Drunksouls Music Profile

Band: Drunksouls
Location: Marseille, France
Styles: Reggae infused Pop Rock
Similar to: Manu Chao, Damian Marley, Sublime, Patrice, Red Hot Chili Peppers, Michael Jackson, Phoenix
CD:Just Before Chaos
Accolades: Olympia, Palais des Festivals de Cannes, National Luxembourg Fest (Luxembourg), Festival Sun Art, Festival du Printemps de Carouge (Switzerland), Festival Steinnegg Rockt (Italy), Drunksouls opened for the African Reggae star Tiken Jah Fakoli, and Afro-beat stars Ebo Taylor, Seun Kuti,..

dunksouls

Members/Instruments: DJaM (Lead vocal), Julien Mur (Guitars), Pierre Pesin (Trumpet), Romain Morello (Trombone), Adrien Coulomb (Bass), Julien Heurtel (Drums), Jean-Marc Layani (Keyboards)

Production: Drunk Souls Evenements

 

 

Websites:
https://twitter.com/drunksouls

https://www.facebook.com/DrunksoulsOfficial

Bio:
Punk spirit, Rock culture, Reggae sound.

Founded in 2002, DRUNKSOULS are a French reggae band who have garnered worldwide acclaim and word-of-mouth, thanks largely to the international success of their “Human Race” song and music video, which has garnered over 2 million views to date. Likened to an original blend of Manu Chao, Gorillaz, Michael Jackson, RHCP and Damian Marley, their music is a patchwork of influences intended to make you dance as well as think. The Daily Consciousness says they’re “creating a unique sound with little to no borders.” Their songs, sometimes playful and sometimes dark, carry a message of reconciliation and tolerance, in which humor and gravity are intelligently cohabiting. Rock Is Rock says of the band “Dead Prez called themselves ‘Revolutionary but Gangster’. If that’s the case then DRUNKSOULS are ‘Revolutionary but Funny’.”

DRUNKSOULS have received a high amount of word-of-mouth from their fanbase, generating over 100,000 downloads of their debut album, and over 2 000 000  YouTube views of their viral music video “Human Race”, which has also been seen by millions in North America on California Music Channel, MusicMix USA, Alternative Currents and many others. The video’s success was due partially to it’s breathtaking footage, taken from the multi-award winning documentary “I Believe I Can Fly”. The film was directed by Sébastien Montaz-Rosset and based on the Skyliners, a team of French adventurers who specialize in highline tightrope walking, basejumping, and mountaineering. It won the Jury’s award at the Vancouver International Mountain Film Festival. HIP Video Promo who promoted Johnny Cash’s “Hurt” music video and have worked with Bon Iver, Of
Montreal and Death Cab for Cutie describe the video as “an exhilarating ride.”

DRUNKSOULS have played in legendary venues such as the mythical stage of Olympia-Bruno Coquatrix and the Grand Auditorium du Palais des Festivals de Cannes, one of the events supporting the African Reggae Star Tiken Jah Fakoli.

The critical acclaim and rapidly growing North American fanbase have encouraged DRUNKSOULS to come to the U.S for an ambitious tour, they are currently looking for partners to do so. The band’s current CD “Revolution” is a 16 track album offering of rock, reggae, electro, funk and pop. Building on the success of their debut, the band continues on the path of poppy hooks and political/emotional lyrics with tracks like “Human Race”, “The Fall” and “Revolution”. “Revolution” has earned them recommendations from tastemakers worldwide.

To celebrate their growing success, DRUNKSOULS are now releasing “Just Before Chaos” a compilation CD featuring their best work, intended to introduce more of the world to the DRUNKSOULS sound.

 

Computer Game Experiment – Sound without Sound

Make no bones about it computer companies of today invest serious amounts of money on ensuring the sound quality is as fantastic as it possibly can be. It may seem hard to imagine now but back in 1990 when the Sega Megadrive was released it had just 6 channels of stereo sound. imagine that by comparison the Dolby 5.1 surround sound of today has almost ten times as much.

I was invited to take part in an ‘experiment’ by Amplifon which involved me playing a game that I had never played before to see what kind of difference it would make to the gaming experience if there was no sound. Before I begin it is worth pointing out that although this was a fun experiment to be part of, there are some very real issues underlying this; I don’t think many people stop to consider just how many young people are hard of hearing of which National Statistics suggest stands at around 25,000 for children aged 0-15 years. I feel fewer of us stop to appreciate just what an impact this can have on just day to day living let alone playing computer games and what a different experience that must be.

tombraiderThe game I chose was Tomb Raider Definitive Edition for the Playstation 4. Why? Well for a number of reasons. Firstly to be honest I haven’t played that game since the age of the PS1 days and I haven’t reviewed it previously so it means there is no comparison to base it against, so that is reasonably fair. Secondly I was fortunate enough to get my hands on the next generation hardware before Christmas and like many gamers I have been frustrated by the lack of games for the machine thus far, so this way I get to experience new hardware and a new game from a fresh perspective.

Tools of the Trade and Rules of the Game

The game Tomb Raider Definitive Edition on the PS4 obviously – the conditions were set that it must be played ‘as is’ that is, no setting adjustments could be made other than difficulty level and brightness. I had to play this game ‘raw’. For a full comparison I made the decision to play the game for a full 4 hours without sound and then again with sound and document my experience and progress.

The other tool was a pair of JVC Noise Cancelling Headphones – these babies are stated to have up to 75% noise cancellation and no, they were not plugged into the controller – that would be cheating.

So with the tools and the rules set in motion I put the headphones on and fired up the console.

Experiences

The first thing that stood out for me, even just upon firing up the console is that of awareness.  Even on the basic screen for the PS4 it dawned on me just how dependent we are on sound for even basic things such as cursor movement and game selection. It occurred to me very quickly that I had to be very alert and could not take my eyes of the screen even for a few moments; as the game proceeded to do its update and then restart I had become distracted and when I turned my eyes to the screen and it was blank and I could honestly not say what was going on.

Ease of Gameplay

3.-Tomb-Raider-2013In the game this was even more so. It is perhaps a tragedy that Tomb Raider does not have the subtitles set to ‘on’ as default. Watching the intro I could see the young Lara Croft on a boat, about to drown and then running to what seemed to be her father and falling from his grasp. But I could hear absolutely nothing, without subtitles you can be at a loss. Praise has to be given to the developers I was surprised at the level of detail put into the game; Lara looks better than she ever has, but despite this when the characters are speaking I doubt that the mouth movements are lip-synced. Now I am no lip reader but I certainly could not tell one word from another. I could tell expressions – sadness, anger, fear but little else. By hour two of gameplay I realised just how dependent on all my other senses I had to be and whilst this was great as an experience I felt a great empathy for those that have to deal with far more complex tasks than finding arrows, shooting wolves and solving puzzles.

O.k so without speech and without language can there be a plot? Well yes and no, thankfully a few things show up on the screen as you are playing explaining what you should do and what you can look for. Another great thing of the modern day console is the use of vibration, although similarly to speech it is far from accurate you at least can tell and have some immersion with what is taking place on the screen. Firing weapons, turning cogs all would have had far more dissidence had there not been vibration as some kind of feedback on the senses. However it was really hard to tell what was happening and this was especially true when Lara looks back on her video camera, I could get a gist but certainly couldn’t work out who was who. I ended up bumbling through, trial and error becoming my best friend and I realised by hour three that I had missed a couple of caves because it flashed up on screen: ‘When you hear this sound a cave of treasure is nearby’ I was thinking all good and well you telling me but if I can’t hear it what difference does it make.

Unconsidered factors

There are parts of the game too where it takes voice recognition and I am sure whilst this is a novel idea, I had no idea how loud or quiet my voice was, the first few times this didn’t work so in the end I had to shout everything. I am sure my next door neighbours thought I was losing my mind shouting out words like “Map” “Gun” “Stealth” at opportune moments like I had Tourettes. I am just glad they didn’t call the police because with the headphones on I wouldn’t have heard the door.

Comparison with sound

Playing the game a second time with sound was a different experience altogether. The first thing that surprised me was just how much voiceover there is; Lara reflects on practically everything and every situation she finds herself in and there is a great deal of interaction between her on screen and you as the player trying to figure out the puzzles. Obviously the graphics are just as good but you can tell what is going on because you can hear what people are saying and the style of mood in the soundtrack changes to reflect whether it is a stealth situation or if you have been spotted.

Also worthy of note is the sound immersion. The PS4 has a speaker on the controller and this game fully utilises it. This ps4 speakermeans gun shots ring out from the controller, audio diaries are read to you and you can hear those jungle drums when you are near a hidden cave. The experience is completely different and this means the engagement is different. By the end of hour four I was much further ahead than in my previous attempts without sound.

In conclusion computer companies spend serious amounts of money on ensuring the sound quality is as fantastic as it possibly can be, they do this for good reason, the engagement from the player is tantamount to the game’s success. Do they consider those with less ability in areas such as hearing? I doubt it; the numbers just wouldn’t tally up in terms of investment, but what I think can and should be done is greater player options, it really would not hurt in making gaming more inclusive than exclusive. Lets be honest this experiment is far from scientific but one thing it certainly achieved is in raising my awareness of those less fortunate. It also made me realise just how many things we take for granted.

Win Sophie Duffy Books

A real treat of a competition today on Frost: two Sophie Duffy books to giveaway, The Generation Game and This Holey Life are up for grabs. Perfect if you are a fan, and a great introduction if you are not already. Check out our interview with Sophie Duffy here too.

sophieduffybooks

To win follow @Frostmag on Twitter and Tweet, ‘I want to win books with @Frostmag’ or like us on Facebook.  Alternatively, sign up to our newsletter. Or subscribe to Frost Magazine TV on YouTube here: http://t.co/9etf8j0kkz. Then comment below saying what you did.

The competition closes on the 31st of March 2014.

 

Great Expectations The Play: Theatre Comes To DVD

GREAT EXPECTATIONSBeckman Unicorn’s critically acclaimed West End production of Great Expectations The Play has been released on DVD after it was filmed and screened in cinemas across the UK

 

The Dickens Legacy Gala performance was filmed live at the Vaudeville Theatre in London’s West End in February 2013 and broadcast via satellite into 150 cinemas around the UK and Ireland before being given a global theatrical release across over 600 sites.

 

The production was presented as the culmination of the Dickens bicentenary celebrations – the first time that Great Expectations had been performed on the West End as a full-scale play and the first time a West End stage show was broadcast live into cinemas It received numerous outstanding reviews including The Times (‘Pure Theatre’ 4*), The Telegraph (‘An eerie and fantastical atmosphere’ 4*) and LondonTheatre.co.uk (‘Totally absorbing… Poignant… Compelling’ 4*).

 

A share of the DVD sales will be donated to the Dickens’ Legacy, the charity set up by Dickens’ great-great-great granddaughter Lucinda Dickens-Hawksley, which aims to provide access and educate young people on his work.

 

Dickens-Hawksley, a renowned biographer in her own right, said the DVD launch will allow people from all walks of life to enjoy one of Dickens’ best loved stories.

 

“It was wonderful to see Great Expectations transformed on the West End last year and now the DVD will take the story from the stage into homes and schools for even more people to enjoy. My great-great-great grandfather was passionate about supporting those less fortunate and this will help continue our work in making sure that young people know and love this work, both in the written and theatrical form.”

 

Jo Clifford’s gothic adaptation stars Jack Ellis as Jaggers, Chris Ellison as convict, Magwitch, and Paula Wilcox taking on the role of the tragic and haunting Miss Havisham. Paul Nivison also stars as Adult Pip, Grace Rowe as Estella and introducing Taylor Jay-Davies as Young Pip.

 

The DVD also includes bonus interviews with director Graham McLaren, Dickens-Hawksley, and Dickens aficionado, actor Simon Callow.

The DVD can be purchased via www.GreatExpectationsThePlay.com RRP: £12.99

 

The video-on-demand release will follow at the beginning of March 2014.

 

The Least Romantic Quotes

Should Brand stick to the entertainment industry?

Should Brand stick to the entertainment industry?

“It’s sort of odd, isn’t it, because you can’t just maraud through life f**king whoever you like…which is a shame, because I actually could do that.” Russell Brand in 2010, when he was still married to Katy Perry.

“I’d be having sex thinking, ‘think of anyone, anyone else.'” Russell Brand again. This time on his sex life with Katy Perry.

“If loving someone is putting them in a straitjacket and kicking them down a flight of stairs, then yes, I have loved a few people.”
Jarod Kintz, It Occurred to Me

“Believing in marriage and not in divorce is like believing in joint stock companies and not in bankruptcy.” Neil Ferguson

“He has been Tom Cruise for 30 years. I know who I am and where I am and where I want to go, so I want to focus on that.” Katie Holmes, 6 weeks before she filed for divorce.

“I don’t believe in soulmates…the idea of it is beautiful, and very romantic to talk about it in a movie or a song, but in reality, I find it scary.” Vanessa Paradis, 5 months before her split with Johnny Depp.

“I rack my brain thinking “Why am I not out there playing the field? One of my buddies was like, ‘You have no idea what’s going on right now. You’re peaking on ecstasy and you’re watching television.” Zac Efron, 2 months before he split with Vanessa Hudgens.

“Being married means I can fart and eat ice cream in bed. Jen is brilliant. I’m really missing her.” Brad Pitt when he was married to Jennifer Aniston

Do you have a least romantic quote?

Marcel Lucont Vive Lucont Album Review | Comedy

Marcel Lucont Vive Lucont!This is the first live musical comedy album from Marcel Lucont, Star of BBC’s Russell Howard’s Good News (BBC3), Live at the Electric (BBC3) and Sky’s Set List (Sky Atlantic).

 Marcel Lucont, flâneur, raconteur, bon-viveur, and easily the greatest UK-based French comedian around, is releasing a pure example of aural genius – his long-awaited album, “Vive Lucont”, including the teenage tennis romance classic “Fifteen Love”, and his seminal poem on British anatomy  “The Tits Of The Brits”, and many more.

The album is full of amusing observations and full-on inappropriateness. The songs and poems are full of rude humour (and some not-so-rude) along with genuine comedic brilliance. Breast-obsessed Mr Lucont is original and humourous. His first album is a compilation of the most popular songs from his live shows, as well as some new gems thrown in for good measure. The album is hugely funny, with a Francophile arrogant confidence and a disdain for the British. Both wicked and funny. Listen out for an incredibly wrong-but-so-funny song about Kate Middleton and her Royal breasts. Ahem.

The suave, witty and utterly irresistible Frenchman has proved to be a cult hit worldwide, performing critically-acclaimed sell-out shows at Melbourne Comedy Festival, Adelaide Fringe, and New Zealand Comedy Festival, as well as gigs in Singapore, Scandinavia and all over Europe.

 

£7.99 on iTunes or here

 

Boy, Snow, Bird By Helen Oyeyemi Book Review

Boy, Snow, Bird By Helen Oyeyemi Book ReviewAs Boy, Snow, Bird By Helen Oyeyemi was delivered to me I started to see review of it everywhere. Much hyped and fawned over, I decided to put all of that aside to focus on the merits of the book myself.

Boy, Snow, Bird is about three women; Boy, who escapes an abusive parent and ends up in a small town in Massachusetts, solely because it is the last stop on the bus route she took from New York, the locals aren’t welcoming but she wins them round in the end and ends up marrying a widower who is the father of Snow. Lastly, Bird is Boy’s daughter. Who brings up the truth about the family she has married into: they are African Americans who pass themselves of as white.

Whenever a child comes out with darker skin, they are sent off to live with an aunt. The aunt who, incidentally, was sent away herself for being dark-skinned.

With hints of Imitation of Life, the excellent 1959 Lana Turner film where a young women turns against her own mother because she is a light-skinned African American and can pass for white; this book is a rather wonderfully written take on race, vanity and family.

 

Spoiler Alert

When Boy’s own child comes out dark-skinned she is supposed to send her away. Instead she sends away the beautiful Snow, a decision which causes much dismay to Snow and her in-laws. A further twist comes at the end

Well written and hard to put down, the novel has plenty of twists and turns and an ending that I did not see coming and to be brutally honest, initially didn’t really get it as it was so left of field. However, the ending is not a bad ending at all, it is imaginative in fact. Bird, Snow, Bird is a very good book. Well worth a read.

 

Named one of 2014’s most anticipated books by CNN, The Huffington Post, Bookpage, Time.com, The Chicago Tribune, VulturePhiladelphia Inquirer, Real Simple, The Millions and Flavorwire
From the prizewinning author of Mr. Fox, the Snow White fairy tale brilliantly recast as a story of family secrets, race, beauty, and vanity.

In the winter of 1953, Boy Novak arrives by chance in a small town in Massachusetts, looking, she believes, for beauty—the opposite of the life she’s left behind in New York. She marries a local widower and becomes stepmother to his winsome daughter, Snow Whitman.

A wicked stepmother is a creature Boy never imagined she’d become, but elements of the familiar tale of aesthetic obsession begin to play themselves out when the birth of Boy’s daughter, Bird, who is dark-skinned, exposes the Whitmans as light-skinned African Americans passing for white. Among them, Boy, Snow, and Bird confront the tyranny of the mirror to ask how much power surfaces really hold.

Dazzlingly inventive and powerfully moving, Boy, Snow, Bird is an astonishing and enchanting novel. With breathtaking feats of imagination, Helen Oyeyemi confirms her place as one of the most original and dynamic literary voices of our time.

Boy, Snow, Bird can be bought here.