Mother’s Day Poem | Close Encounter by Angela Taplin

angela taplinAngela Taplin, scribbler of fiction, poetry and (sometime) Deep Meaningful Reflections on Life. She’s a member of Chesham Writers and Scribblers and prefers lad docle vita to Ryvita any day.  She is a mother and a new, doting, grandmother.

 

Close Encounter by Angela Taplin

stork

‘Hi,’ she whispers soft

Her face alight with smile.

‘How are you doing?’

‘Look at you – aren’t you just perfect?’

Her eyes drink in every detail of him

From top to toe.

She leans in for a kiss,

Just brushing her lips across his skin.

He lets her,

His eyes fixed on her.

Accepting.

Calm.

footprints

Greedy, she gathers him to herself,

Breathing in the heady scent of him.

She’s waited so long for this moment.

The anticipation has been – almost –

Overwhelming.

‘I can’t believe you’re here.’

Kiss

‘I can’t believe you’re mine.’

Kiss

‘I’ll never let you go.’

Kiss

‘I love you.’

Kiss. Kiss.

‘Welcome to the world, my precious one.’

Angela Taplin March 2015

 

 

Why Did I Take Up The Ukulele? By Sylvia Chadwick

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Life is like a road with many turnings and my musical interests have been many and varied.

It started way back as a child when I loved the weekly “Singing Together” programme broadcast on the radio for schools. At secondary school, our music teacher was inspirational, and talented enough to play every instrument in the school orchestra. I longed to emulate him. I began as hundreds of others have done by playing the recorder and moved on to the violin. My parents? Tolerant or deaf I would think. I eventually became part of the youth orchestra and finally became the leader… more about my age than ability.

accordion

I began to play an accordion because my dear old Dad thought it was a super instrument and you could always earn a bob or two in a dance band. At the time I just wanted to make music so I started to learn on a small 48 bass one and soon moved to a much larger one, which was almost as big as me… being rather a small child.

Why did I take up the ukulele?  By Sylvia Chadwickpics2

However this was not ‘cool’ as in the 60s everyone played the guitar and what teenager wants to be different than their peers. If only my dad had known that that it was the best tool I ever had for teaching young children to enjoy singing.

All this led to Chester Teachers’ Training College to study music and drama as part of my teaching course. It was here that I took up the piano. I was catching up with my secondary teacher.

It was in retirement that I joined High Wycombe and district U3A. Somehow my musical skills were discovered. A friend approached me one day saying that she knew that I played the guitar but did I play the ukulele?

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Did I? Well no, but I remembered a ukulele which I had been bought as a kind of joke Christmas present a couple of years earlier. I was in business. We went to listen to an established group in Marlow to see what we thought. First impressions? It was in a pub, so bring it on. In the back room were around 40 players. We sat down to listen when someone put a ukulele in my hand, I managed a few chords and I realised that I was hooked.

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So lets start a group up in the U3A we decided. We hoped that we could find a teacher but no one came forward so without more ado I was coerced into leading the group.

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We have been going around 6 months now and the group is growing from an initial start of around 12 to over 20. We have a percussion section too, and that is growing well.

Why did I take up the ukulele?  Sylvia Chadwick

We meet once a month to play and we had our first ‘gig’ at our Christmas U3A coffee morning. It was great fun and seeing the smiles on everyone’s faces was fantastic. Its not a difficult instrument to get the basics going but it is really good fun to play together. I am still learning and keeping enough steps ahead of the group to be able to pass on the skills. My philosophy is that you cannot be sad when you are singing a cheery song and playing a ukulele. I love it. So we just keep strumming.

 

 

 

Interview With Dan Schreiber About The Great UFO Conspiracy

An interview with Dan Schreiber about The Great UFO ConspiracyThis Saturday night (14 March) sees More4 dedicate its schedule to some out-of-this-world programming for Aliens Night. In an all new one-off documentary airing first on More4’s Alien Night, comedian and presenter Dan Schreiber has gone in search of some of the Britons who believe in a huge government cover-up of extra-terrestrial life.

The Great UFO Conspiracy will air Saturday 14 March at 9:05pm on More4.

You’ve made a film, The Great UFO Conspiracy – what’s it all about?

It’s looking at the phenomena of conspiracy theories to do with aliens UFOS. Most of the time, when you think about that stuff, you think of the USA, of Area 51 and Roswell and so on. It all seems to be America-based. But actually, Britain has a huge role in the constant stream of theories of what’s going on. And this country has some of the largest ever encounters that are acknowledged worldwide by the community. So I wanted to find out more about the people who are leading the front, who think there’s something more going on.

Is this an area you’ve been interested in in the past?

Yeah, I’m interested in it in a slightly lateral, leftfield kind of way. I love the storytelling. I love the way the theories are put together. I see it as a type of storytelling that nobody really acknowledges. It’s a group of people looking at a thing and coming up with an alternative story and timeline for. And they all contribute to it, worldwide. And it adds to this bigger story, this growing, creative idea. The difference between them and me is that they believe it to be true, whereas I don’t. But I don’t think that should step in the way of admiring what’s a great story.

How much of this did you know before you embarked on your journey? Did what you encountered surprise you?

Oh, I was totally surprised. My background is in making sure that I know virtually everything about a subject before I get involved with it. That’s from a background of working on shows like QI. But on this show, the production team didn’t want me to find out anything beforehand. They wanted me to be put into the situation and learn on the spot. So I did go in thinking I’d know the majority of the theories, but there are so many of them, you just can’t get a handle on them. And also, all the theories that I thought were dead, like crop circles, are now alive again, and being reinterpreted. For example, we know they were created as a prank, but now the theory is that the pranksters were actually having their actions controlled by aliens. I love it that you can’t seem to kill a conspiracy theory – it will find a new way to live.

Almost by definition, these are people who are very suspicious of the motives of others, especially establishment organisations like broadcasters. Was it difficult to get them to trust you?

It’s a really odd one. They all seem to hate the BBC with a total passion, They think everyone’s involved. But this thing has grown so big, as an industry, that people are making their living off the back of talking about these theories or writing books about them. There’s so much money now being made that you can live your life by these theories. So they have to co-operate with the devil, because they know they can get more exposure for a talk that they’re going to do, or a book that they’re going to do.

What did you think if the people you spoke to?

I really liked them all, and found them really interesting. And one thing that struck me was that when we weren’t talking about UFO stuff, they’re all really chatty, nice, friendly, likeable people, who liked a laugh and liked to talk about football. One of them, a guy called Tony, very openly says that the last few years of his life have been absolute hell, he’s gone through various things. We didn’t go into what that was – I imagine depression was involved – so they’re not all completely rounded, happy, optimistic people. But if you’re sitting in a pub and start talking about acting or movies, they’re all interested in talking about that stuff.

Some of these guys seemed a convinced the authorities were after them. Do you think any of them were genuinely scared for their safety?

Tony says that he is, or certainly that he was. I spoke to a guy called Timothy Good, he struck me as someone who was just reporting facts, very much in control. He didn’t seem scared at all. Some of them I found it hard to tell. I didn’t know where the jokes stopped and the beliefs began. So this guy Miles was an example. If we were meant to be meeting someone, and they’d be running late, and you’d receive two of the same text, he’d say “When you get two, it means the government are watching you, and that’s why she had to disappear.” And then you’d wonder if he actually believed that, or was just winding me up.

Where do these ideas germinate from? 

That’s a good question. I went to a conference, and everyone was doing these talks, and I had a weird feeling. I do stand up comedy, and half the time you’re trying out new material to see how it’s received, and at this conference, it felt the same. People were standing up and offering new theories and new connections they’d made, and sussing it out with the crowd. It felt like a new material night for theories. But I think that these theories just seem to pop up out of nowhere.

You don’t try to debunk these theories. Why did you adopt that approach?

That wasn’t the focus of the show for me. None of us wanted to make something that was laughing at these people. It was more a matter of going “Look, this is an actual thing that’s happening, and millions of people around the world believe in it,” and if you’re at a dinner party and you’re sitting next to one of these people, you can either say that they’re mad, or dangerous, or idiots, or you could have a good conversation with them. I’m more interested in just hearing from them what they think is going on and why. If you see a documentary with Richard Dawkins, you don’t have time to understand what the religious person thinks, because Dawkins is shouting them down. That’s in no way productive for a conversation.

What are your own theories about extra-terrestrials?

I think that there’s alien life out there. I almost think it would be weird to think that there wasn’t, the Universe being what it is. I just don’t think that we’ve necessarily been visited yet. All they’ve done is gone one step further, and then added a whole conspiracy side to it, with the government being involved.

Lastly, I can’t let you go without asking you, after all those years of working on QI, what’s your favourite fact?

Let’s see. Oh, there’s a great one which always makes me laugh. You know the DVDs you get with the anti-piracy bit with the dramatic music at the beginning? It turns out they didn’t have the permission to use that song. The guy sued them and got money. That’s so wonderful. The other one I really like, which is from one of the QI books, is that in 1895, the only two cars in Ohio crashed into each other.

 

 

Ode To Azerbaijan by Jenny Falcon

Firstly ‘Where? followed swiftly by ‘Why?’
Was how conversations began
When we told our family and friends
We were off to Azerbaijan.

‘Why not?’ we said, ‘it’s different
A World Heritage site indeed
So off we went, an intrepid four
To see what we could see.

Our destination was Baku
A five and a half hour flight
Our boutique hotel in the Old Town
Near all the notable sights.

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The first day, locally we explored
Cobbled streets, lots of steps, lovely sun
A wide promenade by the Caspian Sea
Very old; stunning new; oh what fun.

Second day, off with our guide Yassim
Gloopy mud volcanoes to see
Followed by ancient petroglyphs
From many years B.C.

 

A different guide for our next trip
Fire Mountain and Fire Temple, too
Where flames have burned non-stop
Over 2,000 years, yes it’s true.

Another day walking round Baku
Up close to the Flame Towers so tall
Martyrs Alley, with graves of Azeris
Who when fighting the Russians did fall.

Baku’s a very clean city
Much money is there being spent
Smart shops, parks, hotels and museums
To attract tourists is their intent.

We always enjoy an adventure
New sights, sounds and culture to learn
And this trip was no exception
If asked, we would surely return.

Frost would love to receive more poetry. Contact Margaret: frost@margaret-graham.com

 

 

 

Is Your Mother An Art Lover? Gift This!

Kate-Gordon-Founder-of-LAS[1]getasset[1]

 

 

If your mother is a lover of art, a unique and welcome gift she would appreciate 

is a ticket to attend one of London Art Studies’ events.

London Art Studies – a series of exclusive events designed to make learning about art both accessible and entertaining –

unveils an exclusive partnership with the Bulgari Hotel in London’s Knightsbridge.

Expert lecturers on the arts will host a series of classes comprising ‘power hours’ over a cocktail

and morning discussions over coffee in the luxury hotel’s private screening room.

From investigating the works of Warhol, Grayson Perry and Duchamp, to getting the most out of hotly-anticipated exhibitions throughout 2015,

lectures have been carefully curated by London Art Studies to

make each session highly relevant as well as compellingly full of insider knowledge.

Lecturers are selected not only for their expertise but also for their accessible and engaging teaching styles.

The new London Art Studies evening class series (LAS Evenings) and morning lecture series (LAS In Focus)

 at the Bulgari Hotel sit neatly alongside the institution’s established and popular art lectures held

over lunch at Koffmann’s at The Berkeley Hotel.

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Explains London Art Studies Founder Kate Gordon:

“London is the arts capital of the world and I wanted to provide art lectures for people who don’t have

time to sign up for lengthy courses, but who still want access to the very best teaching in a fun and

sociable format. Our courses appeal to both curious beginners and more knowledgeable art-lovers and

collectors. Our aim is to take some of mystery out of the art world and one of the nicest compliments I’ve

received about our classes is from a student who called them a “spa for the mind” – I think she meant that

our classes are inspiring and also an escape from everyday life”.

 

 

As a pre Mother’s Day treat London Art Studies recommends –

LAS Lunch: American Art Since World War II on 12th March 2015.

American[1]London Arts Studies Gift Cards for Mother's Day

A wonderful way to be inspired and escape the ‘daily grind’. London Art Studies founder,

ex Sotheby’s and CNN producer Kate Gordan deems the experiences ‘spas for the mind’

and are also wonderful experiences for mother and daughter (or son) to share.

Lectures include representatives from Christie’s, Sotheby’s, the National Gallery and Tate.

Individual ticket prices range from £50 to £175.

Tickets and gift cards can be purchased from www.londonartstudies.com
 LAS IN Focus on McQueen, Lucas & Sargent

 

March, 2015

3rd LAS EVENINGS The Shock of the Old Ben Street 19.00 – 20.15

5th LAS LUNCH Best of British: From Bloomsbury to Bacon Lizzie Perrotte 10.00 – 14.30

10th LAS IN FOCUS Focus on Impressionism: Degas, Morisot and Pissarro Richard Stemp 10.00 – 12.00

12th LAS LUNCH American Art Since WWII Ben Street 10.00 – 14.30

May, 2015

5th LAS IN FOCUS Sarah Lucas, Sargent and Alexander McQueen Richard Stemp 10.00 – 12.00

5th LAS EVENINGS 20 Great Paintings of the 20th Century Ben Street 19.00 – 20.15

6th LAS LUNCH Modern Art: From Duchamp to the YBAs Linda Smith 10.00 – 14.30

7th LAS LUNCH The Legacy of Minimalism Ben Street 10.00 – 14.30

19th LAS LUNCH British Art from Freud to Emin Richard Stemp 10.00 – 14.30

June, 2015

2nd LAS IN FOCUS Delaunay, Hepworth and Martin Richard Stemp 10.00 – 12.00

2nd LAS EVENINGS Venice Biennale 2015 Overview Ben Street 19.00 – 20.15

16th LAS TOUR Highlights of the Courtauld Gallery Lizzie Perrotte 10.00 – 11.15

September, 2015

7th LAS TOUR The Saatchi Gallery Lizzie Perrotte 10.00 – 11.15

16th LAS LUNCH The Legacy of Surrealism Ben Street 10.00 – 14.30

24th LAS IN FOCUS Ai Wei Wei, Goya, Pop Art Richard Stemp 10.00 – 12.00

November, 2015

10th LAS IN FOCUS Calder & 20th Century Sculpture Richard Stemp 10.00 – 12.00

17th LAS LUNCH American Art Since World War II Ben Street 10.00 – 14.30

December, 2015

1st LAS LUNCH Great Tarts in Art: High Culture & The World’s Oldest Profession Linda Smith 10.00 – 14.30

LAS In Focus – £75, includes light refreshments

LAS Evenings – £50, includes light refreshments

LAS Lunch – £175, includes two-course lunch at Koffmann’s

LAS Tours – includes ticket entry to the exhibition

 

Tickets can be purchased for individual events and as season tickets by visiting the London Art Studies website www.londonartstudies.com or emailing/calling London Art Studies direct at office@londonartstudies.com

About Bulgari Hotel…

Located in Knightsbridge on the edge of Hyde Park, London’s Bulgari Hotel is both a haven of calm in the centre of the city and yet under a minute’s walk from such landmarks as the famous Harrod’s department store.  Since opening in 2012 the Bulgari has set new standards among the luxury hotels of the British capital. Elegant contemporary architecture and Bulgari’s legendary flair for design are matched by class-leading quality of service.  Design and service along with generously proportioned rooms and suites combine with unrivalled facilities such as a full gymnasium and physical training centre with on-site personal training team, WORKSHOP; 11 single spa treatment rooms and 1 private spa suite; 25 metre, three-lane swimming pool; 47 seat cinema; unique Cigar Shop and sampling lounge, a stunning Ballroom; to deliver a city hotel experience that is unique in the world.

www.bulgarihotels.com

About Koffmann’s at The Berkley Hotel…

It was a love of international rugby rather than good food that brought a 22-year-old Pierre Koffmann to Britain in 1970. As he says: “Food was not at its best and the rugby more interesting.” Pierre expected to stay only six months.  By pure luck Pierre quickly found himself working for Michel and Albert Roux at Le Gavroche in London’s West End. Within another six months he was promoted to Number 2 and after a quick stint at their Brasserie Benoit in the City, Pierre was appointed Head Chef at the Roux Brothers’ new Waterside Inn at Bray. In his five-year tenure he helped them achieve two Michelin stars.  In 1977, Pierre and his first wife Annie opened their first restaurant, La Tante Claire, in Chelsea and achieved three Michelin stars before taking up residency in the Berkeley Hotel in 1998.  After decades of contributing massively to British cuisine and training some of our finest chefs, Pierre folded away his precious knives in 2003 and realised a dream of hanging up a sign saying “Gone Fishing”. Becoming slightly bored a year later he came back to be a consultant to some major food retailers.  The call of the restaurant trade was too loud. In 2009, Pierre agreed to take a ‘pop-up’ La Tante Claire to be the Restaurant on the Roof at Selfridges for one week. Two months and 3,200 servings of his classic Pieds de Cochon aux Morilles later, Pierre once again returned to The Berkeley Hotel in Knightsbridge and to open Koffmann’s with partner and business partner Claire Harrison.Koffmann’s offers a relaxed, informal style with classic provincial French cuisine. The food of Pierre’s childhood in rural Gascony and the food that first inspired Pierre to follow his love of cooking using fresh, seasonal ingredients to deliver exquisite unspoiled flavours.

www.pierrekoffmann.co.uk/about-pierre

 

www.corinne-modelling.co.uk

 

Mums of Young Children in Breach of EU Working Time Directive

baby, working mothers, overwork, stress

We are not surprised at the news that mothers work so hard that they are in breach of Articles 3, 5 and 6 (b) of 2003 of the of EU Working Time Directive. Mums caring for a baby full time exceed maximum working hours, are not given adequate rest periods and do not receive paid annual leave from their baby employers

The number of hours each week that British mothers spend looking after their children would be in breach of the European Union’s Working Time Directive if this work were to be treated in the same way as paid employment, research by leading greeting card and gift retailer Clintons has revealed.

The Working Time Directive states that employees should work no longer than 48 hours per week. Workers are also entitled to a rest period of eleven consecutive hours in every 24-hour day, a rest break every six hours of work; an uninterrupted rest period of 24 hours in every seven day week, and paid annual leave of at least four weeks every year.  Employees who work night shifts have extra protection and cannot be asked to work more than eight hours in a 24-hour period.

Baby experts recommend that a baby between the ages of 12-18 months should sleep for around 14 hours a day, meaning a parent is actively looking after their child for the remaining ten hours. Across a 7-day period, this comes to a minimum of 70 hours a week, exceeding the maximum limit of a 48-hour working week specified by Article 6 (b) of the Working Time Directive by a shocking 22 hours. On top of this 70-hour minimum, mothers also have several hours of ancillary work each day and are constantly “on call” to respond to any emergencies, meaning their actual rest period is often reduced to six hours a day.

Of the 14 hours of sleep a baby should get each day, around three hours come in the form of daytime naps, and the remaining 11 hours come at night. Article 3 of the Working Time Directive states that workers are entitled to a “minimum daily rest period of 11 consecutive hours per 24-hour period” and therefore getting up in the middle of the night if the baby starts crying would be in breach of this rule.

Looking after a baby for seven days a week is also in breach of Article 5 which specifies that “per each seven-day period, every worker is entitled to a minimum uninterrupted rest period of 24 hours plus the 11 hours’ daily rest referred to in Article 3.”

Article 7 of the 2003 EU directive states that “every worker is entitled to paid annual leave of at least four weeks.” A Clintons survey of babies found that 0% of them had made provisions to fulfil this requirement.

Tim Fairs, director at Clintons, said: “Parents put in a huge amount of work, week in and week out, looking after their kids. Often this work goes completely unrewarded. Mothers’ Day is an opportunity to say thank you for everything mums do, but we shouldn’t wait for just one special day every year to acknowledge their hard work. We should celebrate mums every day of the year.”

Mother’s Day originated in the United States in 1908 when Anna Jarvis from West Virginia held a memorial for her mother. During the Second World War, American soldiers brought the celebration to the UK, where it merged with the older religious festival of Mothering Sunday when people would return to their mother church for a service held on the fourth Sunday of Lent known as Laetare Sunday.

Introduced in 2003, the European Union’s Working Time Directive (2003/88/EC) gives workers within the EU certain rights relating to numbers of hours worked each week, annual holiday entitlement, rest breaks and days off.

In the UK, workers have the option to work in excess of the 48 hours specified by the working time directive if they choose to, however this option does not apply to employees in all sectors. The statutory leave period in the UK is 5.6 weeks per year.

Tim Fairs, added: “Many mothers work incredibly hard all year round and never have a day off. No matter how old you are, take a moment this Mothers’ Day to let your mum know how much you appreciate her.”

 

 

UK’s Most Beloved Comedies

comedy, top comedy, UK, father ted, tv, funnyFor many years Britain has enjoyed something of an unparalleled reputation amongst global audiences for its hit comedies.

And with the global marketplace being ever more important to TV providers with the advent of new technologies, we thought we’d take a look back at some of the UK’s best comedies to see how they’ve succeeded.

The Goon Show

For many, The Goon Show set the ball rolling in terms of British comedy. Although it only featured on BBC Radio, it launched the careers of Peter Sellers, Harry Secombe and Spike Milligan as well as dozens of popular catchphrases that resonate to this very day.

Monty Python

And then in late sixties, six highly creative and chaotic individuals revolutionised comedy with Monty Python’s Flying Circus. The show lasted well over a decade and spawned many critically acclaimed films and is considered one of our national treasures.

The Young Ones

Borrowing some of Monty Python’s surreal humour and injecting it with a great deal of anarchism was the Young Ones. Starring Adrian Edmondson, Rik Mayall, Nigel Planer and Christopher Ryan, it signalled a new dawn for alternative comedy and ushered in a whole new wave of national moral panic!

Blackadder

Another classic comedy that capitalised on the new wave of alternative comedy stars was Blackadder that launched the careers of Rowan Atkinson, Stephen Fry, Hugh Laurie and Tony Robinson. Ingeniously setting the show over different historical periods allowed the show’s subversive humour to blossom to great effect.

Only Fools and Horses

One of the nation’s favourite comedies has to be Only Fools and Horses that saw the hapless Delboy and Rodney in their eternal struggle to be millionaires. Although the pair never fully managed to make their fortune, they still regularly return for Christmas specials.

Little Britain

Signalling a new wave of comedic talent for the 21st century, Little Britain relied on an old-school sketch show format with catchphrases and instantly recognisable characters. But what really propelled this show to legendary status were the talents of Matt Lucas and David Walliams, and Little Britain has become so popular that it now has its own slot game where players can win impressive bonuses whilst being mocked by their favourite Little Britain characters!

Father Ted

And finally, one of the most unlikely recent success stories is that of Father Ted. This classic series saw three priests on the remote Craggy Island survive a series of surreal and hilarious mishaps that perfectly sums up the eccentricities of living a somewhat backwards parochial life!

 

 

Month 2 Of My Reading Challenge by Frances Colville

I began with a book I probably wouldn’t have picked up myself, but which was the book of choice for one of my two reading groups.The Girl Under The Olive Tree by Leah Fleming (published Simon and Schuster UK 2013). It should have been a good read (interesting storyline about an English nurse working for the resistance in Crete during WW2) but there were some irritating anomalies and frequent failures to capitalise on opportunities for dramatic tension. I was left feeling dissatisfied, though I did learn some fascinating facts about Crete and WW2.

MONTH 2 OF MY READING CHALLENGE by Frances Colville

My second book also failed to grab me fully. I recently went to a talk by author Natasha Solomons and thought she spoke well and interestingly. I picked up a copy of The Gallery of Vanished Husbands(published Sceptre 2013) and keenly anticipated reading it. But I wasn’t completely convinced by her portrayal of the main character and I found the plot unrealistic in places. However, it is well written; her use of language appealed to me, as did the pace of the book, and there are some excellent descriptive passages. I think I will try another of her books. One more to add to my list.

MONTH 2 OF MY READING CHALLENGE by Frances Colville   2
Next I moved on to another reading group choice: The Year of Wonders by Geraldine Brooks(published Fourth Estate 2002). This was in fact a re-read for me, but I relished the opportunity to have a fresh look at a book which has long been on my Top Ten List. It’s based on the true story of a Derbyshire village coping with an outbreak of plague in the seventeenth century and is one of those books which is almost unbearable to read, and yet equally you can hardly bear to put it down.

MONTH 2 OF MY READING CHALLENGE by Frances Colville   3

As an aspiring short story and flash fiction writer, I have been eagerly awaiting the chance to read Hilary Mantel’s new short story collection The Assassination of Margaret Thatcher(published Fourth Estate 2014) and I wasn’t disappointed. Each individual story is a compelling read and all are powerful, harrowing, disturbing and haunting. In fact they made me question why I read. Is it for pleasure and relaxation? To learn? To be challenged? Or to appreciate the skill of the writer? In the case of this book, I think it is the latter two. And that is a tribute to Hilary Mantel who is a supremely good writer.

MONTH 2 OF MY READING CHALLENGE by Frances Colville   4

After that, I needed something less stressful and turned to Claire Sandy’s novel What Would Mary Berry Do?(published Pan Books 2014) Who doesn’t love Mary Berry and the Bake Off programmes? I’m a big fan, and this lighthearted tale of a harassed mother teaching herself with Mary Berry’s help to bake appealed to me. In fact I could have done with a bit more of the baking and a bit less of the rest of the story. It isn’t a book that will stick in my mind for years to come, but it is an enjoyable and relaxing read and I definitely recommend it if that’s the sort of book you’re looking for.

It’s a truism to say variety is the spice of life, but I’m learning that my choice of books reflects just that. So now I have a problem. What to pick up first for month 3?