Street Fighter X Tekken: The Devil Within 8 Minute Film Hits The Web

Street Fighter X Tekken has got so many people worked up into a storm it is incredible. The following Tekken short film, Street Fighter X Tekken: The Devil Within, is already being labeled as “epic.”. There is a whole load of action packed into this 8 minute movie and the costumes and hairstyles stay true to the videogame.  The film was released yesterday and over 114,000 people have viewed it on YouTube.

Thousand Pounds Action Company released the film to build interest in the Street Fighter X Tekken: Special Edition videogame for Xbox360 and Playstation 3. On release in the UK tomorrow.

Have a look below and judge for yourself – with so much action and so many moves packed into a mere 8 minute film it is clear that this production team has talent.

One question though still remains: Why oh why has a cinematic movie that remains as faithful to the game it comes from been so sorely lacking? Some times it really just needs fans who love the subject matter to make it happen.

Enjoy

[youtube http://www.youtube.com/watch?v=Hn_HaEf62h4&w=560&h=315]

 

Tenors Unlimited Viva La Vita | Music Review.

Calling yourself the ‘Rat Pack of Opera‘ is quite a grand statement, and one you only make if you can back it up. Lord Richard Attenborough certainly thinks they can, calling them “fantastic…a unique and wonderfully entertaining act”. Sting simply says: “Bravi!”. Well, hard to argue with that.

The Trio, Scott Ciscon, Jem Sharples and baritone Paul Martin, who formed in 2002, have made their new album Viva La Vita an album of greatly requested numbers from their live show with two original songs thrown in for good measure; Viva La Vita – the title track, and Fall in Love. These songs were written by the band themselves.

This album is a triumph, it take much loved classics and gives them a fresh, operatic twist. It helps that they also have a few of my favourite songs like ‘Time to Say Goodbye’ and ‘Summertime’.

By including non-operatic songs in the album the band could have been called opera-lite, but they manage to by-pass this. Their voices are divine, their take on the songs sublime. It is a beautiful album. The original songs are good and so is their take on the classics. I thoroughly enjoyed this album. I definitely recommend it. It is rousing music. A good mix of the popular and the grand.

www.tenorsunlimited.com

Viva La Vita

A Magical Production

Lost in the Dark presents Ondine by Jean Giraudoux

When I was a child, I used to make up plays.  They would often involve princesses, love stories and magical powers.  Ondine is exactly the type of play that child would have loved: the embodiment of the sense of wonder that draws us to drama in the first place.  To bring this off in a small fringe venue like the White Bear is no small achievement.  But bring it off to a very high standard is precisely what Lost in the Dark have done.

Ondine is the story of a supernatural creature who falls in love with a mortal man..When Hans and Ondine meet, the worlds of a mortal man and a magical creature of the water dangerously collide and she is forced to make an inexorable pact, which will change both their lives forever. Should he betray her, he must die and, along with her time on earth, be erased completely from her memory for her to return to the world of the lake forever.

The first thing to strike me when I entered was the set.  Auguste (Michael Eden) and Eugenie (Terry Diab) were already seated, she knitting, he reading, in a fisherman’s cottage, complete with daub walls and a working window.  The small oil lamps were a particularly nice touch.  Haunting music played from offstage.  The first act takes place in this kitchen, with Hans (Andrew Venning) and Ondine (Elizabeth Merrick) completing the cast for this part of the story.  The second set takes place in the Royal Palace, where Richard Hurst, Brice Stratford, Rob Leonard, Phoebe Batteson Brown, David Frias Robles, Marian Elizabeth and Hilary Hodsman make their debuts.  The final act takes place on a rock by the sea, where the story comes to its tragic, but inevitable end.

There were no bum notes in this production, although a personal preference would be for the actors not to turn their back on the audience quite so much, but apart from that they dealt with the small space admirably.  Everyone involved did a fantastic job: however, there are some who deserve a special mention.  Firstly, set designer Zanna Mercer has created three excellent environments for the play, which are spectacular by the standards of black-box theatre.  Andrew Venning grabbed my attention from the moment he came on stage, and continued to captivate the audience throughout, with his expressive, heartfelt delivery and physical presence.  Elizabeth Merrick was superb as Ondine, her opera training showing to advantage in her movement, her vocal range, and her portrayal of wide-eyed wonder, tragedy and love.  The final scene between Ondine and Hans was particularly poignant, with both actors showing marvellous emotional depth.  Marian Elizabeth gave a lovely, credible performance as Bertha, particulary in one scene, where I almost believed she had a live bird in her hand.  She played the part with charm and grace.  I would have liked to see more of Phoebe Batteson Brown (Voilante/Kitchen Maid).  She drew my eyes whenever she was on stage and although her parts were small, they gave indications of a much larger potential.  Finally, a play is only as good as its director, and Cat Robey must take a large amount of credit for this magical piece of theatre.

Ondine is running at the White Bear Theatre, London, SE11 4DJ, 28th February – 18th March 2012, Tues-Sat 7:30pm, Sun 6pm.  For more information, visit www.ondine-lost-in-the-dark.com.

 

SSX Game Review

If gamers are completely honest with themselves Extreme Sports games have been severely lacking in this generation of consoles. Yes, the XBOX has had the…erm, Motion Sports titles but come on, really now, all you have had to do is essentially strike a pose and look surprisingly un-cool. If we are completely honest, gone is the insane rush of pulling off trick after trick; gone is the feeling of utter wow whilst your mates go ‘did you really just do that?’ SSX Tricky on the PS2 was the last game to do that me, and not even being able to download it from the PSN store was going to make me feel that way again – until now.

SSX has exploded back on the scene in such a way that many of its competitors will just probably want to turn away from the starting line and hang their heads in shame. Such is the wealth of options, such is the banging-ness of the tracks, such is the literally obscene nature of the tricks, such is the colour and richness of the graphical nature, such is the sheer speed of the game and finally such is the seamless incorporation of all what games developers EA have learnt so far with their other titles such as Need for Speed and its Auto log that many other games just wouldn’t stand a chance.

EA Canada decided to show the world what happens when you don’t just put the game out every year, but instead put your heart and soul into it and take time crafting it, polishing it and the result is an  ultimate experience.

I’ll forget the storyline (is there ever a storyline?) and break this game down to you in the simplest of terms. You will go down mountains – admittedly fantastically rendered mountains. You will have an articulated lorry of tricks at your disposal and these tricks accumulate points which can be traded for speed. Like Need for Speed there are a range of different events – here classified as either “Race It,” in which you have to speed down the slopes against competitors, “Trick It,” in which you need to pull off tricks and outscore the competition, or “Survive It,” which is the final region challenge pitting you against one of the elements.

While there are only three basic modes, there’s a good mix of racers and racing conditions to keep things exciting. You will attempt to conquer slopes all over the world, be that in china or even the Andes.  Each location is interesting and each race has a lot going on.

“Survive it” is the real new addition to the series. Borrowing a lot from Motorstorm Apocalypse you take on the elements  for example thunderous avalanches will try to swallow you up, freezing cold temperatures and lack of oxygen will attempt to suck the life from you, jagged rocks and trees will threaten to turn your bones into mash potato. The skill level is graduated so you get a bit of equipment, like a headlamp, a wing suit or sonar goggles, and you can conquer the very different problems you face on the mountain in each location: the wing suit will help you cross substantial gaps, sonar goggles can help you find a path in whiteout conditions and the headlamp will illuminate even the darkest of caverns.

Control wise this game is quite good; making use of the analogue sticks as well as L and R buttons too to create smooth transitions between tricks. What I thought was really nice is that there is a classic button selection too. So if you were used to the old button setup of the last generation you can select it and pull of moves via the button mashing system of old. You also have a rewind button so if you wipe-out you can go back in time and alter your fate so to speak – although this does cost you points.

Whereas Need for Speed had Auto Log, SSX has Rider Net. It keeps track of your progress. Rider Net alerts you about what your friends are doing. Any scores posted or collectibles acquired pop up, and the game sets challenges for you based on your friend’s scores.

Multiplayer in SSX comes in the form of Global Events, a constantly updating series of challenges open to everyone in the world. EA has challenges going all the time and you can just drop in and try and post a high score or fast time.

As you’re racing through a course, other players doing the same will just show up alongside you in a crazy simultaneous event. For some, it may seem loopy but there is no denying that it keeps the edge and playability of the title top notch. Besides, what else can you do with a snowboard?

My Verdict?

SSX may not be a title for everyone but it is a title that has been long overdue in a genre that sorely needed it. If snowboarding is your thing, if racing games have been getting boring for you or you just want to try something fun, fresh and funky do check out SSX – it’s incredible.

9.2/10

Proud to be a Woman

Burlexe, Wednesday 22 February 2012

I didn’t really know much about the format of this show before I went. I had the idea that it would tell the story of Burlesque, combined with actual performances of the art. As to what that art actually is, I wasn’t too sure. So, prepared to be enlightened, I made my way to Soho. I wasn’t disappointed – by the show that it is. The venue left a lot to be desired, particularly in the way that the clientele were treated. I could elaborate on that, but I have decided to concentrate on the positive in this review, and there is certainly a lot to be positive about.

Burlexe was hosted by Kelly Le Roc, whose powerful upbeat vocals meant the audience were soon in the palm of her hand and receptive for what was to come. Apart from her songs, the show was a combination of Burlesque performances and monologues based on the stories of real-life Burlesquers. Each act flowed seamlessly into the next, and the atmosphere got better and better, and the audience more appreciative, as the night went on. This was a true variety show, with far too much content for me to detail it all, but what follows should give a flavour of it, and point out some of the highlights.

All of the physical performances in Burlexe were of a very high standard. Luna Rosa moved beautifully, her arms sinuous and sensual and her dances were polished and professional. Fancy Chance’s “Alice” was a treat, both in terms of movement and comedy. Aurora Galore did a wonderful routine with fans and black feathers. But the best Burlesque performance of the evening for me was by Bettsie Bon Bon, whose sheer exuberance and pink and white flounces brought a smile to everyone’s face.

As mentioned, the dancing and singing was interspersed with monologues. These were all heartfelt: some tragic, some comic, some both; but all delivered with sincerity and believability. Each of the actors played several disparate characters, demonstrating their versatility and range. Chloe Ewart played a number of vibrant roles, the most memorable being a young Mexican girl who lost her inhibitions to Richie Valens’ “La Bamba.” Kiki Kaboom’s delivery was sensitive and natural, particularly as the “two Cheris” – a representation of the conflict her character felt about Burlesque. Gillian MacGregor is obviously a strong actor, and I loved her “banker by day, burlesquer by night.” Burlesque icon Jo King made a guest appearance and treated us to a friendly, genuine tale of an American girl called Angel with some very famous friends. The final piece, and the highlight of the night was delivered by the talented and accomplished Dympna Messenger. Slightly confusingly, Dympna was telling Jo’s story of what Burlesque means to her. Her delivery was both uplifting and powerful. She told us: “I’m 52, I have broken veins and cellulite, my tits are on that long journey south. I have lumps and bumps in some good places, and some in places I’m not supposed to have them, and I am still to this day the sexiest woman I know!” It made me feel proud to be a woman.

As well as to the cast, much credit is due to director Jayne Hardy and the rest of the creative and production team. I found this show to be enlightening, life-affirming and exhilarating. If I didn’t have such a bad feather allergy, I would be enrolling myself in Burlesque school!

The next performance of Burlexe is on 21 March 2012.  Frost readers are entitled to a £4 discount when they use the code burlx4ma.  For more information visit www.burlexe.com or read our interview with Dympna Messenger.

Covert Affairs Season Two Review

Really. Mondays, 9pm

Covert Affairs is the show that fills in the Alias shapped holes in  spy fans lives. A well written CIA drama with an attractive young women at the helm.
Piper Perabo is an incredibly talented actress, making Annie Walker both vulnerable and capable. I’m a fan of this American spy drama. It’s American entertainment at it’s best. Walker reminds me of the Ginger Rogers/Fred Astaire quote; “Ginger Rogers did everything Fred Astaire did, but backwards and in heels”. Walker is a women in a man’s world kicking ass and taking names. A great thing to see.

 

Golden Globe nominee Piper Perabo returns for another brand new and exclusive series of the hit US spy show.

Annie Walker (Perabo) is a smart, stunning and very recent CIA field operative in one of the organisation’s most secretive branches, the Domestic Protection Agency. Dressing up in weird and wonderful disguises to infiltrate the bad guys? Check. Running and shooting in six-inch heels? No problem. No matter how hotshot she becomes, not being able to sort out her own love life? Sigh.

There was high drama at the end of the last series – Annie’s ex Ben, the man who disappeared after a holiday romance in Sri Lanka, walked into CIA headquarters and gave himself up, confessing that he was a rogue agent. Sent with Annie back to Sri Lanka to prove he’s one of the good guys and crack an arms dealing ring, we last saw the reunited love birds on a helicopter zooming out of the country, Ben laying in Annie’s arms.

Series two starts much as series one did. Just as Annie thinks that there might be a future for her and Ben, he buggers off again. Men! But there’s no time to think – Annie is assigned to protect an Estonian tennis player who is considered a CIA asset.

Starring Piper Perabo, Christopher Gorham, The O.C.’s Peter Gallagher, Lost’s Sendhil Ramamurthy and 24’s Kari Matchett.

 

War Horse Review

Frost has been privileged to see Steven Spielberg’s new film War Horse . Adapted from the hit West End play, which was in turn adapted from the 1982 War Horse book by Michael Morpurgo. It tells a story of a boy and his horse against the backdrop of World War I. The story also tells the little-known and often forgotten story about the horses used in World War I, most of which died.

Spielberg has made the impossible thing: a war movie that kids can enjoy. This film plays to Spielberg’s strengths, it may be a war movie but there is no blood and guts in sight. This is an epic, sprawling film with a cast of thousands. This is Spielberg at his best and is certainly one of his best films. It will take an incredibly tough person not to get caught up in this spectacular film. The acting is amazing from Peter Mullan and Benedict Cumberbatch, to the film debut of Jeremy Irvine (his only other acting experience was as a tree onstage!).

War Horse is cinematic perfection, with not a note out of place. Everything from the score to the costumes and sets are spot on. I will stop going on in case I make you sick, as long as you go and see it.

[Frost would also like to say happy birthday to the Duchess of Cambridge. The former Miss Kate Middleton was at the premiere last night, along with Steven Spielberg and Joey, the horse from the film, She turns 30 today.]

The Kraken Black Spiced Rum Review.

The name of this rum brings out legends of the sea. The Kraken was a sea beast of myth and legend, a connotation that suits this strong, rich and black rum. Even the bottle is a reminder of the beast, the two glass handles mimic the eyes of the Kraken.

This Spiced Caribbean Rum has a thick caramel taste, it’s a wonderfully spiced liquor which goes brilliantly with coke (Krakencoke), or in a cocktail like a Perfect Storm: The Kraken poured over ice, topped with ginger beer and accompanied with a squeezed slice of lime.

 

The Kraken is 40%. It is distilled in Trinidad & Tobago from sweet molasses. It is then mixed with 14 spices including cinnamon, ginger and clove. It takes effort and time to make, and you can tell. It’s delicious.

It is a good, strong rum. I have only drank rum once before but this has changed my mind. Next time I’m out I’m having spiced rum. Everything about The Kraken is great, from the bottle, to the ad campaign, to the wonderful taste. It taste’s great neat for those who can take it, but I’ll be having it in cocktails, a lot.

 

RRP £22.99 for a 70cl bottle available mostly everywhere and online at thedrinkshop.co.uk