The Girls From Corona Del Mar By Rufi Thorpe Book Review

The Girls from Corona del Mar review

The Girls From Corona Del Mar immediately hooks you. Brilliantly written, it draws you into a nostalgic haze. It is a brutally honest and sometimes uncomfortable read about the friendship between two women. This books takes a long, hard look at female friendship and reveals how little we can know someone, how life gets in the way and how fate can deal hands that are unfair and unbalanced. It reminds us that life is brutal and hard, but also beautiful and kind. The story is narrated by Mia as she describes her friendship with Lorrie Ann.

Rufi Thorpe’s true talent is how believable the book is, even with the twists and turns, the slights of fate. She has a beautiful way of writing that is almost poetic. But the book is also haunting and brutal. The story may be of friendship but it is a particularly broken one. It is easy to be best friends when you are a teenager, but life gets in the way later, as does judgement and life choices. It is a friendship of guilt, love and jealousy. Mia defines her entire identity against Lorrie Ann, referring to her as her ‘opposite twin’. She always thought she was the bad one, Lorrie Ann the good one. It is love, but it is messy.

The book can give a brutal look at being a woman. Abortion and the regret of having one plays heavily, childbirth is grisly and awful- actually stomach churning. It charts friendship through different countries, reversal of fortunes and personal faults. It is a wonderful book that stayed with me, if even occasionally for a haunting and brutal story. The Girls From Corona Del Mar is haunting, beautiful and hard to put down.

Why did Lorrie Ann look graceful in beat-up Keds and shorts a bit too small for her? Why was it charming when she snorted from laughing too hard? Yes, we were jealous of her, and yet we did not hate her. She was never so much as teased by us, we roaming and bratty girls of Corona del Mar, thieves of corn nuts and orange soda, abusers of lip gloss and foul language.”

An astonishing debut about friendships made in youth, The Girls from Corona del Mar is a fiercely beautiful novel about how these bonds, challenged by loss, illness, parenthood, and distance, either break or endure.

Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can’t quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend’s life. Then a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall further—and there is nothing Mia can do to help. And as good, brave, fair Lorrie Ann stops being so good, Mia begins to question just who this woman is, and what that question means about them both.

A staggeringly honest, deeply felt novel of family, motherhood, loyalty, and the myth of the perfect friendship, The Girls from Corona del Mar asks just how well we know those we love, what we owe our children, and who we are without our friends.

 

 

The Girls from Corona del Mar is available here.  

 

 

You’re A Big Girl Now By Neil Gordon Book Review

yours-a-big-girl-now-book reviewUpon reading the inlay for You’re A Big Girl Now I was immediately hooked. It has a lot of the stuff I am interested in: politics, privacy, human rights, journalism. I was not disappointed. It grabs you from the start and I also feel like Neil Gordon really knows his stuff. As he should of course, this is his fourth novel and he is also Professor of Writing at The New School and Professor of Comparative Literature and Dean of The American University in Paris. Add in that he is the literary editor at the Boston Review and you have a man who knows a lot about writing. This certainly comes across in his novel.

This novel is a sequel but I only realised that after reading the blurb on the Pan Macmillan website. Despite this, you can read this book as a standalone novel and still understand and enjoy it.

It is a gripping thriller that holds you. It has plenty of twists and turns. The main character, Isabel Montgomery, is not necessarily a likeable person. She is over-privileged but she knows it, gets work because of her family name but knows it, is a drug addict and a flake, but she knows it. I didn’t know if I liked her but the fact is, Isabel Montgomery certainly would not care whether or not I liked her. There is an echo of Girl With The Dragon Tattoo here. I must admit that sometimes I struggled with her character. I don’t know why female characters have to be so broken sometimes. The drug use annoyed me and I couldn’t relate to it. She is in her late-twenties and is still blaming her family for her problems, all whilst making a living trading off their name.

But she has her good points. She is an excellent writer, ballsy, opinionated. If it wasn’t for the drug use and the alcoholism she could actually be a heroine. She just lets her demons overcome her, not realising that many people have had a much worse life then she has.

The book is excellent, relevant and tells an important story about surveillance and politics. It is an enjoyable and educating read, even if Isabel annoys you sometimes.

 

A contemporary literary thriller, You’re A Big Girl Now is the gripping sequel to The Company You Keep, recently adapted into a major film directed by and starring Robert Redford, alongside Shia LeBoeuf and Susan Sarandon.

In 1995, Isabel Montgomery was abandoned by her father in a downtown Manhattan hotel room, and the world of her childhood fell apart. After years undercover, he was exposed as one of America’s most wanted fugitives, for his role in violent anti-Vietnam protests.

In 2011, Isabel is a twenty-seven-year-old star reporter – despite a bad attitude and a substance-abuse problem – and she’s about to put her career on the line by writing a New York Times front-page story on the Obama administration’s unconstitutional surveillance of its citizens.

Forced into hiding after the story breaks, she takes refuge in her grandparents’ abandoned home. There, surrounded by the past she’s run from for years, she makes a discovery that sees her turn her investigative skills on her own family to finally understand the truth about everything that led her to this moment.

You’re A Big Girl Now is a gripping, intelligent thriller that questions the morals and politics of America in the contemporary Age of Surveillance.

You’re a Big Girl Now is available here.

 

 

Nicki Minaj Anaconda Music Video | Watch Now

Nicki Minaj Anaconda Music Video watch now

Nicki Minaj’s Anaconda music video is here and it is crazy, colour and controversial as ever. It has had a mixed reaction but she looks stunning and is a great example that not everyone needs to be thin to be beautiful. This is another fun slice of hip hop pop.

What do you think?

aCr Ghost Note Manifest | Music News

Band/Artist: aCr
Location: Houston, TX
Styles: Post-Future Rock
Similar to/RIYL: Queens of the Stone Age, Russian Circles, Red Sparowes, Fugazi,
CD: Ghost Note Manifest


Members/Instruments: aCr – everything.  Drums on The Mechanical Motion of Dying Stars: Ryan Jimenez; Drums on “Turnstile Intervention”: Jason Sherman.

aCr

Tracklisting: The Mechanical Motion of Dying Stars, Turnstile Intervention, 1st Assumptions vs. 2nd Doubts


Bio: Ghost Note Manifest is the first solo effort from Alvaro Che Rodriguez (aCr), guitarist/vocalist of Liquid Casing. GNM isn’t about laying out one’s inner soul for everyone to see, but only represents a snapshot in time while trying to decipher one’s own riddle.
The three song set was written, produced, and performed by aCr with some help from Ryan Jimenez and Jason Sherman on drums.

 

 

 

Norm MacDonald’s Touching Tribute To Robin Williams

Robin Williams’ death left a world in mourning like no other celebrity before him. The laughter and joy he brought to people in childhood and beyond made him an international treasure.Robin Williams tribute

 

 
One of the most touching tributes I saw was from Norm MacDonald, I am not embarrassed to say that it even made me cry. Rest in peace to Robin Williams, who will be sorely missed. Here is Norm’s amazing tribute. Let us know what you think.

Norm MacDonald

Norm MacDonald

Samaritans is available round-the-clock on 08457 90 90 90 or email: jo@samaritans.org

Millie Mackintosh, Jessie Ware & Louise Thompson Pledge Allegiance To Cath Kidston

Cath Kidston has a new campaign this season all about women and their handbags – something which is very personal to every woman, and can be a real storyteller in terms of personality and personal life and we love it.

milliemackintosh
louisethompson

With a particular focus on the universal truth of the two tribes women fall into on the subject of the size of their handbag – either being the kind of girl who carries everything but the kitchen sink or the kind that only carries the bare essentials, Cath Kidston will launch a photographic exhibition called ‘Do You Like Yours Big or Small?’ at their flagship store 180 Piccadilly, featuring high profile friends of the brand including Daisy Lowe, Jessie Ware, Nicola Roberts, Millie Mackintosh, Sophie Ellis-Bextor and Cath Kidston herself pledging their allegiance to being either a #totesbig or #totessmall kind of girl and revealing what they carry in their everyday bags.

Daisy Lowe, Jessie Ware, Nicola Roberts, Millie Mackintosh, Sophie Ellis-Bextor and Cath Kidston annafriel

The exhibition will run for two weeks in the 180 Piccadilly Store, London and will be open to the public, who can also get involved by submitting their own #totesbig and #totessmall images for a chance to be featured in the exhibition. In addition there will be an interactive Ames Room, which distorts the users perception creating a #totesbig or #totessmall effect depending where you’re stood.

 

The Cath Kidston Ames room will be touring the UK bringing modern vintage British fairground fun to the below spaces:

 

o    Southampton – 6th & 7th Sept

o    Meadowhall – 13th & 14th Sept

o    Bluewater – 20th & 21st Sept

o    Westfield – 4th & 5th Oct

 

 

 

Zoe Saldana: I Am ‘Expired’ at 36 Because of ‘Ageist’ Hollywood

Guardians of The Galaxy star Zoe Saldana has called Hollywood out on its ageism, saying that the same ageist standards are not applied to men.

Zoe said it is “f**king ridiculous” that she is considered “expired” at the age of 36. She told The Sunday Telegraph’s Stella Magazine that she was offered the role as a love interest of an actor who was 30-years older than her. “I said ‘Eurgh, no f**king way’, they said ‘But Zoe, he’s the hottest actor’. I don’t give a  f*** how hot he is, I’m not going to endorse that — not until the day I see more romantic movies with Diane Keaton, Sandra Bullock, Meryl Streep with young hot actors working as their sidekicks. Only then will I say yes.”

Go Zoe!

Zoe_Saldana_at_82nd_Academy_Awards_(cropped)

 

If you want to be an actor, check out our editors book on How To Be a Successful Actor here.

 

 

How To Be a Successful Actor: Becoming an Actorpreneur Only £1.99 For One More Day

acting, acting advice, how to be an actor, how to be a successful actor, hollywood, castings, auditions, casting directors.How To Be a Successful Actor: Becoming an Actorpreneur has been included in Amazon’s Kindle Countdown Deals and for one more day is only £1.99. How To Be a Successful Actor: Becoming an Actorpreneur, written by Frost Magazine’s editor Catherine Balavage, has received a number of good reviews including three five-star reviews on Amazon UK and another brilliant four-star review on Amazon US, even though it has only been out for two months. The below review is from acclaimed author Margaret Graham:

A triumph for Balavage, and a necessary tool for anyone considering an acting career. By Margaret Graham

Balavage has written a well balanced exploration of how to succeed as an actor. I am an author, not an actor, but having read How to be a Successful Actor, I feel the two precessions are closely allied. Balavage clarifies the positives and negatives of the profession, and then proceeds to walk us through the ups and downs, giving anyone interested in becoming an actor the tools to maximise their chances.

The basic ingredients, it seems to me, are to utilise common sense and good manners. After all, you will be meeting the the same people on the way up, and then, when times are hard, to be nice out there..

But more than that, we are led by the hand through the nitty gritty of whether to train, or not to train, the virtues of hard work in the face of lack of progress, the need to be glad of any chance to gain experience, and exposure. She explains the need to acquire the necessary skills through classes, and the value of networking.

As I also advise my writing students, Balavage advises actors to watch and analyse their craft, on stage, radio and screen. She emphasises the need for actors to BE their characters, to acquire accents, to keep fit. She moves on to marketing, to the virtues of mobile phones and the internet for spreading the word about YOU,

There is humour: remember to avoid the stunt co-ordinator’s elbows, there are detailed tips: what to do if your mouth dries up (read the book and find out) , there are a forest of useful addresses.

No wonder it took Balavage 4 years to write this book, because she includes a plethora of interviews with experts in the field. What comes across is that Catherine Balavage considers an acting career to be a project, one that needs to have: a firm foundation, on-going development, marketing skills, research, realistic self-belief, and a hell of a lot of luck. This book needed to be written. It was Catherine Balavage with her clear sighted view of the profession who needed to write it. Bravo!

This one is from actor and casting associate Clea Myers:

Fantastic & Essential Guide By Ms. C. Myers

This really is an excellent guide book into the terribly difficult, but potentially rewarding life of an actor. Balavage tackles the often ignored questions that surround the inexperienced and/or young person who wonders what the best road to take is? She starts with the basics that encompass questions about whether to train at drama school (and thereby find the money to do so), or go another route by getting involved with fringe theatre and/or film school films. Throughout she weighs up the pros and cons in a highly informative and intelligent manner that are also highly credible as she is writing from first-hand experience. Her own entrepreneurship into film-making is included and offers fantastic tips and empowerment, to what is often a dis-empowering profession. She also demystifies the perceived ‘glamour’ of working as an actor and says it how it is. A good wake-up call for those out there that crave instant fame!

Her approach is wholly professional and fundamentally knowledgeable: she interviews working actors, alongside well-known casting directors who give an insider-view into what is required to get ‘ a foot in the door’. I would highly recommend this book to anyone interested in becoming an actor.

Crime writer Penny Deacon called it the ‘Best advice available’ in her review and American actor Tom Shafer gave it a wonderful review and said it was a great companion piece to Bonnie Gillespie’s acting bible, Self Management For Actors in his review below.

An excellent guide for the entertainment professional By Thomas Shafer

I found this book to be an excellent companion to Bonnie Gillespie’s ‘Self-Management for Actors’, which I am also currently reading. The first half of Catherine’s book does a excellent job of distilling a seminar’s-worth of material into a manageable bit. The second half, the interviews, felt more conversational. What was clear, the recommendations made in the first half came, in part, from these interviews. This is an excellent technique, since it reinforces the validity of the recommendations as having come from entertainment professionals who have achieved a perceived level of success. (I like that the definition of “success” was open for discussion, since it can mean different things to different people.)

As an American reading this book, I did find some UK-centric resources and references. But, in this era of global Internet access, I found just as many that were valid for US readers. I was able to take this in stride and see this as a valuable tool in my self-management as a working actor.

Thanks, Catherine, for writing this excellent guide.

What are you waiting for? We are not biased, it is an excellent guide and an essential for any actor.

How To Be a Successful Actor: Becoming an Actorpreneur is available here.