Category Archives: People

The Perfect Gadget Helping Babies Sleep: Rockit

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Frost took the Rockit with us when we went on holiday and were very happy indeed. It rocks the pram just so and baby falls into a peaceful sleep. We managed to enjoy a good meal while the Rockit took over parenting duties. Highly recommended for frazzled parents everywhere. A great invention.

Travelling tech for weary infants and worn-out parents.

Pack this on your pram to stop their sleepless nights (and your arm ache) with this ingenious gadget the Rockit – Portable Baby Rocker.

Soothe your babies tiresome tantrums and help them drift off to sleep with the Rockit device, designed to gently rock the pram with it’s adjustable speed setting and thirty minute automation.

This astronomical inspired baby gismo is ideal for new parents to put their baby to sleep wherever they are as it’s universal bracket is easily adjustable to any pram or pushchair.

Keep moving and snoozing with this simple space like product for bouncing babies. The super-quiet motor ensures your baby isn’t disturbed, and it’s even rain showerproof suitable for inside and out.

The liberating Rockit assists busy adults by freeing up their hands for those tricky moments where you’re unpacking the food shopping or enjoying a coffee with friends.

As seen on Channel 4’s TV show Buy It Now – just £39.95 now at Prezzybox.com.

 

Matt Dyson, inventor of Rockit said: “Rockit was designed by three dads with seven children between us. Nick Webb came up with the initial concept when his three-month-old daughter Abby refused to sleep in the pushchair at the supermarket checkout.

 

“He noticed this problem affected other weary parents but couldn’t find a product available on the market that was cost effective and portable to help.  One evening he had a lightbulb moment. He took an old printer apart, salvaged the motor and soldered together a simple circuit. The resulting prototype worked and the very next day Abby remained asleep even when the pushchair stopped moving.

 

“After two years of hard work and support from the Design Council, Rockit has now become an award winning product that is helping babies to sleep all over the world.”

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – SAGA WRITER SUSANNA BAVIN

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What was the first piece of writing advice you were given?

This wasn’t exactly writing advice as such. It dates back to when I was at grammar school and it was a regular feature of feedback on essays. I had a wonderful English teacher called Mrs Trueman, who taught me for five out of my seven secondary school years. From her I learned the importance of what she called elegant paragraph links – the natural flow of writing. To this day, if I am struggling to move along from one idea to the next, I can hear her voice in my head, insisting on, “Elegant paragraph links, girls.” It has also had an impact on me as a reader. I always notice a jerky transition between ideas. I hope my own writing is pretty seamless in that respect. If it is, it is thanks to Mrs Trueman!

 

What is the most recent piece of writing advice you gave or received?

Don’t get it right – get it written. I have joined in with the annual madness of NaNoWriMo several times and the advice there is all to do with getting the story down on paper – or on-screen – and worrying about perfecting it at a later date. I know there are plenty of writers who simply can’t do this. They have to get each section right before they can move on to the next; and there have been times when, instead of ploughing on, I have felt impelled to go back and change something in the WIP, because my brain refuses to carry on until I have done that tweak. But if you are able to produce a “dirty draft,” it makes a great starting point for the editing. I know plenty of writers hate the editing process, but I love it and find it rewarding.

 

What piece of advice would you most like to pass on?

I have offered this advice to a few writers and they have all told me it is a good idea, so I am happy to share it with you here: don’t stop writing today unless you know how you are going to start writing tomorrow. For me, being able to get going immediately is important, especially now that I am writing to deadlines. I recently gave up my day job, but when I was doing it alongside my writing, being able to switch into writing mode and get writing straight away was essential. I’m sure there are plenty of writers whose response to this advice will be to say that it wouldn’t work for them, because they want to be able to leave their writing when it is difficult, trusting that their subconscious will work on it and untangle the tricky bits. For me, following this rule means that, when I hit a problem and the writing becomes difficult, I always keep at it until I have got past the hard bit and things are flowing freely again… so that when I stop, I know how I’ll start again next time.

 

Susanna Bavin has worked as a librarian, a teacher, a carer and a cook. She lives in beautiful North Wales, but her writing is inspired by her Mancunian roots. Her sagas, The Deserter’s Daughter and A Respectable Woman, are published by Allison & Busby.

BUSINESS OF BOOKS: JANE CABLE ON BOOK BLOGS AND MAKING THE BIG BIRTHDAYS COUNT

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All writers have slow news times and yet the voracity of social media means we always have to create news. My relationship with Frost means I’m very lucky as I can write about other people and still have plenty to share. But there comes a time when you have to focus back on yourself, even when you really have nothing to say.

I always knew that if I had a new book out at all this year it would be much later on, so there came a point when I was actively looking for something to celebrate. With three books becoming two when Endeavour Press went into liquidation and I decided not to sign with the successor company my writing CV suddenly seemed a little empty. Should I dash off a quick novella, write a few short stories to give away? No, I’m writing new material anyway and don’t want the distraction. So I decided to focus on what I already had.

On 1st August my debut novel, The Cheesemaker’s House, will be five years old. Sales are still ticking along nicely, but I wanted to give them a boost and celebrating the anniversary seemed an excellent excuse to do it. I’d been impressed by the results achieved for my Chindi Authors’ buddy Helen Christmas by Rachel’s Random Resources so I decided to sign up for one of their book birthday blitz packages followed by a mini blog tour.

Rachel is an experienced book blogger who has recently started to offer a variety of promotional services for authors. I was concerned that as The Cheesemaker’s House was so old and has had so many reviews there wouldn’t be a great deal of interest but I couldn’t have been more wrong. Within eighteen hours of announcing the tour on her website no fewer than 28 bloggers had signed up, 23 of them promising a review, and I couldn’t have been more delighted.

I’d agreed on a multi-content tour so over the last week I’ve been answering Q&As, writing guest blogs and choosing extracts from the book. It was strange going back five years and telling the book’s story all over again but I’m really hopeful it will reach a new audience and it was such fun to do.

While I am more than happy to pay for Rachel’s services to organise the tour I would never actually pay for a review. This week – like many other weeks – I’ve had emails asking me to do just that. I won’t, because I believe it’s wrong on so many levels. Especially as I’m yet to see a review anywhere that says ‘this review was paid for by the author’.

It’s an issue that’s been bubbling around on social media recently as well, as yet again bona fide book loving bloggers have been attacked for ‘undermining the market’ by giving free reviews. Excuse me? Although some bloggers have book marketing related businesses on the side (as Rachel does) their reviews are the product of being total and complete bookworms who just love to share their passion. And that’s important. Because it’s why we can trust them.

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – JAMES FAKTOR, PUBLISHER AT ENDEAVOUR MEDIA

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What was the first publishing advice you were ever given

I think the first piece of publishing advice I received came from an agent who came to lecture at my creative writing course (I forget her name!). She made a big impression on me, and said that the hardest thing about publishing is knowing what to turn down, and that there is no room to indulge. It was great advice because it kept forcing me to think with a commercial hat on rather than just what my personal preference was. As head of our sci-fi and fantasy imprint, I am by no means the biggest fan of the genre, but having a little distance from the books helps keep me impartial to their quality.

What was the most recent publishing advice you were given or gave

Our CEO Matthew Lynn suggested that we should be keeping our eyes open to other industries outside of publishing. You never know where the next big idea will come from, but with technology changing things so quickly now, it’s likely that other industries like advertising, marketing, tech and design will offer solutions to the next jump in publishing, and will rethink how we distribute and digest stories. The recent movement by Spotify to allow some audio books onto their platform is an example of how such cross-breeding could work.

What’s the piece of advice you’d most like to pass on

Put a name to a face quickly and always have a smile. Publishing is still quite a small world and conducting yourself in the right way will really keep your options open. You never know when you may need somebody’s help in the future!

 

James graduated from the University of York with a BA (Hons) in English Literature, before studying for an MA in Creative Writing at the University of Oxford. He joined Endeavour Media in 2018, and currently heads up our sci-fi imprint, as well as managing contracts.

Endeavour Media is an independent digital and print publisher based in London who work with over 800 authors, from talented debuts to top estates, to put both new and unfairly forgotten titles into the spotlight.

They specialise in championing out-of-print books by bringing them to the digital market under several different imprints, including their main list which is dedicated to thrillers, romance, historical fiction, biographies and history; a science-fiction, horror and fantasy imprint; a Western imprint; a German-language division; and a dedicated print arm.

Their mission is to publish enjoyable and important works of both fiction and nonfiction, as well as introduce new generations of readers to older classics. Find out more information at  www.endeavourmedia.co.uk

 

TAKE FOUR WRITERS: JUGGLING, REVEALING, PARTYING, BALANCING

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CLAIRE DYER… JUGGLING

This month I want to talk about loyalty; not to our nearest and dearest, nor our publishers and/or agents but to our books.

Consider this: I have a book that’s just been published and I’m busy talking about it on social media, to library audiences and writers’ groups. I love this book. I have also written another one which is with my agent and which we’re still discussing and editing. I love this book too. And, I’m writing a new book and am at the brick wall that is 60,000 words. I don’t love this book very much at the moment but I should do, and hopefully I will when I’ve climbed over the wall and seen what’s on the other side.

So I’m carrying three books in my head all the time and this isn’t unusual, it’s par for the course for authors. Indeed, some carry even more and/or are different stages of the above process which will require them to concentrate on the intricacies of multiple novels at the same time.

And what does this mean in reality? It means we’re constantly torn; we juggle characters and settings, we have to remember who has which pet, what our heroine’s favourite food is, her deepest fear. Not only this but we have to remember with pinpoint clarity our plot lines and at all times believe in the magic: the alchemy that is writing. There are some days when my brain feels like scrambled egg, but then when it’s just me and screen and I’m back in the zone and it’s making sense, then it’s all worthwhile, believe me.

 

JACKIE BALDWIN… REVEALING

Hello, lots of excitement for me to report this month! First of all there was the Killer Reads Cover Reveal for Perfect Dead. I absolutely love the design! I’ve been getting ready for my Blog Tour, organised by Love Books Group so I’ve been busy writing guest posts, providing extracts etc.

I also had the most unexpected thing happen this month. My first novel, Dead Man’s Prayer had a one day Book Bub promotion and, to my surprise and delight, became an Amazon UK Kindle bestseller in two categories. I was absolutely over the moon! As I write this it is only three weeks until publication day on 15th June. This is always a nail-biting time for an author as you wait with baited breath for those reviews to start trickling in. Wish me luck!

See you next month!

 

LUCY COLEMAN… PARTYING

May has been an exciting month! The Romantic Novelists’ Association Summer Party prompted a trip to the Ashmolean Museum in Oxford. It was great to meet up with writerly friends old and new. Which, I might add, included fellow Frost Musketeer, lovely Claire Dyer.

A pre-party meet-up with a group of Aria Fiction authors, my lovely editor – Lucy Gilmore – and Melanie Price (who is a whizz on social media) was accompanied by Prosecco. It was a great start to the evening.

The week prior to that, structural edits arrived for the second manuscript in my four-book contract with Aria fiction, writing as Lucy Coleman. I despatched those very quickly and I’m now waiting to see the cover for this Christmas novel, set in Caswell Bay on the Gower coast.

Then back to work on book no. 4 which currently stands at around fifty-thousand words. Never a dull moment!

 

ANGELA PETCH… BALANCING

On May Bank Holiday, we loaded our car and set off for our six-month stay in our Tuscan home, stopping overnight in beautiful Alsace (I am itching to include this location in my next Tuscan novel … bizarre, but I have an idea).

May has been productive. “Mavis and Dot” are with my editor and while I wait for feedback, I have sent off a serial to The People’s Friend. My wonderful editor there instils calm, reiterating that good writing comes when you are at peace with yourself. Tomorrow I should receive my illustrator’s first designs for M and D. I have organised new covers for my two earlier novels. I have an appointment with a special Museum of the Diary in the valley for research for my third Tuscan novel. And, finally, I have been approached by a publisher for my Italian books. Decisions, decisions… but, ringing in my ears are my husband’s words: “Don’t take all the fun out of your writing.” Watch this space.

 

 

 

 

 

 

THE BUSINESS OF BOOKS: THE KITCHEN CLASS OF 2017

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Jane Cable catches up with RNA friends

There is a tradition at Romantic Novelists’ Association conferences that the really important stuff happens in the kitchens of the shared accommodation. And for me (and I’m sure I’m not alone) the really important stuff was making friends with other writers. Almost a year later most of us have kept in touch and there have been many successes to celebrate. To be honest, I haven’t had the best year of my writing career but being able to cheer on my new friends had been a pleasure which has kept me going.

Jan Baynham, another writer from my home city of Cardiff feels the same: “No exciting publisher or agent news from me, I’m afraid, but I’ve been delighted to read about others’ successes this year. There’s been so much to celebrate! I’ve spent the time since the Conference submitting my first novel to publishers. Two recent rejections have given me very encouraging feedback and spurred me on. One editor said my novel fell into ‘the nearly-but-not-quite’ category, telling me why, but said she would be happy to consider further submissions from me. A second was even more complimentary about the quality of the writing and has asked to see my second mother-daughter saga that’s partly set in Greece. I’m working hard to get Whispering Olive Trees ready to submit to her.”

Jan’s travelling companion last year was Sue McDonagh whose debut novel has just been published by Choc Lit, but it hasn’t always been an easy road. “I wrote, learned and submitted until that magical ‘Yes’. There was joy – until the edits came in. Christmas to February, Writing Boot Camp, I rewrote almost every word, hacked back rookie errors of over-blown baddies and plot lines that went nowhere. My timeline was a joke.  I despaired that the ending would ever work. I couldn’t do it. I could, and it did, miraculously. I painted the front cover, another highlight. Published five days ago, Summer at the Art Café is already earning a slew of 5* reviews. I’m still learning – it’s a steep curve!”

Another kitchen compatriot discovering the joy of a publishing deal was Cornwall based Kitty Wilson. “My writing life has been a whirlwind since we all sat around the kitchen table at the RNA conference last year. I have gone from wannabe novelist used to micro-expressions that flashed sympathy and suggested delusion to fully fledged author. By January I had landed myself my dream agent, had to choose which publisher to go with and spent a lot of time pinching myself – it was all so dreamlike. With my first book coming out next month, the second nearly completed and a whole series to write, 2018 is going to be a very busy, but very happy, year.” The cover of the first of her Cornish Village School books has just been revealed, ready for publication next month.

When we met last year Susanna Bavin already had her deal with Allison & Busby, and her writing career is going from strength to strength: “It’s been a year of dreams coming true for me. My debut saga, The Deserter’s Daughter, has been published in hardback, e-book, audiobook, large print and paperback. My second, A Respectable Woman, will appear in the same formats; and I have a contract for another two. The best moment? Out of a year of ‘best moments,’ the very best was listening to The Deserter’s Daughter as an audiobook read by Julia Franklin. I’ve listened to audiobooks for years and Julia is one of my two favourite readers, so having her as ‘my’ reader is wonderful.”

Last but not least, Kirsten Hesketh feels she’s on the verge of something big too: “What a year! The main thing I have learned over the past year is not to submit your work too early to agents! After a round of ‘good’ rejections last September, I spent the next few months editing, restructuring, polishing and then getting a critique from the marvellous Alison May whose advice made all the difference. Then I did it all again!  The result is …. I now have an agent! I am thrilled to be represented by the wonderful Felicity Trew and have just had the excitement of having my book taken to the London Book Fair. Fingers crossed!”

 

 

 

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – DEBUT NOVELIST & PERFORMANCE POET CLAIRE BALDRY

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What was the first writing advice you were ever given?

The first piece of writing advice I was given goes right back to my early childhood. Not everyone can recall their primary schooldays in detail, but my memories of that stage in my life are crystal clear. The classroom environment suited me, and I wanted to please my teachers. I was, I think, destined at an early age to work full time in education.

So when my infant teacher told the ‘six year old’ me to think harder about who would be reading my work, and to stop starting every story with ‘Once upon a time’, I took her advice seriously. She had given me my first sense of audience. This was a major step forward in the life of a young writer who was beginning to develop her craft. That advice has lived with me ever since. Even when my job required me to deliver dry and often unemotional reports, I always tried to write in a way which would catch the reader’s attention. After all, if I couldn’t be bothered to interest my audience, then why should I expect anyone else to read my words?

 

What was the most recent writing advice you were given?

I would describe myself as a ‘half full’ person. I like to focus on the positive and build on my  experiences. I loved writing my first novel and was more than happy to receive feedback after publication to further develop my skills as a writer. However, I do sometimes fall in to the trap of focussing too hard on how I need to improve my work. This can very quickly turn into self-doubt and slow down, or even stop, the flow of my writing. The most helpful advice about writing, which I have received recently, was to remember to believe in my ability. Writing, for me, is a massively enjoyable activity, and the very best way to improve is simply to keep writing.

 

What is the piece of advice (writing or otherwise) you would like to pass on?

I’ll be sixty-three next month. I’ve had a professional career in education, run my own business, been married twice and brought up a family. I now use that experience to support my work in the voluntary sector, raise money for good causes and take on new challenges.  Sometimes friends of a similar age suggest I should slow down a bit. Although I have had to learn to say ‘no’ on occasions, my advice to anyone, who is polite enough to listen to me, is, whatever your age, stay active and keep embracing new challenges as much as you can. No one knows what lies ahead or how long their health will last. So set aside fear of failure and make the most of your abilities.  I wanted to write and perform poetry. I gave it a try and discovered I could do it. I wanted to write a novel, and, amazingly, I managed it.  Life is not a dress rehearsal. Jump over the obstacles and create your own opportunities. It is unlikely that anyone will create them for you.

 

Claire has self-published four booklets of lighthearted poetry and is a popular speaker and performer at clubs and other venues in the South East. Her debut novel ‘Different Genes was published by Matador in 2017. Claire’s next poetry booklet ‘Simply Modern Life’ will be published later this year. Claire and her husband, Chris, were awarded the Diabetes UK South East Inspire Award for their fundraising work in 2017.

www.clairebaldry.co.uk

 

The Hape Anywhere Art Studio

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Frost loves the Hape Anywhere Art Studio. This tabletop art studio is double sided. One side is a chalk board and the other end is a magnetic whiteboard. You can also have a piece of paper on it with the Hape magnetic. It looks fab and keeps children entertained for hours. Highly recommended. It comes with 2 pieces chalk, 1 eraser and 1 magnetic wood piece.

Play with colors. Use crayons to learn the names of new shades.

The Hape Anywhere Art Studio worth £32.49 from Amazon. Suitable for 3 Years +