Best Endeavours Best Bib & Tucker: Jane Cable On What Happens When You Get That Publishing Deal

Jane Cable, publishing, writingBEST ENDEAVOURS
Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.
BEST BIB & TUCKER
Parties, it seems, are like buses; writers’ parties even more so, with two in one week and a book club sandwiched between them. A book club which was incredibly interesting, but will need to be deferred to another blog to do it justice. 
Regular readers will know that I belong to two writers’ organisations (well, three including the Society of Authors) and both held events last week. Wednesday was fun and networking with the Romantic Novelists’ Association and Friday was the serious business of raising money for Dyslexia Action with Chindi Authors.
I had discovered three important things in advance of the RNA Winter Party; that drink would be taken (beforehand and during), that it would be incredibly noisy, and incredibly hot. On no level did it disappoint, although the fact that a rather nice New Zealand sauvignon blanc was only £10 a bottle in the restaurant beforehand meant I spent the whole party sipping a single increasingly warm glass of fizz, thankful that over the years of drinking I have learnt when to stop.
The wall of sound was unbelievable; a high ceilinged room filled to the brim with almost exclusively female voices meant it was practically impossible to hold a conversation with softly spoken fellow Endeavour author, Maggie Greenwood. I soon discovered that the best way of catching people’s names and making the link permanent was to find them on Twitter on my phone. It felt terribly modern after years of swapping (and losing) business cards. I was only sorry I didn’t meet more authors because in true RNA style the whole evening was incredibly friendly and sociable.
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 Back on home turf on Friday was Chindi Authors’ #LovetoRead party. To be fair, before the doors opened not everything went smoothly. Husband lost count of the number of times he moved tables from one end of the hall to the other and re-arranged chairs. The phrase ‘how many writers does it take to set up a room’ came frequently to mind, despite organiser Helen Christmas’ best attempts to impose order. It must have felt like herding cats. And that was before one author turned up so late that three others had split his table space between them. 
As usual I buddied up with my close friend and children’s author Christopher Joyce. It makes sense when you’re sharing a table; Chris has five Creatures of Chichester books, including ‘The One About the Edible Aliens’, which he was launching. I have only two, so I can squeeze into a corner. We’ve become good at selling each other’s books over the years – and our other halfs well used to enjoying a pint together.
But this time I was one of three authors lucky enough to be reading (Chris having been a perfect gentleman and given up his slot to a dyslexia specialist). I chose the first chapter of The Faerie Tree – the book starts just before Christmas so it felt right. Luckily four of my closest friends sat in the front row so I could pretend I was just reading to them and it must have worked; it’s an amazing feeling to hear people in an audience gasp when you reach a certain point. That, and the fact we raised over £700 for Dyslexia Action, made my night.
Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. If you’d like to read the first chapter of The Faerie Tree you can find it here: https://www.amazon.co.uk/Faerie-Tree-Jane-Cable-ebook/dp/B00UTI27AY/.
The Seahorse Summer (or whatever it ends up being called) tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.

A Day in the Life of Della Parker (AKA Della Galton)

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Writing is my day job and has been for 16 years now. So when people ask me if I’m disciplined the answer is yes. No muse = no money = no mortgage payment.  It never gets any less scary than that.

However, I also have two hounds. Little Hound – she’s a German Shepherd and Big Hound – he’s an Irish Wolfhound. Big hound likes to start the day with a song. His day starts around six thirty, which means so does mine as I have to run down and shut him up before he wakes the whole street up.

So I start my day with a walk.  Then it’s breakfast for all of us, and I retire to my office, which is a summerhouse in the garden. I live halfway up a hill and I have a panoramic view of the surrounding fields and countryside. I never get tired of my “commute” to work!

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If I’m working on a novel I write 2000 words and I don’t leave my desk until it’s done.  Sometimes it takes two hours. Sometimes it takes seven.  If it only takes two, I’ll either write some more or I’ll switch to another “morning job”. I’m at my best and most alert in the mornings.

I stop for lunch some time between 1 and 2.30 depending on how it’s going. In the afternoon I’ll do something easier than writing. This could be editing, invoicing, answering emails, publicity stuff, phone calls, a swift foray on to Facebook or Twitter. I know I shouldn’t but I can’t resist it.  I also can’t resist doing things like checking to see if I have any new reviews and eating chocolate.  Activities that are usually carried out simultaneously.

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Quite often I get “persuaded” AKA hassled by the hounds to go for another walk in the afternoon.  Then it’s tea time.  I have a handful of very close friends and I try to see them in the evenings – and for the occasional lunch. If I didn’t I wouldn’t see anyone except my fellow dog walkers.

Saturdays and Sundays are not a great deal different.  Recently I’ve been trying to have Sundays off.  Which is not going particularly well – I’m writing this piece at six pm on a Sunday.

Hmm! Living the Dream.

I wouldn’t swap it for anything.

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The Reading Group by Della Parker is a series of six novellas.

They are published by Quercus, part of The Hachette group, and are 99p each.

December, the short story that introduces them can be downloaded FREE.

www.dellagalton.co.uk

BEST ENDEAVOURS BEST IDEAS: Jane Cable on what happens once that digital publishing deal is in the bag

rembranbrancesundayIsn’t it funny how the most important emails just seem to slide into your inbox at the most inopportune times? Late on Monday afternoon my edit notes and first proof came back from Endeavour – just as I was wolfing down an early supper ready to go to Chindi Authors’ monthly meeting. I scanned the email – heart in mouth – only to find myself reeling from the last sentence.
But I had no time to consider the contents – the Chindi meeting was an important one, mainly devoted to planning the final details of our #LovetoRead fundraising evening for Dyslexia Action on Friday. Raffle prizes to co-ordinate, running order to finalise, budget for canapés to be agreed… All whirling around my head in an unusually disorganized fashion while I tried to digest the email bombshell.
To be honest, now I’m used to the idea, it doesn’t seem so bad. Endeavour want me to change the title of the book, that’s all. And to put things in context, the edit notes extended to only three points, the last one prefaced with the phrase ‘this probably isn’t important’. They’re useful and fair and acting on them will certainly improve the book.

Jane Cable, publishing, writing
The problem with changing the title was that I didn’t have a clue where to begin. You become wedded to the name of your book over the years of development and when agent Felicity loved it too I felt sure I’d be able to keep it. Changing my mindset is something akin to turning an oil tanker but I’m determined to do it and come up with something better.
First some guidance was required from Amy, Endeavour’s publishing director and her answer came back clear and strong: look in the Kindle charts for books of a similar genre – and a tip that short phrases from films or songs often do well. Now my knowledge of films is limited to say the least (having not been to the cinema since the third… or maybe fourth… Harry Potter movie came out) but at least I have a neighbour with a first class degree in the subject so his enormous brain was brought to bear on the challenge.
I quickly realised it’s impossible to instil all the nuances of a book into just a few words and that made me try to set out what it’s really about. It isn’t about seahorses (although they feature fairly strongly) and it isn’t about summer (although the action all takes place between April and August). It’s about being damaged, and healing, and moving on with your life. Or not – as the case may be. It looks back at the past – D-Day specifically – or perhaps the past looks forwards at us. No one title is ever going to cover it all.
So now there is a page in my notebook with an increasing number of titles on it. The most obvious ones have inevitably been taken but I have a few which might just do the trick. And I’m still canvassing opinion, so if you have any bright ideas then please, please let me know.

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. Jane will be reading from The Faerie Tree at Chindi Author’s #LovetoRead party in Chichester on 18th November. More details here: http://www.chindi-authors.co.uk/news/
The Seahorse Summer (or whatever it ends up being called) tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.

 

The Best Books For Children This Christmas

the-taleofsquirrelnutkinby-beatrixpotterspecial-edition thetaleoftomkittenspecialdeditionby-beatrixpotterBeatrix Potter Fashion Designer Collection

Five of Beatrix Potter’s best-loved tales with new covers, notes and endpapers from influential fashion designers including Henry Holland, Preen and Orla Kiely. The perfect stocking-filler.

The Tales of: Squirrel Nutkin, Peter Rabbit, Mrs. Tiggy-Winkle, Tom Kitten and Jemima Puddle-Duck
£6.99 each

We particularly loved The Tale of Tom Kitten, designed by The Rodnik Band and The Tale of Squirrel Nutkin, designed by Preen. Gorgeous covers and classic stories. 

The Tale Of Squirrel Nutkin and the other Beatrix Potter Designer Editions are available here.)

#beatrix150

myencyclopediaofveryimportantthings

My Encyclopaedia of Very Important Things. For little learners who want to know everything. 

A really wonderful book that entertains and educates in equal measure. Perfect for inquisitive children, it has great photography and illustrations. It also supports the KS1 National Curriculum. Divided into six sections: my planet, places, animals, people, me and other very important things. A great book.

My Encyclopedia of Very Important Things is available here.

legostarwarsbuildyourownadventure

Lego Star Wars Build Your Own Adventure 

A real treat for the over-8s. Lego Star Wars Build Your Own Adventure includes a rebel pilot mini figure and exclusive Y-wing Star Fighter. It also has tips and ideas on how to build other LEGO Star Wars models. It has over 50 building ideas. Will make your child’s eyes light up on Christmas day.

LEGO Star Wars Build Your Own Adventure is available here.

howtobeacat

How to be a Cat by Lisa Swerling & Ralph Lazar

Children can be a lot like cats. They love milk, always sit in boxes and love playing with string. This a fun and happy book. Great illustrations and observations. From the super successful husband and wife team Lisa Swerling & Ralph Lazar.

How to be a Cat: The Definitive Guide is available here.

 

BEST ENDEAVOURS: Jane Cable On Her Digital Publishing Deal. Best Laid Plans 2

whathappenswhenyougetapublishingdealBEST ENDEAVOURS
Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.
BEST LAID PLANS 2

 

Way back when, about a hundred or so years ago, I used to work in PR. Great fun it was, except when I had to pick up the phone to some unsuspecting journalist (or anyone else, for that matter) so as I struggled up the greasy pole to the dizzy heights of account management, I needed an assistant.

 

Enter Lisa. A former drama student who was frankly wasted as PA to one of my clients. We worked together; lived near each other (defeating the tube strikes by driving from Wimbledon to the South Bank in my beaten up Ford Fiesta); even escaped the evil pitches we worked for together, to end up in an office above a hairdresser in Kensington with a kindly but chaotic boss who spoiled and cherished us. And we’re still friends twenty five years later.

 

It was Lisa who sent me the original tiny silver seahorse featured in the story, wrapped up in tissue inside a birthday card. And even more surprisingly, this year she sent me an improved model on a chain, together with matching earrings. Because she’d seem them and thought of me. They arrived just days before Endeavour made their offer on the book.

 

So who but Lisa would I turn to for the PR expertise to launch The Seahorse Summer? She did a fantastic job for me on The Cheesemaker’s House, and this time it should be just a fraction easier. Why? Because even in these enlightened days there are a great many newspapers and magazines who won’t touch independently publisher authors.
Jane Cable, publishing, writing

 

To be honest we spent most of our meeting at a mutually convenient motorway service station catching up on family news. For a few years in our twenties we lived in each other’s pockets and while distance and circumstances don’t exactly separate you, they do drive a wedge into your understanding of the everyday aspects of each other’s lives. But when you actually meet, it all falls into place again so easily and trust is instantly restored. I drove away thinking there’s a novel in that somewhere.

 

But as usual I digress. This blog is meant to be about planning a PR campaign. The objective is very much to get reviews. It’s hard to think of a big enough hook to make this a news story, so the book is going to have to stand or fall on its own merits. But stand or fall, it needs to stand out from the crowd. And we did come up with a couple of potential ways to achieve this.

 

The next most important thing is targeting the right journalists and this will be Lisa’s next task. It isn’t as easy as it was in the 80s when you could just phone the magazine and ask. There wasn’t such a thing as email and everything had to be sent snail mail. Or in our case, packing Lisa into a taxi filled with goodies and sending her off to spend the day at ICP towers, chatting to writers and distributing her loot. In 2016 she probably wouldn’t even get past security.

 

 

 

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. The Seahorse Summer tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.

 

Stepping Out: Review

Stepping Out

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In rehearsals for Stepping Out

 

 

 

 

 

 

 

 

 

At Chichester Festival Theatre until 19 November (Booking: 01243 781312; www.cft.org.uk)

At the Vaudeville Theatre, London, 1 March – 17 June 2017 (Booking: www.nimaxtheatres.com)

Directed by Maria Friedman

Cast: Amanda Holden, Angela Griffin, Tracy-Ann Oberman, Tamzin Outhwaite, Nicola Stephenson, Judith Barker, Rose Keegan, Sandra Marvin, Jessica-Alice Mccluskey, Dominic Rowan, Janet Behan, Emma Hook, Katie Verner and Nick Warnford

A weekly tap dancing class in a community hall is the setting for a story that follows the lives of a group of ladies and a solitary man. Like many adult education classes, all human life is here.

Boasting a cast that includes several popular faces from television, Tracy-Ann Oberman is on superb form as wise-cracking Maxine. Glamorous in a wardrobe of nearly new and knock-off, the more-front-than-Brighton exterior conceals a tender and vulnerable heart. Tamzin Outhwaite as is also touching in her role class teacher Mavis. With her dreams of being a dancer dramatically reconfigured and an unhappy relationship to cope with, teaching is both her salvation and a constant needling reminder that she never quite made it. Amanda Holden as posh but tactless neat freak Vera delivers some of the production’s funniest moments, admitting only towards the end that her perfect life isn’t quite so perfect after all.

Everyone, in fact, has a secret to reveal, but the audience is short changed; what the final outcome is for each of the characters is anyone’s guess. Pace, too, is a frustration. A lethargic beginning gives way to a gentle potter before coming to a rather abrupt and inconclusive ending.

But the dialogue is sharp enough, the performances are (largely) accomplished and the familiar theme of trying to get along with people with whom one has little in common will surely resonate. Touring prior to the West End next year, hopefully the tempo will pick up and settle along the way. Then, no doubt, Stepping Out will be packing ‘em in.

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Best Endeavours, Best of Spirits: Jane Cable’s on what happens once that digital publishing deal is in the bag

best-endeavours-best-of-spirits-jane-cables-on-what-happens-once-that-digital-publishing-deal-is-in-the-bagBEST ENDEAVOURS
 
Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.
 
BEST OF SPIRITS
 
For a writer of ghost stories Hallowe’en offers apparently boundless opportunities to promote your work. I benefitted greatly from this when my first novel, The Cheesemaker’s House, hit the bookshops one September and my friend and PR Lisa Holden was able to secure some wonderful reviews in seasonal features.
 
2016 is The Cheesemaker’s House’s fourth witching season so once again I decided to make the best of it by running promotions on Twitter and on Facebook to give away iBooks. While I won’t ‘sell’ my books for a big fat zero on Amazon (or anywhere else, for that matter) I’m happy to give iBooks – and paperbacks – as competition prizes because it opens the doors to new readers and requires a certain amount of engagement from them. And as you may have gathered, I just love engaging with people who love books.
Jane Cable, publishing, writing
This year my local writers’ group, Chindi Authors, has been supporting #LovetoRead (more of which in a few weeks) and as part of our efforts those of us with sufficient courage have been videoed reading from our books. My offering – the first chapter of The Cheesemaker’s House – can be accessed via my website here http://janecable.com/the-book/4577579495 . Do me a favour if you do visit the link… listen, but don’t look. But at least I can take comfort in the knowledge that next time I’ll dress more carefully.
 
Much as I love writing ghost stories I fell into it by accident. The Cheesemaker’s House didn’t start out that way, and The Seahorse Summer began life with a very different ghost. But I have a genuine fascination with the fictional possibilities presented by the ripping of the veil between this world and the next and with every new character from beyond the grave I want to stretch the boundaries a little bit more.
 
This year the Hallowe’en fear factor increased when Reading Writers asked me to judge their autumn competition which was for a short format ghost story. One poem and eight prose pieces later I realised that writers across all genres had been prepared to give it a go. Fantasy, thriller and humour were all represented and the winner used characters from his military work in progress to brilliant effect.
 
It was also a new experience sitting in front of a room full of writers and giving them feedback on their work. Most were extremely gracious (although I did detect a pursed lip or two), but technical errors aside at the end of the day a winning story is a matter of personal choice. It made me realise just how lucky I was that The Cheesemaker’s House found people who loved it… and just happened to be judging competitions.

The Fiesta Continues

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Argentine Pop-Up Barullo delivered and conquered the appetites of many an anticipating guest this week. Hosted by Wines of Argentina and catered by Mauro Colagreco, we danced, drank and dined our way through the South American splendour in the heart of Hoxton. Barullo delivered to us Argentina with an extra serving of wine. My aim was to make my way though the extensive wine list but found myself somewhere after my 4th glass of Torrontes before I found that to be ‘wishful drinking’. Mauro Colagreco, owner of renowned Two Michelin Star French restaurant Mirazur, served up a sumptuous four-course meal perfectly suited to the supper-club style dining area making it an evening full of the delights of Argentina.

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The end of Barullo does not mean the fiesta has ended though as our equally esteemed Argentine friends at Gaucho have come up with another night to remember with another appearance from Mauro himself. On the 11th November. Gaucho welcomes “The 10 Hands”. Featuring 5 of the most influential and creative chefs of Argentina; Mauro Colagreco, Fernando Trocca, Narda Lepez, Guido Tassi and German Martitegui, are to showcase their gastronomic expertise just for you. Centered around the infamous Asado (Argentine Barbecue), Gaucho Piccadilly’s terrace will be transformed into a night of Argentine bbq indulgence featuring five-courses of pure Argentinian fayre served with pairings from their sumptuous wine list.

Tickets are priced at £100 and will be available from the Gaucho Website;

www.gauchorestaurants.com