and a Facebook account fancies themselves a critic and no matter how hard you try to be original, someone will always try and rain on your parade

How was the process of financing?

It was very tough and in true indie style we didn’t have an official green light even days before the filming was about to commence. But I was very lucky that I had a brave producer Jack Bowyer who believed in me when push came to shove.

How did you choose the actors?

I had wonderful casting agents Lisa Essary and Heidi Levitt who brought most of the actors to audition and I picked them from there, apart from Lucas Till who came through a brilliant agent Larry Shapiro.

You had quite a short shooting schedule. Do you think that was a help or a hindrance?

It was neither, just a whirlwind.

Who is your inspiration?

I have many, starting with Luis Bunuel, the surrealist painters, the symbolists up to modern filmmakers like Park Chan Wook, Lynch, Gilliam, Cronenberg, Greenaway and Roy Andersson.

The film has an amazing score. Who chose the music?

I did, I’m lucky in that a lot of the artists were my friends. I also had help from a musical supervisor extraordinaire Bruce Lampcov.

What is next for you?

I am in post on my second feature ‘Where The Road Runs Out’ starring Isaach De Bankole, with another 2 scripts ready to roll, any financiers out there?

The Comic Strip Presents ‘Five Go To Rehab’

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Three decades after the renowned Five Go Mad in Dorset, Jennifer Saunders, Dawn French, Peter Richardson and Ade Edmondson return to celebrate 30 years of the series, with The Comic Strip Presents ‘Five Go To Rehab’, which premieres on 7th November on GOLD at 9pm.

The famous children’s characters have been brought back from the past to confront today’s modern world, but this time they must account for their outmoded racist and sexist views. But the quintet seem blissfully unrepentant as they gather for a reunion on Dick’s birthday in leafy Dorset – still a magical land of rolling hills, woods, ruined castles and dodgy villains in big black cars.

Dick (Ade Edmondson) has changed little since those early years and is now Assistant Manager for Plasmold, a plastic guttering company in Dorking. Eager to rekindle the joys of their Famous Five youth, he has engineered a few surprises for their reunion. However the others are not as keen to revisit their past. George (Dawn French) is a struggling alcoholic with a string of ex-husbands behind her and only faithful Timmy by her side. Julian (Peter Richardson) having disappeared to Equatorial Guinea for many years, apparently working for a dubious ‘charity’, is now also in need of a stint in rehab. Anne (Jennifer Saunders) the pretty shy one never did become the ‘perfect housewife’. Now a militant feminist / animal rights campaigner, she lives life on the edge of a nervous breakdown.

The famous five are met along the way by a number of familiar faces. Robbie Coltrane returns as a guest house landlady and lecherous Gypsy. Stephen Mangan plays a sexually charged actor, eager to impress Anne and Nigel Planer returns as a police inspector and sinister barmaid. Rik Mayal plays an evil villain who is determined to decapitate a terrified Julian and Daniel Peacock also makes an appearance as snubbed Toby Thurlow who has had 30 years to plan his revenge on the famous five.

Five Go To Rehab was created by the award winnings writers Peter Richardson and Pete Richens who wrote the original Five Go Mad in Dorset film and have since collaborated on many of the Comic Strip films including The Strike, A Fistful Of Travellers Cheques, Four Men In A Car and more recently the highly acclaimed The Hunt for Tony Blair. Five Go to Rehab was directed by Peter Richardson and produced by Nick Smith who also produced The Hunt for Tony Blair.

‘The Comic Strip Presents ‘Five Go To Rehab’, 7th November on GOLD 9pm.

TEDxEaling

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Ted Talks are now famous, and when they came along to Ealing I went along with my film business partner, Steve McAleavy.

We had a brilliant time and there was some really brilliant talks. TedXEaling was brought to Ealing by Chris Jones, film director and owner of Living Spirit pictures. Below is some of the people who talked at the event. I had a brilliant time and met some amazing people.

 

Sebastien Foucan: Our relationship with fear

Sebastien Foucan is the founder and creator of freerunning. Sebastien is well known for his views on the philosophy behind freerunning and is an ambassador for the discipline in many countries across the globe.

Seema Anand: The Art Of Seduction

The ancient arts of Courtesanery and Seduction were once treated as high philosphy, with divine and academic associations. Dr. Seema Anand explores how these narratives have been lost and in the evolution of their vocabulary, the implications have changed. Working with the range of what ‘story’ can mean to an individual Seema facilitates the learning processes of ‘telling’, ‘listening’, ‘acknowledging’ and ‘rejecting’ the narratives that make up our lives and our social interactions to enhance communication, build links and open dialogue.

Jarred McGinnis: Writing is the Only Magic I Still Believe In

Jarred McGinnis will share his passion for stories and demonstrate the power of words from Speech Act Theory to the genius that is the children’s book ‘That’s Not My Pirate’. Jarred is an American living in London, and the co-founder of the literary variety night, The Special Relationship. His fiction has been commissioned for BBC Radio 4, and appeared in journals in the UK, USA and Ireland. He is wickedtomocktheafflicted.com. In addition to writing fiction, he holds a PhD in Artificial Intelligence.

Eve Hazelton: Film Director of Photography

How does light and shadow impact on our understanding of story? As a Director of Photography, it is Eve’s job to visualize a story and use the tools of her craft to translate that into a film. With the stereotype of a DoP’s role to be all about camera’s, Eve explores how other area’s of her job are equally, if not more important. Eve is the Director of Photography and Editor for Realm Pictures, an independent film company based in the UK. Her’s are the eyes which reveal the stories that the team at Realm want to tell.

Linda Potgieter: A purpose driven life

Linda Potgieter has enjoyed a rewarding 22 year career predominantly focused on designing and delivering communications solutions. Director of a locally based training and consulting firm, she has spent the past eight years designing and delivering communication and negotiation training across 14 countries. Linda’s inspirational delivery style is driven by her passion for the human connection within negotiations.

Chris Atkins: Lies and Truth – How to get to the truth of a story by telling lies

Chris’ first doc, Taking Liberties, is about the loss of civil liberties in the UK and is a polemical and entertaining theatrical feature. In June 2007 the film was released theatrically and was one of the highest-grossing documentaries of 2007. Chris was nominated for a BAFTA – The Carl Foreman Award for best writer, director or producer in their first feature film. He has since produced a slew of controversial documentaries for both cinema and TV.

 

Dekay: Urban Poetry

Dekay will perform a rap from her latest album and teach us about storytelling in a different form. Dekay is an unsigned rapper/songwriter/producer from Camden, North West London. With a back catalouge of 3 mixtapes and an album, Dekay has been battling, rhyming and shotting cds in the endz for the last 8 years.

 

Daniel Sloss: It’s just a story

Scotland’s Daniel Sloss is currently one of the fastest rising stars of UK comedy. He started doing stand-up aged 16, has appeared on numerous TV shows including ‘Michael McIntyre’s Comedy Roadshow’ plus his own BBC show ‘The Adventures of Daniel’ and tours extensively thoughout the UK as well as internationally.He will be talking about how comedy is a series of short and truthful stories.

 

Will Brooker: Tales of the Dark Knight

After 73 years in popular culture, Batman has become more than a corporate product and commercial property; he also belongs to generations of readers and fans who circulate their own stories around him, and keep his legend alive. Will Brooker is Director of Research in Film and Television at Kingston University, London. He is the author and editor of several books on popular culture and audience, including Batman Unmasked, Using the Force, the BFI Film Classics volume on Star Wars and, most recently, Hunting the Dark Knight: 20th Century Batman.

David Varela: Throw your Story from a Plane

David Varela is a London-based writer and producer. He has written for film, theatre, radio, magazines, ebooks and games, creating some of the world’s most exciting transmedia projects along the way. These include Lewis Hamilton: Secret Life (for Reebok), Xi (for Sony PlayStation) and most recently The Seed, a transmedia story combining four plays, a treasure hunt and online characters, as part of the London 2012 Cultural Olympiad. He is currently developing an original drama series for Channel 4.

Emily James: Shooting Outlaws without Hurting Anyone

After her first broadcast commission, The Luckiest Nut in the World (C4, 2002), the Guardian asserted “Emily James is a genius”. Following the experimental Don’t Worry, (C4, 2004) and What Would Jesus Drive?, (C4, 2006) Emily’s attention has now shifted to feature documentaries, acting as Executive Producer on the acclaimed The Age of Stupid (2009). Her feature directing debut, Just Do It: A tale of modern day outlaws screened in over 45 independent cinemas across the UK in Summer 2011.

Richard Newman: Inspire and Motivate People with PRO

Working with 17,000 people across 45 countries Richard discovered there is a story-telling method that motivates all of us, called the PRO system. His team have helped clients win business worth over £1.6 billion, working on pitches and presentations to make them stand out from the crowd. Clients include the McLaren Formula 1 Team, KPMG and IBM. Recently he has been working with 20th Century Fox and Warner Brothers, to promote their TV shows about body language.

Julian Friedmann: The mystery of storytelling

How we tell stories seems to be a mysterious process that millions around the world want to be able to do, but 99.9% effectively fail. Why is it so hard for storyteller and audience to be one? What we communicate can change the lives of the writer and the audience. However, why stories matter and how to tell them better may not be as mysterious as it seems. Julian Friedmann has worked with writers for over 40 years; he believes understanding that storytelling is more about the audience than the writer will result in better storytelling.

Martin Lee: The Story Of My Shame

The redemptive power of ‘story’ for both businesses and people.

Martin Lee is a director of 26, the business writers’ collective that exists to inspire a greater love of words in business and in life. In his day job, he is a co-founder of Acacia Avenue, a boutique qualitative research consultancy whose purpose is to make business recommendations to its clients as long as they are in the interests of their customers. Before taking to agency life, Martin worked in the book business, culminating in being the Marketing Director at Waterstone’s.

Linda Haysman: The Costume Designer

What story does the clothes you wear tell? Linda Haysman is an experienced Costume Designer and has worked in theatre, film and television. Linda will be exploring story telling through Costume Design and it’s effect on audience perceptions.

 

 

TEDxEaling 2012 Hosts and Entertainers

Chris Jones – Filmmaker, author and TEDxEaling creator

Having made feature films, an Oscar shortlisted short film, written seven books on filmmaking, run the London Screenwriters’ Festival and subsequently trained literally thousands of filmmakers and screenwriters around the world, TEDxEaling themes on ‘Story’ was both a logical AND challenging step for Chris. He will be introducing TEDxEaling and looks forward to sitting in the audience with you.

Walter Lewis: TEDxEaling Master Of Ceremonies

Walter is an established actor, voice artist and corporate trainer.  He has worked in TV, film, and theatre on both sides of the Atlantic, and has been a long-standing member of the The Reduced Shakespeare Company.  Other credits include: “Red Badge of Courage” (Naxos Books), “Never the Sinner” (Manchester Library), “East of Eden” and “Auntie Mame” (BBC Radio), “1408” & “The Dark Knight”. As an American living in the UK he loves the British sunshine…

 

Catherine Arton: Casting Director

Firing your creative synapses. Catherine Arton is a casting director, motivational speaker, director, and story teller of old. Having studied English Literature at University and Acting at LAMDA, Catherine has a true passion for story and story telling. Catherine will use some of her own specially devised techniques and ideas to help the conference attendees to get into the best possible mindset for the TEDx conference.

Dark Hearts World Premiere | Raindance 2012

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At the beginning of the Raindance Film Festival Frost went along to the world premiere of Dark Hearts. I had a good chat with lead actor Kyle Schmid and director Rudolf Buitendach. Rudolf is very friendly and I will be interviewing him shortly.

Dark Hearts is an oxymoron: a modern film which is also an old fashioned film noir. Made on a low budget, Dark Hearts is a technical achievement of the highest order. Rudolf Buitendach’s directorial debut looks beautiful and is very well done. It also has a famous cast including Goran Visnjic (Ridley Scott’s The Counselor, E.R., Girl with the Dragon Tattoo, Beginners),  Lucas Till (X-Men, Wolves, Stoker, Paranoia), Sonja Kinski (daughter of Nastassja Kinski), Kyle Schmid (Lead Star of Copper – BBC America) and Juliet Landau (Buffy the Vampire Slayer, Angel, Ed Wood). Rudolf Buitendach is obviously well connected and Dark Hearts has some talented people working on it.
Dark Hearts was nominated for BEST INTERNATIONAL FILM at the 2012 Raindance Film Festival and is in the running for possible BIFA nominations as well. The acting is strong and it is a very enjoyable film. I loved Dark Hearts. Go see it if you can. An impressive debut from director Rudolf Buitendach.

 
Supporting star Rachel Blanchard (Snakes on a Plane, Clueless)
Director Rudolf Buitendach (Cannes-Venice Shorts Alum, Trailer for Bronson)
DP Kees Van Oostrum (2x Emmy-Nominated DP of Gods & Generals, Gettysberg)
Screenwriter Christian Piers Betley (13 Eerie, Stranded)
Executive Producer Jack Bowyer (Private Peaceful, Gallowwalker)
Gabrial McNair of No Doubt (Original Score Composer)
Paul Oakenfold (Original Score Composer)
Richard Strange (Original Score Composer)

 

Colson is an artist struggling to make it in the frenetically paced downtown LA art scene. When his brother Sam lands on his doorstep, Colson finds himself drawn back to the fractured family set-up that he felt lucky to have left behind. Out for a night on the town, the brothers run into sultry singer Fran. They both fall in love but Colson becomes obsessed and a passionate affair ensues.


Prodded by an influential gallery owner to push his work that much further, Colson stumbles across the perfect red and the power of painting in blood. Soon it seems like he’s made a deal with the devil as he immerses himself in an affair with Fran that has deception and betrayal looming in the background.

Sonja Kinski, daughter of Natassja, is stunning as Fran, having inherited not only her mother’s dark beauty but her acting skills and too, and she proves a powerfully magnetic muse. A real bonus is the film’s score which features some of the hippest artists around; tracks are provided by Einstuerzende Neubauten, Shirley Manson from Garbage, Fairuza Balk and Daniel J from Bauhaus and Love and Rockets. A debut feature from South African born director Rudolf Buitendach, this is a stylish odyssey that proves as alluring as LA itself.

Mark Potts Cinema Six Interview | Raindance 2012

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The Raindance Film Festival was as brilliant as ever, and we have an exclusive interview with Mark Potts, director of one of the festival’s films, Cinema Six.

1. What made you want to be a filmmaker?
– It was probably a few things. First, The Blair Witch Project. It’s embarrassing to admit, but that got me into it initially. My friends and I took my dad’s Hi-8 camera and made a parody of it. It was a little over 2 hours long. I edited it with VCRs and honestly, I cannot really remember how I set it up. It was two VCRs connected to a television and the camera and somehow it worked. But from there, my high school Spanish teacher encouraged my friends and I to do a public access show, and we did that. Then, I started working at a movie theatre, met Cole, and it just clicked. That theatre was my second home and I loved being there. And the feeling I got being there and immersing myself in films and just escaping life made me fall in love with cinema. I wanted to give someone else that experience, that escape, and some relaxation.

2. Tell us about yourself
I’m currently living in Los Angeles but am from Oklahoma. My partner in crime, Cole Selix, and I met in Enid, Oklahoma while going to school together and working at the movie theatre. We started Singletree Productions in 2006 and have made, literally, 100s of shorts and four features (most can be seen on singletreeproductions.com, even the first three features.) I am married to Hailey Branson-Potts, who works at the Los Angeles Times and she is a million times funnier and smarter than I am but don’t put that in the story because then she’ll be a dick about it.

3. You were co-writer and director of Cinema Six. How did you find directing your own work?
Cole and I have been directing our own stuff for years, so it isn’t too difficult for us now. If anything, while directing, we discover all the things we missed while writing and it creates this odd paradox of feelings where we feel like good directors but bad writers. But a lot of that is because Cole and I are always changing stuff, trying to make it better, trying to make things snappier, funnier, more emotional. And that’s why we asked a lot of the guys who worked on it to come aboard because we trust their opinions and tastes and wanted them to help make us better.

4. Tell us about Cinema Six.
Cinema Six has been around for about nine years. Cole and I first started talking about it while working in the movie theatre back in 2003. Of course, at that time, the script was really just un-connected scenes of us messing with customers and complaining about customers and being jerks to customers. Since that point, Cole and I have moved multiple times, gone to college, gotten married, had kids (Cole has two awesome kids, I have a pug) and have gone through some big changes which all can be seen in the version of the film now. It’s a love letter to the cinema and a commentary on growing up and just doing whatever you have to do to be happy.

5. What was the hardest thing about making the film?
Oddly enough, there wasn’t anything too difficult about making the film. The two biggest things were the budget because we were very limited and finding the perfect movie theatre. We needed a theatre that was older, not that flashy, and still ran film. It’s hard to find film theatres, which makes me sad. For me as an actor, the hardest part was remembering lines. I don’t memorize lines, which is terrible. Brand Rackley and John Merriman, the other two leads, are as professional as you can get and they were always prepared even as far as to tell me my lines. It was embarrassing but also humbling to know I had two friends and actors that cared enough to do that and not give me too much shit for it.

6. Where did you get the funding?
We received our funding from Reilly Smith and some of his family and friends. They chose to believe in all of us and I will forever be in their debt. There isn’t a day that goes by where I don’t pray to God we make their money back. They deserve it because they took a chance on some young filmmakers who just wanted to talk about growing up and tell vulgar jokes. I can never thank them enough.

7. How did it feeling getting into Raindance?
It was shocking and awesome! I was dumbfounded by the news and still kind of am. I am incredibly upset I couldn’t make it as well. But, we did make a special video Q&A that we hope people stay and watch. It answers a lot of questions. Not really.

8. What advice what you give to others filmmakers?
The best advice I have is to keep making things. Just keep making, even if it’s bad. We made many, many bad things. We still do. But we’re always making something and you learn something from every video and every mistake. Watch movies, read screenplays, make stuff.

9. You co-wrote the script, can you tell us about your writing process.
Cole and I have written scripts together for over six years. Our process is pretty solid now. When we get ideas, we talk about them for a long time. We throw around jokes and scene ideas and if we still love it months later, then we feel like it’s worth writing and trying to make. This process has weeded out many, many ideas and I love doing it. Just talking things through and seeing what sticks. When we’re at a point that we want to write it, we’ve talked about it so much that it really just needs to be put on paper, so I write it all out, then we get to ripping it apart and fixing it.

10. What’s next for you?
I’m hoping to start another feature next year. I have a few ideas and none of them are like Cinema Six, which excites me. They are all funny, but much, much darker.

The Man on Her Mind

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The Man on Her Mind is a subtle comedy exploring the reality of relationships against the imagination of the soul.

 

Set in the heart of Manhattan, Eleanor anxiously waits for her lover in her 32nd floor studio flat as she disgustedly deletes the countless voice messages of another suitor, Leonard.

 

Never knowing when boyfriend Jack will arrive, once the confident banker breezes into the room, the chemistry between the pair’s evident as they flirt over a glass of wine and he affectionately calls her ‘Nellie’.

 

Jack’s forced to hide in the bathroom as Janet, Eleanor’s older sister, pops by to get the gossip on her love life and quizzes her on why she’s not returned her neighbour’s calls.  

 

Sibling rivalry is evident in the interaction; Janet wants to make Eleanor jealous of her ‘perfect’ suburban family life, mocking her sister’s tiny flat and sporadic lifestyle.

 

The scene then cuts to Leonard’s house.

 

A slightly nervous character, the audience sees the cluttered state of his mind with dozens of large boxes still waiting to be unpacked despite him moving in several months ago.

 

Janet and her husband Frank invite themselves in (he tends to leave it wide open) and do their best to find out more about their neighbour who they’ve already marked as Eleanor’s perfect match.

 

However, once the couple leave, Leonard’s girlfriend confidently strolls down the stairs.

 

And surprisingly, it’s Nellie, the imaginary concept of Eleanor.

 

Similarly, Leonard is the physical embodiment of the subconscious Jack.

 

Ironically, the real Eleanor hates the real Leonard, but somehow he’s manifested himself into her imagination as the perfect man Jack.

 

And Nellie has been formed from Eleanor, the girl Leonard desperately tried to call and hoped to date. 

 

Once the imaginary Nellie and Jack meet, they play the part of guardian angels, willing their real selves to start a relationship.

 

And it’s only a matter of time before Eleanor drops her defences and gives Leonard a chance where they both discover they’re truly soul mates.

 

Written by Alan Hruska and directed by Bruce Guthrie, the pair have composed an original and enigmatic stage production at Charing Cross Theatre for the autumn.

 

Amy McAllister, who played both Nellie and Eleanor, was the standout actress, delivering a charismatic performance, adapting her persona to fit both the real and imaginary characters.

 

The themes of love and rivalry were wonderfully played out and the serious idea of what’s real and what’s imaginary was handled with a refreshing comedic twist.

 

The Man on Her Mind is showing at Charing Cross Theatre till 27 Oct 2012.

www.charingcrosstheatre.com.