SISTER SCRIBES’ GUEST: ALISON LARKIN ON WHY SHE WRITES

Welcome to Alison Larkin, bestselling author of The English American, award-winning Austen narrator and now the narrator of The Particular Charm of Miss Jane Austen and The Unexpected Past of Miss Jane Austen. 

I’m with Dorothy Parker who said “I hate writing. I love having written.”

I was born in Washington DC, adopted by English parents and raised in England and Africa and I’ve written for as long as I can remember – poems and plays mostly. But they were usually pretty surreal.

Then something happened that changed everything. Including the kind of writing I did.

It was the early 1990’s. I’d recently left drama school and was playing Flora Poste in Cold Comfort Farm in Newbury when the ‘phone rang back stage and I learned that the birth mother I knew nothing about and had been searching for was alive and well and keen for me to come and visit her at her home – in Bald Mountain, Tennessee.

So I went to Tennessee to meet her. Then I moved to New York and became a stand-up comic, because what else do you do?

Growing up, we didn’t talk about feelings in my family, which was helpful I think because the. absence of any other outlet meant I had to write, even though I hated it. I’m sure I never would have written the stand-up comedy act that led to the one woman show that led to my novel The English American if I hadn’t had to.

Photo credit Sabine von Falken

But I did have to. Why? Because people kept asking me what it was like meeting my ‘real’ mother and every time they used those words I felt as if I’d been punched in the heart. Because, to me, my ‘real’ mother was the mother who had raised me. And yet I had needed to find my birth mother and people didn’t ‘get’ why.

So I decided to combine stand-up comedy and theatre and show people through a one woman show in which I played myself, my English mother, and my American birth mother who were diametrical opposites in every way. The show was a hit and led to sitcom development deals in Hollywood and a run in LA and London. And then I had children and stopped performing comedy because I wanted to hang out with my kids while they still wanted to hang out with me.

But then I started to get really annoyed with the way adopted people were portrayed in books and on TV as eternally damaged victims at best, or serial killers. So I thought that maybe if I could put an authentic adopted heroine at the center of the kind of novel that I like to read  then maybe people on a beach or a plane would understand why someone from a very happy adoptive family would need to find the people she came from. And maybe, just maybe, instead of having to go through the whole thing every time someone said “What was finding your birth mother really like” I could say “It would take a book to explain. Oh! Wait! I’ve written one.”

After The English American came out I was rescued from writing by the audiobook industry who set me up with my own studio and hired me to narrate the first of over 200 audiobooks I’ve narrated to date. And I was so busy raising my children there was no time – or need – to do any writing.

My handsome, brilliant Indian fiancé, Bhima, loved my writing. “Why don’t you write more,” he pressed me four months ago. “Because I’m happy,” I said smiling again at the first man I ever dared to fully love. I’d spent a lifetime looking for him. And finally, in my 50’s, there he was.

Then he died. So maybe I will be writing again after all.

 

Between now and Christmas, for every audiobook downloaded directly via www.alisonlarkinpresents.com one will be donated to people in need.

 

 

 

My Writing Process CJ Daugherty

I’m a former journalist and ex-Whitehall civil servant. I was raised in Texas, but have lived in Britain most of my adult life. 

I’m the author of the boarding-school thriller series, Night School, and the US-based crime series, The Echo Killing, set in the southern town of Savannah. 

My new novel, Number 10, follows the 16-year-old daughter of the new prime minister as she rebels against the constraints of living in Number 10 Downing Street, and the intense security that surrounds her. When she stumbles across a Russia-led plot to kill her mother and replace her with a puppet prime minister, she’s determined to stop it. But will anyone believe her? 

 A bit about your process of writing. 

I discovered long ago that trying to write in the morning was pointless for me. I use mornings for admin and other work, and I usually settle down to write at about 3pm. I turn off the internet and the phone, and I write for four hours straight, stopping at around seven. If the writing’s going well, I often pick it up again after dinner and write until midnight. 

 CJ Daugherty

Do you plan or just write?

I plan a moderate amount. My first step is always a one-page synopsis, which I share with my agent. If she likes it, I expand it to two pages, and then to eight. My theory is, if I can’t get eight pages out of the plot, I don’t have a big enough of an idea for the book. Once I do have that much material, I sit down to write chapter one. 

What about word count?

Word count for me is a tale of three halves, basically. In the first 10 chapters of the book, I’m happy if I reach 500 words a day. From chapter 10 to chapter 20, I expect 1200 words a day. After chapter 20, if I don’t reach 2,000 words a day, it’s a bad day.

 How do you do your structure?

My structure is freeform, but I shoot for a W-shape to every plot. Start on a high. Then develop character and explore the plot. Build to a mid-book crescendo. Then dip the pace a little as the characters investigate the main incident and I thread in b-plot and c-plot. End on a high. One of my books (A Beautiful Corpse) ends with the main character deploying a baseball bat against a murderer. Nothing like a fight scene to get the story moving.

 What do you find hard about writing?

It’s very hard for me to be patient with the amount of time it takes to conceive of and create each book. Even once I’ve got the idea and it’s begun to take shape, there’s still months of thought and planning that has to happen before I can build flesh and blood around the basic bones of that first idea. Taking the time to methodically go over and over the same content requires real effort.

 What do you love about writing? 

The magic of it. The moment when I can hear my characters’ voices in my head. The way I can see the locations in the book in vivid, three-dimensional form, as if I’ve been inside their houses. Stood on those porches. Walked through their woods. I spent so much time inventing the inside of Number 10 Downing Street for my latest book, I felt as if I’d lived there myself. It’s an extraordinary illusion, and it comes from taking the time to build those places in your mind, and on the page.

 Advice for other writers. 

To get through the start of a book it helps to know what the ending will be. When you begin planning, think it through all the way. Once you have a beginning and an ending, then you can spend time on the rest of the journey. I think most writers give up when writing because they get stuck, and I think they get stuck because they don’t know exactly where they’re going. Find your ending, and the rest may fall into place.

 Number 10 by CJ Daugherty is out now, £9.99 from Moonflower Books available on Amazon here.

 

JANE CABLE INTERVIEWS CAROL THOMAS ABOUT HER CHRISTMAS BOOK FOR CHILDREN

In a year where kindness and thinking of others have been brought to the fore, I am delighted to be chatting to Carol Thomas about the release of her latest children’s book, Being a Friend at Christmas. You may be more familiar with Carol as a romance writer, but her children’s books are wonderful too.

In this, the second in her Little Pup series of books, Little Pup is looking forward to his first Christmas in his new home, but he also remembers the dogs he left behind in the shelter and wants them to have a happy Christmas too. Little Pup has an idea, but he needs Father Christmas’ help to make his wish come true.

I love the premise of the book and the fact it carries a message of thinking about others, what inspired you to write it?

Having seen Little Pup settle into his forever home in the first book, I couldn’t resist revisiting him at Christmas. I had the idea for the story soon after writing the first. As a teacher and a mum of four, I think children are good at grasping concepts, such as empathy, kindness and generosity, from the books they read. Stories can be enjoyable and fun, as well as inspiring a conversation, and I believe that’s what this book does.

I know you illustrated the book too, which do you prefer illustrating or writing?

Writing definitely, but I did love drawing the pictures for Being a Friend at Christmas. I drew them during lockdown while homeschooling my son and supervising my two high school aged daughters with their studies. It was quite therapeutic. I love dogs, so bringing Little Pup to life was a lot of fun.

How did you manage to keep the creativity going during lockdown?

There are five of us at home, and it was actually lovely to find our own rhythms for the day. We started work at times that suited us, went for walks, and did things like sit down and eat together – something usually prohibited by getting to various after-school clubs. I think focusing on those positives and not putting pressure on ourselves really helped.

I wasn’t the only one who got creative in our household, either. My daughter started making bracelets, earrings, bead art and keyrings and opened an Etsy shop. She’s had some lovely, positive feedback and I think it’s great to see a teenager being creative and using their initiative. You can check out her crafts here: https://www.etsy.com/uk/shop/RedDaisyCrafts

 As people turn their attention to buying for Christmas, I am sure they will make great stocking fillers, as will your book.

Thank you. I hope so. I love to share Christmas stories with my own children and hope others feel the same. There is something very special about sharing a book, and snuggling up in the winter months complete with pyjamas, slippers and a heartwarming story; it’s is a real treat!

 

And with being a friend and thinking of others in mind, between now and Christmas, Carol is raising funds for Angel’s Garden, dog shelter, in Xanthi, Greece on all purchases of Being a Friend at Christmas, made from this link: https://www.carol-thomas.co.uk/blog-dogs-at-christmas/

5 Books That Changed Me by Michael Rowan

1 Coral Island by R.M.Ballantyne 

The first ‘proper’ book that I read as child.  I could read the standard text that we were taught at school, but there was little plot, no discernible theme or character development. Coral Island was loaded with all three, this little book captivated me, as this was the first time that I could see the pictures they conjured up of the three shipwrecked boys having adventures in a lagoon. I would pretend that I was one of the two older characters every time I swam in any municipal swimming pool and even today at 64, I can’t resist imagining myself back there, as I duck beneath the surface in our local Lido though these days it is more Moby Dick than Coral Island.
Michael Rowan, writer

2) Merchant of Venice – Willian Shakespeare

As a 10 year old at St Wilfrid’s, I looked forward to our weekly reading sessions. One week there was a change of format, as our teacher explained that he was going to read us a story from a few hundred years ago. He didn’t read it as a play, but as a story, in parts over several weeks. He told us of a man who was in love (Yuck) and who needed money to impress the girl’s father. There was a riddle which I recall was a cliff hanger and then there was the cutting of a pound of flesh, ‘nearest to the heart’ which enthralled this 10 year old bloodthirsty boy. It was the beginning of a love affair with Shakespeare that continues to this day.

3) Lady Chatterley’s Lover- D H Lawrence

As a pupil at an all boy’s grammar school around 1971, I had been identified as a keen reader. Whilst most of my fellow pupils trudged through one book a term, I returned each week for a new book. This interest delighted a series of English teachers, until in the fourth year, Mr W gave me a special ticket to use the sixth form library. The keys to the sanctum of knowledge. As I perused the shelf containing the works of D H Lawrence, I discovered Lady Chatterley’s Lover, which was soon hidden beneath my blazer as I marched back to my class, about to become the hero of the fourth year. The look on Mr W’s face as he confiscated the book, my special library card and delivered his ‘you have let me down and yourself down speech’ will never leave me, but I did go on to read all of the works of D H Lawrence, albeit after I had left that particular school.

4) The Return of the Native – Thomas Hardy

In the summer of 1975, I found myself on an 18 30 holiday, now famed for high jinks and alcohol but then a travel company in its second or third year and virtually unknown. As a keen reader I ensured that along with my sun- tan lotion and coolest threads, I packed an ample supply of books. Evenings were spent in Spanish discotheques, whilst the afternoons were for laying on the beach recovering from a hangover. I however, was to be found reading about Eustacia Vye in The Return of the Native. How I was mocked by the other lads on the holiday, that is until a young and very pretty English Teacher lent over and asked me what I was reading. It was the beginning of my love of Thomas Hardy, and the start of my first holiday romance.

5 Contented Dementia – Oliver James. 

I was in my 50s when both of my parents developed dementia, a cruel illness of which, at the time there was limited information written.  

The demands of the illness kept growing, but there was little advice and I clearly recall thinking, if only there was the equivalent to a car manual, a book that explained in simple easy to understand language, what to do. A chance review brought this book to my attention, crammed with excellent advice, with its three golden rules, never ask direct questions, never contradict, and learn from the person with dementia. This book became my bible throughout my parents’ final years, and I went on to become an advocate for Contented Dementia. No one, no matter who or where, could have a conversation that used the word dementia, without me elbowing my way in and recommending the book. Over the years 100s of people have looked on me as some eccentric but quite a few of those have thanked me afterwards. 

 

SISTER SCRIBES’ GUEST: ALISON KNIGHT ON WRITING A VERY SPECIAL BOOK

Alison Knight is a writer, teacher and editor living within sight of Glastonbury Tor. She is a member of the Society of Authors and The Romantic Novelists’ Association. She carries the dubious distinction of having introduced Kitty and Jane at an RNA conference.

I’ve always found entertainment, wisdom and solace in reading. When times are tough, it’s good to be able to escape into a story that takes you away from your everyday life and worries. So I suppose it was natural for me to become a writer.

Creating a legacy

My latest book, Mine, which is published by Darkstroke Books, is my fourth novel and a project that is very close to my heart because it is based on real events that happened in my family in the late 1960s. I’m the only one left who can tell this story and it was important to me to wrote it in order to introduce my children, nieces and nephews to people that have gone before. It’s my legacy to them, helping them to understand that the world was very different fifty-odd years ago and the people I portray in Mine were driven by the attitudes of society at that time. If the same things happened today, the outcome would be very different.

Understanding why

I also wanted to write Mine for myself. My memories of that time were stuck in the mind of a ten-year-old child. By putting myself into the minds and shoes of the main characters, I was finally able to understand what happened with an adult’s perspective.

I’ve written it as a novel rather than a memoir because I didn’t want it to be all about me. Instead, I wanted to explore how ordinary people made decisions that led them into an extraordinary situation. I was also aware that I would never be able to find out exactly what happened as the people who could tell me are not longer here. Instead I used my memories, conversations with family members, newspaper reports and official documents to piece together the story. Where there were gaps, I used what I knew and took into account the culture of the times and used my imagination to fill them. It soon became clear that the guiding themes were class, ambition and sexual politics.

Getting published

It has been an interesting journey to publication. At first, the book was far too long at 140,000 words for any publisher to take it on. A rewrite reduced it by over 20,000 words. Some agents and publishers suggested I give it a happier ending or turn it into a psychological thriller. If Mine had been pure fiction, I’d have considered these suggestions. But because it is based on real events, there were some things I simply couldn’t do.

The question of genre was a problem too. It’s a love story, but not a romance with a happy ever after. It was turned down several times because publishers weren’t sure how to market it. When asked to categorise Mine, I describe it as a family drama, or domestic noir.

But then I found Darkstroke Books, an excellent small publisher with a reputation for hard-hitting fiction. After years of rejection, Darkstroke’s acceptance happened quickly and Mine is finally being launched in November 2020. The editing process was fairly painless – my brilliant editor totally ‘got’ what I was trying to do and Darkstroke have been wonderfully sensitive and supportive.

So, how do I feel about finally sending this story out into the world? I’m excited, but also slightly terrified. It’s not often a writer is featured as a character in her own novel!

 

Find out more about Alison at www.facebook.com/alison.knight.942

 

 

 

 

 

 

 

 

 

INTRODUCING NORFOLK ARTIST AND PRINTMAKER, SUE WELFARE

I‘m an artist, printmaker and writer living and working in West Norfolk. I’ve got no formal arts training and only began working full time as an artist in my very late 50’s after a career as a freelance writer.  I think one really helped the other – I’m used to being self-employed, self-starting and self-motivating, and I’ve always been very visual – when writing I could always see and hear what was happening to my characters, and I think that visual imagination has really helped me develop as an artist.

I live in a little market town in Norfolk and love the diverse nature of the Norfolk Countryside, its amazing unspoilt coast line and its wildlife – as some-one pointed out recently, I’m all about Birds, Boats and Beaches!

Before becoming a printmaker I tried lots of other arts and crafts. I’ve worked with mosaics, stained glass, wet felting, papercutting – all of that experience and experimentation was really worthwhile, helping to build up skills in composition, mark making, colour, handling tools, finding out about inks and blades and glue. And along the way I’ve also met some amazing people who have been prepared to show me, teach me and share their knowledge.

I now work primarily as a linocut printmaker, which for me is the perfect balance of art and craft. I love working out the composition and drawing the blocks, but then also love the carving and the technical challenge that comes with creating a print.

I also love, and have missed, going to fairs, workshops and exhibitions this year – I enjoy the village feel of events, and showing and explaining to people what I do –  while lockdown may have curtailed the trips and adventures I had planned it hasn’t stopped me enjoying the garden, walking the dogs or imagining trips to favourite places.

Those things have kept me going over the last few months and inspired lots of new work.

 

You can find me on Etsy:  www.etsy.com/uk/shop/SueWelfareArtist

 

 

 

 

Endless Skies By Jane Cable Book Review

I have read all of Jane Cable’s books. I love them all but this one is my favourite. The character of Rachel is such a wonderful, complex, multi-dimensional character, written with such skill and grace that you have no choice but to love her. This is a modern love story set in sumptuous Lincoln. It has a clever historical twist that works beautifully.
Between the set and the characters; Endless Skies is an atmospheric novel with a story that draws you in and does not let go.

If you want to move forward, you have to deal with the past…

After yet another disastrous love affair – this time with her married boss – Rachel Ward has been forced to leave her long-term position in Southampton for a temporary role as an Archaeology Lecturer at Lincoln University.

Rachel has sworn off men and is determined to spend her time away clearing her head and sorting her life out.

But when one of her students begins flirting with her, it seems she could be about to make the same mistakes again…

She distracts herself by taking on some freelance work for local property developer, Jonathan Daubney.

He introduces her to an old Second World War RAF base. And from her very first visit something about it gives Rachel chills…

As Rachel makes new friends and delves into local history, she is also forced to confront her own troubled past.

Why is she unable to get into a healthy relationship? What’s stopping her from finding Mr Right?

And what are the echoes of the past trying to tell her…?

ENDLESS SKIES is thought-provoking contemporary women’s fiction novel with a heart-warming ending. It merges moving World War Two historical events with modern day drama to reveal a relatable love story.

SISTER SCRIBES: KIRSTEN HESKETH ON NANOWRIMO TAKE TWO

I’m writing this on 30th October. It’s nearly a very important date … and one that has been eyeballing me from the calendar for weeks. No, not Halloween – with both children at uni (sob!), there seems little point in ‘celebrating’, (although we have been invited to Zoom into the wedding of the daughter of American friends in our finest Halloween regalia tomorrow!) Not even Firework Night which I do enjoy and which was An Important Social Occasion growing up (and I once got off with Paul Richardson from the swimming club at the Beaconsfield Firework Display in 1977) ….

No. November 1st marks the beginning of #NaNoWriMo …. and I can’t wait!

For the uninitiated, #NaNoWriMo stands for National Novel Writing Month and the challenge is to try and writing 50,000 words (the best part of a novel – or, at least, the first draft) during the month of November. Bonkers, but fun!!!

I’ve attempted – and completed – NaNo once before in 2017. I loved it – and I think it suits me and my writing very well. I have a terrible habit of ignoring the old adage ‘don’t get it right, get it written’ and I can spend hours – days – polishing and repolishing the same old passages or chapter – passages or chapters that never actually make it into the final cut!! What a monumental waste of time and effort that is! So, for me, there’s something very liberating about ‘having’ to write 1,667 words a day, come hell or high water (and there’s been a lot of that, lately, hasn’t there?!) No time to angst over the perfect word, the perfect phrase, the perfect cadence. All that can come later. Now is just the time to get the bare bones of the story down, to ‘tell it to myself’, to commit it to paper. Onwards, always onwards – no looking back – after all, you ‘can’t edit an empty page’! And, for me, all that striving forward makes me a better (maybe) – certainly a braver – writer. With little time to ‘vet’ what I am writing, now is the time to take risks, to go with the flow and to see where it takes me. After all, I can sort it all out later …

NaNoWriMo Mark Two is a different beast for me, though. When I attempted it three years ago, getting an agent – let alone a publishing deal – was just a twinkle in my eye. Now I am lucky enough to have my debut novel ‘out there’ as a proper book, thanks to Canelo. I also have a deal with Hodder & Stoughton for a saga series set in London in World War One. The first book in the series is done and dusted (and out next April) and I am due to start work on the second. To begin with, I dithered. Should I bash out a first draft during NaNo or make a start on the ghostly rom-com I’m dying to write? In the end, I wrote a couple of pages of the second saga book, fell in love with it – and now I want to keep going. So I’m good to go!

Five-page plan agreed with my editor – tick!

Online group of writing buddies – tick! If last time is anything to go by, I will really need them from days 17 to 20 and I’m ready to support them in any way I can too.

Are you doing Nano?

If so, good luck – and see you on the other side!