Tag Archives: film review

The Girl With The Dragon Tattoo (2011) trailer

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I will talk about the trailer in a bit, but first some context for those who are diving straight in without knowing this particular film. As we all know, it is based on a Swedish novel (and first in the Millennium trilogy) by the late Stieg Larsson and has already been adapted as a TV-movie in 2009 (starring Michael Nyqvist as Mikael Blomkvist and Noomi Rapace as Lisbeth Salander). It received three BAFTA nominations (including Best Leading Actress – Noomi Rapace and Best Adapted Screenplay), though it left with one; Best Film not in the English Language.

It wouldn’t be long till Hollywood would decide to grab their hands on it and develop their own version. It cause some outcry and some saying that it should be left alone. I will admit, I was pretty adamant on the idea of a Hollywood version of the novel/TV-movie. Though the talent behind it started to make me have some sigh of hope; they recruited Steven Zaillian to adapt the novel (previous credits – Schindler’s List, Gangs of New York and American Gangster) and David Fincher was hired to direct the film (previous credits – Se7en, Fight Club and The Social Network) Who was going to play the leading players? Daniel Craig (Casino Royale) as troubled yet talented journalist and Rooney Mara (The Social Network) as the socially awkward goth/punk hacker. This is a team that no one could ask anymore better from them! Fincher, especially, is in familiar ground; a dark mystery thriller that practically runs in his veins.

Now our questions were what was the film going to look like? Would the actors attempt to pull a Swedish/English dialect? Well the look is very slick and top notch, Rooney Mara really becomes Salander but actually more like a punk/goth than Rapace did (sorry fans of the original movies but I quite like this new Salander). It features the Oscar winning composers, Trent Reznor & Atticus Ross, music in the trailer (Reznor even created a cover of ‘Immigrant Song’ by Led Zeppelin with Karen-O for the teaser trailer). Even the trailer runs at 3 minutes and 40 seconds (usually average running time for a theatrical trailer is 2 minutes 30 seconds) reveals only enough to not spoil anything for those who have not read the book or seen the previous films.

My reaction to the trailer? I cannot wait for it! It has moved from being number 2 to number 1 on my most anticipated list (http://frostmagazine.com/2011/03/top-most-anticipated-movies-of-2011/). Plus it’s directed by David Fincher! Do I need to explain why that’s a good thing? As you’ve seen from his credits, he has made a movie that everyone likes! What do you think? Are you excited for it as much as I am or do you think it should’ve been left alone from the very start?

Bubbles: Short Film Perfection

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I went to see Bubbles at the Soho Screening Rooms, and it was perfection.

Short films are hard to do. Trying to tell an entire story in under 20 minutes is something not everyone can achieve, although they do try. Bubbles succeeds on many levels. When it ended, everyone at the screening was disappointed.

Bubbles is an amazing accomplishment: a short film that you don’t want to end. Beautifully shot and framed, Bubbles is a high quality film which is well-written and well-acted. A triumph for all involved.

Vanessa Bailey is wonderful in her part, sexy, beautiful and smart. Playing a role most actresses would kill for. She is definitely one to watch.

The film tells the story of three generations in a country mansion after a funeral. A photograph resurfaces that changes everything. The past becomes present, and former loves refuse to be forgotten. Leyla Pope is an outstanding talent, I cannot wait for her next film, or, indeed, a feature length version of Bubbles.

http://www.shortfilmbubbles.com/index.html

The Greatest Movie Ever Sold, New Frontiers in film financing.

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The Greatest Movie Ever Sold directed by Morgan Spurlock.

Where and When: Thursday 29th September at BFI Southbank

On Thursday I saw Morgan Spurlock’s new documentary about branding, advertising and product placement, which is entirely funded by branding, advertising and product placement.

Afterward, a panel of experts from film and advertising discussed how producers can create new synergies and forms of production finance without losing their artistic integrity. The panel included; Pippa Cross, Producer of Chalet Girl, Duncan Forrester, Head of Public Affairs, Volvo, Darryl Collis, Director of Seesaw Media, Pete Buckingham, Head of Distribution and Exhibition at the BFI

“Nothing like a cold call to let you know how little power you have.” Morgan Spurlock.

What I learned:

1) The Greatest Movie Ever Sold was the first film to be in profit before it hit theatres

2) Spurlock ‘didn’t negotiate for success’ so the brands didn’t have to pay him any more money when the movie became a runaway success.

3) In the first few months, The Greatest Movie Ever Sold had over 900 million media impressions.

4) Spurlock called over 100 ad agencies and 650 companies to contribute to the documentary, only 15 companies said yes. A success rate of only 2%.

5) Pom juice is 40% as effective as Viagra for helping a man sustain an erection.

6) Volvo did not pay to be in Twilight, the filmmakers stayed true to the fact that Edward drives a Volvo in the book. But they have people come in and buy the car Edward drives after seeing the movies, even though it’s a £35-50,000 investment.

7) A big champagne company turned down the opportunity to be in The King’s Speech because they ‘didn’t do period films’.

8) Morgan Spurlock could not legally disparage the entire country of Germany in or around the Mini that he was given for the film. Most of the contracts had a non-disparagement clause.

9) Spurlock said all of the brands asked for ROI (return on investment) but not of them got it.

10) Ditto for the final cut, Spurlock says: ‘Retain final cut or it’s not your film”. However, if your film costs more than $40-50 million, you will not get final cut.

11) Spurlock’s advice to filmmakers when negotiating with brands and advertisers is: Always know what you are willing to give up. Integrity is valuable.

12) Fed ex did not pay to be in Castaway.

13) The film uses all of the things it criticise in the beginning to sell the film to you later

14) Old Navy gave Spurlock a cheque for £200,000 after seeing the documentary at the Sundance Premiere.

15) The brands have bigger lawyer than you.

16) Pippa Cross had to spend 2K on CGI to get ride of a beer bottle on Shooting Dogs because the beer brand did not want to be associated with the genocide.

17) The Social Network has Mark Zuckerberg and the rest of the cast using Sony laptops, but, factually, the real people the film is based on would have been using Apple Macs.

18) Pippa Cross got Tesco vouchers for Chalet Girl, and the best Ski brands on board.

19) Morgan Spurlock made a deal with a tri-state pet discount store; you could get a goldfish and after the first one died, use a voucher to get another one. Like Spurlock does in the film.

20) Spurlock tried to get a gun company onboard, but they all said no.

21) The lawyer Morgan interviews in his documentary tells of of the term ‘Faction’. Where fact and fiction meet, and what advertisers use to confuse you and integrate their products into your favourite TV shows and Films.

The documentary is essential viewing for anyone interested in film, or raising finance.

Raindance announces Jury for Festival Awards

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Raindance announces Jury for Festival Awards for 19th Raindance Film Festival

28 Sep – 9 Oct

Raindance is delighted to announce the jury for this year’s Festival Awards. The panel, which includes
actors, directors, presenters, journalists and members of the film and photograph industry, will judge
the films nominated in each of the eight categories, with the winners to be announced on Saturday 8th
October, 8pm at the Festival venue, the Apollo Cinema in Piccadilly Circus.

The eight categories are:

Best International Feature, Best UK Feature, Best Debut Feature, Best Documentary, Best Microbudget
Feature, Best UK Short, Best International Short and the Film of the Festival.

“Our jury represents the spectrum of the film industry – from actors to directors and critics to
programmers – they bring an in-depth knowledge of film to the judging panel and will have the
difficult job of choosing winners from the outstanding titles nominated this year,” said Elliot Grove,
Festival Director.

The jury is as follows:

Sally Bibawy
Sally Bibawy joined analogue photography company, Lomography, in 1995 and took over the art direction
and product development in 2000. She is a board member, together with Matthias Fiegl and Wolfgang
Stranzinger, since 2004 and is based in Vienna.

Dexter Fletcher
Best known for his role in Lock, Stock and Two Smoking Barrels, Dexter Fletcher has grown up on screen,
beginning with his role as Baby Face in Bugsy Malone and on the British TV series Press Gang. His many
credits include The Elephant Man, Layer Cake and Kick Ass. Dexter also appeared in the 2009 Raindance Film Festival Trailer.

Gillies MacKinnon

Scottish Director Gillies MacKinnon has assembled one of the most impressive bodies of work in
recent British cinema with directing credits including Small Faces, Trojan Eddie starring Richard Harris
and Stephen Rea, A Simple Twist of Fate with Steve Martin, Regeneration starring Jonathan Pryce,
James Wilby and Jonny Lee Miller, Hideous Kinky with Kate Winslet, and the Golden Globe-winning
television Film, Last of the Blond Bombshells starring Judi Dench. His other work includes The Escapist,
Pure, historical drama Gunpowder Treason and Plot with Robert Carlyle, Tara Road , and The Snow
Goose starring Billy Connolly.

Céline Masset
Céline Masset is the co-founder and Artistic Director of the Brussels Short Film Festival, which will
celebrate its 15th anniversary next year. Her company, Un Soir Un Grain, also distributes and produces short films.

Helen McCrory

Helen McCrory is a multi award-winning actress on stage, television and the silver screen. She played
Cherie Blair in The Queen and The Special Relationship and played Narcissa Malfoy in the last three Harry
Potter movies. She will appear in Martin Scorsese’s soon-to-be-released film, Hugo and We’ll take
Manhattan for the BBC.

Wendy Mitchell

Wendy Mitchell is head of news at Screen International and ScreenDaily.com. Before moving to London,
she worked on staff in New York for Entertainment Weekly, indieWIRE, Rolling Stone and CMJ, as well as
freelancing for the New York Daily News, Playboy, Variety, Billboard, Time Out New York and The Wall
Street Journal. She is also the author of New York City’s Best Dive Bars (published in 2003).

Alex Zane
Alex began his career hosting the film review show Screenplay and fronting MTV’s flagship show, TRL.
A talented radio broadcaster, Alex began working at Xfm in 2002, and hosted the station’s Breakfast
Show for two years. His TV credits include Popworld, Balls of Steel, 8 out of 10 Cats and he hosted this
year’s Red Carpet Live for the Golden Globes and the Oscars. Alex currently hosts Channel 4’s Rude
Tube, Alex Zane’s Guest List and is the lead film reviewer for The Sun.

Festival Awards – nominated films

Best International Feature

Just Between Us / Rajko Grlic – Croatia
No Return / Miguel Cohan – Spain / Argentina
After Fall, Winter/ Eric Schaeffer – USA
Youth H2 “Come As You Are” / Kota Yoshida – Japan
War Games / Cosimo Alemà – Italy

Best UK
Acts Of Godfrey / Johnny Daukes – UK
A Thousand Kisses Deep / Dana Lustig – UK
Flutter / Giles Borg – UK
Hollow/ Michael Axelgaard – UK
Seamonsters / Julian Kerridge – UK
Stranger Things / Eleanor Burke – UK

Best Debut
Tilt / Viktor Chouchkov Jr. – Bulgaria
Synchronicity / Joe Tanaka – Japan
Exteriors / Marie Kristiansen – Norway
Restive/ Jeremiah Jones – USA

Best Microbudget Feature

MONK3YS / Drew Cullingham – UK
Julius Caesar / Adam Lee Hamilton & John Montegrande – UK
Uspomene 677 / Mirko Pincelli – Bosnia Herzegovina / UK
Meso Cafe / Ja’far ‘Abd al-Hamid – UK
Black Pond / Tom Kingsley – UK

Best Documentary

White Button / Igor Stoimenov – Serbia
The Echo Of Astro Boy’s Footsteps / Masanori Tominaga – Japan
Where My Heart Beats / Khazar Fatemi – Sweden
How to Start A Revolution / Ruaridh Arrow – UK
Heaven + Earth + Joe Davis / Peter Sasowsky – USA

Best International Short

The Lady Paranorma / Vincent Marcone – Canada
Martyr Friday / Abu Bakr Shawky – Egypt
Words / Sven Vinge – Denmark
Zoltan- The Hungarian Gangster of Love / Justin Reardon – USA
Hemingway’s Pen / Renzo Carbonera – Italy

Best UK Short

This Side of the Afterlife / Adam Horton – England
God View / Billy Lumby – UK
The Girl Is Mime / Tim Bunn – UK
Love At First Sight / Michael Davies – UK
Rough Skin / Cathy Brady – UK

About Raindance Film Festival

Raindance Film Festival will run from 28 Sept – 9 Oct at the Apollo Cinema in London’s Piccadilly Circus, with the
Opening Night premiere of Another Earth at Cineworld Haymarket on 28 Sept.
For press accreditation visit: www.raindance.co.uk
Tickets and passes to the festival will be on sale from 6th September on www.raindance.co.uk

Now in its 19th year, Raindance Film Festival is Europe’s leading Independent Film Festival showcasing feature films, shorts and docs from around the world and specialising in independent films and directorial debuts. The
festival has a strong legacy of showing alternative, edgy films. Since 1993 Raindance Film Festival has uncovered
the hottest new filmmakers to hit the cinematic scene. Raindance-premiered hits include Pulp Fiction, Memento,
the Blair Witch Project, Ghost World and Love Exposure.
Raindance – The Voice of Independent Film

Raindance is dedicated to fostering and promoting independent film in the UK and around the world. Based in the heart of London, Raindance combines Raindance Film Festival, Training Courses, the prestigious British Independent Film Awards and Raindance.tv

Frost will be covering the Raindance Film Festival.

Frost Loves…Sofia Coppola

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Sofia Coppola- Icon.

She may never be completely separated from that surname (would she want to be?) but she sure is doing a good enough job of making a name for herself in spite of, not because of, dads, brothers, cousins or aunts.

Her style, her photography and her beautiful films are uniquely hers. They waft of her. Her sensitivity and quiet forcefulness. She has won over James wood and Bill Murray. As well as countless other critics and movie fans. No mean feat. She won an Best Writer, Original screenplay Oscar for Lost in Translation in 2003.

I remember seeing a short film she made called ‘lick the star’ and thinking this woman is going places. I raved about her to anyone who would listen. Her last film, Somewhere, was a very European film. Nothing really happened apart from human emotion.

There was always her photography, which was in, amongst other magazines, Nova and Allure. Her clothing range Milk Fed, and then there was the High Octane series for comedy central with her good friend Zoë Cassavetes, her appearances in music videos such as the Chemical Brothers (her favourite band), Elektrobank which was directed by then boyfriend now ex-husband Spike Jonze. In the video Sofia plays a gymnast. She is directing her own music videos now. Who can forget her video for the white stripes ‘I Just Don’t Know What to Do With Myself.’ In which she persuaded Kate Moss (another friend) to pole dance in a black bikini? All shot in black and white.

Her association with Marc Jacobs (she is his muse. Even having one of his bags named after her and starring in his advertisements. ) As well as other creative talent, she seems to be at the centre of a new creative movement. A movement which also includes such people as Wes Anderson, Lance Acord, her ex-husband Spike Jonze, Zoë Cassavetes, Sonic Youth, Beastie Boys, Tamra Davis who is married to Mike Diamond and gave Spike Jonze his first breaks and her brother Roman, who directed his own film CQ in 200, which Sofia appeared in. It all seems to tie together from person to person.

She was born in 1971 and baptized into cinema as a baby boy in The Godfather and said recently that she remembers parts of her life more by which movie they were than anything else. Sofia and her two brothers, Gio,who tragically died in a boating accident when she was 15, leaving behind a daughter Gia and fiancée Jacqueline de la fontaine (Who went on to marry Peter Getty and is now divorcing him and wants $300,000 a month maintenance after she found a full frontal picture of a neighbour on his computer), and Roman (who is one of the new wave of music video directors and also writes and directs his own films), traveled around with mum, Eleanor a documentary director, and dad, Francis as he worked on his movies.

Movies of cinematic greatness like The Conversation, Apocalypse Now and the Godfathers all of which Sofia was in. more prominently in Godfather III for which she was unfairly lambasted by critics with a unrelenting harshness which seems to have lasted, if only to a slightly lesser degree to this day.

This is why Sofia Coppola inspires me. Why I describe her as an icon. She is herself she makes no excuses. Yes her surnames Coppola take it or leave it and she does not pretend to be one of the boys, does not yell. She gets what she wants the way she wants. She has survived a hell of a lot. Was vilified in public and came up to prove them all wrong with sheer talent, guts and determination. It is because she has her own influential style, because she has conquered. Because she is talented and unique and a true artist and even more importantly. She proved all the bastards wrong.

Sofia is 40 now. Has two children and recently married Thomas Mars, of hip band Phoenix, in a celebrity studded wedding in Italy. She is still a fashion icon, still making movies.

Sofia Coppola is definitely one to watch. As she may yet become one of the most prominent and influential directors of our time.

Drive {Film Review}

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There is nothing quite like a film by Nicolas Winding Refn to be compared with! The strange eerie blur of reality and surrealism, often combined together to make a bizarre and ever-lasting experience. Drive, which is based on the novel of the same name by James Sallis, was an experience like you take a scenic route in the calm areas and then get assaulted with its throttled engine when speeding up the highway. If there’s anything these type of movies that get it right, it’s from the writing and directing. I can also say it was a damn good experience to watch!

The story is about a nameless person, only goes by the name of ‘Driver’ (Ryan Gosling); during the day, he’s a part-time stunt performer and mechanic at an auto-repair shop (owned by Shannon, played by ‘Breaking Bad”s Bryan Cranston) but by night, he serves as a getaway driver for heists. Meanwhile, he slowly gets to know Irene (Carey Mulligan) and her son Benicio. The ‘Driver’ gets involved into another job but it, unfortunately, goes horribly wrong.

Ryan Gosling delivers a subtle performance as the man with no name, you can sense there is something much deeper in him than you may think. He is motivated on the simple things in life, never regrets anything and keeps on going on living. The interactions between Gosling and Mulligan may have little to no dialogue but it is sweet and gentle. It doesn’t resort to conventional smutlzy romance we’re all accustomed to, it comes off something natural and Mulligan brings the heart to the film. Though the scene-stealer is from Albert Brooks, who plays the brutally honest Bernie Rose. He’s not the stereotypical mobster, he’s the type of man who’d kill someone if he had to but would do it as a last resort. The rest of the supporting cast are all superb in their own right, have little screen-time but all have their own importance to the story.

Newton Thomas Sigel’s cinematography is absolutely gorgeous to look at, from the various night shots of L.A. to the car chases (only two of them through-out the duration). There are moments where you are transfixed to its beauty and you are also tensed when it comes to the chases. The editing is very put together, not too fast paced so we get a clear idea on what’s going on within the scene. It all makes homages to the classic 60s/70s car chases of ‘Bullitt’ etc. It all just puts the ‘Fast and the Furious’ franchise into shame and Refn just shows how it’s all done. The soundtrack is equally as superb, capturing the essence of its pulpy story-line but also delivering this dreamy quality that maybe represents the ‘Driver’s’ psyche.

Overall; easily one of the best movies of 2011 and such a unique film that serves as both art-house and pulp cinema! Refn is one of the best living filmmakers to date and should get recognised for his direction in this film. It doesn’t rely on the spectacle, it relies on the craft of the writing and performances.

4 out of 5

Rise of the Planet of the Apes: Film Review

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The Planet of the Apes is a franchise that has been going strong since I was a kid. Actually, the original was one of my favourite films.

With scientists admitting that they were doing tests on monkeys, and fresh Daily Mail worries about animal/human hybrid experiments, it makes it all the more real and scary.

The Rise of the Planet of the Apes has the amazingly talented Andy Serkis as Caesar, and what a performance.

In support, James Franco plays Will Rodman, whose father, played by John Lithgow, has Alzheimers. Rodman tries desperately to cure his father and the key lies in Caesar who receives an amazing amount of intelligence and self awareness due to the the drug ALZ 112 previously injected into his mother. But the drug doesn’t get funded after Caesar’s mother seemingly turns violent and is killed.

But it’s Serkis’ Caesar who steals the film. We see him unsure of his place in the world, missing his family, feeling different, like an outsider and wondering why his kind are treated differently. Andy Serkis should be allowed the Oscar.

This film has been a runway success so far, taking $54.8m in its opening weekend. Deservedly too. It is a good film, lots of action, well acted and you care for the characters. ‘Rise’ is timely and good entertainment. In short, I recommend it for a perfect fun night out while definitely giving you something to think about over your post-film pizza.

Prose & Cons Casting and Update

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Prose & Cons update….

So, we are on IMDB! http://www.imdb.com/title/tt2014324/ We are really excited now. We are tweaking the script, casting actors, getting ready for a funding blitz. )If you would like to become a producer contact us at frostmagazine@gmail.com)

Lots of people have asked me about casting, and hundreds of people have already applied. I have put a few of the characters we are casting below, but there is more. Feel free to apply, and if you are a filmmaker or actor who has something worthy of being in our film section then email frostmagazine@gmail.com.

The film has no funding at the moment so it is completely a collaboration. No one is getting paid anything, however, if we get funding; you will be paid. I know its annoying but Richard and I are not rich so we can’t fund our own projects.

Thank you!

Company: Run Pictures Film Company

Production Name: Prose and Cons

Production Type: Film (Feature)

Location: London

Salary: Pay depends on whether we get funding!

Production Details: We are doing a feature film, http://www.imdb.com/title/tt2014324/ It will be entered into festivals. We are trying to get funding but if we don’t we will be making it for no money, no one will be paid, we have cameras and location, etc, all for free.

We understand if this is not for you, but please realise that if we don get funding, it is not just the actors not getting paid.

Paula: female, artistic, good at writing poetry, agoraphobic, anti-social, melancholic, slightly unstable, has to be okay with not showering everyday and looking a bit dishevelled. We are flexible on age. Gender; female Min Age 29 Max Age 40

Spud: Sarah’s best friend: Description25-35, must be able to drive a car. No exceptions.

Spud (not her real name, she loves potatoes) is a screenwriter about to make it big and go to Hollywood. She is best friends with Sarah. Spud has an on/off thing with Jamie.

Jamie: Male, 25-39, eccentric, slightly dim but warm and loving. Terminally unemployed. Loves Spud.

Two Dog Walker: We need two dog walkers with good comedy reactions for one day filming. Any gender.

Sarah’s Publisher; any gender. 35-45. Literary agent. A little heartless.

George White; Male, 45-55, TV presenter, think Philip Scofield but arrogant. Or any American TV anchor.

Anna Whiteman ; 25-35, Female. TV Anchor/presenter. Presents own TV show with Matt. 25-35.

We have more roles to cast but that’s it for now.