Category Archives: Culture

INTRODUCING NORTH NORFOLK JEWELLERY DESIGNER, CLAIRE HOWARD

Posted on by

I make delicate, simple jewellery in a beautiful corner of North Norfolk. I make the kind of jewellery I like to wear, everyday pieces which are elegant and made from quality materials at affordable prices.

​I come from a very crafty background, I dabbled in a variety of crafts until gifted a course at the London Jewellery School and then jewellery making became a hobby which gave me space to create and wind down from a busy teaching job.  I was frustrated that simple jewellery from the high street was made from low quality silver which made me itch and changed colour so I bought a lot of jewellery from a local maker, Richard, who I commissioned to make me some pieces until he said to me – why don’t we make this necklace together? CHJ started to gather steam and momentum, I moved away from beads and on to soldering, stone setting and texturing through sitting beside Richard, attending courses and practising again and again and again.   I have not looked back!

I’m passionate about wearing timeless but well-made jewellery – uncomplicated pieces which are practical enough to be worn during the day but special enough for night!  To me, it doesn’t matter if we are on a school run, working in a school of small children or out for pizza and prosecco for £12 (my local treat), jewellery should be pretty and well crafted – that’s what matters to me.

From my workbench in North Norfolk, I take inspiration from being outside.  We are so lucky in this county to have beautiful beaches, woodlands and a hill or two (Yes we do!) where I flourish being outside with the dog walking and enjoying some space and time.  Being outside lifts my spirits and enables me to focus on the simple things in life – I put these in my jewellery – accents of little delicate bees and daisies, hearts and droplets of gold.

​Texture is really important in my jewellery too.  I love to be able to clasp a piece of jewellery and run my fingers over the stamped lettering or image and feel the dimples in the hammering, or the beads of the beaded wire.  I love that jingle jangle you get when two pieces of silver clink together.

​As for romance – this quote pretty much sums it up for me… Draw a circle, not a heart around the one you love because a heart can break but a circle goes on forever. (Danny Kaye)   Circles feature a lot in my jewellery, small, hand crafted, perfectly round and often interlinked.

My website is found at www.clairehowardjewellery.com

 

 

 

 

 

 

My Writing Process Terence Gallagher

Posted on by

My writing routine:

I spend a lot of time working out in my head what I am going to write before I commit anything to my iPad which is my preferred writing tool. Only one to two hours a day is spent typing. I like to work out phrases and dialogue while I’m out walking my two Irish Setters or riding my bike. I also do a fair amount of research while I’m on the go. I use my iPhone in coffee shops to surf the web as I nail down the details of locales I am using, or to check historical facts. 

A bit about me:

I am Irish. I grew up in Dublin in the sixties. I am a proud graduate of  Trinity College Dublin. After College I went into management consultancy and ended up working in a wide variety of cities and countries worldwide. I am married with three grown children and split my time between Naples Florida, and Howth, a small fishing village north of Dublin. In both cases I live by water. I find it therapeutic to look out on a seascape whether it be the Gulf of Mexico or the Irish sea. My hobbies include, biking, working out, and walking. I am a music lover with a particular affinity for classical and Blues. My home in Howth  stands on an acre and this has made me a reluctant gardener.

What I have written, past and present:

So far I have published two novels, Fujita 4, and Analyst Session. Both of these are available as ebooks and in paperback. I also had Fujita 4 professionally narrated and it is in audiobook format. I found it very exciting to have my characters brought to life and given a voice by a skilled actor. I am currently working on my third novel, A Coup in Makati.

What I am promoting now:

 Analyst Session was just recently published and I am busy with promotional activity. It’s quite a juggling act to stay on top of PR for one book while trying to make progress on the next.

My writing process:

I use Scrivener word processing software to structure the outline of a book before I begin writing in earnest. Scrivener is specifically designed for authors. I create a summary of each chapter. I also use it to store sketches of  all the major characters and to keep research notes. I then methodically work my way through from start to finish of the book. This means that each day I know what I have to work on next and I can keep from being overwhelmed by the magnitude of my task.

What about word count?:

As regards word count I go in aiming to create a work of between sixty and seventy thousand words. If I know how many chapters I have outlined, I roughly know how many words a chapter. This helps  me figure out where the plot is light or I need to do more with characterisation. I run work in progress through Grammarly. This is a decent software package that will catch typos and many grammatical errors. 

How do I create my structure:

It starts with the central character. I have to really know and understand him or her. Its as if they stand alone on an empty stage. I then like to create life situations which test my protagonist’s moral belief system. The milieu in which this plays out will be a place where I have lived or spent significant time in my own life. It’s easier to have the settings for the story be realistic. Other characters whose actions will precipitate the moral conflict then come to life. 

What do I find hard about writing:

The most challenging aspect of writing for me is communicating the interior emotional life of my characters, particularly my female characters. The daily word output slows dramatically when I am wrestling with this. 

What I love:

What I love about writing is conceiving a cast of characters, placing them in my fictional world, and seeing how they react and evolve. They tend to take on a life of their own. It wreaks havoc with the plot-line a lot of the time but I wouldn’t have it any other way.

Advice for other writers:

Advice I would have is take advantage of some the great software out there to help with the writing process. I have also used a variety of professionals to help edit and polish my work. I have used Reedsy and Fiverr to hire these and by and large it has worked out well for me. 

Georges Simenon, the author of  the Maigret stories was able to crank out a book in eleven days! It took Flaubert five years to write Madame Bovary. Every writer has their own pace. Writing is a solitary activity. It requires self discipline. All sorts of distractions can get in the way if you let them. It is important to have some sort of routine and schedule when setting out to write something.

Analyst Session is available as an ebook or in paperback from Amazon.

5 Books That Changed Me by Natalie Jayne Peeke West Country Correspondent

Posted on by

It is no secret to those that know me that books hold a special place in my heart. I enjoy being able to escape to a different world, a different time, a different place. With the stresses of everyday life I have been reading more and more over the past few years and I thought that now would be the perfect time to look back and reflect on the books that have changed me.

First up is Harry Potter and the Philosopher’s stone by J K Rowling. I have very fond memories of this book, my mum used to read it to me and she would speak in different voices for each of the characters which would always make me chuckle. I was fascinated with the world of magic and imagination that J K Rowling has. This book kickstarted my love of the Harry Potter books, i would insist on having the latest one as soon as i possibly could. I remember when I was 15 and Harry Potter and the Order of the Phoenix had just been released and that summer me and my family went on holiday to the south of France and instead of lounging by the pool all day I would stay inside and read. Yes I did finish it within the two weeks we were away. To this day I am a huge Harry Potter fan and so is my daughter who i now read the Philosophers stone to.

Next up is the Diary of Anne Frank, i read this for the first time when i was in secondary school around the age of 14. It opened my eyes to not only the cruelty and horror that Jews were subjected to just because they were Jews but despite it all Anne Frank remained  positive and extremely brave “I keep my ideals, because in spite of everything I still believe that people are really good at heart”. Anne Frank received her diary as a present for her 13th birthday and i was reading her diary when i was of a similar age and i remember thinking that i would not be that brave and it put things into perspective for me. The diary of Anne Frank is one book that will always remain on my bookshelf and one that i will turn to when i feel that i need to be brave or strong or positive. 

At Long last love by Milly Adams was a book that was given to me as a gift from someone who knows that my favourite genre to read is historical fiction. This book changed me in a different way to the others listed because even though I absolutely adored reading it and I went on to buy two more books written by Milly Adams because i enjoyed it so much, it is the events that followed reading this book that changed me. At the time I was writing my own blog where I would write book reviews and interviews with authors among other things. When I finished At long Last Love, i reached out to Milly Adams and asked if she would be willing to answer a few questions for my blog. She kindly agreed to do so. I went on to learn that Milly Adams is in fact a pen name for Margaret Graham who is a editor for Frost magazine, I must have done something right as to my amazement Margaret asked if i would like to write reviews for the magazine. Fast forward almost 3 years and I am now the West Country Correspondent for Frost Magazine and my confidence in myself and in my writing has improved drastically all thanks to Margaret Graham and the Frost Magazine Team. 

There are very few books that I have read as many times as A Christmas Carol by Charles dickens. This classic book did – as corny as it sounds- teach me the true meaning of christmas, it isn’t about what gifts you get but who you spend the time with, how you treat others, how you value and appreciate them. Over the years i have watched many film adaptations which i enjoy with my children, our personal favourite is ‘A Muppets ‘Christmas Carol’ which again has become a tradition to watch at least once over the festive period. 

Last but by no means least is a book that I read last year, The Lost Girl’s of Paris by Pam Jenoff. Up to that point I was blissfully unaware of women’s involvement in world war two. This taught me a lot about the German occupation of France, the resistance and the missions and sabotage that they carried out which would have absolutely contributed to the allied victory. I knew that back home women  worked in munitions factories risking life and limb.  However I did not know about Winston Churchill’s Special Operations Executive or SOE, where women would be taught sabotage and survival skills and would be parachuted behind enemy lines where they would face capture, torture and execution. These women were smart, courageous and ruthless. They were heroes. 

 

CELIA ANDERSON ON CELEBRATING ROMANTIC FICTION

Posted on by

When I was approached back in 2016 with a view to taking over the organising of the Romantic Novel Awards from Nicola Cornick, I have to admit my knees began to shake. Nicola followed a long line of equally super-efficient coordinators, all of whom had helped the system to grow and develop in different ways. It’s been a fascinating few years though, learning the ropes, meeting hundreds of writers, agents, publishers and avid readers online and experiencing the amazing diversity of romantic fiction as it is today.

These RNA awards are unique in that eight of them are completely reader-judged by up to 300 volunteers who are passionate about reading romantic fiction. Every spring, the regular panel of judges are re-recruited with some additions, and once the books begin to flood in (all ebooks now, which has been a blessing in this year of being extra-aware of passing on germs) the organiser is responsible for allocating batches of books to readers for a set period. We close for business on September 30th or when the cap of 500 entries is reached, whichever comes first, but allocation and judging continues way into the autumn until every book has been read and scored.

In addition to this, my hard-working colleague Laura James will be publicising and collating votes from librarians, book bloggers and book sellers as they nominate their favourite book of the year for the Popular Fiction Award which is presented at the same time as the other category prizes for Contemporary, Romantic Comedy, Debut, Fantasy, Shorter Romances, Historical, Saga and Thrillers. We endeavour to promote diversity and inclusion so that romance in all its forms is fully represented.

The results are strictly confidential until careful moderation of the judging process by a panel of experts has been completed, after which short lists are consolidated. Even then, only those on the lists are notified and asked to keep the secret until the announcements are formally made in February. In early March at a glittering ceremony and party in the heart of London, the final results are revealed and the trophies presented by a different celebrity each time. The final presentation is always the Outstanding Achievement Award, won in 2020 by the wonderful Milly Johnson who brought the house down and reduced everyone to tears with her moving and encouraging speech.

This showcase event is an ideal way to promote all genres of romance, to give members the chance to mingle with publishers, agents and fellow authors and to highlight the fact that romantic novels become more popular with every year that passes and that writers of romance should be celebrated for bringing much needed joy into the world of books. In this time of pandemic troubles, the format for the 2021 event will need to be carefully considered but rest assured, the winners and short-listees will still be celebrated with as much pomp and ceremony as we can safely achieve. They are all stars.

 

Celia Anderson was a primary teacher and assistant headteacher before deciding to leave it all behind to write full time. She has been an enthusiastic member of the RNA since 2011, having graduated through the wonderful New Writers’ Scheme and made many good friends along the way. With Harper Fiction she has recently published The Pengelly Series (59 Memory Lane and The Cottage of Curiosities). There are more to come…

 

 

 

 

SISTER SCRIBES: JANE CABLE ON THE START OF A NEW ERA

Posted on by

This will be the last time I sharpen my pencil to write a Sister Scribes article for Frost. There is no great drama, and next year will bring an exciting new group of writers to the magazine, but for now Sister Scribes has run its course.

When we started two years ago our writing careers were in very different places. Not all of us had publishers or agents, although some of us had indie published very successfully. We all had the luxury of a little more time. Now we find ourselves working on multiple projects, often for more than one publisher, and even with five of us in the team, producing a weekly article just isn’t tenable.

Of course it doesn’t mean we won’t remain friends – the connections between us are too strong for that. We have been through the best and worst of times together, and that forms incredible bonds. As we have said so many times before, writing can be a lonely business unless you have buddies.

I don’t think our positions are unusual. Everywhere I look around me, there are writers juggling tasks, deadlines looming over them, professional reputations on the line. It seems to me that once you are lucky enough to break down the doors to the publishing world, you can quickly become in great demand, while equally talented writers who perhaps don’t have the confidence, or the perseverance, or the luck of the right book landing on the right desk at the right time, look on from the outside, waiting for their turn.

But enough of this philosophising. We are close to the end of a year that has been frankly terrible for many, so let’s look forward. Let’s be positive and hopeful as we stare down the barrel of 2021.

Sister Scribes will be replaced in Frost by two elements, brought to you by the same team. Our ever popular monthly Reading Round Up will become Cariads’ Choice, and fortnightly we will bring you Welsh Writing Wednesdays.

The team is broadly the Cariad Chapter of the Romantic Novelists’ Association, with a few other Welsh writers, or writers based in Wales, added for good measure. Although I live in Cornwall, because I am from South Wales, Cariad feels as though it is my natural chapter, and lockdown has made attending events so much easier; just a quick link onto Zoom rather than a three hour drive.

I met my first Cariads, Sue McDonagh and Jan Baynham, at the RNA Conference in 2017 and two years later they shared a flat with the Sister Scribes. I knew Jill Barry by email, because we were both signed to Endeavour at the time, and added Evonne Wareham to the list when we did a library talk together in Cardiff. Former Frost ‘Take Four Writers’ contributor Lucy Coleman is also a member, as is Sister Scribe Kitty Wilson, as she only lives just over the border in England and has become a Cariad too.

We have a private Facebook group and monthly Zoom meetings, and through this I have come to know the other members of the chapter, and I am sure you will enjoy doing the same next year. The articles pledged will be wide ranging, but inevitably landscape will feature more than once, as will Dylan Thomas. And I just know you are going to enjoy them.

 

 

 

 

 

 

Five Books That Changed Me By Yousra Imran, author of Hijab and Red Lipstick

Posted on by

Roxy van der Post for Myosotis Film & Photography

Headscarves and Hymens by Mona El Tahawy

“The most subversive thing a woman can do is talk about her life as if it really matters.” This was the line in Headscarves and Hymens that gave me the affirmation I needed to use my passion for writing to talk about the subjects that mattered most to me and not to feel a sense of “shame” for writing openly about life experiences. This was the first time I read a book which spoke so closely to my own thoughts as a Muslim Arab feminist, and I was nodding along every page of the way. Headscarves and Hymens is feminist journalist Mona El Tahawy’s first non-fiction book, and an in-depth look at the multi-faceted injustices women face across the Middle East.

It’s Not About the Burqa by Mariam Khan

It’s Not About the Burqa is an anthology of essays written by a long list of female British Muslim writers including BBC journalist Saima Mir, Jeremy Vine on 5 co-presenter Salma-El Wardany and award-winning author Sufiya Ahmed. They write unabashedly about their own experiences and on a range of topics people think Muslim women aren’t interested in – sexuality, feminism, politics, the law and queerness to name a few. This is a life-changing read because it proves that Muslim women are not a monolithic and there is no “one type” of Muslim woman. It also proves that we are extremely successful and have made incredible contributions in British society. Everyone needs to read this book.

Two Women in One by Nawaal El Saadawi

As well as being a famous Egyptian feminist, Nawaal El Saadawi writes novels and her husband has translated most of them into English. She writes about everyday Egyptian women, including working class women and women in rural areas. My favourite novel of hers is Two Women in One, probably because I can resonate with the protagonist Bahiah. Bahiah is a medical student in Cairo who is trying her hardest to reconcile the two women she is: the quiet, studious, obedient Bahiah at home, and the shameless, strong Bahiah who wears trousers, stands with one leg up on her stool in the lab and experiences intimacy outside of wedlock. The book is set in the early ‘80s, yet little has changed for women in Egypt today.

Little Women by Louisa May Alcott

I read Little Women for the first time when Mum bought it for me as a gift when I was 11 years old, and until this day the part where Beth dies makes me blubber like a baby. Reading it again as an adult I can see that Alcott was a feminist – it wasn’t something that I digested as a young girl. If I was to do a postgraduate degree in feminist literature I would probably choose Little Women for my thesis, as there are just so many references to gender injustice. Marmi is a feminist and so is Jo March. I had thought Jo March was based on Alcott but I recently read Alcott had based Jo’s youngest sister Amy on herself.

The Mill on the Floss by George Elliot 

The Mill on the Floss was the 19th century novel I studied for my English Literature A-Level. It was a complete eye-opener, particularly as a teenager living in the Arab Gulf. I remember underlining so many passages in the book and telling my teacher that Victorian society was just like Qatari society; it was mad that the customs were so similar despite the 150-year gap! I could also see myself in the protagonist Maggie – the internal struggle between wanting to be pious and modest, but also be passionate and love and be loved. As an adult I now know I can be both – I don’t have to choose one or the other.

About the Author

Yousra S Imran is an English-Egyptian hybrid who works and lives in West Yorkshire. She has been writing from the moment she learned how to hold a pen and works full time in marketing and events in the education sector.
Yousra grew up between the UK and the Middle East and has a BA Hons in International Relations. She is passionate about women’s rights and gender justice. Yousra lives with her husband in Bradford, Yorkshire.

SISTER SCRIBES’ GUEST: ALISON LARKIN ON WHY SHE WRITES

Posted on by

Welcome to Alison Larkin, bestselling author of The English American, award-winning Austen narrator and now the narrator of The Particular Charm of Miss Jane Austen and The Unexpected Past of Miss Jane Austen. 

I’m with Dorothy Parker who said “I hate writing. I love having written.”

I was born in Washington DC, adopted by English parents and raised in England and Africa and I’ve written for as long as I can remember – poems and plays mostly. But they were usually pretty surreal.

Then something happened that changed everything. Including the kind of writing I did.

It was the early 1990’s. I’d recently left drama school and was playing Flora Poste in Cold Comfort Farm in Newbury when the ‘phone rang back stage and I learned that the birth mother I knew nothing about and had been searching for was alive and well and keen for me to come and visit her at her home – in Bald Mountain, Tennessee.

So I went to Tennessee to meet her. Then I moved to New York and became a stand-up comic, because what else do you do?

Growing up, we didn’t talk about feelings in my family, which was helpful I think because the. absence of any other outlet meant I had to write, even though I hated it. I’m sure I never would have written the stand-up comedy act that led to the one woman show that led to my novel The English American if I hadn’t had to.

Photo credit Sabine von Falken

But I did have to. Why? Because people kept asking me what it was like meeting my ‘real’ mother and every time they used those words I felt as if I’d been punched in the heart. Because, to me, my ‘real’ mother was the mother who had raised me. And yet I had needed to find my birth mother and people didn’t ‘get’ why.

So I decided to combine stand-up comedy and theatre and show people through a one woman show in which I played myself, my English mother, and my American birth mother who were diametrical opposites in every way. The show was a hit and led to sitcom development deals in Hollywood and a run in LA and London. And then I had children and stopped performing comedy because I wanted to hang out with my kids while they still wanted to hang out with me.

But then I started to get really annoyed with the way adopted people were portrayed in books and on TV as eternally damaged victims at best, or serial killers. So I thought that maybe if I could put an authentic adopted heroine at the center of the kind of novel that I like to read  then maybe people on a beach or a plane would understand why someone from a very happy adoptive family would need to find the people she came from. And maybe, just maybe, instead of having to go through the whole thing every time someone said “What was finding your birth mother really like” I could say “It would take a book to explain. Oh! Wait! I’ve written one.”

After The English American came out I was rescued from writing by the audiobook industry who set me up with my own studio and hired me to narrate the first of over 200 audiobooks I’ve narrated to date. And I was so busy raising my children there was no time – or need – to do any writing.

My handsome, brilliant Indian fiancé, Bhima, loved my writing. “Why don’t you write more,” he pressed me four months ago. “Because I’m happy,” I said smiling again at the first man I ever dared to fully love. I’d spent a lifetime looking for him. And finally, in my 50’s, there he was.

Then he died. So maybe I will be writing again after all.

 

Between now and Christmas, for every audiobook downloaded directly via www.alisonlarkinpresents.com one will be donated to people in need.

 

 

 

My Writing Process CJ Daugherty

Posted on by

I’m a former journalist and ex-Whitehall civil servant. I was raised in Texas, but have lived in Britain most of my adult life. 

I’m the author of the boarding-school thriller series, Night School, and the US-based crime series, The Echo Killing, set in the southern town of Savannah. 

My new novel, Number 10, follows the 16-year-old daughter of the new prime minister as she rebels against the constraints of living in Number 10 Downing Street, and the intense security that surrounds her. When she stumbles across a Russia-led plot to kill her mother and replace her with a puppet prime minister, she’s determined to stop it. But will anyone believe her? 

 A bit about your process of writing. 

I discovered long ago that trying to write in the morning was pointless for me. I use mornings for admin and other work, and I usually settle down to write at about 3pm. I turn off the internet and the phone, and I write for four hours straight, stopping at around seven. If the writing’s going well, I often pick it up again after dinner and write until midnight. 

 CJ Daugherty

Do you plan or just write?

I plan a moderate amount. My first step is always a one-page synopsis, which I share with my agent. If she likes it, I expand it to two pages, and then to eight. My theory is, if I can’t get eight pages out of the plot, I don’t have a big enough of an idea for the book. Once I do have that much material, I sit down to write chapter one. 

What about word count?

Word count for me is a tale of three halves, basically. In the first 10 chapters of the book, I’m happy if I reach 500 words a day. From chapter 10 to chapter 20, I expect 1200 words a day. After chapter 20, if I don’t reach 2,000 words a day, it’s a bad day.

 How do you do your structure?

My structure is freeform, but I shoot for a W-shape to every plot. Start on a high. Then develop character and explore the plot. Build to a mid-book crescendo. Then dip the pace a little as the characters investigate the main incident and I thread in b-plot and c-plot. End on a high. One of my books (A Beautiful Corpse) ends with the main character deploying a baseball bat against a murderer. Nothing like a fight scene to get the story moving.

 What do you find hard about writing?

It’s very hard for me to be patient with the amount of time it takes to conceive of and create each book. Even once I’ve got the idea and it’s begun to take shape, there’s still months of thought and planning that has to happen before I can build flesh and blood around the basic bones of that first idea. Taking the time to methodically go over and over the same content requires real effort.

 What do you love about writing? 

The magic of it. The moment when I can hear my characters’ voices in my head. The way I can see the locations in the book in vivid, three-dimensional form, as if I’ve been inside their houses. Stood on those porches. Walked through their woods. I spent so much time inventing the inside of Number 10 Downing Street for my latest book, I felt as if I’d lived there myself. It’s an extraordinary illusion, and it comes from taking the time to build those places in your mind, and on the page.

 Advice for other writers. 

To get through the start of a book it helps to know what the ending will be. When you begin planning, think it through all the way. Once you have a beginning and an ending, then you can spend time on the rest of the journey. I think most writers give up when writing because they get stuck, and I think they get stuck because they don’t know exactly where they’re going. Find your ending, and the rest may fall into place.

 Number 10 by CJ Daugherty is out now, £9.99 from Moonflower Books available on Amazon here.