Tag Archives: writing

My Writing Process Rachel Billington

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A bit about you. 

Place matters to me. In books and in life. I’m a hybrid: city and country, I need both. London, always London, apart from two years when I worked in New York and met my husband, Kevin, there.  In 1968 we bought a fourteenth century house in Dorset. We still have it. I’ve always written. I edited a magazine when I was eleven. I published my first novel in my twenties. I have to write every day. When I had four children in day school, I still wrote. I can’t imagine how people manage without writing. Now I have five grandchildren and my youngest wrote a book so I illustrated it. That was a surprise. From 1998-2001 I was President of PEN. I am Associate Editor of Inside Time, the National Newspaper for Prisoners. I write for every issue. I have always reviewed and written comment pieces for various newspapers.

What you have written, past and present.

I’ve published over thirty books. 23 novels, last 3 historical, Glory – The Story of Gallipoli and Maria and the Admiral. My favourites before that are A Woman’s Age, Bodily Harm and Lies and Loyalties. All very different subjects which publishers complain about. I have also written six novels for children, including Poppy’s Hero and Poppy’s Angel, about a girl whose Dad is in prison. Plus four religious books for children and a sequel to Jane Austen’s Emma.

What you are promoting now. 

Clouds of Love and War is about a Spitfire pilot in WW2 and a young isolated woman. It tells the story if their love affair against a background of war. Eddie wants to escape the world and reach the clouds. But he hadn’t counted on killing. Eva wants to paint and she wants Eddie. The war makes their coming together rare and remarkable. 

A bit about your process of writing.

Until my last book, I wrote longhand with a pen (black ink) and then paid a friend to put it on the computer. Once it was there I went through many drafts, editing down, particularly the opening chapters because I like to write forward without doing more than minor corrections until I’ve finished the whole book. This means I am over-writing early on and self-editing as I progress. 

Do you plan or just write?

It depends on the book. Longer books need more planning, chapter by chapter, bit shorter books can be freer. Often I know everything except how the story will end. But sometimes the ending is what inspires me to write the book. Characters come first of all and continue their wayward path through the book. When their personalities change, I change their names. Sometimes I’ll run through three or four. I write to surprise myself.

What about word count?

Again it depends on the book – or rather on the subject, although my books were much shorter when I started writing, one was only about 60,000 words while Glory was well over the 200 hundred mark. Circular books tend to be shorter, books with a strong narrative flow longer. The book I’m working on at the moment, They Were Sisters, is about 120,000 words.

 

What do you find hard about writing?

I find it all difficult but absolutely enthralling.  I do find it really hard when my characters are suffering. I wrote a novel called ‘The Missing Boy and found the thirteen year old’s unhappiness horribly upsetting. I long to write books with happy endings but seldom achieve it. 

 

What do you love about writing? 

I love being totally in charge of interesting people and events, but totally on my own. I love the look of a blank page – or blank screen. I love the way I challenge myself to make my brain imagine and invent.  I love the excitement when an idea comes into my head; my heart beats as fast as if I was running. I love using words like an artist uses paint. I love the balance of certain sentences, like a musical phrase.  

 

Advice for other writers.

Write! If you’re not sure what to write, write a diary. Write every single day. When you do set off on a bit of work, finish it. This very important. Anyone can begin a piece of writing but not many can get to the end. Keep at least something about it secret. Great ideas can dissipate if shown too much light of day. Only show it for criticism when you have gone as far as you can. Never despair. Often the best writing comes out of the worst. Good luck!

 

How Women Live with Fear and ‘Don’t Turn Around’ by Jessica Barry

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Melissa Pimentel - Random House, author, writer, How Women live with fear and ‘Don’t Turn Around’ by ,Jessica BarryHow Women live with fear and ‘Don’t Turn Around’ by Jessica Barry – published by Harvill Secker at £12.99

I wanted to explore the female-specific relationship to fear in my new novel, Don’t Turn Around. The novel opens with Cait and Rebecca driving through the night on a deserted road. Their destination is unknown. Out of the darkness, a pair of headlights appear, intent on destruction. The two women – who, up until that night, were strangers to each other – are forced to dig into their pasts to understand who might want to kill them. 

The answer, as most women know, is not straightforward.

Is it someone from their past? Their present? Is it a complete stranger with a thirst for blood? 

Cait has experienced the full terror of online abuse first-hand. An article she wrote about a bad date was met with vitriol, and she became a figure of hate on ‘men’s rights’ chatrooms. She receives death threats from total strangers. Worse still, her home address was published on the internet without her consent, so anyone who wanted to make good on those threats can find her. Is it possible that an online troll has finally tracked her down in the flesh?

Rebecca is the wife of a prominent politician in conservative Texas. She’s spent years playing the happy campaign life, but now she finds herself in a desperate situation. Her husband has turned against her, and there’s no one she can trust to get her across the Texas state line. She has to rely on a stranger – Cait – to shepherd her to safety. But there’s no guarantee that her husband hasn’t had her followed.

What about the man at the diner who stared at them so openly? Or that strange man at the gas station? Danger lurks around every corner. The world bristles with possible menace. 

Every day, women live with fear. It’s a low-level constant, familiar as breath. We mitigate it, negotiate with it, rationalize it. We make thousands of tiny calculations and calibrations on its behalf. Is that man following me? Should I turn around and face him, or should I run? Will my shoes let me run fast enough, or should I take them off? If I scream, will it scare him? Or will it just make him angry? Is there anyone around who would hear me?

For women, the potential for danger is everywhere. Walking through an empty parking lot at night. Going for a run. Sitting alone at a bar, or in a park, and a stranger approaching you. A guy standing a little too close behind you in line at the grocery story. The car that followed you ten blocks, horn blaring, because the driver thought you cut him off.  The moment you post on social media expressing a political preference, or a divisive idea, or critique. The sickening drop a few minutes later, when the first commentator calls you a bitch.

The statistics speak for themselves. Over half of women in the US have experienced physical violence. A quarter have experienced physical or sexual assault at the hands of an intimate partner. One in five women are raped in their lifetime. One in six women are stalked. 

Things aren’t much rosier in the digital world. One study found that seventy-two percent of online harassment victims are women. Individuals using female-skewing usernames are sent threatening or explicit content twenty-five times more often than those with male-skewing or ambiguous usernames. Close to two-thirds of female journalists have been threatened, intimidated, harassed or been subject to sexist abuse online. 

Of course, men are also the victims of violence and harassment: I’m not pretending otherwise. But I think that that women view the world through a specific lens coloured by the constant potential for danger. 

Ask a man what precautions he takes before going out for a run in the morning and you’ll likely be met with a confused look. Ask a woman and she’ll tell you about pre-planned routes and high-traffic areas and the importance of keeping your headphones at a low volume so you can hear someone coming up behind you. These seemingly-minor decisions shape how we move through the world. 

To live as a woman in this world, the question isn’t so much ‘What if something happens’ but ‘When? Where? How? Who?’ And the answers are ‘Anytime. Anywhere. Anyway. Anyone.’ 

Anyone could be behind that pair of headlights. Anyone could be waiting for us around a darkened corner, waiting to strike.

So far, so dark: I know. But there’s a silver lining in all this, and that’s the way that this fear bonds women together and, in a way, it’s what makes us who we are. You know that old cliché, ‘feel the fear and do it anyway’? That’s a way of life for us. Those mental calculations make us sharper. Those keys clutched between fingers make us tougher. Those close calls and rough scrapes and stories of survival make us stronger.

In order to survive their night on the road and make it to safety, Cait and Rebecca will have to work together. They’ll have to draw deeply from their experiences and from their personal strengths, and above all, they’ll have to learn to trust each other. 

Lucky for them, they’ve had a lot of practice at the art of survival. 

RNA announces contenders for 2020 Joan Hessayon Award

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The Romantic Novelists’ Association (RNA) has announced the 2020 line-up for its prestigious Joan Hessayon Award for new writers.

The contenders for this award are all authors whose debut novels have been accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme. Each year 300 places are offered to unpublished writers in the romantic fiction genre. As part of the scheme, they can submit a complete manuscript for critique by one of the Association’s published authors as well as attend RNA events which offer opportunities to meet and network with publishers, agents and other published authors.

This year’s debuts show the wide range of stories encompassed by the romance genre, from the ever-popular romantic comedies, to fairy tale romance, romantic suspense, historical stories and paranormal thrills. From the house just down the street to the sun-soaked beaches of Italy and that different world that is the past, these books deal with themes we all recognise and hold close to our hearts.

Commenting on the contenders for 2020, Alison May, RNA Chair, said, ‘The New Writers’ Scheme is at the heart of the RNA’s commitment to nurturing romantic authorship and the celebration of the Joan Hessayon shortlist is a highlight in the Association’s year. This year has been different for so many reasons, but we’re still delighted for all these debut novelists and excited to announce our Diamond Joan Hessayon Award winner in this, our 60th Anniversary year.’

Imogen Howson, RNA Vice Chair, who previously co-ordinated the New Writers’ Scheme, commented, ‘In the midst of uncertain times, it’s immensely encouraging to see a record number of contenders this year for the Joan Hessayon Award. It speaks so well, not only of the hard work and talent of the authors themselves, but of the continuing health of the publishing industry.’

The Award will be announced on 5th September 2020 in an online presentation.

The Joan Hessayon Award is generously sponsored by gardening expert Dr. David Hessayon OBE, in honour of his late wife, Joan, who was a longstanding member of the RNA and a great supporter of its New Writers’ Scheme.

The full list of contenders for 2020 is:

Zoe Allison, Impervious, Totally Bound

Jan Baynham, Her Mother’s Secret, Ruby Fiction

Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster

Victoria Garland, Finding Prince Charming, DC Thompson

Rosemary Goodacre, Until We Meet Again, Hera

Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash

Stephanie Harte, Risking It All, Aria

Stefania Hartley, Sun, Stars and Limoncello, Totally Bound

Kirsten Hesketh, Another Us, Canelo

Sharon Ibbotson, The Marked Lord, Choc Lit

Emma Jackson, A Mistletoe Miracle, Orion Dash

Lynn Johnson, The Girl from the Workhouse, Hera

Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash

Lucy Keeling, Make it up to you, Choc Lit

Ruth Kvarnström-Jones, Halleholm – Lovisas Choice, Printz Publishing

Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr

Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical

Maggie Richell-Davies, The Servant, Sharpe Books

Jacqueline Rohen, How to Marry Your Husband, Arrow

Kathleen Whyman, Wife Support System, Hera

Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

The New Writers’ Scheme has been run by the RNA since 1962 and is unique among professional writing associations. It aims to encourage fresh talent in the writing of romantic novels that reflect all aspects of love and life, contemporary or historical.

Manuscripts submitted under the scheme are from unpublished authors and are read by an experienced writer or editor who provides invaluable feedback. Any manuscript that is subsequently published as a debut novel is eligible for the Joan Hessayon Award. All eligible books are judged by a panel of experienced RNA members who are already published authors, and this year the final round judges are Rhoda Baxter, Author and Chair of Authors North, and Thorne Ryan from Hodder and Stoughton.

My Writing Process Sheila O’Flanagan

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The Women Who Ran Away by Sheila O’Flanagan is published 16th July 2020 (Headline Review, £18.99). 

Sheila O'Flanagan author imageI’ve always loved reading and used to write sequels to Enid Blyton stories when I was young because I always wanted to know what happened next. Everyone thought I’d end up, if not a novelist, at least working in a library or a bookshop. However I was offered job in a bank and got side-tracked into the world of finance. I occasionally wrote short stories in the evenings as a way of unwinding but I didn’t think I had the time to write a novel, even though I had lots of different ideas and would think about my various characters whenever I wasn’t working. Eventually I realised that if I wanted to fulfil my dream of being a published author I’d have to make the time to write – unfortunately the ideas don’t magically appear on the page. So I bought myself a laptop, opened a Word document, typed Chapter 1 and wrote every evening until it was finished. I’ve kept going ever since.

2. What you have written, past and present.

My first novel, Dreaming of a Stranger, was published in 1997. I’ve written 25 novels for adults, 3 collections of short stories, 2 children’s books and contributed to both the Quick Reads and Open Door series of short novellas.

3. What you are promoting now.
My latest book is The Women Who Ran Away and is about two women, Grace and Deira, who meet on a car ferry from Ireland to France. Both have reasons for travelling alone but a sudden change of circumstance mean that they end up driving together. As a friendship forms between them, Deira helps Grace try to solve a complicated mystery that her late husband has left her. This takes them on a spectacular journey along the French Atlantic coast and through the heart of Spain to Cartagena on the Mediterranean sea. By the end of the novel they’ve completed both a physical and an emotional journey as they discover that sharing their secrets turns out to be a strength and not a weakness, and that there’s always more than one solution to a problem.

4. A bit about your process of writing.

I try to write every day but that’s not always possible. I generally work for a couple of hours in the morning, then take a break and return for some more writing in the afternoon. I move backwards and forwards through the novel, writing a few chapters and then editing them before moving on.

5. Do you plan or just write?

I wish I was an author who planned! But I can’t. I start at the beginning with a vague idea and just hope for the best.

6. What about word count?

I don’t get hung up on a daily word count, especially at the start of the novel, but I try to write in scenes. If I finish a scene I’ll take a break before moving to the next one. That means sometimes writing a few hundred words, sometimes significantly more.

7. How do you do your structure?

Badly, to be honest. But the process of writing, then editing, writing, then editing helps. I usually come up with a slightly more formal plan about a third of the way through the novel when I have a better idea of the characters and how to move them through the story.

8. What do you find hard about writing?

Sitting at the laptop. It’s physically demanding even though you don’t realise it. Most of my author friends have bad backs and I’m no exception. I try to take more mini-breaks now. Distractions are more of a problem these days than they used to be with social media getting in the way. I’m more easily distracted now than before.

9. What do you love about writing?

Creating characters, seeing them grow and evolve and take control of their own stories. Sometimes the research is good too!

10. Advice for other writers?

Don’t get hung up on trying to write for a genre, or following weird rules about how your book should be structured. Write the story that’s inside you in the way that suits you best. Do remember, though, that while joining various groups about writing and following them on social media can make you feel less alone, the only thing that will get your book written is sitting down and writing it. Talking about writing isn’t actually writing. Reading about writing isn’t writing. The only person who can write your book is you.

Sheila is @sheilaoflanagan on Twitter and follow Headline too @headlinepg

My Writing Process Stephen Deutsch

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Stephen Deutsch, author, writerI was born in New York, but have been living in Britain for fifty years! The first part of my career was spent as a pianist, composer and conductor.  Many of my works have been broadcast on the BBC, especially as scores for their Classic Serial, but that was some time ago. I live in Dorset with my wife and her garden.

What you have written, past and present.

A late arrival to novels, I had previously written TV plays, some of which were broadcast on the BBC. My first novel, Zweck, a historical comedy about music, was published four years ago. It concerns a fictitious nonagenarian composer who knew everyone and hated most of them. In this novel, the main characters are fictitious but everyone else is real. It is set in the 1970s.

What you are promoting now. 

My most recent novel, Champion, is a true story, a novel of persecution and heroism during the Second World War. It is based on the stories of two men from different worlds, both struggling in the febrile atmosphere of Nazi Dominated Europe. 

The first is Herschel Grynszpan, dark haired, slight, with deep-set eyes. He is an undocumented Jewish adolescent living in Paris. He receives a postcard from his parents – recently bundled from their Hanover flat, put on a train and dumped, with 12,000 others, on the Polish border. Enraged, Herschel buys a gun and murders a minor official in the German Embassy.  The repercussions trigger Kristalnacht, the nationwide pogrom against the Jews in Germany and Austria, a calamity which some have called ‘the opening act of the Holocaust’.

Intertwined is the parallel life of the German boxer, Max Schmeling, who as a result of his victory over the ‘invincible’ Joe Louis in 1936, became a poster boy of the Nazis. He and his movie-star wife, Anny Ondra, were feted by the regime – tea with Hitler, a passage on the Hindenburg – until his brutal two-minute beating in the rematch with Louis less than two years later. His story reaches a climax during Kristalnacht, where the champion performs an act of quiet heroism.

A bit about your process of writing. 

I try to write every day. Usually I write in the morning and revise in the afternoon (often something I had written some days before – one chapter might be revised several times, even in the first draft).  I try to read every word out loud, to get the sense of the rhythm of the words. This is especially true for dialogue, which I really enjoy writing. You can tell so much about a character by the slight variations in their speech patterns, not the ums and ahs, but the choice and order of the words they use. I like to feel that when the book is finished, I had written, read and weighed every word.

Do you plan or just write?

Both.  I normally have a plan, but once that scaffolding is in place, I let the characters do the writing themselves. It depends on the story.  In Champion, the events unfold as they actually happened, so I didn’t need to work out a plot structure. In the historical novel I am now writing, Dallas, fictional characters set in a real historical time and place, The structure is fluid, but to some extent needs to fit into the chronology of actual events. It isn’t set at the time of Kennedy’s assassination – I was at the parade, but didn’t witness the shooting. A story for another time.

What about word count?

Horses for courses, really. Zweck  was a heavyweight, coming it at 120,000 words. Champion is leaner and meaner, only 80,000 words.

What do you find hard about writing?

Starting.  It is a new problem every day. It’s easier to encourage myself to edit a previous chapter than to begin a new one. There are various subterfuges and helpers I can use to get started.  Dictating some random thoughts onto a recorder can grease the wheels. A blank page is less terrifying if it contains even the smallest thought, the shortest sentence.  Then you feel like going on. I also use a software package called ‘Scrivener’. This allows me to enter text, import web pages, and most importantly, to see and change the shape of the entire book as it develops.

What do you love about writing? 

Almost everything.  Each book, each situation teaches me new things. And of course the internet makes researching both pleasurable and far less tedious than it used to be – especially as I don’t live in a large urban area with libraries, etc., at my disposal. Sometimes, when researching a particular item, I accidentally find something else, which can liven up what I am writing. And the act of writing itself, passing the time with my characters, is immensely pleasurable.

Advice for other writers. 

Whatever your style or genre, literary fiction or mass market romances, my advice is always to write as well as you can. Write every word. Spot clichés and either remove them, or turn them on their heads. For example, ‘You make a happy man very old’ is a great twist on a sclerotic saying. The best advice I can give is to enjoy what you are doing, do it every day, and while doing it forget everything else.

 

My Writing Process Caroline Walker

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caroline walker, authorI came to writing through teaching. After graduating in Geology, I couldn’t find a job (in the 1970s it was virtually impossible for a woman to be employed in what was still considered a man’s world), so I changed direction and trained to teach English as a Foreign Language. It was a decision I’ve never regretted. I’ve taught teenagers, overseas graduates and business professionals both in the UK and abroad and a big part of my job was improving their writing skills for letters, reports and dissertations. It was good preparation for the writing I began at the end of 2006.

 What you have written, past and present?

I’d become fascinated by my great-uncle MacDonald ‘Max’ Gill (1884-1947), artist brother of the controversial sculptor Eric Gill. Max was best known for the beautiful maps he painted for places like Lindisfarne Castle and the humorous posters he designed for the London Underground. I was astonished to find that his story had never been told so I decided to write it myself. Over the years I’ve curated several exhibitions of his work and written text for these as well as articles for magazines such as Country Life. This year – fourteen years after I started – my biography MacDonald Gill: Charting a Life has finally been published, receiving a five-star rating in its first national review.

What are you promoting now?

Recently I’ve been busy writing articles for various publications to promote the biography. I don’t have any plans for another book at the moment – this one has taken so long, I think I deserve a break!

A bit about the process of writing

The key to writing a good biography is meticulous research. This has been one of the greatest pleasures too – days spent delving in libraries and archives, the excitement of finding pieces of key information and long-lost artworks, and the joy of meeting hundreds of people eager to share their own connections to Max. A pivotal moment was the discovery of a major private collection of Max’s work and memorabilia. Thankfully, I was permitted to photograph all the letters, diaries and work documents, so I could pore over these at home. I made copious notes, highlighting important events and quotes that I might want to use later. I also kept separate lists of names, artworks and key dates. Setting aside good chunks of quiet time for writing was essential, as was having a table and space of my own.

Do you plan or just write?

I don’t write a plan although I do think it’s vital to have a basic structure in mind. With a biography, it’s quite easy as it’s a chronological narrative. Writing articles is different – I always think hard about the audience so that the angle, text and images are relevant.

What about word count?

As my publisher’s submission deadline for the biography came ever closer, it was clear the manuscript was far too long so I had to make some major cuts and revisions. It still ended up at just over 300,000 words! 

What do you find hard about writing?

I was unsure how to begin until a writer friend suggested: ‘Why don’t you start by setting down why you want to write this book?’ So that’s what I did. The words then flowed easily and I often found it hard to stop. I do sometimes agonise over sentences and even single words – I may change a passage umpteen times but end up with the original. 

What do you love about writing?

It’s an absorbing, creative process that – for me – has been the way to achieve recognition for a neglected artist and relative. And I now realise that I can actually write quite well!

Advice for other writers

Don’t be afraid of the blank page – just get something down – you can always change it. Use your own ‘voice’ – don’t be tempted to copy others. Remember to save when you’re writing (I once lost several pages when my laptop crashed). Avoid cliché and don’t be afraid of using tools such as a thesaurus if you can’t find the right word. And finally, have faith in yourself and enjoy the experience!

MacDonald Gill: Charting a Life is available here. 

My Writing Process – Karen King

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writing, my writing process, I’ve always been a bit of a planner, mainly because when I started my writing career over thirty years ago I wrote for teen magazines and children’s comics and had to send a synopsis of the story first, for approval. Now I’m living in Spain I write mainly romance novels but I still send a synopsis of the story I’m planning to my editor. She will make comments and we’ll flesh out the plot between us before I start writing it up.

I really like to know my characters before I write the story, and often trail Pinterest boards for photos of people that look like my characters, print them out and put them in my WIP folder so I have an image of them while I write. I also create a Pinterest board for every book I’m working on, looking for images that are connected to the story and repining them to my WIP board. I find that really helps me to brainstorm. Once I feel I know my characters well enough I start to write, freewriting the story as it comes and not stopping to edit or correct until I’ve finished.  Then I leave it for a couple of weeks (unless I’m on a tight deadline) then go back and edit it. 

I usually do four different edits, first I read all the way through to get the feel of the characters and story. I make comments in the margin or underline anything I want to change but don’t alter them at this stage. For the next set of edits I work on anything that I’ve marked up and pay particular attention to the story structure and timeline. For the third set of edits I pay attention to characters, dialogue and setting and for the final set of edits I look out for typos and grammatical errors. I’m now lucky enough to work for Bookouture, and we’re usually on a tight deadline so they ask for the first draft, then get back to me with their comments, which works really well. I always find it helpful to get their advice and guidance into making my story stronger.

I find I work best in the morning so ideally like to get up, grab some breakfast and start work for a few hours. I write most days and don’t usually have a word count I’m aiming at unless I’m on a tight deadline, then I’ll work as and when I can during the day, and late into the evening too until I meet that wordcount (it can be anything from 2-5,000 words).  I mainly write in my upstairs office which is in the studio apartment on the terrace but can also be found writing by the pool with my laptop in a box to keep the sun off my screen, or at the dining room table. I can write anywhere really, as long as I have my laptop, or a notebook and pen. 

If I get Writer’s Block I simply carrying on writing until the story flows again, then delete any rubbish I’ve written to get me there. Which is why my advice to new writers is – stop faffing about and just write! You can edit afterwards, the main thing is to get your story down.

Contact Links

Website: http://www.karenking.net/

Twitter: @karen_king

Karen King Romance Author Facebook Page

Karen King Young Adult Books Facebook Page

Pinterest: https://uk.pinterest.com/karenkingauthor/

Instagram: https://www.instagram.com/karenkingauthor/?hl=en

Single All The Way

Blurb

Snow is falling, bells are ringing… and my heart is broken. I pick up the phone to tell my mother about Oliver and me. But before I can, she says, ‘I don’t exactly know how to tell you this… But I’m leaving your dad.’
Single together for the first time, 34-year-old Meg and her warm-hearted, long-suffering mother Sally are cancelling Christmas, and running away to a tiny cottage on the Cornish coast. For Meg, it is the perfect place to heal, away from all the mistletoe, while for her mother it has a special, and secret, place in her heart – from a love story that seems a lifetime ago…

Meg and Sally find they’re getting to know themselves, and each other, better than ever before. But as they are unable to resist getting involved in the village Christmas celebrations, they encounter two handsome local strangers.

Sometimes, it’s being away from home that helps you realise where your heart is. What neither woman knows is that, by the time the new year rolls around, one woman will have fallen in love with her husband all over again, and one marriage will be over for good…

An escapist, romantic and heart-warming novel for fans of One Day in December and No One Cancels Christmas.

Buy links

AMZ: https://geni.us/B07XDYL7GHCover
Apple Books: https://tinyurl.com/y4dkhrvl
Kobo: https://tinyurl.com/y6apzqe2
Googleplay: https://tinyurl.com/y5hc6nfn

 

My Writing Process – Ian Wilfred

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Do men write romance? They certainly do, as Romantic Novelists’ Association member Ian Wilfred proves. Ian’s characters are instantly relatable and he has a knack of choosing gorgeous settings, from Tenerife to Greece to his native Norfolk.

On top of all that, Ian is one of the most supportive authors you could wish to meet. Which was just one of the reasons Jane Cable invited him to share his writing process.

Tell us a bit about you?

I’m 50+ but in my head I will always be 39. I live on the Norfolk coast with my husband and west highland terrier and I’m a member of the Romantic Novelist Association. My first book was published in 2013.

What you have written, past and present?

I’ve written and published five books. In the first four all my leading characters were women over 50 who are starting again and leaving the past behind, but in this year’s summer book, My Perfect Summer in Greece, Cheryl is a much younger heroine and this was lovely change

What you are promoting now?

My new book Time To Move On, which is out on 24th September. It’s the story of Billie coming to terms with her divorce and being made redundant, and moving to Norfolk from London.

What’s the most important thing about your process of writing?

I love to write every day even if it’s just a few hundred words. I have to keep the story fresh in my head.

Do you plan or just write?

I plan a lot more with each book I write and for me this seems to work better each time.

What about word count?

I don’t give myself a daily or weekly word count but I do like to do 40,000 words a month for the first draft. Then I take two months to rewrite and rewrite before I send it off to my editor.

How do you do your structure?

I don’t plan that – it just sort of happens. I have a beginning, a middle and an end in my head and off I go.

What do you find hard about writing?

Everything! Each book is a learning process with many mistakes made over the years, but you just have to move on and know you’re improving.

What do you love about writing? 

The characters. I love the first draft when they are in your head and you can’t wait to get them on the page and bring them to life.

Any advice for other writers?

I get asked this a lot and I always give the same two answers; write every day, and read and watch every article Milly Johnson has ever done on writing tips. She is the best for advice.

You can follow Ian on Twitter @IanWilfred39. He’s great at sharing news from a wide range of romantic novelists.