Category Archives: Culture

London 2012: The Volunteer Games. The Legacy Lives on

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While most of us were happy to just sit back and watch the games photographer Felix Kunze had something else in mind. A hugely ambitious project to photograph the London 2012 Volunteers. Kunze’s managed this with aplomb and even caught the attention of The Guardian who paised it saying:

“A stunning portfolio of portraits in which he sought to illustrate the spirit of the men and women he calls “heroes of London 2012.”

Roy Greenslade – The Guardian The London 2012 Volunteers Portrait Project

We have got the lowdown on this impressive project by Felix in his own words.

“My London 2012 Volunteers project has become a microcosm of the Olympic experience. It has been garnering all sorts of attention online and has turned into a place for volunteers to connect. Messages like ‘Hey, we met on the train, I want to stay in touch’ are the kind of interaction I had hoped for.

The project has captured the imagination. It is remind people of the pride, hard work and enthusiastic collaboration that led to the games being dubbed ‘The Volunteer Games’. You need only look at the comments on the album and the photos on facebook: www.bit.ly/London2012Volunteers

Photographically, the project resulted from me solving something fairly negative:

I had turned down various assignments to block out my schedule to be in London during these games. I’ve followed the Olympics with growing enthusiasm since the Barcelona games in ’92. When London won the bid, I couldn’t believe it. 7 years of build up, 5 weeks of intense action and I still can’t believe the games were in my home city. The idea of it still makes me emotional.

When I cleared my schedule at the behest of my assignment editors at Getty Images, I was excited to be involved in some official way. I envisioned shoots for the sponsors, events with the athletes, even things only vaguely related to the Olympics. As I’m not a sports shooter, I wasn’t going to be covering any of the main events at the venues; I knew accreditations were tight. What I wasn’t prepared for was the absolute dearth of assignments. Getty had the same experience as the shops and restaurants of central London. Lots of buzz, but no visitors. Lots of buzz, but no assignments. It was heart-breaking, devastating, depressing even. Add to that the fact that I didn’t get any of the tickets I had applied for, I was in a storm of regret and disappointment. The fear of missing out.

Then a bout of inspiration changed it all. I managed to get tickets for the Women’s Volleyball at Earls Court at the last minute. It was great to watch the game, but what was even greater was the Games Makers who welcomed us with smiles, helped in every way, shared our dismay at not being able to get more tickets. To me they are the stars of the games. I know lots of people felt the same.

On my morning run the day after Earls Court, the idea came to me to do memento portraits of the volunteers. I wanted them to have something they could take away from the games, something they would be able to savour in 10, 20 or 30 years.I knew from the outset that I wanted to take them out of the venues they were working in. I wanted to give equal billing to those stationed directing people over a bridge to those driving the top dignitaries. Lots of people were taking pictures of volunteers, I wanted to do something different.

A couple of challenges came to mind right away:

– I couldn’t spend much time with each volunteer. Their job is to make the Olympics run smoothly, not to be photographed.
– We needed a portable setup that had no permanence, lest we fall foul of local laws regarding business on sidewalks. We also didn’t have accreditation. We had to find a place away from the venues that was swarming with volunteers.
– We solved all of this by using a setup comprised of some black foamboard, 1 simple light. We used a fairly standard ‘strobe-over-daylight’ method to balance the natural and artificial light and I needed a minimum of three assistants every day to make it work. One for the backdrop, one for the light and one to get each person’s details and have them sign a release form on my iPad.”

Games Maker facts:

– More than 240,000 applicants, of which only 70,000 became Game Makers after an interview process and training
– Over 2000 16-18 year olds were game makers during these games.
– Uniforms for the team of Game Makers, staff, officials and contracts required 765.92 miles of fabric, 359.37 miles of thread, 730,610 buttons and 1,069,034 zips. That’s a lot of stitching!
– Most applied over 2 years before the start of the Olympics
– McDonalds is the official partner for the Game Maker program and used their infrastructure to help attract, select and train the volunteers
– They delivered around 8 million volunteer hours to make the games run smoothly

“For the Olympics I photographed over 300 portraits.

 

We heard some amazing stories. The kind of stories that made me foam at the mouth with jealousy – A lot of the Game Makers I photographed were drivers, some drove the North Koreans, some drove family members. Not all of them had ‘All’ passes, but the ones that did were telling me stories of watching the athletics within reach of the Cauldron while their clients attend the stadium, many of them met athletes, many of them met dignitaries, many of them struck up amazing friendships. Many had come from afar, put a lot on the line to make the games work. It’s been inspiring.

 

The Paralympics:

 

After the Olympics I went and spent a couple of days in the sun. On the Eurostar to Paris, I received a phone call from Mr Matt Hatt who was working for the London Organizing Committee for the Olympic Games (LOCOG) who asked if I could photograph the volunteer wrap party. I couldn’t but Matthew Richards, one of my volunteer assistants, jumped in.

Mr Hatt then asked if I wanted to come into the Olympic Park during the Paralympics. We agreed that Matthew Richards should be my assistant, having slaved away at the wrap party. We arranged accreditation and we spent close to a week in the Olympic Park during the Paralympics. We shot 350 more portraits. This time with support in the form of a Lastolite mobile backdrop which was a godsend, it made my setup mobile and easy to use. I was able to put all the equipment down at the Fleet Depot inside the park, no need for 3 assistants.

 

We snuck into the Arcelor Mittal Orbit and watched the women’s 100m final from the viewing platform. We cruised around the park on BMWs über-cool electric bicycles, got so close to the action that we were bombarded by fireworks shrapnel but had the most incredible vista views of the final night’s celebration. We even got driven home by a Games Maker in an official vehicle – Games Lanes and a behind the scenes car tour of the park.

 

On a personal level, the project couldn’t have worked out better for me. I have trouble finding the words to sum up my experience. The Olympic Games are the greatest show on earth. I was a part of it. I did portraiture, I did what I loved. It means so much, it made my year. I did it for free, I didn’t make a dime, I turned down paid work. It was worth it.”

Gwyneth Paltrow launches Stand Up to Cancer on Channel 4

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Stars from television, music and film will come together this autumn for “Stand Up To Cancer” – a unique new fundraising campaign on Channel 4. Joining forces with Cancer Research UK, the campaign will build on air over a week of programming, delivering the best of Channel 4’s science and entertainment programming. It will climax on Friday 19th October in a fundraising extravaganza hosted by Davina McCall, Alan Carr and Dr Christian.

Yesterday in London, Gwyneth Paltrow, Co-Executive Producer of SU2C USA, joined Channel 4’s Chief Creative Officer, Jay Hunt; Cancer Research UK’s Chief Executive Officer, Dr Harpal Kumar; and all round fabulous press conference chair Alan Carr, to launch Stand Up To Cancer UK.

Alan Carr revealed: “Pretty much everyone will be affected by this disease in their lifetime, and that’s the very simple reason why I’m honoured to be involved with this campaign. Like so many people, I’ve seen exactly how destructive the big C is. I’ve lost two people already this year to cancer, and friend of mine who has been diagnosed with throat cancer is having her voice box removed next week, and won’t speak again. So we need to raise a lot of money.”

Gwyneth Paltrow said: “I would like to tell you about nine women from the entertainment industry in the United States who, four years ago, decided to do something about the unbearable reality that cancer claims the lives of eight million men, women and children worldwide every year. In the US, 1600 people-a-day are lost to cancer. I lost my father in 2002, and I’m also aware of the impact this disease has on families. But whether we lose a loved one in the US or the UK, we all lose until we do something to change it.”

“Well, these nine women, whose lives had been profoundly affected by cancer, did something. They mobilised the entertainment community, and created Stand Up to Cancer – a program of Hollywood’s leading charity, the Entertainment Industry Foundation. Stand Up to Cancer is a grassroots movement to raise funds for cancer research, to get new treatments to patients more quickly. It requires scientists to work together, to compete against cancer, instead of each other. ”

“Well, it worked. Four years later, $260 million has been pledged. 350 scientists have been funded across more than 80 institutions, with dozens of clinical trials underway. And patients are benefitting. Scientists are working together, accelerating the process to save more lives. And on October 19th, the fight against cancer comes to Channel 4. With their extraordinary commitment to the one-in-three people in the UK who will be diagnosed with cancer in our lifetime, we are thrilled to join forces with Cancer Research UK and Channel 4, and to bring you Stand Up to Cancer UK.”

“We have the power to make cancer powerless – perhaps even end it. But it takes more research, and that requires funding. Cancer has taken some of the best among us, and it is time for us all to stand up and fight back. I’m so proud to be standing up to cancer for my dad. Please tune in and donate on October 19th. Stand for the people you love in your life. Stand for these amazing advances in science and medicine. Stand Up to Cancer.”

Jay Hunt said: “Why Stand Up to Cancer, and why Channel 4? Well, Channel 4 prides itself on daring to do things that nobody else would want to do or could do. In the last few weeks we’ve managed to change attitudes in this nation to disability with our coverage of the Paralympics, and now we’re up for the ultimate challenge – and to be honest, it doesn’t get much bigger than trying to play a part in curing cancer.”

“[This will be] a charity appeal unlike anything you’ve seen before: a uniquely Channel 4 hybrid of comedy, of entertainment, and science, which is designed to grab hold of an audience and not let it go.”

“Now we are so determined to do something really special on October 19th, we have taken a rather terrifying decision, and one that my scheduling team may not forgive me for. We’re going to stay on air for as long as the donations keep pouring in. Now that might mean that we’re still sitting there as the sun comes up in the morning, but it’ll take whatever it takes, and I think the cause is so important we wanted to make that sort of commitment.”

Dr Harpal Kumar said: “It’s not just technology or knowledge that we need. It’s funding. And every pound we raise is a step closer to our goal of beating this disease. Through Stand Up to Cancer, we hope to raise millions of pounds for our lifesaving work, and thanks to some very important people in this room with us here today, we’re not doing it alone.”

“I’m absolutely thrilled that Stand Up to Cancer has become a reality in the UK, and Channel 4 is the perfect partner for a campaign that promises to challenge, inspire, and push the boundaries in how we fight this devastating disease.”

“The UK leads the world in clinical trials, with one-in-five patients with cancer going on to a clinical study. But we need to do more. Many more patients would like the option of going on clinical trials. So all the funds raised through Stand Up to Cancer will go towards research specifically designed to have an impact within just a few years, by working to turn breakthroughs in the lab to breakthroughs in our hospitals.”

Throughout the week and night, there will be a plenty of other surprises and a huge range of opportunities for audiences to get involved and donate to the cause, to show their support and raise millions for the fight against cancer. For inspiration viewers can log on to www.standuptocancer.org.uk/get-involved

In the run up to the 19 October, Cancer Research UK will be urging the public to get involved by donating money, fundraising, showing support through social networks or snapping up some Stand Up To Cancer merchandise.

For up to date information please go to www.standuptocancer.org.uk or www.channel4.com/su2c

#standuptocancer

Twitter handle: @Standup2C

Facebook page: http://www.facebook.com/standuptocancerUK

YouTube: http://www.youtube.com/user/standuptocancerUK

 

‘Stand Up To Cancer’, a joint national fundraising event from Channel 4 and Cancer Research UK culminating in a live evening extravaganza on 19th October. Follow @Standup2C, Standuptocancer.org.uk or channel4.co.uk/SU2C for further information.

Upgrading your tongue opens the door to the ‘feel good factor’, and better relationships.

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To mark the occasion of the European Day of Languages today, Rosetta Stone, a leading provider of technology-based language-learning solutions, uncovers major drivers for adult language learning today, citing the feel-good factor, meeting new people and an interest in other cultures.

Rosetta Stone’s 2012 survey into motivations for learning languages found that 54% of respondents were motivated by the feel-good factor, stating that learning a language made them feel good about themselves. Increasingly, the mastery of a second language is considered to enhance attractiveness, and to enable cross-cultural relationships to thrive.

  • A recent survey of 30,000 British women found that Italian, Dutch and French were considered  the “sexiest nationality”.
  • A survey run by Rosetta Stone  found 29% of those surveyed stated that the lover of their dreams would speak French.
  • Closely followed by Italian (20%).
  • Only 12.7% preferred English speaking lovers.
  • Language learning can also increase opportunities in love.
  • Rosetta Stone provides e-learning to individuals, schools, universities and public and private organisations in over 20 languages.
  • Other major drivers for language learning which Rosetta Stone has identified are: Career prospects; travel and culture; and ‘heritage learning’, based on languages spoken through generations.
To mark the European Day of Languages, Rosetta Stone has a unique offer available on all e-learning courses which can be redeemed via the official Facebook page: www.facebook.com/RosettaStoneUK

Sylke Riester, Managing Director Europe at Rosetta Stone commented:

“Being able to speak a second language – or a commitment to doing so – automatically suggests a curiosity about the world, which we know are attractive traits.”

“ “From day-to-day chit-chat to heartfelt expressions of love, being able to share these moments in your partner’s language reinforce the relationship. It’s another way of demonstrating love and commitment and allows genuine integration into a loved one’s life, family and culture.”.”

Yasmin Müller, Copia : Modern disbelief

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Yasmin Müller

Copia : Modern disbelief

Exhibition dates: 5th October – 10th November, 2012
Opening hours: Tue – Fri 11-6, Sat 11-3 or by appointment

Maria Stenfors is proud to present ‘Copia: Modern disbelief’, Yasmin Müller’s second solo presentation at the gallery. The installation is embodied in the title word copia, meaning a mass, copiousness, and also a wealth of knowledge and ideas.

Like an expanse of open ocean, constantly shifting in shape and unquantifiable, multiple abstract light patterns fill the volume of the room, continuously moving focus from artwork to room. A confusing and disorientating space, that is darkened and unknown, illuminated in passing moments. These light shapes create an endless moving mass, a copious pattern that conducts the perception.

Central in the space are two geometrically shaped sculptures, erected like columns. These columns and piercings of light are Müller’s reconfiguration of razzle dazzle, a pattern created by Norman Wilkinson and utilised by 20th century warfare engineering. Designed not so much to camouflage but to disorientate, it blurs the perception of depth, contour and edge. it doesn’t hide, but is more of a visual disruption, making it impossible to estimate size and shape.

Placed throughout the installation are objects of pictorial chaos plucked from the everyday images of modern life and cultural trends, copies of copies, an evolution of the original, and all framed and constrained by hard minimalist shapes: exquisitely angled diamonds and sharp edged lightboxes. Familiar patterns merge with common place fashion styles confined by geometrically perfect dimensions, as seen in the clothing of the figurative lightbox images, and visual emblems like the parrot, featured on multiple canvases, each copy being an evolution, a mutation of the former, allowing the copy to perhaps stand stronger than the original.

Yasmin Muller was born in 1977, studied at the Staatliche Akademie der bildenden Künste Karlsruhe, and lives and works in Berlin.

Maria Stenfors, Unit 10, 21 Wren Street, London WC1 0HF

I AM IN LOVE Release New Single

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“Ethereal and beautiful”

Edith Bowman, BBC Radio 1

“A very talented band, really good”
Huw Stephens, BBC Radio 1

“A lot of love for this band”
Greg James, BBC Radio 1

NME: “the ’80s synthpop of Depeche Mode and the dark twang of The Cure”

Breaking More Waves: “With a dark, dirty urgency this is a gritty piece of ear sex’

Burning Ear: “Bust out your best songs of 2012 lists because it’s time to add another jam”

Palm is the third single from Leicester based shoe-gaze electro 4-piece I AM IN LOVE.

Having scored a spot on BBC Radio 1’s playlist with their debut single I Want You, Palm shows the band continuing their fine form, exploring further their unique brand of dark and emotive electro-indie.

Stunning vocals entwine with harmonious synths and spiky guitars, whilst pulsating beats and basses underpin the remarkable melodies. The chants of the chorus radiate an infectious energy.

In the live environment the band are formidable. This summer has seen the band embark upon a hectic run of summer dates across Europe, stopping off in Germany, Spain, France and culminating in a string of UK festivals. Their non-stop touring schedule continues across Europe this Autumn.

Release date: 22nd October 2012 on Velocity Sounds Records

http://www.facebook.com/iaminlovemusic

French modernist residence, Villa Savoy, joins LEGO® Architecture series

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Famous Parisian modernist-style country house, Villa Savoye, is the newest landmark to join the impressive LEGO® Architecture series.

Designed by Le Corbusier in the 1920s, and situated on the outskirts of Paris, Villa Savoye is the first French landmark to be added to the inspirational range. The villa itself is the perfect embodiment of Le Corbusier’s ‘Five Points’ construction principles, featuring a fusion of modern architecture and nature intended to create harmony with the woodland surroundings.

The fifteenth model to join the LEGO Architecture series, this interpretation of Villa Savoye was designed by German architect Michael Hepp in collaboration with the LEGO design team. Just like the real thing, the set features columns, functional roof space, open floor planning, long horizontal windows, and a free façade.

The LEGO Architecture range features ingenious recreations of well-known landmarks and works of important architects from around the world. Full of inspiration for future architects, engineers and designers as well as fans of architecture, the series is stunningly presented. Each set contains a booklet which brings the story behind the building to life, featuring exclusive, archival history, information and photographs about each iconic building, its design origin, its architect and its architectural features, as well as step-by-step instructions on construction. Travel the world of architecture by collecting all the sets in the range.

Become an expert with these Villa Savoye facts:

* Villa Savoye was originally built as a country retreat on behest of the Savoye family (at a cost of 900,000 Francs), but fell into disuse after 1940, entering a state of disrepair during World War II. After being passed on to be property of the French state in 1958, and surviving several plans of demolition, it was added to the French register of historical monuments becoming the first modernist building designated as a historical monument in France, and also the first to be the object of renovation (from 1985 to 1997) while its architect was still living.
* At the time the project started on site no design work had been done on the lodge and the final design was only presented to the client in June 1929. Although construction of the whole house was complete within a year it was not habitable until 1931.
* The house, designed as a second residence and sited as it was outside Paris was designed with the car in mind. The sense of mobility that the car gave translated into a feeling of movement that is integral to the understanding of the building.
* The four columns in the entrance hall seemingly direct the visitor up a ramp. This ramp, that can be seen from almost everywhere in the house continues up to the first floor living area and salon before continuing externally from the first floor roof terrace up to the second floor solarium.
* Throughout his career Corbusier was interested in bringing a feeling of sacredness into the acts of dwelling such as washing and eating. At the Villa Savoye the act of cleansing is represented both by the sink in the entrance hall and the celebration of the health-giving properties of the sun in the solarium on the roof which is given significance by being the culmination of ascending the ramp.

The LEGO 21014 Villa Savoye is available for purchase from 1st August in LEGO brand retail stores, LEGOLAND Stores and online at http://shop.lego.com/. Aimed at ages 12+, the product measures Measures 3.6” (9.2cm) tall, 7.5” (19.2cm) wide and 6.9” (17.5cm) deep, and has a RRP of £59.99.

For more information about LEGO Architecture visit http://architecture.lego.com/

Julian Ruck The Bent Brief | Book Review

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This legal thriller is full of unlikeable characters but I still enjoyed it. Like all good books it has brilliant observations on life and some good literary quotes. It’s author, Julian Ruck, has also worked as a lawyer so he knows what he is talking about. This book draws you in and also shows both sides of infidelity.

It has very good twists, some that I really did not see coming. My only complaint is that the main character, Edwin Hillyard is quite crude. Something that I don’t like. He is not a likable chap either, and is quite sexist, but the story still works. He is amusing even if you don’t like him.

Edwin Hillyard, a disillusioned Suffolk-based lawyer, spends his life dealing with inadequate clients who are constantly moaning about their self-esteem, or his even more inadequate ex-air stewardess wife, Claire, who believes life is all about make-up, mobile phones, trips to the shops – and of course Coronation Street. Feeling frustrated and abused, Hillyard finds diversion in the pursuit of a beautiful Sikh doctor, Jaspreet, whom he meets when called to the scene of a suicide in the London Underground. It is an inauspicious start to the relationship. But Hillyard is not the only one seeking a diversion; his wife Claire has fallen hopelessly in love with an old friend from her flying days, Jessica Howard, an ambitious sexual predator. As their affairs entwine and jealousy and resentment build on both sides, the ensuing hell starts to blow Hillyard’s life to pieces. When Claire is found dead in their bedroom, Hillyard finds himself on trial for murder. Was Jessica involved? Will Jaspreet stand by him? Did he kill her? It’s down to the defence and prosecution barristers to battle it out in court and readers will be on the edge of their seats until the very end to find out the truth.


Worth a read. Especially if you like legal dramas. The Bent Brief is very well-written.

Killing Them Softly | Film Review

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Five years have passed since Australian filmmaker Andrew Dominik and Brad Pitt united for the magnificent Western drama The Assassination Of Jesse James By The Coward Robert Ford; a lyrical, revisionist take on what by all accounts had become an American legend. It was gorgeous, poetic and fell flat on it’s on its face at the box-office. The studio simply had no idea how to go about pitching it and it was left to die, the genius gone unsung. Now Dominik has picked himself up, teamed up with Mr Pitt once again and returned to a far more recent moment of American history; the economic downturn viewed through the prism of organised crime. Whilst not hitting the heights of their previous collaboration they have crafted a stark, powerful take on a genre that we think we know inside out and give it an astonishingly contemporary sheen.

It’s 2008. The economy is crumbling, Obama and McCain are gathering their supporters and two clueless street hoods (Scoot McNairy and Ben Mendelsohn) are roped into a raid on a mob protected card game. It’s run by Markie Trattman (Ray Liotta) who has already escaped punishment from criminal overlords for organising a heist on his own games. The plan is for Markie to take the fall for the raid second time round but due to the duo’s own incompetence they are soon pursued by Jackie Cogan (Pitt), a hitman sent to exact justice and restore order.  He has a very specific work ethic; he likes to keep his distance from his targets in order to avoid emotions getting in the way. He refers to this as ‘killing them softly.’ He decides to hire old colleague Mickey Finn (James Gandolfini) to help him adhere to this method, yet this proves to prove more challenging than he can imagine.

Dominik is working from a 1974 novel entitled Cogan’s Trade penned by George V. Higgins. The film retains a stark, minimalist visual tone that recalls the high watermark crime films of the seventies such as The French Connection and Scorpio. It’s a story that takes place in vacant lots, motel rooms and car parks bathed in grey, cold light. It is an environment that feels left behind by the modern world and that we don’t often see in mainstream American cinema. In certain shots, the desolate wasteland resembles something out of a sci-fi apocalyptic vision. Dominik keeps his directorial flourishes to a minimum favouring stationary camera angles and carefully choreographed tracking shots to balletic displays of violence though he does concede to one hauntingly beautiful shootout in the rainfall. Not that any of it is pretty; this is a film where death and violence is an ugly, horrific spectacle. Dominik contrasts such moments perfectly with an uncanny feel for the timing and pitch of each individual scene. His prowess as a writer is the primary one on display though. The action is driven by lengthy, dialogue heavy scenes where in the characters confront the unpleasantness and banal mundanity of their profession. The major factor of the adaptation is the running references to the economic meltdown of the time and the then optimistic promises of the Obama administration. Speeches and news broadcasts that have barely had time to pass into history seep through radio and television broadcasts in the background of crucial scenes.  This does come close to becoming repetitive and forceful yet it instils the narrative with a moral backbone that many of its characters lack and forms a crucial part of what elevates the film from being a run of the mill gangster drama to a scathing critique of capitalist greed. The will of the powerful is broken, and it is left for the people on street level to pick up the pieces and clear up the mess.

Gangsters and hitmen tend to be the sort of characters that are romanticized in the majority of crime cinema that we are exposed to so it’s tremendously fresh to see them presented as repellent, incompetent bringers of their own fates. Pitt is a performer who seems to be getting better and better with age and here Dominik has coaxed another career best from him.  His Jackie Cogan may appear more suave and charming than his counterparts; he strolls onto screen with slicked back hair, a leather jacket and shades to die for and to the sounds of Johnny Cash yet he is thoroughly amoral and brutal.  Scenes where he quietly threatens a local hood at a bar whilst contemplating the hypocrisy of America’s founding fathers positively throb with underlying menace.  He is simply an electrifying presence. McNairy and Mendelsohn excel at making two seemingly irredeemable screw-ups sympathetic for the majority of the running time. If there’s one performance that steals the film however, it’s Gandolfini. Shuffling onto screen with a hangdog expression, immovable sunglasses and the weight of the world on his shoulders, the onetime Tony Soprano gives a tour de force presenting a onetime respected New York mobster as a shambling, train wreck of a man drowning in a sea of alcohol and prostitutes. Scenes where he rails against the younger generation whilst exhibiting the excess and degradation that a life of crime has inflicted upon him echo with grim, comic tragedy that relish in the destruction of typically macho, masculine persona. As with past films of Dominik’s there are virtually no female characters to speak of and when they are spoken of it’s in the most deplorable ways imaginable. I don’t think it’s a fault on his part but rather an apt reflection of a thuggishly brutal world were desperate men struggle to climb over one another to stay afloat.

Killing Them Softly may come on quite strong at moments but it ultimately emerges as refreshingly cynical, relevant thriller that sticks to its guns right through to its brutally honest final line. Hopefully on the basis of this, we will not have to wait so long for Dominik’s next effort.