Category Archives: Culture

Parade – Theatre Review

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I have wanted to see the musical ‘Parade’ for a long time. Sitting across the road from the Southwark Playhouse before the show, I overheard a man say to a woman: “Cheer up, you’re about to see the saddest musical every written!” And so I waited eagerly in anticipation.

Set in the 1910s in Georgia, we follow the tragic story of a Jewish factory owner, Leo Frank, as he is accused of abusing and murdering Mary Phagan (Jessica Bastick-Vines), a young girl who worked for him.

A drunken reporter, played by David Haydn, sobers up to return as a master of spin. He and Hugh Dorsey (Mark Inscoe), prosecution lawyer, rally up public support, and convince members of the community to bend the truth, and more often than not, to lie about their experiences of Mr Frank.

His only hope of rescue from a public hanging is his loving wife, Lucille (Laura Pitt-Pilford), who tugs at the heart strings of Governor Slaton (also David Haydn). He agrees to stand up for Leo, a man that he believes is an innocent outcast. Are these efforts enough to save him from the fury of the masses who need to see justice done, quickly?

Suffice to say, each and every singing voice was capable of setting the heart racing. The discordant harmonies of the chorus were touching, unsettling and emotive, and though I am not a trained singer, it was rare to hear an unsupported, pushed note from this experienced and talented cast.

Before we fully meet the protagonists, a distraught and dazed Frankie Epps (Samuel J Weir) recalls how young Mary’s ‘smile was like a glass of lemonade’. The song was delivered with a beautiful subtlety. The lyrics are so highly personal, that the performer needs a deep internal understanding of the character and his position in order to deliver them with complete truthfulness, which Weir was on the verge of.

Alastair Brookshaw (as Leo Frank) gave an equally strong vocal performance. I was touched on several occasions by the honesty of his performance, in particular when he sang to his wife, finding the confidence to simply say (possibly for the first time after years of marriage), ‘I love you’. However, the honesty was not consistent. The choice to listen intently to what the text tells us about his character’s nervous mannerisms was commendable. However, in times of extreme hardship, even the most agitated of people might break from their habitual mannerisms, look people in the eye, and show some humanity.

Both Laura Pitt-Pulford as Lucille Frank, and Terry Doe, in various roles, stood out as giving full commitment to the finer details of their performances. When Lucille begged for the Governor’s help, and when Riley (Doe) hit the deck, when singing about the injustice of a juridical system that prioritises murder of white victims in the courts, there was no rest from the illusion that they had created.

I have not commented on every performance, but that is no negative reflection on the others. A strong cast, fantastic set, and sharp direction by Thom Southerland and co. left us with something to think about. I wanted to be moved more, but I blame it on that man I overheard before the show, preparing me for floods of tears.

Acting Up! Returning to a Life Less Ordinary

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Well, it’s been a funny old year. About this time in 2010, I was sitting at a desk in a soulless office, writing websites, drinking coffee and watching my life and my ambitions swirl slowly down the drain. I’d only taken the job to pay for my wedding and already it had taken over my life, and not in a good way.

I was depressed. This wasn’t me. I’d been touring theatre and producing shows since I was 17. I was a performer, a creative thinker. Now here I was, getting fatter, grumpier and watching my life hit a brick wall in teeth-shattering slow motion.

So I stopped. One day I just walked into work and told my employers, in an embarrassingly polite, wet liberal way, where they could stick their job (“Sorry! I hope it’s not too inconvenient, I know you’re busy.”)

Some people said that I was insane. Mind-bogglingly, eye-wateringly insane. I’d just resigned from a secure, reasonably well paid job in the middle of a recession. Insane!

But there were others who said something quite, quite different.

They said “Well done”. They even used the word, and I’m embarrassed to repeat it because I still don’t really believe them, “brave”.

Truth be told, I’m not insane. I’m not particularly brave either. I just made a choice. Move sideways into another dead end job or move forward into a career that I actually enjoyed. Simple really.

But has it worked? Am I happier, more fulfilled, more engaged and more successful now that I’m back in on stage and screen?

Well over the next few weeks I’m going to be sharing my experiences, thoughts, triumphs and failures with the readers of Frost Magazine. There have been good times, bad times and just-plain-weird times. I’ll also be sharing a bit of the wisdom I’ve learnt from casting directors and actors along the way.

But first, I’ll leave you with a question; What is the most impulsive choice you’ve ever made,… and did it work?

You can find out more about Tim Austin at his WordPress page; http://actortim.wordpress.com.

Check back next Wednesday for more Acting Up!

Demanding Travel As Pleasure

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House prices in London are stupid, and so, too, are rent prices. The average wage in London is approximately £24k per annum, but to afford somewhere half decent in most places, you’re looking at paying at the very least a quarter of your monthly income on rent alone (nearer half depending on how below average you earn), excluding bills, internet, cider from a Samuel Smith bar on a Friday and the countless amount of birthday pots you have to fill in the office – not to mention your round of “Friday treats”.

For many, the option to live in London is just not there, and commuting to the capital to work is the only option available. Yet anybody watching BBC lunchtime news on Monday the 15th of August will have learnt – possibly for the first time – that they are rich anyway and so it is justified that train fares will be hiked up by on average 8% by January 2012.

Already the daily commute to work is, as Le Corbusier put it, a surplus labour, reducing one’s free time, but with rises, it gets worse than just being extra work. It should count as an increasing loss of earnings.

One commenter on the BBC website put it: “These ticket prices are already making me wonder whether I can afford to make all of my journeys without making sacrifices somewhere else.”

Guy Debord, the Situationist thinker and pissed map reader, said in his thesis on traffic: “We must replace travel as an adjunct to work with travel as a pleasure.” At the moment, the best we can ask for – and I myself commute a fair bit to my place of work – is half a sticky seat with an elbow in your ear and a laptop in your mouth. For travel as pleasure to be even close to being a tenable goal we need the following things as standard:

  • Air con
  • Leg room
  • A seat, or a partial refund if no seat is available
  • One sanitation booth per carriage
  • A request for all carriages to be “quiet”
  • An end to weird, screechy noises to tell you the doors can be opened

For train travel to be pure pleasure, and a joy to pay through the nose for, the following needs to be met (note to Philip Hammond, see this as your benchmark):

  • Luxury leather seats
  • A cap on the amount of people who can board, and a person available to write notes to employers explaining why you are so late
  • A string band
  • A mini-bar subsidised by way of an extra stealth tax on motorists – £1 on every time a motorist is a “dick” (criteria for this to be published at a later date)
  • Second-class travel to be outlawed
  • A button to exterminate mobile phone users or people with loud music

Until these demands are met, I for one will be joining the Campaign for Better Transport’s Fair Fares Now initiative. Join me!

Phone Hacking: Goodman Letter Reveals 'Everyone Knew”

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Rupert Murdoch, James Murdoch and Andy Coulson face fresh embarrassment after an explosive letter from former News of the World Royal Correspondent, Clive Goodman was published today.

The four-year-old letter was only published on Tuesday, and it claims that phone hacking was “widely discussed” at editorial meetings at the News of the World until Andy Coulson banned any future references to them.

Goodman went on to claim that Coulson said he could keep his job if he agreed not to implicate the paper in court and that his hacking had “the full knowledge and support” of other senior journalists, who he named.

The Murdochs may now be recalled to parliament to give more evidence in the light of Goodman’s letter. Rupert Murdoch said that Andy Coulson knew nothing about the hacking during the hearing.

The letter was published by the House of Commons Culture, Media and Sport Select Committee. One committee member, the Labour MP Tom Watson, said Goodman’s letter was “absolutely devastating.” He added: “Clive Goodman’s letter is the most significant piece of evidence that has been revealed so far. It completely removes News International’s defence. This is one of the largest cover-ups I have seen in my lifetime.”

Goodman’s letter is dated 2 March 2007, soon after he had served a four-month prison sentence. Addressed to News International’s Director of Human Resources, Daniel Cloke, Goodman writes: “This practice was widely discussed in the daily editorial conference, until explicit reference to it was banned by the editor.” He reveals that the paper’s then lawyer, Tom Crone, knew all the details of the case against him.

In another embarrassing allegation, he adds: “Tom Crone and the editor promised on many occasions that I could come back to a job at the newspaper if I did not implicate the paper or any of its staff in my mitigation plea. I did not, and I expect the paper to honour its promise to me.”

Anonymous: Damaging The Vital Cause Of Internet Freedom

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Anonymous – the radical decentralised online community ostensibly associated with the goal of ‘free speech’ – has caused controversy by issuing a statement sympathising with the UK riots.

It is yet another example of action by the organisation that damages the vital cause of internet freedom. A cause which the organisation claims to defend.

The Anonymous collective has become increasingly prominent. It is most famous for its DDoS attacks which bombard a target webserver with so many requests that it is forced to shut down. The Mastercard and Visa websites have been victims.

Frost readers will know how much I believe in the freedom of the internet and it pains me to see the cause tarnished in this way. It was always wrong for Anonymous to take criminal action. Their actions only give governments further justification to clamp down on the internet further. This is now more the case than ever following their recent statement.

For a supposedly decentralised community, the comments on the UK riots were pretty categorical, worryingly and obviously so. There is an elite within Anonymous that has its own agenda. http://pastebin.com/V00tbr01

The comments can only be interpreted as seeking to incite a revolution, saying: ‘Your politicians mask the extent to which a significant section of society is stuck in an impoverished way of life with little hope for the future.

“It is time to take a stand and realise that solutions will not be found in today’s corrupt political landscape.”

Anonymous called for people to join them in a day of action on October 15th. Although Anonymous made clear it did not condone the violence, it was sympathetic to the rioters. It suggested the riots were as a result of political anger and resentment. Let’s get real here. These riots had no political point (save perhaps the initial riot in Tottenham), and everybody knows that. These riots were about self-gratifying violence and greedy opportunism.

Anonymous will point to the government response to the riots, potentially regulating and controlling social media sites. They will argue this makes it a legitimate target. Undoubtedly, the government is disgracefully jumping on the riots as an excuse for further regulation. No one truly blames twitter for the looting.

That doesn’t mean anarchy is the answer. It doesn’t make it right to incite a revolution. Internet regulation doesn’t have anything to do with anti-cuts protests or unions and it doesn’t mean ‘justice is only for the wealthy’. You have gone beyond your remit, Anonymous.

A revolution might sound romantic, but we only need to look back a few years to see the true horror they bring. They also never end in free speech.

Passengers Outraged As Rail Fares Set To Rise Above Inflation Again

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Rail commuters are outraged as the so called ‘green’ government backed an above-inflation rail fair rise for already overpriced, overcrowded trains. Fares are expected to rise at least 8%.

The formula for fare increases is usually RPI inflation plus 1%, but for the next three years it is RPI plus 3%.

Rail minister Theresa Villiers said passengers were being asked to pay more for the next three years so that the government could “deliver a massive programme of rail upgrades.” However, Villiers was less than impressive while trying to defend the shocking rise in a BBC interview.

Rail fares for Londoners are also set to rise by up to 13% from January 2012, thanks to government changes to the rules on annual fare rise.

“These massive fare rises will be a disaster for people already struggling with rising costs, and risk pricing those on lower incomes out of jobs,” said Alexandra Woodsworth of the Campaign for Better Transport, who was protesting against the fare rises at Waterloo station today.

It is feared that some people will be priced out of being able to work.

Every New Year, train companies are allowed to push up fares based on the inflation rate published the previous August. Today, that figure was 5%.

Previously, the rule was that companies could only increase fares by 1% more than inflation, which would have seen bad-enough rises of 6% next year. But the current government raised the fare-hike limit to inflation-plus-3%, allowing for rises of 8% in early 2012. It also allows for rises of up to 8% above inflation on some routes, giving the 13% figure.

A 13% hike would see the current cost – £3832 – of an annual season ticket from Brighton to London rise to £4291.

The government blamed its lack of finances for the rail fare hike. Rail companies are subsidised by the government, which means unhappy commuters pay for it both through their taxes and when they pay for their fares.

Rail travel is notoriously bad in the UK. Rail journeys from London to Glasgow cost from £100-170 before these rises with trains often so overcrowded, it is usually standing room only. London is not much better, with people paying more money than anywhere else in Europe to ride in a carriage with no air conditioning and in worse conditions than a sardine in a can. Trying to get anywhere on the weekend is worse, as most lines are having maintenance, causing huge service disruption.

The Coalition government has promised to be a ‘green’ government, but rail fares are now so expensive that it is cheaper to fly, I know a number of people who do. Not so green after all.

Rock & Roll 1954 – Alive & Kickin`

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With popular rock and roll music rapidly running out of ideas for new twists and turns to which – let’s face it – was, and still is, a very basic American art form, I say, why bother changing something that’s not for changing anyway?

Great Rock and Roll music, if played and sung right from the soul, can – and indeed will – change the way we feel about almost any subject in life. But its basic function is to make us feel fabulous inside!

I have been a professional musician for over 30 years, working with some great artists. Most of them are huge music fans and it will surprise a few people to find how eclectic most working musicians are in taste and the ways you can find alternate routes into real established artists such as Dylan , Springsteen, and even Elvis himself.

The King alone has a recorded legacy bordering on over 900 sessions, all of which are now easy to access and show another world of rock and roll music – right back to its mid-50’s infancy. But I’m going to try to present some new contemporary bands / singers that still have that same depth or outburst from the soul that all great artists from the 50s , 60, 70s seemed to possess with sheer out the blue inspiration. We’ll call it  EARS TO HEAR`.

 

(Stratocaster pic by Vinicius de Carvalho Venâncio courtesy of http://www.publicdomainpictures.net)

My 9-11: One Man's Journey Through September 11, 2001

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My 9-11: One Man’s Journey Through the Unexpected Events of September 11, 2001′ Launches With a Book, Gallery Show & Soundtrack

Multi-Media Art Retrospective to Commemorate the 10th Anniversary of the September 11th Attacks Will Also Raise Healthcare Funds for First Responders and Families

Music and celebrity portrait photographer and author, Richard Agudelo, presents, My 9-11: One Man’s Journey Through the Unexpected Events of September 11, 2001. This multi-media arts retrospective includes a book that contains never before published images from Ground Zero, captured moments after the attacks. These powerful images will be presented in a photography exhibit at NYC’s new Charles West Gallery. In addition to the book and gallery show, 13 diverse musicians have contributed original works to the My 9-11 Project soundtrack. All net proceeds from the My 9-11 Project efforts will be donated to first responder charities including the FealGood Foundation

The beautifully crafted book presents 144 pages, containing 40 images that include 23 never before published pictures that were taken 20 minutes after One World Trade Center collapsed. The photographs are accompanied by a vividly detailed 11,000 word narrative that gives a glimpse of the chaos and heroism at Ground Zero immediately following the towers downfall. Contributors to the book include 9-11 first responder advocate, John Feal of the FealGood Foundation and World Trade Center Health Organization’s leading expert, Dr. Jacqueline Moline. All the names of victims lost on 9-11 are also included in a commemorative section.

“My 9-11 Project began to take shape after I returned from an annual check-up at the World Trade Center Health Organization,” explains author, photographer and founder of My 9-11 Project, Richard Agudelo. “I saw the suffering of many first responders and over the years have witnessed the untimely deaths of too many of these heroes,” Agudelo adds, “My 9-11 Project not only aims to raise funds to help prevent more of these deaths, but also helps to provide a larger platform to bring light and conversation to this unfortunate circumstance.” Agudelo further states, “We not only need to honor and applaud these heroes, we need to take care of them, just as they did for us.”

My 9-11: One Man’s Journey Through the Unexpected Events of September 11, 2001 has been brought to light by efforts and funding from Barry Leistner and Koenig Iron Works, Inc. in New York City. “When I met Ric Agudelo, he was looking for a gallery space to show a project he was working on to commemorate September 11th,” explains Barry Leistner, president of Koenig Iron Works. “Once I started to hear the details of this amazing project, suddenly I knew exactly how I was going to honor the friends and loved ones lost on 9-11,” further explains Leistner, “I was not only going to get Ric a space to launch the My 9-11 Project, I asked to personally help and became Co-founder and Producer of the multi-media project.”

ABOUT MY 9-11 PROJECT

My 9-11 Project is a 501(c)3 non-profit organization that provides monetary assistance to various organizations that push to alleviate the financial burdens of the September 11th first responders who suffer from health ailments due to the time spent at Ground Zero. My 9-11 Project also aims to generate general public awareness about the many health issues that plague these heroes. Funds will be raised through multi-media arts projects which will also support and nurture NYC downtown artists. My 9-11 Project was founded by photographer Richard Agudelo and philanthropist Barry Leistner. For more information on My 9-11 Project, please visit www.My9-11Project.org.