Beauty Products and Cancer: Know the Facts

Have you dyed or relaxed your hair? Do you put on lipstick before you head out to work? Do you paint your nails? Many women have a beauty routine or beauty products that they regularly use. Have you ever worried that yours might increase your risk for cancer? Before you panic and cancel your appointment at the salon, read on—it’s time to break down some beauty-related cancer fact and fiction.

Hair Dye: It is estimated that more than one-third of women over age 18 and about 10 percent of men over age 40 use some type of hair dye. Hair dyes are full of chemicals—5,000, to be precise—and that hasn’t escaped the notice of cancer researchers. Decades ago, researchers began studying chemicals used in hair dye. They found that early dye formulations contained chemicals that could cause cancer in animals. Not surprisingly, manufacturers changed the formulas and eliminated some of these chemicals in the United States around 1980. Because so many people use hair dyes, researchers continue to monitor whether chemicals in hair coloring products can increase risk for cancer in humans.

According to the National Cancer Institute (NCI), the evidence for increased risks for cancer from modern hair dyes use is limited and inconsistent. Some studies have indicated that people who used hair dyes had an increased risk for bladder and breast cancer, as well as cancers of the blood and bone marrow (such as non-Hodgkin lymphoma and leukemia), while other studies have not. Based on its review of the evidence, the Working Group of the International Agency for Research on Cancer (IARC) concluded that personal use of hair dyes is “not classifiable” as cancer-causing to humans. So it is still unclear if personal use of hair dyes can increase your risk for cancer. If you would like to learn more about hair dye and health risks, the Outreach and Information Center of the U.S. Food and Drug Administration’s Center for Food Safety and Applied Nutrition has information about hair dyes and how they are regulated. Visit http://www.fda.gov/Food/default.htm (search term: hair dye).

Hair Straightening: If you or your stylist uses hair smoothing or straightening products keep in mind that some of these products contain formaldehyde. Although formaldehyde is naturally occurring and is also used widely in many consumer products, this chemical is a known human carcinogen (cancer-causing substance) and can also cause skin irritation and sensitization. People can be exposed to formaldehyde in the workplace and in their home environment, but the highest levels are found in work settings where formaldehyde is produced or used. In a salon, formaldehyde levels are elevated when formaldehyde-containing products are being applied, but they quickly return to a lower level. Remember that although your cancer risk from these hair products may be low, both hair dyes and straightening products contain chemicals that can hurt your skin, hair, and eyes especially if you are not careful or do not use them as intended. To learn more about the short-term and long-term risks of formaldehyde, visit www.cancer.gov (search term: formaldehyde).

Nail Products: When you head in for a manicure and you see the manicurist wearing a dust mask, you may have wondered about your own safety too. Nail salon workers wear dust masks to minimize breathing in dust particles when filing or shaping artificial nail enhancements. Dust masks are intended to prevent inhalation of dust, but they do not protect against inhalation of chemicals. Professional nail care products are typically formulated to minimize exposure to hazardous chemicals that may cause adverse health effects. However, overexposure may occur and could result in skin irritation, allergic reaction, or serious eye injury. If you work at a nail salon, own a salon, or just want to learn more, check out the publication Protecting the Health of Nail Salon Workers by the U.S. Environmental Protection Agency. The publication helps workers understand product ingredients and how to prevent overexposure to those that present potential health risks. As with any cosmetic product that may be hazardous if misused, you should read labels of nail products carefully and heed any warnings. But as far as cancer is concerned, there is no known risk associated with using nail products. To read more about safety information for nail products, visit www.fda.gov (search term: nail products).

Lipstick: Some of the natural colors used in lipstick contain trace amounts of lead. The National Toxicology Program (NTP) of the National Institute of Environmental Health Sciences of the National Institutes of Health says that lead and lead products are “reasonably anticipated to be human carcinogens.” However, the Food and Drug Administration (FDA) has assessed the potential for harm to consumers from use of lipstick containing lead and determined that there is no safety concern because lipstick is intended for topical use and is only ingested incidentally and in small quantities. Always use your lipstick only as directed and keep the products away from children. Visit www.fda.gov (search term: lipstick) for more.

With all the news coverage out there claiming this product or that product may cause cancer, it sometimes may be hard to figure out what’s safe, what’s hazardous, and what’s plain, old sensationalized. One way to minimize the damage and fear caused by misinformation is to identify respected sources—such as the National Cancer Institute (www.cancer.gov) or Food and Drug Administration—and use them as primary resources for your health information. Knowing the facts is one way to keep your beauty routine good-looking inside and out.

NCI leads the National Cancer Program and the NIH effort to dramatically reduce the burden of cancer and improve the lives of cancer patients and their families, through research into prevention and cancer biology, the development of new interventions, and the training and mentoring of new researchers. For more information about cancer, please visit the NCI web site at www.cancer.gov/espanol

More articles and videos in the culturally relevant Lifelines series are available at www.cancer.gov/lifelines.

Ink Exhibition at the Saatchi Gallery

Ink
The New Ink Art from China
at the Saatchi Gallery 16-28 June 2012
and at Asia House July 2012

Xu Lei, Tree of Blue Underglaze, 2008, Ink and color on xuan paper, (213 x 125 cm)

Ink is an exhibition featuring the finest examples of contemporary Chinese Ink art at London’s landmark Saatchi gallery and subsequently at Asia House. The exhibition, curated by Michael Goedhuis, is the first comprehensive display of this genre to be shown in a public gallery of international standing and draws together major examples from distinguished private collections. Timed to coincide with London in June when art and antique collectors from all over the world descend on the capital, this cutting-edge show will feature ground-breaking artists from the internationally recognized Xu Lei to the avant-garde Qiu Anxiong. Ink will run from Saturday 16 June to Thursday 28 June 2012 at the Saatchi Gallery, Duke of York’s Square, London, SW3 4SQ.

“I am delighted to be working with the Saatchi Gallery to finally be able to provide the general public access to The New Ink Art which is perhaps the boldest pictorial experiment in art today. Artists trained in, and deeply knowledgeable of classical painting, are meeting the challenge of creating a pictorial language that is a convincing expression of the world of TODAY and in particular the transformed world of China. It is the theme of this exhibition to define just how audacious and innovative the best of these artists are, despite, or perhaps because of, their deep study of the past. Just as Cezanne and Picasso assimilated the work of Poussin and Velazquez and other Old Masters in order to develop their own revolutionary language, so the ink artists are grappling with the same challenge – how to express the transformation of their society with works that are meaningful precisely because they take account of the past in order to make sense of the present”.

The New Ink Art is increasingly being recognised, not only in China but also internationally, as the most audacious and idealistic movement in contemporary culture and is poised to shortly enter the mainstream of the art-world’s focus.

Michael Goedhuis, who was the first dealer in the west to recognize the significance of these radical innovations in Chinese culture, has concentrated in the past eighteen months on identifying for this exhibition the artists who are in the process of shifting the axis of Chinese aesthetics. It is for this reason that informed art-lovers and collectors and indeed the public at large will be drawn to the Saatchi Gallery for this culturally ground-breaking initiative. Although this exhibition is a loan show and works will therefore not be for sale, it is significant that the price range for the best of contemporary ink paintings is still very accessible by international standards.

A highlight of the exhibition is Tree of Blue Underglaze by the internationally feted artist Xu Lei who last year was the chosen artist for the design of the 2008 vintage Chateau Mouton Rothschild wine label. Inspired by the significance of the year 2008 for the Chinese and to highlight Mouton’s stature in the Chinese wine market, Mouton selected a Chinese artist. Xu Lei himself is one of China’s foremost artists and a leader in the innovative field of ink painting; he serves as the art director of the Today Art Museum in Beijing and is the editor-in-chief of the magazine ‘Classics’.

Qiu Jie, Mao in the Cotton Field , 2007, pencil on paper, (150 x 168 cm)

Other works of note include Gao Xingjian represented by the painting Dream Mountain (La Montagne de Rêve), who was born in Ganzhou, Jiangxi Province in 1940. A writer, translator and dramatist he moved to Paris in the 1980s as a political refugee. Here he immersed himself in nature creating semi- abstracted landscapes, believing that art should not be used for political activism, but instead should be an expression of the soul. He received the Nobel Prize for literature in 2000. Qiu Jie, who was born in Shanghai in 1960, grew up during the most violent phase of the Cultural Revolution and by the age of 10 was nurturing his talent making copies of propaganda images from local newspapers. He creates images blending stark themes from the Cultural Revolution with striking elements from contemporary culture (see illustration).

Artists to be exhibited include:
Gao Xingjian (???), Gu Wenda (???), Huan Yong Ping (???),Jennifer Wen Ma (??), Li Huayi (???), Li Jin (??), Liu Dan (??), Liu Kuo-sung (???), Liu Qinghe (???), Liu Wei (??), Lo Ch’ing (??), Lu Hao (??), Qin Feng (??), Qiu Anxiong(???)?Qiu Deshu (???),Qiu Jie (??), Qiu Zhijie (???), Wang Dongling(???), Wei Ligang (???), Wilson Shieh ( ???), Wu Yi (??), Xu Bing (??),Xu Lei (??), Yang Jiechang (???), Yang Yanping (???), Yao Jui-chung (???), Zeng Shanqing (???), Zeng Xiaojun (???), and Zhang Huan (??).

After the Saatchi Gallery, the exhibition will travel to Asia House where it will remain until the end of July. Founded in London in 1996, Asia House is the leading pan-Asian, non-profit and non-political organisation in Britain.

Rupert Murdoch Flying to UK to Stop Sun Going Down.

Rupert Murdoch is flying to London to meet staff at The Sun this week, after the arrests of five senior staff members over bribery allegations. The source told the AFP that Murdoch would fly to London “later in the week” and News International has said that Murdoch has given “personal assurance” that The Sun will not be closed like the News of the World.

The News of the World was closed on July in the midst of the phone hacking scandal.

 

News International chief executive Tom Mockridge said in an email to staff that Murdoch would stand by The Sun in the “greatest challenge” it faced.

 

“You should know that I have had a personal assurance today from Rupert Murdoch about his total commitment to continue to own and publish The Sun newspaper,” Mockridge said.

 

The Sun journalists that were arrested were deputy editor Geoff Webster, picture editor John Edwards, chief reporter John Kay, chief foreign correspondent Nick Parker and reporter John Sturgis.
News International has not made a statement on Murdoch coming to London, and neither has Murdoch himself.

 

Allegedly The Sun were furious at the fact that News Corp had handed over the information to police that led to the arrests.

 

London Fashion Week : The Countdown Begins!

London Fashion Week (LFW) is less than one week away and it is fair to say that I am already bubbling over in excitement. The show schedule is bursting with Legends of fashion as well as up-and-comers set to showcase their latest Autumn/Winter collections. As well as that, over 100 designer brands will take part in the exhibition, all showing off their latest and greatest pieces. It is an event I’ve always dreamt of going to and thanks to Frost Magazine, I hold an “access all areas pass”!

So, what can I expect?  Catwalk Shows, Presentations and Parties are all part of the schedule, creating the perfect stage for us British to show off our talents to the rest of the world. It is also certain to deliver some controversy, drama and headline making mayhem…although I do hope we don’t see any poor models fall on the Catwalk again. Other expectations I have are, of lots of noise, colour and eccentric people surrounding me and I cannot wait for it all to start!

Fashion-Lover, Keshini Misha, who is also writing about LFW for Frost, brought up the very good question of, What to Wear? Those three words have been running through my mind too and I’m sure most of this week will be spent selecting the perfect outfits. In fact, I have to admit that this element of fashion week is actually something I am extremely excited about. Not me stressing about what to wear but, getting to see the variety of fashion choices others will make. It is what I love most about fashion really; how people dress as an extension of themselves and their personalities. I think it is a shame to see someone dress in something for its name or for the social status it brings. It is far more interesting and impressive to see those who dress for themselves and throw outfits together in ways others wouldn’t imagine! Each day I will snap pictures of the best dressed people I see to share with you as well as fill you in on all the latest trends, hottest designers and naughtiest gossip!

Until it all begins…

Kate x

Follow me on Twitter too @k8hollowood

Chris Moon 'Love Hearts' {Art}

Chris Moon, the self-taught British painter dubbed ‘a new art superstar’ by Harper’s Bazaar.

Chris’s first solo exhibition was a sell-out late last year and was bought by many high profile collectors as well as celebrities such as Gemma Arterton.

Chris will exhibit his most recent work – his Love Heart series – at the forthcoming Full Rabbit exhibition in Shoreditch Town hall this February.

The Love Heart series features confectionery at various stages of disintegration to tell the story of past relationships, from First Love to One Night Stand. The works range from small, limited edition pieces from £300 to larger works up to £1,500.

Audio Architecture Arts presents FULL RABBIT which will run 24th February – 11th March 2012 at Shoreditch Town Hall, London EC1V 9LT Private View 23rd February 2012, 6-9pm Opening Hours: Monday – Sunday 12pm – 6pm

Full Rabbit is a group exhibition featuring the works of UK and Chinese artists, examining the notion of fortune. The exhibition will open in London from 24th February 2012 in the vast basement vaults of Shoreditch Town Hall.

Full Rabbit will showcase a multi-disciplinary collection of solo and collaborative work previously unseen in Britain, from twelve UK based and eight Chinese artists.

The artists featuring in the show include Catherine Shakespeare Lane, the British artist who showed a triptych featuring Francis Bacon’s dead body at James Birch’s A22 Gallery. CSL will exhibit unseen work including, Piss Artist for D.H, an installation of champagne bottle caps originally made for Damien Hirst, representing the celebration of 300 occasions, like drinks with Francis Bacon and other notorious Colony Room characters.

Much-talked about British painter Chris Moon (“A new art superstar”, Harper’s Bazaar), whose successful debut solo exhibition took place in London in 2011, will unveil his Love Heart series, eight installations using nostalgic Love Heart confectionary at various stages of disintegration to tell the story of past relationships, from First Love, to One Night Stand and Fantasy Girl.
Collaborative works between UK and Chinese artists include Local Whispers, shown at the V&A (January 2011), but further developed in Beijing to become a reference for the current interpretive situation. This involves Sui Jianguo, Experimenter En Couleur, Yan Jun, Jun Yuan, Ruan Qianrui, Christian Krupa and Ding Xin. Sound installation Rabbit Sequence by Experimenter En Couleur and Ruan Qianrui, sees 20 people ranging from 3-80 years old, asked to talk about their fortune and presents them as traditional Chinese clay ornaments.

Full Rabbit completes a collaborative project exploring perceptions of fortune by artists in both the UK and China. The Beijing show was exhibited at Platform China Institute of Contemporary Arts under the title Half Rabbit in June 2011, halfway into the Chinese Year of the Rabbit. Some of the Chinese artists in the forthcoming London show have never exhibited work outside their country.

Full Rabbit artists are: Maria Castro, Experimenter En Couleur, Paul Davis, Leslie Deere, Felicity Ford, Gogo J, Sui Jianguo, Yan Jun, Christian Krupa, Catherine Shakespeare Lane, Alex McLean, Chris Moon, Tim Norris, Ruan Qianrui, EunJoo Shin, Seaming To, Neil Webb, Ron Wright, Ding Xin and Jun Yuan.

Curator Alexis Bamforth of Audio Architecture Arts comments, “The reaction to the Half Rabbit exhibition in Beijing in 2011 was extremely positive, even though many of the Chinese artists were nervous about their works being in such a public show. We look forward to unveiling the London group show. We’re particularly proud of the collaborative work produced by British and Chinese artists and the struggles we overcame to make it happen. Full Rabbit celebrates the concept of fortune and the cultural exchange of work between UK and Chinese artists, and we are extremely excited to showcase some of the most interesting emerging talent in China, on an international stage.”

The exhibition opens to the public 24thFebruary to 11th March 2012. Entrance is free.

See www.audioarchitecture.co.uk for more information on Audio Architecture.

The Fringe Report Awards 2012

John Park has run the Fringe Report for ten years, and I am as unhappy as the other 400 odd people who turned up to the Fringe Report Awards that The Fringe Report is ending this year. John has run the Fringe Report without profit and has connected everything and everyone on the fringe of London, and indeed, the UK.

James Aylett, James Yardley and Lynn Howes.

The Fringe Report Awards took place at Monday 6 February 2012 at The Leicester Square Theatre. The Leicester Square Theatre was packed with the great and good of Britain’s theatre and acting talent. [Disclaimer: I am an editor, writer and photographer for the Fringe Report].

Jack Bowman and Catherine Balavage

The awards were as fun as ever and the list of winners is below. Goodbye to the Fringe Report. The fringe now weeps at your loss.

Elliot Grove – Outstanding Achievement Award – Film
Steve Forster – Best PR – Theatre
Flavia Fraser-Cannon – Best Creative – Producer, Photographer, Publicist
Paul L Martin – Best Producer – Cabaret
Sibyl Madrigal – Best Music Curator (for Boat-Ting)
Performers Without Borders – Best Encouragers of Talent
Steve Henwood & Wendy Matthews – Best Festival Directors
Guy Chapman – Outstanding Achievement Award – PR
Kiki Kendrick – Best Creative – Actor and Writer
Becky Talbot – Best Presenter – Radio
Kevin Sampson – Outstanding Achievement Award – Literature & Film
Vocal Motions Elastic Theatre – Best Theatre Company
Sasha Regan – Best Venue Director
Adam Morley – Best Director – Theatre & Film
Ricky Dukes – Best Artistic Director (Lazarus Theatre Company)
James Hyland – Best Performer – Solo Show (for A Christmas Carol / Jacob Marley)
Paul Sayers & Simon Bolton – Best Shakespeare Producers (Rooftop Theatre)
Paul Levy – Best Publisher
Tactful Cactus – Best Short Film (for Starcrossed)
Alison Wright – Best PR – Arts
Stuart Price – Best Creative – Director & Writer
Laura Pitt-Pulford – Best Performer – Musical (for Parade at Southwark Playhouse)
Alexander Parsonage – Best Artistic Director (Finger In The Pie)
Andy McQuade – Best Director – Theatre
Catherine Brogan – Best Poet

THE BODY ADORNED: DRESSING LONDON

Temporary Exhibition Gallery Saturday 24 March 2012 – Thursday 3 January 2013

Why do we wear what we wear? Does the way we dress have deeper meaning or is dress superficial? What influences our choice of dress?

The Body Adorned: Dressing London opens at the Horniman Museum on Saturday 24 March and will look across time and cultures at the relationships between dress, the body and the emergence of London as a world city. It will consider how the movement of people, objects and ideas have influenced London dress in the past and explore body adornment in today’s capital.

The first part of the exhibition features masterpieces from the Horniman Museum’s extensive world class anthropological collections which reflect body adornment practices across the world, and asks what this can tell us about how societies work. Some 300 objects will be on display including an Ancestor figure from Papua New Guinea, a shaman figure from North America, early tattooing instruments, a native American headdress, European folk costumes and a spectacular Maori ancestor figure on loan from UCL collections. The objects give an insight into the messages dress conveys in these societies, and visitors will see the role dress plays in magic, religion, warfare, social status, gender, marriage and death.

The focus of the exhibition then turns on to contemporary London, with film and photography used to consider dress choices in London today, with:

· A specially commissioned film by the innovative, internationally renowned filmmakers and designers The Light Surgeons, where people in London will talk about their own and others’ dress choices. A fully immersive experience, the large scale film shows people in various parts of London discussing their own choice of clothes, while on four smaller screens participants comment on the dress choices of others.

· Urban portraits – a superb display of large scale photographs taken by young people working in partnership with the Horniman Museum and Goldsmiths College exploring the many ways in which Londoners dress.

· Wardrobe studies – what are the intimate choices, and even anxieties, of Londoners who express their fluid identities through dress? Explore a multi-faith wedding wardrobe, a sharp suited business woman and the mysteries of a teenage bedroom.

The Body Adorned: Dressing London will be the Horniman Museum’s major exhibition for 2012.

The exhibition is one of a series of four Stories of the World: London exhibitions exploring different aspects of life in this World City. These form part of the London 2012 Cultural Olympiad programme, Stories of the World, which presents exciting new exhibitions across the UK created by young people.

The exhibition opens on Saturday 24 March 2012 and entrance is free.

Argentina is to complain about Britain to the UN.

Argentina is to complain about Britain to the UN.

It has now been 30 years since the war between Britain and Argentina over the Falklands, and the arguments are heating up. Argentina’s President Christina Fernandez de Kirchner has said she is going to complain to the United Nations about Britain.

The President is upset that Prince William has gone to the island, and that Britain has sent a warship, The HMS Dauntless, to the area. Prince William will be in the Falklands for six months working as an RAF search and rescue pilot.

However, the British government has said that this is “routine”.

The Falkland Islands in the South Atlantic have been ruled by Britain since 1833. In 1982 Argentina invaded the islands, claiming it had inherited the islands from Spain. Margaret Thatcher was the Prime Minister at the time and went to war over the island.

The war ended after 74 days when Argentina surrendered. Argentina still wants the islands back.

The Falklands have a population of 2,500.

The British government says it won’t discuss the issue because the people living on the Falklands want to keep it under British rule.

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