Tag Archives: Jane Cable

SISTER SCRIBES: JANE CABLE ON BOOK BIRTHDAYS

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My latest book, Another You, was published at the end of last month. Actually, it was re-issued, but the experience was so different this time, it’s hardly felt as though it was ever out there before.

With its previous publisher, it slipped into the world unnoticed. I was given no prior warning then suddenly, there it was on Amazon. For a few days I told no-one, then somebody noticed and the cat was out of the bag. The week before Christmas. Not great timing for what is essentially a summer book.

Of course I had a certain trepidation signing with another publisher after that, but I could already see from the outside looking in that things would be different with Sapere. There was proper editing, for a start, and although the story is the same it is tighter, neater, with their input. And although last time the cover was good, this time it is knockout. When I saw the image of the soldier walking away, head bent, I cried. Because whoever had briefed the designer totally got the story.

Next there was a decent pre-order period with a boost of advertising and a mailer to kick it off. The result was it rocketed up the Amazon charts and although things have calmed down a little now I know the book is selling. And its presence on Netgalley has been skilfully used to generate reviews from trusted readers, which has not only raised Another You’s profile but has also given me a rich vein of content for social media.

With the pre-orders having gone so well I didn’t expect too much from publication day itself, but I was knocked out by the support I received on social media, especially from members of the Romantic Novelists’ Association. They are a generous hearted bunch and I seemed to spend much of the day saying thank you, which was only right. There was considerable support from my buddies at Chindi Authors too.

The day before some lovely flowers had arrived from my Sister Scribes and they were looking glorious in their vase in the sunshine. There was also a parcel, which contained a gorgeous embroidered notebook and pencil case, in colours that toned beautifully with my book cover. Next an email popped into my inbox with a voucher for a spa day at the marvellous Scarlet on my beloved north Cornwall coast. To say I was overwhelmed is a bit of an understatement.

The day became even stranger, when no doubt prompted by all this activity my husband downloaded the book. To put this into context, he has never before read anything I’ve written outside the world of cricket journalism. To be fair, he’d been talking about downloading Another You for a while, but there wasn’t any point if he had no intention of reading it. This time, he says he will, but I have to say I’ve seen no moves to do so yet.

Then, just when I thought all the fuss was over, the doorbell rang again and a bottle of champagne turned up – again, courtesy of my Sister Scribes. These amazing, amazing, women. I am truly humbled to have them as my friends.

The point is – they get it. They’re writers too, so they know how publication day should feel. They know it should be special enough to mark the fruition of what is months, and sometimes years, of work. Every book needs a proper birthday, and this is one I will never forget.

SISTER SCRIBES: JUNE READING ROUND UP

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Susanna:

Since our own Jane Cable’s Another You has been reissued, I’d like to celebrate the gorgeous new cover by sharing my review – and please be aware that I first read this book long before the Sister Scribes were even thought of.

In places I found Another You painful to read, because the heroine’s unhappy marriage, which is inextricably linked to her work life, was depicted with such understated realism. This is an intriguing read from start to finish, blending romance, domestic problems and a mystery that kept me turning the pages. Present and past seem to merge together… or do they? Above all, this is a story about the long shadows that can be cast by war. It is skillfully written and kept me guessing right to the end. Every time I thought I had worked out the answer to the mystery, something happened to make me question it again, including an unexpected final twist. This is that very rare thing – a book that makes you think.

Of the four books Maddie Please has written so far, Come Away With Me is my favourite. The characterisation feels deeper and more rounded, especially as the two sisters, Alexa and India, come to know and appreciate one another fully as the story develops. The plot is clever, fast-moving and often funny, the humour being derived from descriptions of life on board a cruise ship. Trust me – this story will make you want to enrol for towel-folding lessons! An uplifting, feel-good read with laugh-out-loud moments as well as moments of true poignancy.

 

Jane:

I am fast coming to the conclusion there are two sorts of books in my world; books I absolutely adore and books I read because they are rip roaring successes in the world of mainstream romance. And with a few notable exceptions, rarely the twain shall meet. I’ve been busy trying to analyse why, and I guess it’s the same reason that I’ll probably never write one of those rip-roaring romantic fiction successes – there’s just not enough ‘meat’ in them for me.

Lorna Cook’s The Forgotten Village was a case in point. Don’t get me wrong – it’s a good book and I enjoyed it, but it didn’t make me go ‘wow’. It’s well written with all the best-seller ingredients and if you want a great, light read for the beach then I would urge you to buy it. But to me it all seemed a bit inevitable – I guessed more or less what would happen in both timelines early on, but let me stress again – I still enjoyed the journey. I guess what I’m trying to say is it didn’t challenge me, which was why it earned four stars from me on Amazon and not five.

Other than that my reading has taken a bit of a back seat as I launch one book, complete the manuscript for a second, and start to research a third. But research has led me into a glorious place – the eleventh book of the Poldark series, The Twisted Sword. Set in Cornwall, France and Belgium in 1815 it was perfect for my background reading and I know Winston Graham’s research to be precise so I can rely on his realistic portrayal of the era.

It meant I skipped a large chunk of the series but it was actually quite easy to pick up what was going on – with the help of a family tree in the front of the book. Ross and Demelza travel to Paris during the brief return of the Bourbon regime and the adventure unfolds from there, interwoven with the lives of their older children in Cornwall and Brussels. So far it’s a great read – I reckon one of the best.

 

My Writing Process – Jane Cable

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Jane Cable , writerAs well as being contributing editor to Frost, I write romance with a twist. My first two novels were published independently but now I’m signed by Sapere Books.


My books are relationship driven, because how people fall in love, mess it up, or get it right, fascinates me. But there always has to be something else. My stories are contemporary but the strapline on my promotional material is ‘the past is never dead’ and for very good reason.


My first book with Sapere, Another You, is published on 27th June. It’s a story of family life which draws on the horrors of combat, both in modern times and World War 2 as Marie fights to reclaim her identity outside her marriage and discover what really matters to her.

A bit about your process of writing.
I am at my best first thing in the morning, so that’s when I tend to write if I’m working on new material. I creep out of bed, make a coffee and settle down at my laptop to work up the ideas I’ve been thinking about. I’ll keep writing until I either run out of story or emotional energy, then have a shower and get on with the rest of my day.

Do you plan or just write?
I used to just write, but now I’m working with a publisher I have to plan. It’s more time efficient too, saving endless rewrites. I still need to give my characters room for manoeuvre though, because inevitably they will shape the story more and more as it progresses.

What about word count?
I don’t stress about word count as long as I feel I’m making progress. Every day my Sister Scribe Kitty Wilson and I check in with each other to make sure we’re sticking to our writing goals.

How do you do your structure?

I used to write first then overlay character and story arcs to make sure they made sense. It always surprised me when they did, but Frost’s wonderful editor Margaret Graham says that the rhythm of story-telling is innate in those who have read since childhood. However these days I have a more, well, structured approach after Cornish writer friend Liz Fenwick introduced me to Blake Snyder’s Save The Cat. The approach comes from screenwriting but works for novels too, splitting the story into ‘beats’. I find it really helps me to focus.

What do you find hard about writing?
Getting published! Most of my books have a slightly ghostly element (or at least, could be read that way) and in the past that has made publishers run a mile. At Sapere they understand that if told in the right way, readers love the world of consciousness beyond matter – even in a genre like romance.

What do you love about writing?
I think what I love most of all is being read. It’s being able to create characters and craft their stories in a way readers relate to. One of my proudest moments was when a woman approached me to tell me that The Cheesemaker’s House had got her reading again after her husband’s death.

Advice for other writers. 

The more you write, the better you get at it, so never, ever, be tempted to publish an early draft. Polish it, craft it – work with an editor if you can afford to, but never let a book see the light of day until it’s as good as it possibly can be.

 

SISTER SCRIBES GUEST: ALEXANDRA WALSH ON HER WONDERFUL FRIENDS

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I’ve come to know Alexandra because we’re both signed to Sapere Books and when she told me how much her wonderful friends had helped her on her journey to publication I just had to ask her to write about it. It’s a proper Sister Scribe story.

 

“I’ll be there for you…” sang The Rembrants in the 1990s on the US sitcom, Friends. It was a great concept because friends are universal and I am very lucky to have some wonderful friends.

In June, Sapere Books, published my second novel The Elizabeth Tudor Conspiracy. It is part two of The Marquess House Trilogy and it is dedicated to four friends: Jo, Deborah, Gemma and Dawn. This particular four have been my lifeline while I have been writing this series. Their support has been invaluable but what they do not know is that it is their friendships that have formed the inspiration for the relationships in my historical novels.

During my research, one of my enduring irritations was the isolation in which historical women are portrayed. They are usually placed with people who are instrumental in their downfall. Yet, I find it hard to believe that women in the fifteenth and sixteenth centuries did not turn to each other as women do today.

In my first book, The Catherine Howard Conspiracy, the fifth bride of Henry VIII is my historical protagonist. The only women ever linked to Catherine are those who betrayed her. I created a group of close friends around the young queen, all of whom were real historical figures who had been part of her court. The core of their banter and support was inspired by Deborah, Gemma, Dawn and Jo.

The second book, The Elizabeth Tudor Conspiracy, has Elizabeth I as the driving force. She is often presented as being at odds with the women in her court. There probably were personality clashes but it seems unlikely that she  loathed her ladies-in-waiting as is often suggested. I re-imagined her friendships, particularly those with her Boleyn cousins who were with her throughout her reign, again based on the strength and support provided by my friends.

All four, I met at work: Jo and I became friends on the launch of the women’s magazine Now; Gemma and I met at more!, while Deborah, Dawn and I worked together on Chat and Pick Me Up!.

Each of them is wonderful and they all helped me to get through the many years of sitting alone, writing. First with endless encouragement, then in indignation on my behalf as my books were rejected, before the day I finally had a publishing deal. Cards, flowers and champagne arrived the following day!

Deborah, Gemma and I email each other nonsense most days. Dawn and I have long rambling conversations when she drags me back me from the brink of “I’m-so-rubbish-it’ll-be-a-massive-failure”. Jo and I have so many years history, we can ring each other and rant without even saying hello, while we calm each other down.

So, yes, I’ll be there for them, as they’re there for me and I hope hundreds of years ago, the women I write about were there for each other, too.

And, to all my other friends, I love you too. You bunch of awesome, incredible, wonderful, insane women. You make my life a brighter place!

 

Alexandra Walsh is the author of The Catherine Howard Conspiracy and The Elizabeth Tudor Conspiracy, published by Sapere Books. Alexandra was a journalist for over 25 years writing for a variety of publications including Cosmopolitan, Chat, more!, Now, Shine, The Daily Mirror, The Sunday Times, loaded and Goal. History is her passion and she loves exploring a good ruin or museum. She usually has her nose in a book but, if you can distract her, she does make a mean curry.

SISTER SCRIBES: MAY READING ROUND UP

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Jane:

My book club selection for May was Monica Ali’s Brick Lane. Now I know most of the world read it when it first came out in 2003 but it somehow passed me by – and I have to say that it’s aged very well. Which I suppose is the sign of a true classic.

It’s a book that threw me into a culture that was on my doorstep when I lived in London in the 1980s but I knew nothing of. It tells the story of Nazneen, a young Bangladeshi woman who comes to England in an arranged marriage to an older man and charts the changes both in her life and that of the immigrant community around her. It’s a richly painted tapestry of experiences which, while not surprising to me, were worlds – if not miles – away from my life. Sometimes that can be an uncomfortable experience, but the characters were so rounded and real the book was an absolute joy and I thoroughly recommend it.

By way of setting, Rosanna Ley’s The Lemon Tree Hotel was a complete contrast. Rosanna is one of my favourite authors so this book was always going to be a pleasure. The story wraps itself around the lives of four Italian women; a grandmother, mother, daughter and close family friend, and although there are secrets and love and a few surprises along the way, it is the bonds that unite – and divide – them, which give the story its impetus.

The relationships between the women in The Lemon Tree Hotel are real, not saccharine in any way. The issues that arise within families, the conflicting loyalties, the misunderstandings but overall the love, whether easily expressed or not. All these and more play out between the generations as change creeps into the beautiful village of Vernazza.

In many ways this book was as different as it was possible to be from Brick Lane, but in both the women stand centre stage across the generations and the skilful way their lives are played out by both authors is what keeps you reading to the end.

 

Susanna:

With A Sister’s Shame Carol Rivers has constructed a dramatic and involving plot in a detailed and atmospheric setting. There is an undercurrent of menace throughout and my fingers itched to give Vesta a good shake as, blinded by love and ambition, she threw herself headlong into the new life everyone warned her against.

This is also a tale of relationships in various forms – the bond between twins; long-lasting friendship that turns friends in family; and romance, both real and imagined, one leading to lasting love, the other to a relationship based on control.

Having read and enjoyed A Sister’s Shame some time ago, this time round I listened to it, read by Annie Aldington, who is an experienced and skilled narrator, who brings character and atmosphere to the telling.

 

Kitty:

This month I haven’t read as much I would like but I have discovered the joy of the audiobook, which I’m finding so addictive that I’m not getting much else done. That, of course, is Susanna Bavin’s fault for her excellent new book, The Sewing Room Girl, which I can’t stop listening to.

I did however have the pleasure of reading the second in Terri Nixon’s Penhaligon series, Penhaligon’s Pride and once again loved the way she describes the elemental nature of Cornwall and the strength of communities within it. A fabulous book.

I also read Mary Jane Baker’s A Bicycle Made for Two, a romcom set in Yorkshire and written with such sharp wit that she had me giggling loudly. She is now one of my favourite authors within the genre.

 

SISTER SCRIBES: APRIL READING ROUND UP

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Susanna:

Have you ever read a book that was so good that, while you looked forward to reading more by the same author, at the same time you couldn’t help feeling a bit wary of doing so – you know, in case the next book didn’t live up to expectations..? For me, psychological thriller writer Linda Huber is one of these writers. Since reading The Cold Cold Sea, I’ve never been able to open another of her books without that little iffy moment of wariness.

Linda Huber’s strength lies in her ability to build a creepy atmosphere that creates a thread that runs throughout each book, growing stronger the further you get into the plot. Her latest book, Stolen Sister, is billed as a ‘gripping family drama,’ but it is much more than this. It is a well-crafted, psychologically complex story that is fueled by strong characterisation. It is a chilling tale of ordinary people in what they gradually realise is an extraordinary situation and I wanted to reach inside the story and tell them what was really going on. A thoroughly gripping read.

 

Jane:

The first of my holiday reads followed me around for a while after I’d finished it – always a sign of a great book as far I as was concerned.

I was absolutely fascinated by the premise of Julie Cohen’s Louis and Louise; one life lived twice in a different gender. As well as being a satisfying story it made me think long and hard about gender identity and how it is shaped from childhood and the choices we make – often unwittingly – because of it.

Julie Cohen is a great storyteller and the small town in Maine where most of the book is set came to life in her skilled hands. It takes Louis and Louise from birth until their early thirties, flashing between the present and the defining moments of their childhoods. I found their relationship with their twin friends (a boy and a girl) echoed their own gender identities beautifully.

One thing that jarred a little was the few paragraphs – one quite early on – where the author ‘stepped in’ and explained to the reader what was happening and this really wasn’t necessary.  To me it smacked of over zealous editing on the part of the publisher and was quite annoying being treated like an idiot. Otherwise a great book I’d thoroughly recommend.

Also on holiday I struggled through Jane Austen’s Sense and Sensibility (sorry Cass!), mainly for research purposes, and read Angela Barton’s Magnolia House. This romance has received a ton of five star reviews and tells the story of Rowan, whose life spins apart just after she moves to London and how her new housemates and old friends help her to pull it back together.

But my most amazing holiday read of all was Madeleine Bunting’s Island Song. I’m a fussy reader at the best of times, but this marvellous novel drew me in right at the beginning and held me there until the end. The writing is so natural, so clever, I don’t even really know why it is so effective, but it carried me into a world of wartime Guernsey and 1990s London I was reluctant to leave.

The premise is not an original one; mysterious mother dies leaving daughter to uncover the truth about her life, but the richness of the storytelling and the layers of complexity made it an absolute joy to read. Easily my book of the year so far and I recommend it without reservation.

 

SISTER SCRIBES: JANE CABLE ON GETTING TO KNOW YOUR PUBLISHER

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Although I signed with Sapere Books last summer it’s taken the relationship a little time to get going. That was perfectly understandable – my first book with them, Another You, wasn’t due out until this June so it was quite a way through their work schedule – but it was still a little frustrating for me.

The frustration was completely unwarranted, but every time I saw a gorgeous new cover appear on the private Facebook group for their authors, I wished it was mine. And waiting for the edit notes was absolute purgatory. Would the book pass muster? How much would they want me to change?

Then, about ten days ago, the first batch of edits arrived from editorial director Amy. And there were no dramas. Absolutely no dramas. Most of what she said made perfect sense and her intentions were clear. I knew exactly what I needed to do and it was a joy to roll my sleeves up and get to work, knowing that the book would be better for it.

The timetable was clear too. The first half of the book would arrive before Easter, the second after. Writer friends were concerned it was tight with the proposed publication date but I’d more or less cleared my diary so I’d have ample time for rewriting. I say more or less, because there was one very important event coming up I wasn’t going to miss. And that was Sapere’s first birthday party.

London is a relatively long trek from Cornwall and I decided to let the train take the strain, arriving in time for lunch with a former colleague. After that I tramped the streets of Kensington and the south west corner of Hyde Park in the name of research for my current wip. As it happened it was a beautiful spring day and although I was a little footsore by the time I stopped for a cuppa it didn’t feel like a chore at all.

The party was in the West End, in a light and airy room above a characterful pub. Almost at once I met Caoimhe (pictured left), Sapere’s marketing director. Just days after the edit notes arrived we had started emailing about promoting the book but as a former indie author, having a professional on board was new territory for me. There’d been some shuffling around, trying not to tread on toes, but problems have a way of melting away once you’ve met someone face to face. Hopefully I convinced her I’m not a control freak and just want to support everything she’s planning to do for Another You.

I also met Amy (pictured right) for the first time, and Richard, the other third of the Sapere powerhouse. I have to say all three are incredible people, full of energy and good humour, and you can see how well they gel as a team. But a really big pleasure was meeting other Sapere authors – and the shame of it that it was impossible to talk to everyone. Hopefully next time…

I could go on about the party, but I’d like to add a word about the new cover for Another You, which was revealed on Friday. I’d seen it just five days before, when it popped up on my phone on Sunday evening. I clicked it open. There were tears in my eyes. That soldier, walking away head bent, was just so perfect. As was the landscape around him which beautifully reflects part of Studland Bay where the book is set. So many covers disappoint authors but I love this one whole-heartedly, because whoever briefed the designer (that’s you, Amy) clearly knew the book.

Thank you, Sapere. You’re awesome.

 

INTRODUCING SISTER SCRIBES: JANE CABLE

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This isn’t an easy post to write. If you’re a Frost regular, then you probably know who I am. On the other hand our readership is increasing all the time, so you could well never have heard of Jane Cable.

The first thing to say is I’ve recently been given the role of Contributing Editor at Frost and I’m feeling a bit of a fraud. If anything, having dragged my Sister Scribes on board (not that all of them were kicking and screaming) I’ll be ‘contributing’ even less this year. But it will allow me to spread my wings a little and write more about some of the other things I love… like history, travel, food and drink.

I’m also feeling a bit of a fraud about describing myself as a full time writer, because the reality is I generally spend about half the time writing (or marketing, or all the other bits and bobs associated with it) that I would do if I had a genuine full time job. But actually I want to enjoy life too.

I’m in my fifties (and proud of it… prouder than I am of the parentheses which are plaguing every paragraph) and my OH and I have worked really hard in the corporate world and in our own business since we graduated. Rather than continue at such a pace we decided to kick back and in 2017 we downsized to Cornwall and it was the best thing we ever did.

I’m a total advocate of the lifestyle down here. Not the part holidaymakers would necessarily see, but the everyday world of the everyday people. Very few live to work – most work about enough to live. Nobody’s bothered what you do or what sort of car you drive. As long as you say thank you when they give way to you. And once you sink back into the ‘manana with breaks for pasties’ timescale of anything getting done then it’s a dream.

So where am I in my writing career? I brought out two books independently with a reasonable degree of success, but after a false start with a publisher that went bust I now have a two book deal with Sapere. They are a joy to work with (saying that, I haven’t had my first edit notes yet so time will tell), collaborative and co-operative. They also do their best to bring their authors together, and I’m a great one for that.

Little did I know how influential attending the Romantic Novelists’ Association conference in 2017 would be in terms of finding writer friends. For me by far the most valuable part of the weekend was time spent with other authors and through social media we kept in touch. I was delighted to find that Kitty Wilson lived in Cornwall (although the rat bag has since moved to Bristol) and when Cassandra Grafton came here on a research trip we all met up.

From this meeting the idea of organising our own mini retreat/girls’ break was formed. We invited along Susanna Bavin and Kirsten Hesketh (who’d we also met at the RNA conference) and the rest, as they say, is history and after four days in Bath we’d become Sister Scribes.

There are probably a few other things you need to know about me that sometimes surprise people. I used to freelance as a cricket writer and I love the game. I’m Welsh by birth and fiercely proud of it. And if I couldn’t write it would feel as though my hands had been cut off. Actually, it would probably be because my hands had been cut off…

Follow Jane on Twitter @JaneCable