Category Archives: Writing

The Business of Books: Bursting the Book Bubble

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the-business-of-books-interviewswithjanecableJane Cable on Bookbub and other promotions

Another You has been on promotion again; partly thanks to Endeavour Press and partly off my own bat. When I heard the price would be dropped to 99p/99c for a good chunk of April in readiness for a Bookbub promotion I thought it would be worthwhile experimenting a bit myself.

I had heard very good things about Kindle Daily Nation (https://kindlenationdaily.com/). Very strong in the US market (where I’m not), they offer a number of sponsorship packages which start from $30 but I opted to splash out on one where Another You would be the only book featured in the mailshot. I’ve often found that the best way to sell my books is to offer a free excerpt and to do this costs $120. I uploaded my details and held my breath. Far from being the impersonal web-based process I expected soon I was receiving friendly emails from the team in New England who designed a great mailshot which showcased my book perfectly.

Did it work? Yes, in that the book shot briefly back up the Amazon.com charts and Endeavour were able to tell me that it sold 26 copies on the day of the promotion. Not nearly enough to pay for it, although more would have sold over the next few days, but overall the increased profile meant the experience was a positive one.

bookpromotionPR publicity

A week or so later Another You was featured on Author Shout’s Cover Wars (http://authorshout.com/cover-wars/). I had applied a few months before so the timing was purely co-incidental and I thought the promotions would bounce off each other well. Any author can apply, but be aware – this competition is far more about social media presence than the cover itself.

I normally work really hard on social media to make the most of every promotion I do and this time I could see it paying off straight away. I shared the link to the voting on the bookish Facebook groups I’m a member of, to my author page and on my personal Facebook account. I tweeted it every day. In Cover Wars you can vote every 24 hours and so many friends and fellow authors rallied around to do this I was knocked out by the support. It was neck and neck until the end, but I realised that the other author vying for top slot was in America so I had a last morning to gather votes before the competition closed. My strategy worked and Another You became Author Shout’s book of the week, featuring on their website and in their own social media. But whether I sold any more copies because of it I can’t really tell.

So on to Bookbub (https://www.bookbub.com/home/). Authors who have been featured rave about it, it isn’t cheap and there is a selection process to go through. Is it worth the hype? The answer is an emphatic yes.

Endeavour booked the promotion for the UK, Canada, Australia and India. It was so effective that within hours I had my first Amazon best-seller label, for 20th century historical romance in Canada. Unlike when the book was available free these were real sales to genuine new customers. A week later the book is still doing pretty well there and in Australia. In the UK it shot up to 400 in the Kindle UK charts and is still selling strongly and in the top 50 for women’s historical fiction.

So, what have I learnt? Strive for the best – save your pennies or beg your publisher and try for a Bookbub slot. And when you do decide on a promotion, harness all your social media resources and work as hard as you can to maximise the impact. Otherwise your time and money are likely to be wasted.

 

 

Business of Books: Jane Cable talks to author & book designer Christine Hammacott

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the-business-of-books-interviewswithjanecableJane Cable talks to author and book designer Christine Hammacott
 
How much of your working life does the business of books take up?
The business of books is extremely varied these days. Being an author doesn’t just involve writing a book. It can involve research, editing, marketing and promotion, social media, blogging, events and book festivals, to name but a few – anything that can help raise your profile.
I’m an author and also a book designer. I run my own graphic design consultancy and spend a lot of time working on logos and brand development across all media both in print and online. Three years ago, I joined forces with a couple of other writing friends to set up a indie-publishing co-operative. We’ve published seven titles so far including my own book. As a result of this I’ve been asked by other authors if I would design their covers. So two years ago I added book design to my portfolio of offerings and word seems to have spread as I’m now constantly working with other authors.  
My writing is a lot less disciplined than the design side, as I’m forced to write around family commitments, often snatching time at the laptop or with notepad and pen in car parks and corridors while my daughter is at one of her out of school activities. It isn’t ideal but it’s a one way of ensuring I have some regular time to write.
Jane Cable talks to author and book designer Christine Hammacott
What’s your business model for earning a living from books?
As far as earning a living from my writing goes I’m a long from doing that. I’m not convinced I’d actually like to solely write, although I would like to address the balance better. In an ideal world I’d like to spend the mornings writing and the afternoons designing with a walk with the dog in between.
I really enjoy designing book covers. My first job after art college was working for a publisher doing just that. I turn an author’s manuscript into a marketable ‘product’ that is visually appealing and conveys the genre and essence of the book. It can be quite difficult getting this across sometimes to an author but it’s important for a potential buyer to know immediately what they are buying and whether they want it. 
I think authors like working with me because I’m an author too and therefore understand where they are coming from and that their work is precious. A lot of them haven’t published before and part of my role is to gently hand-hold them through the process.
What do you write and what do you consider your major successes?
Years ago when I first started writing, I entered a Writing Magazine short story competition and won first prize. That success gave me the confidence to believe in my writing and undertake something larger. I now write psychological suspense. I enjoy finding out how ordinary characters cope in extraordinary situations. My debut novel is about a young woman who just want’s to get back to some sort of normality after a devastating fire that has left her homeless and a neighbour dead. Only she then finds she has a stalker and begins to fear for her safety. It’s a genre I particularly like as it’s very easy to imagine myself in the protagonist’s position and that makes it scary.
Tell me about your latest project
I’m working on another psychological suspense. This one is set in the New Forest and is all about living with consequences, morality, family relationships and how easily a situation can get out of hand. 
 
 
Amazon link  https://www.amazon.co.uk/Taste-Ash-Christine-Hammacott/dp/1499590830/ref=sr_1_1?ie=UTF8&qid=1491584065&sr=8-1&keywords=christine+hammacott
Goodreads https://www.goodreads.com/book/show/25820474-the-taste-of-ash?from_search=true
website   www.christinehammacott.com
www.artofcomms.co.uk
facebook   christinehammacott.author/
twitter @ChrisHammacott
 

The Business of Books: The Taxman Cometh… Or Does He?

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the-business-of-books-interviewswithjanecableJane Cable on taxing income from writing

The first royalty cheque, the first receipts from Amazon – those are exciting moments for any writer. But in the slightly bewildered ‘wow – someone’s paid to read my book’ moment, whether you need to pay tax on the income is the furthest thing from your mind.

First let me say that taxation – any form of taxation – is a minefield. The volume of legislation is massive and while HMRC guidance is helpful and now provided in reasonably understandable lay terms, it is still easy to fall foul of the rules – or at very least not take full advantage of them. If you even think you might need professional advice then talk to an accountant – preferably a qualified one. Most offer free initial meetings and if you can’t find one by recommendation then the ICAEW’s Business Advice Service is a good place to start: http://www.businessadviceservice.com/

Assuming you haven’t set up a company for your writing business then your earnings from the business of books will be classed as self employment. This means that you won’t be taxed on your income, but on your profit. In broad terms, many costs which relate solely to your writing will be allowable for tax, including book production, marketing, attending conferences and agents’ fees. The list is not exhaustive but a good first question to ask yourself is ‘did I do that only for my writing business and was it necessary to do it?’ If the answer is yes, then you are more than half way there but the reality is that a good accountant will be able to maximise what you claim because they will know the laws inside out.

For the tax year just started, things will be quite a lot simpler for the majority of writers who have self employed earnings of under £1,000 per annum. Here I am talking about gross income, before any expenses. This is because the government has introduced a new limit below which HMRC doesn’t even need to know about it. The exception to this is if you already complete a tax return but even then the rules are relatively simple and you can read more about them here: https://www.gov.uk/guidance/tax-free-allowances-on-property-and-trading-income

The Business of Books- The Taxman Cometh… Or Does He?

Of course another issue is whether you are trading or not with your writing, or if it’s just a hobby. Working out when a writer crosses the line is a matter of judgment – and case law – and everyone’s circumstances will be different. The key ingredient is whether you are doing it with a view to making a profit (one day, if not now) but once you actually start selling books, then you probably are.

There is a good chance you might be trading before that day, but this is where the waters become unbelievable muddy. Why would it matter, you may ask yourself, because if I don’t have any income then I’m not making taxable profits. The answer is that you might be making a taxable loss which can be used to reduce the tax on your other income. And this is where professional advice is essential because it’s also where HMRC can become mighty interested and in 2015 they won a landmark case where a tax tribunal decided that someone who had a full time job but poured money into a hobby they loved was not trading so couldn’t claim tax relief. Even though they made a little income from it. Even though they had a professionally designed website. It struck me at the time that the circumstances were pretty similar to most authors when they set out in their writing careers.

The new £1,000 tax free allowance will undoubtedly make things easier for those setting up many businesses, including writing, which can only be a good thing. But remember it’s only half the story. And never, ever, mess with the Inland Revenue!

Please note that this article only points out general rules and should not be used as a substitute for professional advice.

 

 

The Business of Books: Passion For Publishing

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the-business-of-books-interviewswithjanecableThis week I’m genuinely excited to welcome Karen Sullivan, the powerhouse behind the most talked-about independent publisher in the UK
 

1)   What is your book related job or business?

I am publisher and owner of Orenda Books, an independent publisher that specializes in literary fiction, with a heavy emphasis on crime thrillers and about half in translation. We turned ‘two’ last November.

 

2)   What is the most rewarding part of it?

In all honesty, all of it is rewarding. It is a genuine privilege to be in a position to work with talented authors from around the world, and to bring them and their brilliant books to readers. The Orenda list is very much my own taste, and I account to no one, so while I can often feel quite exposed when a new book comes out, it makes the positive response all the more exciting. With each little success, there is more attention paid to the list as a whole, and everyone benefits. 

 

I love the thrill of finding a new book, and working with authors from the moment a book is signed, right through the editing process and then onto marketing and PR and even sales … none of the original excitement is diluted en route. One of the most moving and satisfying parts of my job is publishing debuts, making some often very long-held dreams a reality. I work incredibly long hours, but as we inch towards increasingly strong book sales across all formats, shortlists for awards, mainstream press, invitations to prestigious festivals, and fantastic endorsements from highly regarded authors, every challenging moment is worthwhile and I am in a constant state of wonder that this is mine!

 

karen sullivan, writing, publishing, Jane cable

Credit: Ian Patrick

 

3)   What do you consider to be your major successes?

There have been many! It was fabulous to be shortlisted (twice) for the Nick Robinson Newcomer Award at the Independent Publishing Awards. Watching Ragnar Jonasson’s debut novel Snowblind knock The Girl on the Train off the number-one kindle spot for the first time was unbelievable (sorry, Paula!), as were the exceptional sales of the Dark Iceland series. We’ve had three books selected for the excellent WHSmith Fresh Talent promotion (Amanda Jennings’ In Her Wake, Agnes Ravatn’s The Bird Tribunal ­[translated by Rosie Hedger] and Matt Wesolowski’s Six Stories), and The Bird Tribunal was a Radio 4 Book at Bedtime. Ragnar’s Nightblind won Most Captivating Crime in Translation at the Dead Good Reads Awards at Harrogate, and In Her Wake was shortlisted for Most Recommended Read. Louise Beech’s How To Be Brave was a Guardian Readers’ Pick, as was Ragnar’s Blackout. David F. Ross’s The Last Days of Disco was sold for stage to the Scottish National Theatre, and to Random House in Germany. It was the first-ever book that I published, and a massive boost! 

 

There are more of these ‘individual successes’, but I suppose the most exciting thing is to see the company grow. We quadrupled turnover in less than two years, and Orenda Books is definitely becoming a recognizable name both with readers and in the trade. Every positive review (and there are thousands), every bit of support from the ‘community’, every opportunity to bring my brilliant authors to festivals and events and bookshops, has added to the thrill of it all.  

 

 

4)   Have you always loved books, and what are you reading at the moment?

I have always been a reader. My dad was transferred a lot when I was young, and books were my solace and my friends. I would take a dozen books out of the library every week and be transported! When I was about eleven, I read a novel where the protagonist got a job in a publishing house, reading the slush pile. I couldn’t believe it! That was a job? And here I am! I always have a few books on the go. I’m reading Stav Sherez’s The Intrusions and Sarah Perry’s The Essex Serpent at the moment, plus first drafts by Orenda authors, including Louise Beech’s Maria in the Moon and Michael J. Malone’s House of Spines. All are AMAZING!

 

Karen Sullivan is founder and publisher of independent publisher Orenda Books, and a Bookseller Rising Star for 2016.

The Business of Books: Ready, Steady – Write!

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the-business-of-books-interviewswithjanecableJane Cable on writing competitively

Writing is not generally a competitive pastime; in fact, as I was saying in my last column, it’s a mutually supportive one. Yet writing competitions are forever popular and it’s probably the one time that pencils are sharpened into threatening points as we pit our wonderful words against those of our peers.

Doing well in competitions has shaped my writing life. Being a finalist in the Alan Titchmarsh Show’s search for a People’s Novelist gave me the confidence I needed to pursue my career as an author. Winning Words for the Wounded’s Independent Novel of the Year in 2015 led to representation by an agent and my first publishing deal.

There is no doubt that having a competition win on your CV helps get you noticed in all sorts of ways. Not only by agents and readers, but by sites like Bookbub and Ereader News who are impressively picky about the books they take for promotion. And as with everything else, practice makes perfect.

The Business of Books- Ready, steady – write!

Many competitions have an entry fee which funds not only the prizes but the running costs. Some, like the Words for the Wounded prize, exist to raise money for charity. Others help to fund literary festivals, but there is no doubt that entering enough of them to become really good at it can cost a small fortune.

This is one of the reasons that Frost editor Catherine Balavage and I are delighted to support a new free to enter competition, The Cornish Writing Challenge. Organised by short story writer Vikki Patis, the competition is open to writers everywhere but the entries must be either set in Cornwall or have a Cornish main character. There are four photographs for inspiration and full details can be found on Vikki’s The Bandwagon blog here: https://dracarya.wordpress.com/2017/04/04/cornish-reading-challenge-cornish-writing-challenge/

The judges are Vikki, Cornish author Angela Britnell, Catherine and me. The winning entry will be published in Frost and the writer interviewed on The Bandwagon. Highly commended entries will be published on The Bandwagon too.

So, how should you go about winning such great prizes and adding an impressive line to your writing CV? First and foremost, follow the rules. Don’t send 1,600 words when the maximum is 1,500. Make sure your entry is submitted before 27th May. The basics, really.

Choose your photographic prompt and use it – either literally or figuratively, but don’t half forget about it and slip it in at the end. It will show. But you are allowed to think outside the box and use the image as creatively as you wish.

Think your story through before you start to write. With a novel you can afford to ramble on a bit in a first draft, but a short story needs to move swiftly and smoothly from beginning to middle to end. It’s so much easier to do this when you know where you’re going from the outset.

Once your draft is down, edit it so that every single word counts. They don’t have to be long, difficult or showy words – in fact it’s often better if they’re not. But each one needs to have its place and contribute to the story. And don’t forget spelling and grammar because nothing grates on a judge more than sloppy writing.

Most of all, enjoy the journey and when you have a story you’d be proud to see in print, upload it to The Bandwagon website. Vikki, Angela, Catherine and I can’t wait to read it.

 

 

 

Divine Chocolate & Christian Aid launch their 15th annual Poetry Competition for children

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poetry competition, childrenDivine Chocolate, the Fairtrade and farmer-owned chocolate company, has launched its 15th annual national Poetry Competition in partnership with Christian Aid. The poetry competition aims to take young people on a voyage of discovery about the world of chocolate, cocoa farmers and Fairtrade, firing their imaginations and encouraging their creativity.

The theme for 2017’s competition is ‘Sharing tastes Divine’, encouraging entrants to think about the joy of tasting and sharing chocolate with friends, and the fair price and a share of the profits farmers receive too.

Leading the judging panel is Laura Dockrill, author of the Darcy Burdock book series and a young and talented performance poet, author/ illustrator and short story writer.

Laura says; “I adore original writing. I look for poems that take brave risks, where an idea jumps off the page and is explored through beautiful language, description and form. Poems that come from the heart, that are full of feeling. I feel so privileged to be reading new work for the Divine Chocolate & Christian Aid Poetry Competition and can’t wait to read the submissions with a lovely cup of tea!”

Leading the judging for the Welsh language panel is Anni Llŷn, Children’s Poet Laureate for Wales.

As well as cherishing chocolate, the competition encourages young people to develop a greater understanding of where their food comes from, the people behind it and the potential challenges facing our food industry. Educational resources are available from Trading Visions, the sister charity of Divine Chocolate including lesson plans, videos and more, including a day in the life of Raphael, the son of a cocoa farmer in Ghana.

The judge’s pick of the best poems in each category will win a selection of gifts including book tokens and tasty treats from Divine. For more information on the competition and Divine’s story visit www.divinechocolate.com/uk/poetry

 

The Divine Poetry Competition is open to UK&I residents aged 7+ years. Closing date 30.04.17. Terms and conditions apply.

Entry forms and poems must be returned by 30th April 2017 to:

  • English poems by email: poetry@divinechocolate.com
  • English poems by post: Poetry, Divine Chocolate, 4 Gainsford Street, London, SE1 2NE
  • Welsh poems by email: cymru@cymorth-cristnogol.org
  • Welsh poems by post: Cystadleuaeth Barddoni Divine, Cymorth Cristnogol, Llys Porth yr Eglwys, 3 Heol yr Eglwys, Yr Eglwys Newydd, Caerdydd CF14 2DX

The winners of the competition will be announced and read by Laura on Divine Chocolate’s YouTube channel after the closing date of the competition.

Laura Dockrill was named as one of the top ten literary talents by The Times and one of the top twenty hot faces to watch by Elle magazine. Her sassy and unique way with words has captivated audiences everywhere from gigs and festivals including Glastonbury and Latitude, to radio and TV programs such as Woman’s Hour, Newsnight and BBC breakfast. As well as performing, Laura now as an impressive eight books under her belt, including the Waterstones shortlisted Darcy Burdock series which has been translated into 12 languages. Currently she is working on a script for a film, writing a new YA novel, and has even taken her hand to songwriting. In the words of Vogue magazine, ‘Everyone’s falling for Laura Dockrill.’

Find out more about her at www.lauradockrill.co.uk. Follow her on Twitter at Twitter.com/LauraDockrill.

 

 

How To Have More Than 100 Titles Published

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the-business-of-books-interviewswithjanecable
This week I talk to multi-published and multi-talented author and writing tutor, Karen King.

 

How much of your working life does the business of books take up?

The short answer is all of it! Writing – and teaching writing – is how I earn my living.  So every day I’m either writing, visiting schools to talk about writing, running a writing course, marking writing students’ assignments or doing social media about my books.

 

 

What’s your business model to earn a living from writing? 

 

Keep writing. Be flexible. Be aware of the market. Be dedicated. I’ve often worked to commissions so I’ve had to be adaptable, to work to publishers’ briefs and keep track of current trends. As I earn my living from writing it’s a priority for me. Writing comes first, ironing and cleaning is way behind. I had four young children when I first started writing so worked around them, early in the morning, evening and late at night. Writing for magazines meant I had deadlines to work to and, at first, this was the days before email so I had to write up my story/article or whatever, and get it in the post often within a few hours.

karenking How To Have More Than 100 Titles Published

What do you write and what do you consider to be your major successes?
I’ve been a published writer for over thirty years now and for the first twenty years I wrote solely for children. I started off my writing career writing for teen magazines like Jackie, Patches and Loving then moved on young children’s magazines such as Thomas the Tank Engine, My Little Pony, Barbie and Sindy. I wrote photo stories, comic strips, short stories, articles, puzzles, the lot. I even wrote a horoscope page and a problem page. Alongside this, I wrote children’s books. Now I tend to write mainly YA and chicklit. I was really delighted when Accent Press contracted me for three chicklit novels, and offered to republish my backlist too. They have such a great reputation and are a delight to work for. That’s my major success so far.

Tell me about your latest project.

I’ve just finished my third chicklit for Accent Press. The second one comes out in July, it’s called The Cornish Hotel by the Sea, and the cover is so lovely I keep looking at it. Accent are also republishing my YA Perfect Summer on 10 May. It’s got a fab new cover and has been completely revised. I’m really excited about it as it deals with two themes close to my heart, the pressure society puts on people to have perfect looks and how people with disabilities are treated. The tagline is ‘In a society obsessed with perfection, being different is a crime’ so that gives you a big clue to the plot.

 

Author Bio

Karen King is a multi-published author of children’s books, YA and romantic fiction. She has had 120 children’s books published, three romantic novels and several short stories for women’s magazines. She is also a writing tutor. Her YA Perfect Summer is released on 10 May and her second chicklit, The Cornish Hotel by the Sea will be released in July.

Contact links

www.karenking.net

Amazon Author Page

Karen King Children’s Books Facebook

Karen King Romance Author Facebook

 

 

British Book Awards: Books of the Year shortlists announced

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thebritishbookawardsThe six category shortlists for the 2017 Books of the Year Awards were announced at the 2017 London Book Fair by Chair of the Judges and Contributing Editor of The Bookseller Cathy Rentzenbrink who said “there’s innovation, experimentation, good old-fashioned story-telling and beautiful production values.”

 

2016 marked a step-change in the British Book Industry Awards.  A complete revamp of the Books of the Year, creating four new categories – for Children’s, Début Fiction, Fiction and Non-fiction – with an overall Book of the Year winner, was introduced to celebrate the books that best demonstrated the real value of publishing; a close collaboration between publisher and author that culminates in something extraordinary for the reader. This year, industry magazine The Bookseller, which runs the awards has acquired the British Book Awards, meaning that it will run as a unified event for the first time since 2004. Now known as The British Book Awards (or “Nibbies”), the 2017 ceremony is further expanded to include additional book awards:Crime and Thriller titles will have their own category, while non-fiction is split into Narrative and Lifestyle.

 

The winners will be revealed at a glamorous awards ceremony on Monday 8 May at Grosvenor House in central London which will bring together authors, publishers, booksellers, librarians and literary agents for a night celebrating the entire book industry.

The shortlists, which consist of six books in each of the six categories and which uniquely honour not just the author and illustrator of a title but the entire publishing team, are:

Books of the Year – 2017 shortlists

Fiction BOOK OF THE YEAR

Days Without End by Sebastian Barry (Faber & Faber)

The Sellout by Paul Beatty (Oneworld)

The Muse by Jessie Burton (Picador)

Cartes Postales from Greece by Victoria Hislop (Headline Review)

This Must Be the Place by Maggie O’Farrell (Headline)

The Essex Serpent by Sarah Perry (Serpent’s Tail)

 

Debut BOOK OF THE YEAR

The Trouble with Goats and Sheep by Joanna Cannon (Borough Press)

The Girls by Emma Cline (Chatto & Windus)

My Name is Leon by Kit de Waal (Penguin General)

What Belongs to You by Garth Greenwell (Picador)

Five Rivers Met on a Wooded Plain by Barney Norris (Doubleday)

Golden Hill by Francis Spufford (Faber)

 

Crime and Thriller BOOK OF THE YEAR

The Widow by Fiona Barton (Bantam Press)

Dodgers by Bill Beverley (No Exit Press)

Night School by Lee Child (Bantam Press)

Lie With Me by Sabine Durrant (Mulholland Books)

Conclave by Robert Harris (Hutchinson)

I See You by Claire Mackintosh (Little, Brown)

Non-fiction: Narrative BOOK OF THE YEAR

Mad Girl by Bryony Gordon (Headline)

When Breath Becomes Air by Paul Kalanithi (The Bodley Head)

The Outrun by Amy Liptrot (Canongate)

East West Street by Philippe Sands (W&N)

The Good Immigrant, ed by Nikesh Shukla (Unbound)

Born to Run by Bruce Springsteen (S&S)

 

Non-fiction: Lifestyle BOOK OF THE YEAR

Hello, is this Planet Earth? By Tim Peake (Century)

Sidemen The Book by The Sidemen (Coronet)

The Unmumsy Mum by Sarah Turner (Bantam Press)

Five on Brexit Island by Bruno Vincent (Quercus)

Lean in 15: The Sustain Plan by Joe Wicks (Bluebird)

The Little Book of Hygge by Meik Wiking (Penguin Life)

 

Children’s BOOK OF THE YEAR

The Christmasaurus by Tom Fletcher, Shane Devries (illus) (Puffin)

Oi Dog! Kes and Claire Gray and Jim Field (Hodder)

Nadiya’s Bake Me a Story by Nadiya Hussain, Clair Rossiter (illus) (Hodder)

The Girl of Ink and Stars by Kiran Millwood Hargreave (Chicken House)

Harry Potter and the Cursed Child by J K Rowling, John Tiffany and Jack Thorne (Little, Brown and Pottermore)

The World’s Worst Children by David Walliams and Tony Ross (Harper Collins Children’s Books)

The category winners will be decided by six panels of judges, and a separate panel will go on to choose the overall Book of the Year. The category winners and the Book of the Year will be announced at the awards ceremony on 8 May 2017.

Comments from the judges:

 

Cathy Rentzenbrink, chair of the judges said: “What a delight it is to be celebrating the huge variety on offer from UK publishing. Our shortlists are full of unleashed imaginations, smart ideas, brave new worlds and personal stories tamed on to the page. There’s innovation, experimentation, good old-fashioned story-telling and beautiful production values. It is a joy to judge this prize and to be able to consider every part of the journey from the author’s mind to the readers’ hands.”

 

Sarah Shaffi, Online Editor at The Bookseller and deputy chair of judges said: “At the core of the 36 fantastic books on our shortlist are great writing and great stories, which are illuminated by passionate authors, agents, publishers, retailers and more who help get the book from dream to reality. Celebrating the work of an entire team is key to our awards, and it’s wonderful to be able to shine a light on the many people involved in helping a book succeed.”

 

Produced by leading industry magazine The Bookseller, the British Book Awards represent a high point in the book trade’s calendar, with winners including Publisher of the Year, Book Retailer of the Year, and Independent Bookshop of the Year. TheBooks of the Year awards recognise the publishing as well as the books, with both author and publisher as recipients of the prize.