When Celebrities Get Too Sensitive: Did Mindy Kaling & Michael Fassbender Overreact?

I recently read an interview with Mindy Kaling in Parade magazine. It was then made into a meme in Upworthy, which I then saw on Facebook (got that?) Well, let me get back to the point. I think Mindy Kaling is amazing. She has achieved so much and is funny and talented. Not for an Asian woman, nor one who is not supermodel thin, just as a woman.

mindy-kaling-quote-confidence-beauty-redefined

This is what she said, ‘“I always get asked, ‘Where do you get your confidence?’” she says. “I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’”

I think Kaling is being super sensitive here. I am white, I am (relatively) skinny, a UK size 8/10 and you know what? People ask me where I get my confidence all the time. Because that is the thing about confidence, when people have the courage to go for their dreams and work hard, everyone else wants to know how to do it too. I get asked where I get my confidence in interviews, at parties, by friends and family, and as a writer, I also ask other people where they get their confidence, not because they are an ethnic minority or different in any way, but because it is a question people want to know the answer to. Hell, I always want to know the answer because even though I come across as confident, I have my off days.

So Mindy, I love you, I really do. You are gorgeous, funny, witty and super successful, but sometimes a question is just a question or like Freud said: A spade is just a spade.

Now for Michael Fassbender. Fassbender has been complaining about people talking about his penis. Apparently this would never happen to a woman. Really Michael? Are you kidding? People have been talking about Sharon Stone’s Basic Instinct vagina for decades. ‘It wouldn’t be acceptable it would be seen as sexual harassment, people saying [to an actress], “Your vagina …” You know?’ he complained.

I don’t know if you have seen Shame but I have. If you don’t want people to discuss your penis maybe don’t get it out in such graphic detail. And as for this not happening to woman; it happens to woman all the time. Screenshots are taken and put on porn sites, Seth MacFarlane’s ‘Boob Song’ happens at the Oscars (which didn’t upset me even if it upset many others, you can’t do nudity in a film and then get offended when people mention it) and in films such as Knocked Up, nudity by women is talked about openly. Even the Daily Mail and celebrity magazines take screenshots from both sexes and publicise it out of context. Which is why nudity in a film is never just of that film, it is now you, naked, all over the internet and media for the rest of time. It is not fortunate, or even moral, it just is.

 

What’s On At The Pleasance Theatre

LAMDA Presents Summerfolk by Maxim Gorky

Theatre

Pleasance London » Tuesday 24th April – Friday 26th April, 2pm & 7:30pm

 

At the turn of the 20th Century a group of Russian friends retreat for their annual summer holiday in the countryside. United by their place in history as an emergent Russian middle class, but disparate in their political views and private lives, their friendship will never be the same again come autumn.

Maxim Gorky’s naturalistic masterpiece depicts Russia as it teeters on the edge of social upheaval – exploring the dreams, fears and vanities of one group of friends as they question their value in a transient society.

 

Free

 

 

 

LAMDA Presents Earthquakes in London

Theatre

Pleasance London » Wednesday 25th  April – Friday 26th April, 2pm & 7:30pm

 

How can you live in a state of constant impending catastrophe? Is hope possible, responsible even, when scientists and politicians are predicting an environmental apocalypse? Earthquakes in London tracks the tremors of hedonism, terror and activism through the lives of three sisters and their estranged, misanthropic father.
Written by award-winning Mike Bartlett (Love Love Love), the play premiered at the National Theatre in 2010.

 

Free

 

 

Robert Newman’s Theory Of Evolution: Work in Progress

Comedy

Pleasance London » Wednesday 24th April, 8pm
Join Rob as he tries out material in advance of a major new UK tour. Watch it evolve in front of your very eyes!

“I am completely in awe of Robert Newman. Of his talent, his passion, his intelligence, and the way he turns them to comedy with real firepower. If this world could be saved by a Superhero whose Superpower was Comedy, that hero would be Robert Newman.” Kate Copstick, The Scotsman

 

Tickets £10

 

 Joe_and_Eleanor

Joe Lycett / Eleanor Thom: Work in Progress

Comedy

Pleasance London » Thursday 25th April, 8pm

 

Joe Lycett Celebrity Juice & 8 out of 10 Cats):

Join award-winning sparky stand up Joe Lycett as he workshops material for his second hour show. Expect it to be rough round the edges, interactive, potentially slightly awkward, but most of all bloody good fun. Last year’s show got nominated for Edinburgh Comedy Award Best Newcomer so it can’t be all bad.

Eleanor Thom (Lady Garden, Absolutely Fabulous & Live At The Electric)

 

“The BBC said to me, ‘Bev, you need a vehicle’, so I’ve got one. Inclusive of drinks trolley. Get onboard.”

 

‘Britain’s funniest woman’ Sunday Telegraph

 

Tickets £5

 

 

Alan Davies: Work in Progress

Comedy

Pleasance London » Friday 26th April – Sunday 19th May, 8pm

 

Alan Davies returns to the Stagespace where, in 2011, he spent several evenings developing his last stand-up show. Life Is Pain toured throughout the UK, Australia and New Zealand, and will be out on DVD in time for the PGP (Prime Gifting Period or Xmas).
It’s now time to see whether there is any new material coming along that may be worth taking out of the borough in 2014…

 

Tickets £5 – £6

 

 

Ben Miller – My Million To One

Comedy
Pleasance London » 
Friday, 3rd May

What is My Million To One? – Well, you know your ‘bucket list’ or ‘100 things to do before you die?’ My Million To One is about helping you to achieve those goals/dreams. So we’ve asked lots of industry leaders to help us and they have. In Ben’s case: he wants to offer confidence to the UK’s aspiring comedians.

 

Tickets Free

 

 

The London Cuckolds

Theatre

Pleasance London » Wednesday 1st May – Sunday 12th May, 4pm & 7:45pm

 

Let Them Call It Mischief present
The London Cuckolds by Edward Ravenscroft
The London Cuckolds tells the story of three City boys, their bored housewives and two frisky young cads, all intertwined in a caper filled with sex and intrigue.

 

Calamitous and bawdy, this is a rarely performed gem from the restoration era transported to the sparkle and glamour of 1920s London.

 

Tickets £10 – £12.50

 

 

Adam Kay and Enemies

Comedy

Pleasance London » Friday 10th May, 7:30pm

 

Amateur Transplants frontman Adam Kay is delighted to bring his brand new monthly residency to The Pleasance. Alongside his uniquely depraved pop music re-imaginings, Adam is joined on stage by special guests he doesn’t particularly get on with, but are funnier than him. He’ll probably do the London Underground Song.

This month’s guests are comedy superstar Ardal O’Hanlon and the supremely talented Adam Hess. 

Bracingly intelligent… enormous fun.” * * * *  Times
This made me very, very happy” Stephen Fry

Tickets £12.50

 

 

 

Murray Lachlan Young – The Incomers

Theatre

Pleasance London » Monday 13th May – Saturday 18th May, 7:30pm

 

It’s Gordon and Celia’s wedding anniversary.  They’ve asked their oldest and dearest friends Zach and Jane down from London.  The only problem is that Zach and Jane aren’t Zach and Jane anymore.  Jane has gone and Julia, the twenty five year old, French burlesque dancer, has taken her place.

Written entirely in his characteristic verse by BBC 6 Music poet in residence Murray Lachlan Young it will have you gasping and roaring with laughter in equal measures!

 

Tickets £10 -12

 

 

Finding Libby

Theatre

Pleasance London » Tuesday 14th May, 7:45pm

 

At the heart of Finding Libby is one of the many heartbreaking stories of young women for whom the 1960s were less swinging than swingeing – a hidden pregnancy, a premature birth, the death of a tiny scrap never referred to again and a life stalled. Pauline is now in her early sixties and has been persuaded by her neighbour to take her first holiday, on a canal boat. We follow her from worrying whether anyone will meet her at the station, to the unexpected turn in the journey that forces her to face her past and to finding that it is never too late for a fresh start.

 

Tickets £8 – £10

 

 

Rehearsed Reading of Making News

Theatre

Pleasance London » Wednesday 15th May, 7:45pm

 

Rehearsed reading of Making News the new play by Robert Khan and Tom Salinsky.
It’s the start of a 24-hour news cycle and Rachel Clarke has been promoted as the BBC’s newest Head of News. When a crisis erupts, she has to confront rivals from within and without, and decide how to report on a story that could bring down the Corporation itself.

A fast-moving satire about the BBC starring Suki Webster, Hal Cruttenden, Sara Pascoe, Liam Williams, Dan Starkey and Phill Jupitus as the Director-General.

 

Tickets £5

 

 

Tiny Tempest

Theatre
Pleasance London » 
Monday, 20th May – Sunday, 26th May, 4pm & 7.45pm

 

Shakespeare’s fantastical tale of magic, murder and monsters retold in an explosive new actor-musician adaptation. Tiny Tempest is a visual feast featuring thrilling physicality,slapstick storytelling and live music and songs. Mini Mall present their world premiere production that promises to be a Tempest like no other.

 

Tickets £7.50 – £9

 

 

Voices in Your Head: The Phill Jupitus Experiment

Comedy

Pleasance London » Sunday 26th May, 8pm

 

Deborah Frances-White’s fringe hit returns to London, but this time with only one special guest performer taking to the stage.

Phill Jupitus goes head to head with a disembodied Voice on a microphone who will interrogate, provoke and cajole him to create dark-hearted comedy mayhem. See the hidden depths of the human unconscious pushed to their illogical conclusions in this unforgettable, unmissable, electrifying and hilarious show. Voices in Your Head just got even freakier.

“Inventive, funny and wildly ambitious – you’ll never see anything quite like it.”’
* * * * * The Skinny

 

Tickets £12

 

 

The Trench

Theatre
Pleasance London »
Tuesday 28th May – Thursday 30th May, 7:30pm

 

After a sell-out five star run at the Edinburgh Festival Les Enfants Terribles tour the UK with their new award-winning show, The Trench. From the team behind The Terrible Infants, Ernest and the Pale Moon and The Vaudevillains, comes a new play inspired by the true story of a miner who became entombed in a tunnel during World War One. As the horror threatens to engulf him, he finds that not everything in the darkness is what it seems as he starts to discover a new, strange world beneath the mud and death. Setting off on an epic journey of salvation, the boundaries between reality and fantasy blur as he questions what’s real, what’s not and whether it even matters?

 

‘The overall vision stays with you like a strange, significant dream.’ Times

 

Tickets £10 – £12

 

 

Voices In Your Head

Comedy
Pleasance London »
Friday 31st May, 8pm

Deborah Frances-White’s fringe hit returns to London as a cast of comedic performers go head to head with a disembodied Voice who will interrogate, provoke and cajole them to create comedy mayhem. Previous guests have included Phill Jupitus, Hannibal Buress, Russell Tovey, Mike McShane, Sara Pascoe, Humphrey Ker among many others.

This time the line-up includes Miles Jupp (star of Rev, The Thick Of It & Have I Got News For You) and Thom Tuck (Edinburgh Comedy Award Nominee & star of Radio 4’s The Penny Dreadfuls) plus special guests.

Tickets £10

 

 

Laugh Your Farce Off

Theatre
Pleasance London » 
Sunday, 2nd June, 7pm

 

After its second sell-out show ‘Laugh Your Farce Off’ is back in Pleasance Main House, with another smash lineup…

 

Little Bear has challenged 5 award winning writers each to write a short but perfectly formed farce.

 

The only brief: ‘3 doors…’ – imagine the trouser dropping, mistaken identity mishaps and general all round chaos that will ensue!

Curated by Ursula Early with sensational new work from: John Luke-Roberts, Andrew Doyle, Caitlin Shannon, Charlie Partridge and Hannah Rodger – this is a night of sheer lunacy you can’t afford to miss!

Tickets £9 – £10

 

Parade

Theatre
Pleasance London » 
Friday, 14th June – Sunday, 16th June, 2:30pm, 3pm & 7:30pm

 

The tragic, true story of the trial and lynching of a man wrongly accused of murder is brought to emotional and theatrical life by acclaimed playwright Alfred Uhry (Driving Miss Daisy) and Jason Robert Brown (13, Songs for a New World). Daring, innovative and bold, PARADE won Tony Awards for Best Book and Best Original Score, as well as six Drama Desk Awards.

 

Tickets £12 – £15

 

The Fantasist

Theatre
Pleasance London » 
Tuesday, 25th June – Wednesday, 26th June, 7:30pm

 

In the mind of the fantasist, the real and the fanciful become dangerously blurred. As Louise gazes into the night her fancy takes form. Objects move, time changes … and a seductive stranger opens up a world of exhilaration and magic.

 

Tickets £10 – £12

 

Pixie Lott Helps Showcase Live Celebrate

Having enjoyed the presence and support of pop princess Pixie Lott at their fifth birthday celebrations in February, Showcase Live will once again open its doors, or rather those of Stamford Bridge’s ‘Under the Bridge’ Club, in Fulham, to an eclectic bunch of musical talents on 16th April 2012.

The live music event, which has been running for five successful years, since being founded in 2007 by Director George Eason, is set to be hosted by presenter and stand up comic Lee Collins. Lee is a regular on Lisa Snowdon and Dave Berry’s breakfast show on Capital FM as well as on the comedy scene.

Showcase Live is a great platform for new and unsigned artists and has been a starting point for many UK artists including Lawson, JLS and Jessie J. Showcase Live has seen support from many industry leaders and artists, including The Wanted, Fearne Cotton, JLS, Parade, Dionne Bromfield, Twenty Twenty and Westlife.

The next big event, on 16th April, will see London based Trio, Mitsotu perform a selection of their own material including “break your heart”.

Showcase Live favourite, Alex Buchanan, is back. Alex, originally from Manchester, has seen massive success when landing the role of the lead in the West End Musical, Thriller. He has successfully choreographed two music videos and has since been working on his debut album.

Daytona lights will also be performing at the event, offering us some enjoyable upbeat pop. Daytona Lights are a male five piece from London.

Domino Go, who are based in London are currently busy writing and recording their debut album with Atlantic Records will be sure to entertain the crowd with their breathtaking vocals on the night.

Artists that have featured in Showcase Live in the past have gone on to sign with Epic, Polydor, Global Talent, Columbia, Warner Music, Atlantic and many other record companies.

Tickets can be purchased now from See Tickets.

http://www.seetickets.com/Tour/SHOWCASE-LIVE

Picture: Pixie Lott with group ‘Times Red’ from the last showcase event on February 20th.

Sarah Harding Turns Red For London Fashion Week Debut.

CELEBRITIES INCLUDING KELIS, ALESHA DIXON AND KIMBERLEY WYATT TURN OUT TO SUPPORT SARAH HARDING AS SHE TAKES TO THE CATWALK FOR THE LOOK SHOW AND CAUSES SALES FLURRY

AT WESTFIELD STRATFORD CITY!

Stunning Sarah Harding showed off her new catwalk skills with her debut modelling performance at the Look Magazine Show at Westfield Stratford City as part of London Fashion Week.

 

Sarah stole the show, showcasing a selection of outfits by Warehouse and Miss Selfridge whilst the gorgeous Dionne Bromfield gave a stunning performance of ‘Yeah Right’. Both performances were watched by a celebrity crowd including Kelis, Kimberley Wyatt, Laura Whitmore, Nicola Stapleton, Parade and Alesha Dixon.

 

The ‘Sarah Harding’ effect worked with crowds flocking as word got out about Sarah’s appearance with the doors to the centre actually having to be closed at one point for fear of overcrowding.

 

Look, the UK’s biggest-selling weekly fashion magazine, staged its groundbreaking fashion show during London Fashion Week. The show celebrates high street fashion and unites the most popular and iconic brands on Britain’s high street today.

 

The Look Magazine Show is the first and only magazine event to be part of the London Fashion Week calendar and the only fashion show open to consumers. This season’s exciting show was also streamed live on Facebook, allowing even more consumers to be a part of the excitement.

High street brands showcasing their latest collections included Miss Selfridge, Urban Outfitters, Next, Monsoon, Forever 21, New Look, River Island, Warehouse, Office, H&M, Mango, Oasis and Dorothy Perkins with hair styled by Toni & Guy.

 

Look Magazine’s presence in Westfield Stratford City will last into early next week with their pop up lounge situated on the ground floor. Bloggers are invited to visit the lounge and be part of the Q&A sessions hosted by well known bloggers and journalists taking place over the period.

 

The event also celebrated the launch of Look’s Style Search with Westfield Stratford City competition, a six-week search for the most stylish male and female visiting the new shopping and entertainment centre. Galleries of the most stylish shoppers will feature on www.look.co.uk.

 


Westfield Stratford City opened to great reviews this week with approximately **** people visiting the impressive shopping centre in the first 5 days of trading. With over *** retailers and 70 food outlets, it offers the ultimate shopping experience.

 

Ali Hall, Editor of Look, says: “The Look Show has become an established part of London Fashion Week and readers absolutely love it. This season’s event at Westfield Stratford City has been bigger and better than ever and its really great that Sarah Harding chose the show to make her debut catwalk appearance.”

 

Parade – Theatre Review

I have wanted to see the musical ‘Parade’ for a long time. Sitting across the road from the Southwark Playhouse before the show, I overheard a man say to a woman: “Cheer up, you’re about to see the saddest musical every written!” And so I waited eagerly in anticipation.

Set in the 1910s in Georgia, we follow the tragic story of a Jewish factory owner, Leo Frank, as he is accused of abusing and murdering Mary Phagan (Jessica Bastick-Vines), a young girl who worked for him.

A drunken reporter, played by David Haydn, sobers up to return as a master of spin. He and Hugh Dorsey (Mark Inscoe), prosecution lawyer, rally up public support, and convince members of the community to bend the truth, and more often than not, to lie about their experiences of Mr Frank.

His only hope of rescue from a public hanging is his loving wife, Lucille (Laura Pitt-Pilford), who tugs at the heart strings of Governor Slaton (also David Haydn). He agrees to stand up for Leo, a man that he believes is an innocent outcast. Are these efforts enough to save him from the fury of the masses who need to see justice done, quickly?

Suffice to say, each and every singing voice was capable of setting the heart racing. The discordant harmonies of the chorus were touching, unsettling and emotive, and though I am not a trained singer, it was rare to hear an unsupported, pushed note from this experienced and talented cast.

Before we fully meet the protagonists, a distraught and dazed Frankie Epps (Samuel J Weir) recalls how young Mary’s ‘smile was like a glass of lemonade’. The song was delivered with a beautiful subtlety. The lyrics are so highly personal, that the performer needs a deep internal understanding of the character and his position in order to deliver them with complete truthfulness, which Weir was on the verge of.

Alastair Brookshaw (as Leo Frank) gave an equally strong vocal performance. I was touched on several occasions by the honesty of his performance, in particular when he sang to his wife, finding the confidence to simply say (possibly for the first time after years of marriage), ‘I love you’. However, the honesty was not consistent. The choice to listen intently to what the text tells us about his character’s nervous mannerisms was commendable. However, in times of extreme hardship, even the most agitated of people might break from their habitual mannerisms, look people in the eye, and show some humanity.

Both Laura Pitt-Pulford as Lucille Frank, and Terry Doe, in various roles, stood out as giving full commitment to the finer details of their performances. When Lucille begged for the Governor’s help, and when Riley (Doe) hit the deck, when singing about the injustice of a juridical system that prioritises murder of white victims in the courts, there was no rest from the illusion that they had created.

I have not commented on every performance, but that is no negative reflection on the others. A strong cast, fantastic set, and sharp direction by Thom Southerland and co. left us with something to think about. I wanted to be moved more, but I blame it on that man I overheard before the show, preparing me for floods of tears.