Chelsea Art Fair | Events

After last year’s successful relaunch of the new Chelsea Art Fair under the directorship of Ben Cooper, it will be returning to the Chelsea Old Town Hall and open to the public from Thursday, April 10 to Sunday, April 13, 2014. Offering an equally wide selection of well-known artists and some new discoveries, 40 of the most respected modern and contemporary art galleries from around the country will bring their highlights – many shown on the London Fair scene for the first time.

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Flat and three-dimensional works of art with prices up to £50,000, making this the perfect Fair for keen collectors and first-time buyers alike. The chic boutique Fair encourages visitors to take their time to look around and talk to dealers in a relaxing, contemporary atmosphere.

This year, the Fair sees some of the best galleries from Cornwall and Devon exhibiting on the King’s Road, including Falmouth-based Beside the Wave, Lighthouse Gallery and Stoneman Gallery from Penzance and Totnes dealer White Space Art. They are bringing a wide range of art depicting the South West of England and artists from the region.

For the first time, Didier Ltd will be selling iconic jewellery by leading 20th-century painters, sculptors, designers and architects, and as such bringing a new dimension to the Fair, which will work well with some jewellery by other contemporary artists sold by some of the exhibiting galleries.

Several galleries will be exhibiting sculptural art as well, but the leaders in life-sized sculptures are Muse,The Sculpture Gallery. Muse’s key sculptor Philip Jackson will be joined by several other established and emerging UK and European sculptors. While the Sheridan Russell Gallery focus on UK artists, among them Shaun Brosnan, Stephen Page and Mel Fraser, who will create a life-size sculpture especially for the Chelsea Art Fair.

Other top end galleries and contemporary art dealers exhibiting include Francis Iles Gallery, Camburn Fine Art, Carina Haslam Art, Woodbine Contemporary Arts, Wren Gallery and The Russell Gallery, who will bring works by artists collected by well-known art collectors, museums and celebrities around the world.

There will be some exciting talks on various aspects of modern and contemporary art to give visitors the opportunity to engage more with the art on view (more info below).
The Chelsea Art Fair will support the Hearing Dogs for Deaf People Charity again this year and a percentage of specific works of art will go directly to the charity.

When: THURSDAY, APRIL 10 to SUNDAY, APRIL 13, 2014
Where: CHELSEA OLD TOWN HALL, LONDON SW3 5EE
Open: Thursday, 11-9, Friday & Saturday 11-6, Sunday 11-5
Cost: £6
Up-to-date information and E-Tickets: can be found on www.chelseaartfair.org or on Twitter and Facebook.
Tours: There will be several tours around the fair, available to book on the day at a cost of £10, including entry and 50% of which will be going to the charities.
Friday, 12 April: 14.30 How to decorate your home with art
Saturday, 13 April: 14.30 Investing in art
Sunday, 14 April: 14.30 An introductory tour on how to start your own art collection

 

The Chelsea Antiques Fair Returns To The Old Town Hall

After last year’s successful re-launch, The Chelsea Antiques Fair will return to the Chelsea Old Town Hall twice in 2014. One of the highlights in every antiques lover’s diary, the Spring Fair will take place from Wednesday, 19th to Sunday, 23rd March 2014.

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The Fair, which was established in 1950, prides itself on its boutique style set up with a great variety of traditional art & antiques and a time line up to mid 20th Century. Around 35 specialist dealers have been chosen for their expertise in each field and will bring exquisite highlights to the Fair, as well as objects with more affordable price tags from £100. The friendly Fair is known as the perfect place to chat to dealers and learn more about their specialities and collecting art and antiques in general.

This year’s Fair promises some great discoveries for collectors, investors and anyone decorating their home. Generalists like Mark Stacey, known for his appearances on BBC Antiques programmes, will exhibit next to British paintings specialists, jewellery dealers, oak furniture experts and Works of Art dealers, specialising in glass, ceramics, silver and textiles.

There will also be a more active angle to the fair, with some live demonstrations of carpet restoration on the Pars Rug Gallery stand and talks by antiques and art specialists and interior experts.

This year’s Fair will again support the Hearing Dogs for Deaf people charity, with a percentage of sales from selected objects going directly to the charity.
The Autumn Chelsea Antiques Fair will take place from 17-21 September, 2014.

Event Details:
Venue: Chelsea Old Town Hall, King’s Road, London SW3 5EE
Open: 19 – 23 March,
Wednesday 2-8pm, Thursday 11am – 8pm, Friday – Sunday 11am-5.30pm
Admission: £5, but E-Tickets & details on: www.penman-fairs.co.uk. T: 01825 744074

 

IMDB/Amazon Starmeter Involved In Meter Rigging: The Truth About Starmeter

There is nothing like waking up in the morning and being blackmailed. This is essentially what is happening to thousands, and possibly millions, of hard working entertainment industry professionals, who woke up to find their “Starmeter” ratings on IMDB.com had lowered by thousands, sometimes millions, of points. The higher the number the worse the ranking. In other words, 1 is good, and 10 Million is bad.  What’s driving these changes is even more concerning than the numerical changes, themselves.

IMDB is short for Internet Movie Database.  For more than 15 years, IMDB has attempted to list all the credits in movies and television, to partial success.  Initially, IMDB.com was a simple site not run by conglomerates with their own advertorial or promotional agendas.  Since that time, however, IMDB.com has been bought and sold and bought again by Warner Brothers, and now Amazon, with a clear bias towards certain movies.

IMDB already collects fees from industry professionals through a portal called IMDBPRO.com, where professionals can manage their personal profiles on IMDB.  Also visible on the public IMDB.com site is something called a STARMETER ranking.  This seemingly innocuous ranking is an attempt to quantify the popularity of entertainment people into some sort of ranking system.  To many, the starmeter rankings are irrelevant, but if you put something out there in the public domain for long enough, some people, like first time film investors, new producers, or new casting directors, begin to take it seriously.

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In the spring of 2013, one of our contributing editors, who is also a known and award winning entertainment professional,  received a rash of email offers from companies like Direct Image PR and Star Boost Media,  offering to lower her starmeter ranking (remember, a lower ranking is better here).  Why would these all come at the same time?  A simple “whois” search on the internet revealed that regardless of their claims, all of these companies went online beginning in the spring of 2013, just before the mass emailing of registrants on IMDB and IMDBPRO began.  All these companies claim no affiliation with IMDB.

This proliferation of companies offering to better your starmeter ranking directly coincides with a decision made internally, at IMDB’s parent company, Amazon.  Shortly before these ranking companies emerged, Amazon made the decision to end its long standing relationship with CMGI Tabulations Inc., and now tabulates the starmeter rankings internally, using an algorithm nobody will talk about.

Curious, last year our contributing editor, Anna Wilding, signed up for one of these services to see how these new companies were able to manipulate Amazon’s new, and seemingly impenetrable new algorithm, and how it affected her own starmeter ranking.  Anna has been ranked by IMDB’s starmeter rankings for 15 years.  In that time, her ranking has been relatively consistent, ebbing and flowing organically between 90 000 to 5000 with Ms. Wilding’s film projects and presence in the media, as evidenced by the graph only available to IMDBPRO’s paying customers.  Ms. Wilding’s graph had not gone below 100 000 in all those 15 years.

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The one week test yielded a temporary gain in starmeter ranking.  But, when Ms. Wilding stopped her payments to this company a week later, the sample ranking company hounded Ms. Wilding, relentlessly, with request after request on PayPal.  When she refused to pay what amounted to hundreds of dollars, her ranking immediately went up (up being bad).  This morning, the starmeter scam hit a new level.  Ms. Wilding awoke to find her starmeter ranking had fallen from its average of around 35,000 to an all-time low of 5,000,000.  Accompanied with this drop was a Google search claim from a company called IMDBPROMO.com, asking for $999.00 to restore someone’s ranking.  Apparently many IMDB users woke up in the last ten days to find this anomaly.

How, we wondered, could a third party company manipulate starmeter’s rankings?  We pulled the source code from the graph page, and found that the rankings are fed not from IMDBPRO’s own servers, but instead directly from Amazon’s servers.  And why would Amazon allow a company to use the name and logo of one of its subsidiaries, IMDB, in a third-party website and logo?  True, IMDBPROMO’s website states they have no affiliation with IMDB.COM, but IMDBPROMO registered its website in 2013, and updated their database on March 10th, the same morning Ms. Wilding’s starmeter soared off the charts from 90,000 on March 9 down to over 5,000,000 this morning.

To make matters even more confounding, Ms. Wilding’s starmeter ranking remained relatively consistent even while she was out of the country for two years.  This year, with increased visibility and publicity in Hollywood, and especially with the media gernated during Oscar season, Ms. Wilding’s ranking should, organically, be lower, not higher than ever.  There is no question that these rankings were artificiality manipulated.  Thus, the starmeter ranking system makes no sense, and should now be ignored.

This is especially true, as other sites have been reporting, that actors nobody has heard of, and who have not been in the media at all, have topped the starmeter rankings for weeks on end.  This has all been very damaging for hard working entertainment industry professionals, who are falsely judged by these bogus starmeter rankings.

 

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It is clear from IMDB message board complaints and complaints across the internet that hundreds, if not millions, of IMDB users are being conned, blackmailed, and fraudulently shamed into  paying millions of dollars to maintain their starmeter rankings. And it appears that the main company benefiting from all this, through a series of shell companies, is Amazon, the very company charging IMDBPRO members, in the first place.

To date, IMDB has not been helpful to its complaining customers, basically just letting it happen, and that is questionable given that IMDB and Amazon continue to allow some of these third-tier companies, like IMDBPROMO, to operate using their name and likeness.

A message has been left with the Screen Actor’s Guild for comment and action, and it is known that law firms have received queries about class action lawsuits against IMDB and Amazon for directly manipulating select subscribers’ data.  There is also the matter of the questionable sale of data and information to third parties.

One thing is clear – whatever credibility and integrity that IMDB and their starmeter rankings may have had, has disappeared.  Amazon’s dirty little secret is out.

NOTE:  It was brought to our attention after publishing this article that Star Boost Media and IMDBPROMO are the same company.

This article is courtesy of The Herald de Paris

 

Little Mix Talk Success And Boyfriends

Little Mix fabulous magazineThis Sunday,feisty foursome, Little Mix, take over The Sun’s Fabulous magazine with five collectable covers. In an exclusive interview and photoshoot Perrie, Leigh-Anne, Jade and Jesy open up about their success state-side, their love lives and plans for the future.

Perrie, 20, opens up about Zayn’s proposal and says saying “yes” was a no-brainer: “I think you know yourself when the time’s right and when you’re with the right person.”

Leigh-Anne, 22, says she “can’t wait to earn my first million” and “can’t believe I can give back to my family.”

Jade, 21, insists that she doesn’t see herself as being ‘sexy’: “Jesy has the most amazing body – I’d do anything to have that figure. I’m like a 12-year-old boy.”

And Jesy, 23, talks world domination: “We want a world tour, we want to conquer all of America, we just want to be global, we want to sell out New York’s Madison Square Garden. I know that’s a big dream but we’re not going to stop until we’ve achieved it.”

Fabulous magazine is available free in The Sun every Sunday.

Photo credit: Fabulous/ Mark Hayman

Drunksouls Music Profile

Band: Drunksouls
Location: Marseille, France
Styles: Reggae infused Pop Rock
Similar to: Manu Chao, Damian Marley, Sublime, Patrice, Red Hot Chili Peppers, Michael Jackson, Phoenix
CD:Just Before Chaos
Accolades: Olympia, Palais des Festivals de Cannes, National Luxembourg Fest (Luxembourg), Festival Sun Art, Festival du Printemps de Carouge (Switzerland), Festival Steinnegg Rockt (Italy), Drunksouls opened for the African Reggae star Tiken Jah Fakoli, and Afro-beat stars Ebo Taylor, Seun Kuti,..

dunksouls

Members/Instruments: DJaM (Lead vocal), Julien Mur (Guitars), Pierre Pesin (Trumpet), Romain Morello (Trombone), Adrien Coulomb (Bass), Julien Heurtel (Drums), Jean-Marc Layani (Keyboards)

Production: Drunk Souls Evenements

 

 

Websites:
https://twitter.com/drunksouls

https://www.facebook.com/DrunksoulsOfficial

Bio:
Punk spirit, Rock culture, Reggae sound.

Founded in 2002, DRUNKSOULS are a French reggae band who have garnered worldwide acclaim and word-of-mouth, thanks largely to the international success of their “Human Race” song and music video, which has garnered over 2 million views to date. Likened to an original blend of Manu Chao, Gorillaz, Michael Jackson, RHCP and Damian Marley, their music is a patchwork of influences intended to make you dance as well as think. The Daily Consciousness says they’re “creating a unique sound with little to no borders.” Their songs, sometimes playful and sometimes dark, carry a message of reconciliation and tolerance, in which humor and gravity are intelligently cohabiting. Rock Is Rock says of the band “Dead Prez called themselves ‘Revolutionary but Gangster’. If that’s the case then DRUNKSOULS are ‘Revolutionary but Funny’.”

DRUNKSOULS have received a high amount of word-of-mouth from their fanbase, generating over 100,000 downloads of their debut album, and over 2 000 000  YouTube views of their viral music video “Human Race”, which has also been seen by millions in North America on California Music Channel, MusicMix USA, Alternative Currents and many others. The video’s success was due partially to it’s breathtaking footage, taken from the multi-award winning documentary “I Believe I Can Fly”. The film was directed by Sébastien Montaz-Rosset and based on the Skyliners, a team of French adventurers who specialize in highline tightrope walking, basejumping, and mountaineering. It won the Jury’s award at the Vancouver International Mountain Film Festival. HIP Video Promo who promoted Johnny Cash’s “Hurt” music video and have worked with Bon Iver, Of
Montreal and Death Cab for Cutie describe the video as “an exhilarating ride.”

DRUNKSOULS have played in legendary venues such as the mythical stage of Olympia-Bruno Coquatrix and the Grand Auditorium du Palais des Festivals de Cannes, one of the events supporting the African Reggae Star Tiken Jah Fakoli.

The critical acclaim and rapidly growing North American fanbase have encouraged DRUNKSOULS to come to the U.S for an ambitious tour, they are currently looking for partners to do so. The band’s current CD “Revolution” is a 16 track album offering of rock, reggae, electro, funk and pop. Building on the success of their debut, the band continues on the path of poppy hooks and political/emotional lyrics with tracks like “Human Race”, “The Fall” and “Revolution”. “Revolution” has earned them recommendations from tastemakers worldwide.

To celebrate their growing success, DRUNKSOULS are now releasing “Just Before Chaos” a compilation CD featuring their best work, intended to introduce more of the world to the DRUNKSOULS sound.

 

Computer Game Experiment – Sound without Sound

Make no bones about it computer companies of today invest serious amounts of money on ensuring the sound quality is as fantastic as it possibly can be. It may seem hard to imagine now but back in 1990 when the Sega Megadrive was released it had just 6 channels of stereo sound. imagine that by comparison the Dolby 5.1 surround sound of today has almost ten times as much.

I was invited to take part in an ‘experiment’ by Amplifon which involved me playing a game that I had never played before to see what kind of difference it would make to the gaming experience if there was no sound. Before I begin it is worth pointing out that although this was a fun experiment to be part of, there are some very real issues underlying this; I don’t think many people stop to consider just how many young people are hard of hearing of which National Statistics suggest stands at around 25,000 for children aged 0-15 years. I feel fewer of us stop to appreciate just what an impact this can have on just day to day living let alone playing computer games and what a different experience that must be.

tombraiderThe game I chose was Tomb Raider Definitive Edition for the Playstation 4. Why? Well for a number of reasons. Firstly to be honest I haven’t played that game since the age of the PS1 days and I haven’t reviewed it previously so it means there is no comparison to base it against, so that is reasonably fair. Secondly I was fortunate enough to get my hands on the next generation hardware before Christmas and like many gamers I have been frustrated by the lack of games for the machine thus far, so this way I get to experience new hardware and a new game from a fresh perspective.

Tools of the Trade and Rules of the Game

The game Tomb Raider Definitive Edition on the PS4 obviously – the conditions were set that it must be played ‘as is’ that is, no setting adjustments could be made other than difficulty level and brightness. I had to play this game ‘raw’. For a full comparison I made the decision to play the game for a full 4 hours without sound and then again with sound and document my experience and progress.

The other tool was a pair of JVC Noise Cancelling Headphones – these babies are stated to have up to 75% noise cancellation and no, they were not plugged into the controller – that would be cheating.

So with the tools and the rules set in motion I put the headphones on and fired up the console.

Experiences

The first thing that stood out for me, even just upon firing up the console is that of awareness.  Even on the basic screen for the PS4 it dawned on me just how dependent we are on sound for even basic things such as cursor movement and game selection. It occurred to me very quickly that I had to be very alert and could not take my eyes of the screen even for a few moments; as the game proceeded to do its update and then restart I had become distracted and when I turned my eyes to the screen and it was blank and I could honestly not say what was going on.

Ease of Gameplay

3.-Tomb-Raider-2013In the game this was even more so. It is perhaps a tragedy that Tomb Raider does not have the subtitles set to ‘on’ as default. Watching the intro I could see the young Lara Croft on a boat, about to drown and then running to what seemed to be her father and falling from his grasp. But I could hear absolutely nothing, without subtitles you can be at a loss. Praise has to be given to the developers I was surprised at the level of detail put into the game; Lara looks better than she ever has, but despite this when the characters are speaking I doubt that the mouth movements are lip-synced. Now I am no lip reader but I certainly could not tell one word from another. I could tell expressions – sadness, anger, fear but little else. By hour two of gameplay I realised just how dependent on all my other senses I had to be and whilst this was great as an experience I felt a great empathy for those that have to deal with far more complex tasks than finding arrows, shooting wolves and solving puzzles.

O.k so without speech and without language can there be a plot? Well yes and no, thankfully a few things show up on the screen as you are playing explaining what you should do and what you can look for. Another great thing of the modern day console is the use of vibration, although similarly to speech it is far from accurate you at least can tell and have some immersion with what is taking place on the screen. Firing weapons, turning cogs all would have had far more dissidence had there not been vibration as some kind of feedback on the senses. However it was really hard to tell what was happening and this was especially true when Lara looks back on her video camera, I could get a gist but certainly couldn’t work out who was who. I ended up bumbling through, trial and error becoming my best friend and I realised by hour three that I had missed a couple of caves because it flashed up on screen: ‘When you hear this sound a cave of treasure is nearby’ I was thinking all good and well you telling me but if I can’t hear it what difference does it make.

Unconsidered factors

There are parts of the game too where it takes voice recognition and I am sure whilst this is a novel idea, I had no idea how loud or quiet my voice was, the first few times this didn’t work so in the end I had to shout everything. I am sure my next door neighbours thought I was losing my mind shouting out words like “Map” “Gun” “Stealth” at opportune moments like I had Tourettes. I am just glad they didn’t call the police because with the headphones on I wouldn’t have heard the door.

Comparison with sound

Playing the game a second time with sound was a different experience altogether. The first thing that surprised me was just how much voiceover there is; Lara reflects on practically everything and every situation she finds herself in and there is a great deal of interaction between her on screen and you as the player trying to figure out the puzzles. Obviously the graphics are just as good but you can tell what is going on because you can hear what people are saying and the style of mood in the soundtrack changes to reflect whether it is a stealth situation or if you have been spotted.

Also worthy of note is the sound immersion. The PS4 has a speaker on the controller and this game fully utilises it. This ps4 speakermeans gun shots ring out from the controller, audio diaries are read to you and you can hear those jungle drums when you are near a hidden cave. The experience is completely different and this means the engagement is different. By the end of hour four I was much further ahead than in my previous attempts without sound.

In conclusion computer companies spend serious amounts of money on ensuring the sound quality is as fantastic as it possibly can be, they do this for good reason, the engagement from the player is tantamount to the game’s success. Do they consider those with less ability in areas such as hearing? I doubt it; the numbers just wouldn’t tally up in terms of investment, but what I think can and should be done is greater player options, it really would not hurt in making gaming more inclusive than exclusive. Lets be honest this experiment is far from scientific but one thing it certainly achieved is in raising my awareness of those less fortunate. It also made me realise just how many things we take for granted.

Win Sophie Duffy Books

A real treat of a competition today on Frost: two Sophie Duffy books to giveaway, The Generation Game and This Holey Life are up for grabs. Perfect if you are a fan, and a great introduction if you are not already. Check out our interview with Sophie Duffy here too.

sophieduffybooks

To win follow @Frostmag on Twitter and Tweet, ‘I want to win books with @Frostmag’ or like us on Facebook.  Alternatively, sign up to our newsletter. Or subscribe to Frost Magazine TV on YouTube here: http://t.co/9etf8j0kkz. Then comment below saying what you did.

The competition closes on the 31st of March 2014.