How To Be a Successful Actor: Becoming an Actorpreneur Only £1.99 For One More Day

acting, acting advice, how to be an actor, how to be a successful actor, hollywood, castings, auditions, casting directors.How To Be a Successful Actor: Becoming an Actorpreneur has been included in Amazon’s Kindle Countdown Deals and for one more day is only £1.99. How To Be a Successful Actor: Becoming an Actorpreneur, written by Frost Magazine’s editor Catherine Balavage, has received a number of good reviews including three five-star reviews on Amazon UK and another brilliant four-star review on Amazon US, even though it has only been out for two months. The below review is from acclaimed author Margaret Graham:

A triumph for Balavage, and a necessary tool for anyone considering an acting career. By Margaret Graham

Balavage has written a well balanced exploration of how to succeed as an actor. I am an author, not an actor, but having read How to be a Successful Actor, I feel the two precessions are closely allied. Balavage clarifies the positives and negatives of the profession, and then proceeds to walk us through the ups and downs, giving anyone interested in becoming an actor the tools to maximise their chances.

The basic ingredients, it seems to me, are to utilise common sense and good manners. After all, you will be meeting the the same people on the way up, and then, when times are hard, to be nice out there..

But more than that, we are led by the hand through the nitty gritty of whether to train, or not to train, the virtues of hard work in the face of lack of progress, the need to be glad of any chance to gain experience, and exposure. She explains the need to acquire the necessary skills through classes, and the value of networking.

As I also advise my writing students, Balavage advises actors to watch and analyse their craft, on stage, radio and screen. She emphasises the need for actors to BE their characters, to acquire accents, to keep fit. She moves on to marketing, to the virtues of mobile phones and the internet for spreading the word about YOU,

There is humour: remember to avoid the stunt co-ordinator’s elbows, there are detailed tips: what to do if your mouth dries up (read the book and find out) , there are a forest of useful addresses.

No wonder it took Balavage 4 years to write this book, because she includes a plethora of interviews with experts in the field. What comes across is that Catherine Balavage considers an acting career to be a project, one that needs to have: a firm foundation, on-going development, marketing skills, research, realistic self-belief, and a hell of a lot of luck. This book needed to be written. It was Catherine Balavage with her clear sighted view of the profession who needed to write it. Bravo!

This one is from actor and casting associate Clea Myers:

Fantastic & Essential Guide By Ms. C. Myers

This really is an excellent guide book into the terribly difficult, but potentially rewarding life of an actor. Balavage tackles the often ignored questions that surround the inexperienced and/or young person who wonders what the best road to take is? She starts with the basics that encompass questions about whether to train at drama school (and thereby find the money to do so), or go another route by getting involved with fringe theatre and/or film school films. Throughout she weighs up the pros and cons in a highly informative and intelligent manner that are also highly credible as she is writing from first-hand experience. Her own entrepreneurship into film-making is included and offers fantastic tips and empowerment, to what is often a dis-empowering profession. She also demystifies the perceived ‘glamour’ of working as an actor and says it how it is. A good wake-up call for those out there that crave instant fame!

Her approach is wholly professional and fundamentally knowledgeable: she interviews working actors, alongside well-known casting directors who give an insider-view into what is required to get ‘ a foot in the door’. I would highly recommend this book to anyone interested in becoming an actor.

Crime writer Penny Deacon called it the ‘Best advice available’ in her review and American actor Tom Shafer gave it a wonderful review and said it was a great companion piece to Bonnie Gillespie’s acting bible, Self Management For Actors in his review below.

An excellent guide for the entertainment professional By Thomas Shafer

I found this book to be an excellent companion to Bonnie Gillespie’s ‘Self-Management for Actors’, which I am also currently reading. The first half of Catherine’s book does a excellent job of distilling a seminar’s-worth of material into a manageable bit. The second half, the interviews, felt more conversational. What was clear, the recommendations made in the first half came, in part, from these interviews. This is an excellent technique, since it reinforces the validity of the recommendations as having come from entertainment professionals who have achieved a perceived level of success. (I like that the definition of “success” was open for discussion, since it can mean different things to different people.)

As an American reading this book, I did find some UK-centric resources and references. But, in this era of global Internet access, I found just as many that were valid for US readers. I was able to take this in stride and see this as a valuable tool in my self-management as a working actor.

Thanks, Catherine, for writing this excellent guide.

What are you waiting for? We are not biased, it is an excellent guide and an essential for any actor.

How To Be a Successful Actor: Becoming an Actorpreneur is available here.

 

 

Nehedar, The Warming House | Music News

Band/Artist: Nehedar
Location: New York City
Styles: Folk, Rock, Americana, Pop, Punk, Electropop
Similar to/RIYL: Patti Smith, St Vincent, Regina Spektor, Fiona Apple, PJ Harvey
CD: The Warming House
Release date: Aug 13, 2014Accolades:  Mother Jones Reader Choice Picks for 2011, My Roommate Is An @$$clown Video Screened at Libelula Animation Festival in Spain, Performing Finalist at We R Indie Songwriting Competition 2011Members/Instruments: Emilia Cataldo: Vocals and Guitar, Craig Levy: Bass, Drums, Synth, Craig Judelman: Violin, Jennifer Harder: Trumpet, Michael Hitchcock: Guest Vocals

Production: Craig Levy at Little Pioneer Cider House in Brooklyn NY

Nehedar

Bio:

Nehedar is the project of NYC-based singer/songwriter Emilia Cataldo, who is releasing her 7th independent album “The Warming House” on Aug 13.

On the new record, Nehedar continues to blend her antifolk-rock style with other unexpected sounds and genres, only this time with a deeper Americana influence. The result, is mesmerizing.

The Warming House – which is the artist’s first crowd funded album and was recorded in Brooklyn with producer Little Pioneer (Craig Levy) – takes listeners on a journey spanning down-home fiddling to majestic horn parts to electronic beats, from angry punk to upbeat pop to sad folk to playful country tunes to feminist anthems.

While blending and shifting between genres has always been part of the music of Nehedar, The Warming House represents a true crystallization of her all-embracing, diverse musical style. It is the artist at her most mature and fully developed stage.

Cataldo began performing her original music in Williamsburg, Brooklyn, and NYC’s Lower East Side in 2003, and the anti-folk influences from those early years still shows.

She released her first album “Pick Your Battles” in 2007, and has released one album per year, every year since.

To gain a deeper understanding of Nehedar, one needs to understand her eclectic background.

The child of free-spirited, nomadic musicians, Cataldo grew up exposed to a wide variety of cultural and musical influences – treasures she has drawn from to create her richly layered recordings that have always been best described as original.

Her father is a saxophone playing Nuyorican (Puerto Rican New Yorker) jazzman. Her mother was a classically trained piano teacher who liked folk music. Together, they would shut themselves up in their room every night to practice while their six young children ran wild.

The music of Nehedar reflects Cataldo’s fascinating journey through life From the Latin influenced environment where she helped her father run his liquor store as a girl in Miami, to a troubling adolescence in the fascinating midwestern town of Zion, Illinois (which she draws from in The Warming House’s nostalgic title track).

Cataldo left Zion at 17, and traveled with the Rainbow Family of Living Light, where she began learning about her mystical Jewish heritage. That led to her taking on the name Nehedar (which means “wondrous” in hebrew) for her and her band, and Jewish mysticism continues to infuse her work.

July – All Year Round | Music News

julyresurrectionJuly made an album in 1968 that has some of the greatest psychedelic rock music ever put to wax in its grooves , The band were initially called the Dreamers then The Tomcats and in 1968 after securing a label contract with Major Minor Records with new manager Spencer Davis they became known as July.

The album at the time of its release did not sell that well but has since become one of the most collectable records of not only its time but of all time and it’s fair to say that its rightful place as one of the very few albums that will transcend time and space is now secured, this leads me nicely into in fact why I’m doing this review! It’s the brand new album by that very same band.

JULY – RESURRECTION

Tom Newman, Pete Cook, Chris Jackson & Alan James reformed July around 2009 and this new album is just like a continuation from that marvellous record of 1968, if you are a true fan of music that is made by musicians who truly care about the art form of sounds which can conjure up feelings and indeed thoughts to take you to those very special places we all know exist but in real terms very few embrace then this album and this band are your very own first class ticket to ride!!

July – Resurrection is like listening to all your favourite bands at once but still retaining their own very special distinctive, unique, quirky, idiosyncratic, isolated, does not sound like anything else charm. It would be easy to say The Beatles , Xtc , Blossom Toes, or even Jethro Tull but that could be say my comparisons on that level as easily as someone else might say The Koobas ,SRC , or even Captain Beefheart, but then again ALL that stuff is in there somewhere . Check out `can I go back again` for instance. These are the sounds of JULY, A great album by a great band of musicians. Do yourself a favour now.

Album available now at http://www.griffiths-clothing.com
http://en.wikipedia.org/wiki/July_(band)

 

 

Thurston Moore Joins The Blank Tapes

Thurston Moore returns with a special set of recordings for The Blank Tapes

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Thurston Moore returns to North London independent record label Blank Editions with a new extended space age composition for the cassette series, Blank Tapes.

Inspired by the comet-chaser Rosetta presently orbiting an epic journey to 67P/Churyumov–Gerasimenko, Sonic Youth founder Thurston Moore sings to the spacecraft “you were born to catch her light / and revel in her flight / before she goes too far / to unnamed stars / into deepest solar reaches / past all she has yet to teach us….” with heavenly accompaniment by Hush Arbors on guitar, Samara Lubelski on ethereal violin and Sunburned Hand of the Man’s John Moloney on drums. This original seven minute and twenty second song is a rare treat from this group recorded to honour Sun Ra on the occasion of his Earth-birth centennial.

Side B’a “Rebellion of Joy” is a bliss-metal excursion of four minutes and twenty seconds splendid in instrumental chaos sounding much like the cassette’s cover artwork: Sun-drenched goddesses smeared into a black magick skull galaxy.

Produced by Ecstatic Peace Library in the name of Thurston’s unending love of the cassette tape format. Offered in a limited edition of 700 copies and presented in a library case with a full colour printed j card featuring collages by Julien Langendorff.

Blank Editions previously released Thurston Moore’s radical springtime protest single “Detonation.” Thurston Moore’s forthcoming full length record “The Best Day” will be released later this year by Matador Records also on cassette tape!

Dog Versus Cat: (Big) Cat Wins

We love cats at Frost and thought this cute video of dogs getting freaked out by a lion cub was super cute.

It has had over 3.5million views since Shaun Swingle uploaded it.

The video apparently comes from Union Pictures which is a training company that trains animals to appear on film. Pretty cool.

dogversusbigcat

Basement Jaxx Headline RBMA Notting Hill Carnival Party

Basement Jaxx headline RBMA Notting Hill Carnival party – 25 August 2014

As the Out-of-Offices start tumbling in, and the sounds of summer swell with the chorus of late night hedonism, the August bank holiday rolls ever nearer, and with it the promise of carnival. Red Bull Music Academy Sound System, a stalwart on the carnival circuit, returns with its vibe-infused miscellany of stomach-crunching bass, cocktails, and jerk delights.

basementjaxxnottinghillcarnival

Storming the headline slot with a special DJ set – the frenetic, rabble-rousing antics of UK party house revolutionaries Basement Jaxx, dropping their hotly anticipated new album the very same day. Normally found topping the bill at the likes of the best festivals and best and biggest arenas around the world, catching a DJ set in more intimate confines is a chance not to be missed. With two BRIT Awards under their belts and shows that have become near-mythologised for their heady rambunctiousness, this will be a carnival show-down to remember.

They’re joined by a host of acts who’ll be blessing the carnival crowd with their UK debut: Jamaican reggae/dub cohorts Protoje & Yaardcore, Tropkillaz, blending trap and tropical bass with the pelvic rhythms of their native Brazil, and RBMA alumnus Kalbata & Mixmonster, who’s newly released album Congo Beat The Drum – recorded between their studio in Israel and Kingston, Jamaica – sliced through the blogosphere to high critical kudos. They’ll also welcome first-generation dancehall MC Clapper Priest as part of their set. Soca-fuelled riddim fanatics Jus Now, fresh from repping their hometown at the RBMA x St Paul’s Carnival Sound System, are back and bass-laden for the Notting Hill edition, whilst Mixpak Records, home to the sun-summoning likes of Dre Skull, Popcaan, Vybz, and Jubilee, bring their sonic powerhouse Mixpak Soundsystem to the fray. Finally, feverous bashment crew The Heatwave complete this year’s line-up, bringing the spirit of the Caribbean to the concrete jungle.

Tickets will be free and available via ballot system, with hopeful entrants able to apply from Monday 11th August until Friday 15th August via redbull.co.uk/rbmacarnival

In anticipation of the annual Notting Hill Carnival, a diverse cast of Londoners attempt to master a selection of must-have carnival dance moves including the Big N Nasty, Tempa Wine, Bruk It Down and Willie Bounce in this Carnival Dance Guide set to GotSome x Jus Now’s ‘Run Di Dance’. Check it out below:

Rival Empire “Self-Titled” | Music News

artworks-000086590912-46r2ua-t200x200
Band/Artist: Rival Empire
Location: Chicago, IL
Styles: Alternative Pop/Rock, Synth-Pop, Electronic Dance-Rock, New Wave
Similar to/RIYL: Duran Duran, Cut Copy, The Killers, Friendly Fires
CD: (Self-Titled): Rival Empire
Members/Instruments: Steve Rivera – (Riv): All Electronic Instruments: Drums, Bass, Guitar,
Piano, Synths, MIDI, and Vocals.
Matt Koliopoulos – (MFK): Lead Vocals.
Tim Franz – (Frantana): Rhythm & Lead Guitar.

Production: Steve Rivera: Producer, Recording & Mixing Engineer
Primary Recording & Mixing took place in: Home Studio, as well as, “The
Bunker” on Paulina / 35th Street Studios in Chicago, IL.
Final Stem Mix/Mastering Completed By: Crazy Daisy Productions in
Beaverton, Oregon.

Bio: The Rival Empire is an idea, born out of randomness and captured in the moment. The Album came from the most simple of beginnings. Two old college buddies, lets call them Matt & Steve, were hanging out one summer night when Matt said, “Hey, let write some songs.” Steve’s response, “For sure.” A few months down the road our two old friends met a new gentlemen along the way, lets call him Tim, and said “Hey Tim, we’re writing some tunes”. Tim’s response, “I’m in.” And so there were three, and so they wrote…

After writing their first three songs they realized that each of the songs were very different from one another, radically different in fact. They had started off by writing a dance song, a reggae song, and electronic rock song. At this point they probably should have questioned what in the hell it was that they were trying to accomplish. But that question never arose, and an idea did instead. That idea was the Rival Empire.

The Rival Empire was from then on not meant to be about writing a single genre album with a common style. However, the album was not necessarily meant to be about genre chaos either. They simply wanted it to be free from the more familiar structures of the “mainstream” album. Once you give the album a good listen you will clearly see that they still wanted to capture the essence of several popular genres, with the “Theme” serving as the main commonality and unifying factor. The principal theme here is an introspective and often satirical look into oneself, society, and pop/mainstream culture. Interestingly enough, throughout the writing
process, sometimes the best way to convey that theme was through the combination of genres within a single song, ie. Casino. Also, taking it a step further they also found that integrating key portions of popular songs into there own work added the artistic and satirical punctuation necessary to deliver their intended message, i.e. Reagan’s Rancho Del Cielo, Cameo Crush, Casino.

(Rival Empire would like to take a moment here in advance to respectfully thank: Phil Collins, Fleetwood Mac, Michael Jackson, Ronald Reagan, Christie Brinkley and their corresponding Publishers/Rights Owners, for their understanding of Rival Empire’s artistic use of repurposed lyrics and minor compositional melodies from: One More Night, Little Lies, Billie Jean, Ronald Reagan’s excerpts, and Ms. Brinkley’s namesake, respectively. All of the above uses were designed carefully to
fall under the fair use protection of section 107 of the Copyright Act. The uses of these works are clearly transformative and parodic, intended to serve as comment and social criticism. The key factor here being social criticism and commentary, as there is no intention of malice toward the above-mentioned persons.)

Beyond taking the above-mentioned artistic liberties, our friends at the Rival Empire, simply wanted to write songs that they enjoyed and that hopefully provide some meaning to you as the listener. This is a crucial element, because the Rival Empire isn’t only about the creation of what might seem to be at times, outlandish music. It’s also about we as people and viewing ourselves from a different perspective. Creative expression, social criticism, plain old fun, and free thinking is part of the essence of who we are as people. So if we all for a moment can step out of our collective structures and into the randomness, we can rise as a Rival Empire.