TEDxEaling

Ted Talks are now famous, and when they came along to Ealing I went along with my film business partner, Steve McAleavy.

We had a brilliant time and there was some really brilliant talks. TedXEaling was brought to Ealing by Chris Jones, film director and owner of Living Spirit pictures. Below is some of the people who talked at the event. I had a brilliant time and met some amazing people.

 

Sebastien Foucan: Our relationship with fear

Sebastien Foucan is the founder and creator of freerunning. Sebastien is well known for his views on the philosophy behind freerunning and is an ambassador for the discipline in many countries across the globe.

Seema Anand: The Art Of Seduction

The ancient arts of Courtesanery and Seduction were once treated as high philosphy, with divine and academic associations. Dr. Seema Anand explores how these narratives have been lost and in the evolution of their vocabulary, the implications have changed. Working with the range of what ‘story’ can mean to an individual Seema facilitates the learning processes of ‘telling’, ‘listening’, ‘acknowledging’ and ‘rejecting’ the narratives that make up our lives and our social interactions to enhance communication, build links and open dialogue.

Jarred McGinnis: Writing is the Only Magic I Still Believe In

Jarred McGinnis will share his passion for stories and demonstrate the power of words from Speech Act Theory to the genius that is the children’s book ‘That’s Not My Pirate’. Jarred is an American living in London, and the co-founder of the literary variety night, The Special Relationship. His fiction has been commissioned for BBC Radio 4, and appeared in journals in the UK, USA and Ireland. He is wickedtomocktheafflicted.com. In addition to writing fiction, he holds a PhD in Artificial Intelligence.

Eve Hazelton: Film Director of Photography

How does light and shadow impact on our understanding of story? As a Director of Photography, it is Eve’s job to visualize a story and use the tools of her craft to translate that into a film. With the stereotype of a DoP’s role to be all about camera’s, Eve explores how other area’s of her job are equally, if not more important. Eve is the Director of Photography and Editor for Realm Pictures, an independent film company based in the UK. Her’s are the eyes which reveal the stories that the team at Realm want to tell.

Linda Potgieter: A purpose driven life

Linda Potgieter has enjoyed a rewarding 22 year career predominantly focused on designing and delivering communications solutions. Director of a locally based training and consulting firm, she has spent the past eight years designing and delivering communication and negotiation training across 14 countries. Linda’s inspirational delivery style is driven by her passion for the human connection within negotiations.

Chris Atkins: Lies and Truth – How to get to the truth of a story by telling lies

Chris’ first doc, Taking Liberties, is about the loss of civil liberties in the UK and is a polemical and entertaining theatrical feature. In June 2007 the film was released theatrically and was one of the highest-grossing documentaries of 2007. Chris was nominated for a BAFTA – The Carl Foreman Award for best writer, director or producer in their first feature film. He has since produced a slew of controversial documentaries for both cinema and TV.

 

Dekay: Urban Poetry

Dekay will perform a rap from her latest album and teach us about storytelling in a different form. Dekay is an unsigned rapper/songwriter/producer from Camden, North West London. With a back catalouge of 3 mixtapes and an album, Dekay has been battling, rhyming and shotting cds in the endz for the last 8 years.

 

Daniel Sloss: It’s just a story

Scotland’s Daniel Sloss is currently one of the fastest rising stars of UK comedy. He started doing stand-up aged 16, has appeared on numerous TV shows including ‘Michael McIntyre’s Comedy Roadshow’ plus his own BBC show ‘The Adventures of Daniel’ and tours extensively thoughout the UK as well as internationally.He will be talking about how comedy is a series of short and truthful stories.

 

Will Brooker: Tales of the Dark Knight

After 73 years in popular culture, Batman has become more than a corporate product and commercial property; he also belongs to generations of readers and fans who circulate their own stories around him, and keep his legend alive. Will Brooker is Director of Research in Film and Television at Kingston University, London. He is the author and editor of several books on popular culture and audience, including Batman Unmasked, Using the Force, the BFI Film Classics volume on Star Wars and, most recently, Hunting the Dark Knight: 20th Century Batman.

David Varela: Throw your Story from a Plane

David Varela is a London-based writer and producer. He has written for film, theatre, radio, magazines, ebooks and games, creating some of the world’s most exciting transmedia projects along the way. These include Lewis Hamilton: Secret Life (for Reebok), Xi (for Sony PlayStation) and most recently The Seed, a transmedia story combining four plays, a treasure hunt and online characters, as part of the London 2012 Cultural Olympiad. He is currently developing an original drama series for Channel 4.

Emily James: Shooting Outlaws without Hurting Anyone

After her first broadcast commission, The Luckiest Nut in the World (C4, 2002), the Guardian asserted “Emily James is a genius”. Following the experimental Don’t Worry, (C4, 2004) and What Would Jesus Drive?, (C4, 2006) Emily’s attention has now shifted to feature documentaries, acting as Executive Producer on the acclaimed The Age of Stupid (2009). Her feature directing debut, Just Do It: A tale of modern day outlaws screened in over 45 independent cinemas across the UK in Summer 2011.

Richard Newman: Inspire and Motivate People with PRO

Working with 17,000 people across 45 countries Richard discovered there is a story-telling method that motivates all of us, called the PRO system. His team have helped clients win business worth over £1.6 billion, working on pitches and presentations to make them stand out from the crowd. Clients include the McLaren Formula 1 Team, KPMG and IBM. Recently he has been working with 20th Century Fox and Warner Brothers, to promote their TV shows about body language.

Julian Friedmann: The mystery of storytelling

How we tell stories seems to be a mysterious process that millions around the world want to be able to do, but 99.9% effectively fail. Why is it so hard for storyteller and audience to be one? What we communicate can change the lives of the writer and the audience. However, why stories matter and how to tell them better may not be as mysterious as it seems. Julian Friedmann has worked with writers for over 40 years; he believes understanding that storytelling is more about the audience than the writer will result in better storytelling.

Martin Lee: The Story Of My Shame

The redemptive power of ‘story’ for both businesses and people.

Martin Lee is a director of 26, the business writers’ collective that exists to inspire a greater love of words in business and in life. In his day job, he is a co-founder of Acacia Avenue, a boutique qualitative research consultancy whose purpose is to make business recommendations to its clients as long as they are in the interests of their customers. Before taking to agency life, Martin worked in the book business, culminating in being the Marketing Director at Waterstone’s.

Linda Haysman: The Costume Designer

What story does the clothes you wear tell? Linda Haysman is an experienced Costume Designer and has worked in theatre, film and television. Linda will be exploring story telling through Costume Design and it’s effect on audience perceptions.

 

 

TEDxEaling 2012 Hosts and Entertainers

Chris Jones – Filmmaker, author and TEDxEaling creator

Having made feature films, an Oscar shortlisted short film, written seven books on filmmaking, run the London Screenwriters’ Festival and subsequently trained literally thousands of filmmakers and screenwriters around the world, TEDxEaling themes on ‘Story’ was both a logical AND challenging step for Chris. He will be introducing TEDxEaling and looks forward to sitting in the audience with you.

Walter Lewis: TEDxEaling Master Of Ceremonies

Walter is an established actor, voice artist and corporate trainer.  He has worked in TV, film, and theatre on both sides of the Atlantic, and has been a long-standing member of the The Reduced Shakespeare Company.  Other credits include: “Red Badge of Courage” (Naxos Books), “Never the Sinner” (Manchester Library), “East of Eden” and “Auntie Mame” (BBC Radio), “1408” & “The Dark Knight”. As an American living in the UK he loves the British sunshine…

 

Catherine Arton: Casting Director

Firing your creative synapses. Catherine Arton is a casting director, motivational speaker, director, and story teller of old. Having studied English Literature at University and Acting at LAMDA, Catherine has a true passion for story and story telling. Catherine will use some of her own specially devised techniques and ideas to help the conference attendees to get into the best possible mindset for the TEDx conference.

Vogue On Designers | Book Review

VOGUE ON

Elsa Schiaparelli, Coco Chanel, Christian Dior, and Alexander McQueen

Out Now, £15 each, hardback

 

 Sometimes I love my job, and the opportunity to review these books was one of those times. These books are as beautiful, elegant and enjoyable as the designers the books are about. I love the layout of the books and each one has great quotes from the designer.

Vogue on: Coco Chanel, by Bronwyn Cosgrave. Vogue on Chanel may be a short book but it is incredibly comprehensive. The book is full of pictures and quotes. It is hard to read the story of Coco Chanel’s life and not be inspired by what an amazing business women she was. To Vogue’s credit it does not brush over the rumours about Nazi collaboration (Chanel had an affair with a German officer during World War II) and the book is well-researched and beautifully written. The Vogue archive pictures are to-die-for and I learnt a lot from reading this book. Coco Chanel managed to leave her mark, not just fashion, but also the world. An excellent businesswomen she built an entire empire by creating a signature look.

Coco Chanel’s private life was as interesting as her business. She dated the Duke of Westminster and traveled in high society. She was backed by Kitty De Rothschild who stated, “I shan’t buy a thing without showing her. That child’s got more taste than the rest put together.” After this stamp of approval the elite of the day bought her clothes in droves, and still do.

I loved this book. It is a triumph for Bronwyn Cosgrave. A perfect gift for Christmas and beyond.

 

Vogue on: Alexander McQueen,  by Chloe Fox. This book is different from the others as I actually remember Alexander McQueen, and was very upset when he tragically took his own life. He is the most modern of the fashion designers and I remember some of the collections. For 15 years the mouthy, East-End, working-class boy-did-good, McQueen was deliberately controversial.

Talented beyond belief, McQueen was also arrogant, likable and visionary. He knew how to be quotable and work the press as much as he knew how to design beautiful, wearable clothes. This book has a ting of sadness as both McQueen and Isabella Blow committed suicide. Blow had ovarian cancer and McQueen killed himself not long after Blow, and then his mother died

McQueen’s label lasts and the mantle has been handed to Sarah Burton, who designed the wedding dress of Kate Middleton. Burton talks fondly of her former boss in this book.Burton says, “He was my inspiration everyday. Everything I know, I learnt from him.”  In fact, the book has access to all of the main players in McQueens life. A must have for fashion lovers and McQueen fans.

In this book Plum Sykes says, “The fact was, Alexander created a new silhouette for a generation. When you look back at the history of fashion, the only designers with any longevity – from Balenciaga to Dior to Yves Saint Laurent – are the ones who created their own iconic shape.” This quote is what you learn from Vogue’s series of books on designers: they all created their own shape.I really hope there will be more books in this series.

 

Vogue on: Christian Dior, by Charlotte Sinclair. Dior was such a visionary that he completely changed how women dressed. The ‘New Look’ he invented stunned the fashion world and had a cataclysmic effect. The truth is, Dior did more than create a look, he created a revolution. When Dior showcased his new range so many people would come that even the staircases would be filled. There is a wonderful picture of Marlene Dietrich in this book, clutching her ticket as a child would hang onto candy. This book, and indeed all of the others, is not just a book on fashion, but a book on history. Vogue on Christian Dior is a fascinating read, I could barely put it down. I could also stare at the pictures for hours.

All of Diors couture clients had their own mannequin that was made to their own measurements. Upon reading this I rather longed to be incredibly rich and that Christian Dior was still alive, as it sounded so romantic and wonderful. One of the reasons Dior was so successful was because he gave women what they wanted. “I brought back the neglected art of people pleasing.” He said.

Of course, all of the designers these books are about are dead now. An era ended. Even Alexander McQueen, sadly gone too soon. I hope Vogue do more books in this series. Yves Saint Laurent would be an obvious, and much deserved, subject.

Vogue on: Elsa Schiaparelli, by Judith Watt. Like the rest of the books in the series, Vogue on Elsa Schiaparelli is well illustrated, picture perfect and wonderfully written. Schiaparelli may not be as well known to the wider public as the other designers but she remains influential.

Schiaparelli was also a rare thing, even today: a female fashion designer. She had a lasting rivalry with Coco Chanel who was dismissive of her. Schiaparelli was born into high society but lost all of her money after her husband spent her dowry and then left her and her young daughter. She went to work and managed to open her own label. She said: ‘Poverty forced me to work, Paris gave me a liking for it.” Schiaparelli  not only managed to design her own “look”, she also made designs for different types of women, no matter what their body shape or personality. She was also an artist, collaborating with Salvador Dali and Man Ray,

This book is a brilliant story of flair, tenaciousness and perseverance. A wonderful book.

“Life on the dotted line was of no possible interest.” Elsa Schiaparelli

 

Vogue On is an influential and covetable series of short books from the fashion bible Vogue, celebrating the defining fashion designers of the last century.  The first four books in the series illuminate the significance of Elsa Schiaparelli, Coco Chanel, Christian Dior and Alexander McQueen, each pioneers of their time, and draw extensively on the Vogue archive, the definition of portraiture and fashion illustration. 

 

Alexandra Shulman, Editor of British Vogue, comments “Vogue On offers an authoritative overview of the work of the 20th century’s most influential designers. Unique access to the treasures of the Vogue library combined with concise, elegant and informed writing ensures that this series is an unmissable addition to any student or enthusiast of fashion’s library.”

 

Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. No magazine is better positioned to present a library on the most influential fashion designers of the modern age.

 


 

 

Daisy Lowe & Alexa Chung dance the night away at Belvedere Kenzo party

An abundance of famous faces and industry greats turned up at the Belvedere Kenzo Party to launch the Kenzo Fall Winter collection at Liberty of London.

Celebrities included Daisy Lowe, Alexa Chung, Henry Holland, Gizzi Erskine, Sophie Sumner and many others. Guests were treated to a set by up and coming act Blood Orange who got the crowd dancing and saw Alexa Chung and Daisy Lowe strut their moves during his cover of Prince’s ‘I Wanna Be Your Lover’.


 

JAMIE LAING RECRUITS NEW CANDY KITTEN

Jamie Laing, entrepreneur and star of Channel 4’s hit show “Made in Chelsea”, has ventured into the world of racehorse ownership as co-founder of The Candy Kittens Racing Club.

The Racing Club is just one within the Celebrity Race Clubs portfolio, offering customers the chance to mingle with their favourite celebrities while experiencing what it is like to own their own racehorse. Each group has a racehorse running under its name and in its colours and membership can cost as little as £10 per month, offering exciting opportunities to go behind-the-scenes of the sport, as well as enjoy some top on-track action.

The Candy Kittens racehorse has been named by Jamie after his brainchild sweet shop, Candy Kitten, which opened this May in London. The two year old filly is trained by Alastair Lidderdale, in Lambourn, and is due to make her debut at Goodwood Racecourse on 14th October 2012.

Jamie (pictured) visited his new horse last week, meeting female jockey Leonna Mayor, Apprentice Jockey for Alastair Lidderdale, who rode Candy Kitten on the gallops in the Club’s chosen silks. He commented during his visit:

“I am very excited to be adding to my Candy Kitten family with this fine filly of a racehorse and hopefully she’ll give us reason to celebrate during the coming months. Everyone is welcome to join in and I am looking forward to meeting lots of Candy Kitten fans at the races.”

Interview with Joe Thomas of Fresh Meat

Joe Thomas got to enact a childhood dream while filming the second series of Fresh Meat.

“I couldn’t quite believe it but basically I got to be filmed busking in the style of Blur,” says Joe. “It was like being able to vent my childhood dream of being in a band when my favourite band was Blur.”

Returning to university for the second term, Joe’s character Kingsley has a new look…

“In the last series Kingsley was relatively innocent but this term he is trying to contrive an image for himself – he has become quite pretentious, probably because he was quite badly hurt in the first term. This includes growing a little beard called a soul patch, which doesn’t really suit him, and developing an interest in music.

“On the downside I have to sing but on the upside it is a song written by Graham Coxon from Blur who are pretty much my favourite band of all time. I got to meet him and it was really nice to meet someone so famous who has done an awful lot with their life yet seemed very much a normal bloke. He is a fan of Fresh Meat which is why he wanted to be involved.

“It is interesting because the song isn’t supposed to be very good so Graham must have had to pull against all his natural instincts to write this tortuous and pretentious thing. The lyrics are very funny and it felt like we really got what we wanted from it; an adolescent, overly complicated epic.

“I do play guitar but only to a level many people can, which is a few chords to a few Blur songs. The only other person in the cast who sings in the series is Charlotte Ritchie, who is actually a professional singer, so it is an unfortunate point of comparison for me.”

The other major change in Kingsley’s life is the arrival of Heather…

“Kingsley has a new girlfriend, Heather, who is slightly cooler than Josie and maybe, in the long run, not as well-suited. However in the short term she is definitely more together and more able to organise a relationship and as Kingsley needs to be told what to do they fall into one. And immediately he is in way over his head.

“This series Kinglsey is getting on with the outward appearance of being grown up but fundamentally he is still sorting himself out. He doesn’t resolve any of his issues.

“Take the soul patch; it tends to be the first bit of hair that grows so it is a bit like a boy pretending to be a man. Also in Kingsley’s case trying to look a bit tougher.

On a personal note it wasn’t great for me to have to go round in my normal life with a soul patch either – it is not something I’d have chosen.

“It was an interesting experiment and I suppose made me appreciate not having it after I shaved it off. I might grow a full rugged beard one day; I can understand that back to nature, wild look but the soul patch isn’t really in the same category…”

So how does Kingsley feel about Josie this term?

“Kingsley is increasingly worried about Josie and he is really good to her as is not unaware that she is having a bad time. But when somebody is your friend but you do still really like each other it confuses things. So he has this mix of sympathy and desire which is frankly a bit weird. They have this relationship that neither of them are in control of.

“They both behave like they don’t care about each other, Kingsley is uber chilled and relaxed about her and Josie acts like she lives to party but neither of them mean that. They like stability and feeling at peace with the world but by carrying on as if they don’t care and are just free spirits they are damaging each other in the process. And as a consequence they mess up the opportunity to be together.”

So what were Joe’s stand out moments of the series?

“I got to do some minor stunts when we filming in the Peak District and I do like a tussle. There aren’t many times you get to wrestle in the great outdoors and let off a bit of steam; normally it is all about being very controlled. I didn’t do anything particularly adventurous but I got to fight with Greg or even better with Howard who is definitely not a fighter and probably hadn’t had any physical contact with a human for some time.

“And filming on location in the big country house was great – it was the only time it didn’t rain, apart from when we were in the Peak District, and it was so nice to sit in a garden rather than a car park outside the studios. A change of environment can really change your frame of mind plus there is always a bit of fun when cast and crew are staying in the same place – it’s a bit like a school trip!”

Joe is currently co-writing Chickens, a comedy series for Sky, with Simon Bird and Johnny Sweet in which they will also star.

Fresh Meat returns to Channel 4 on Tuesday 9th October at 10pm.

Don’t forget to check out Fresh Meat House which will launch 9th October directly after transmission of the first episode on Channel 4. Go to www.channel4.com/freshmeathouse for a tour of the student digs and to watch exclusive content released at the end of each episode.

Fresh Meat House is a new commission from Channel 4’s Education team who have a focus on life skills for young people

Interview with Homeland Actor David Harewood

David Harewood is the British actor who plays David Estes, the director of the CIA’s Counterterrorist Centre, the the brilliant Channel 4 drama Homeland. A graduate of the Royal Academy of Dramatic Arts, Harewood has been a fixture on the London stage for many years, earning praise for his work in such plays as Sam Mendes’ Othello at the National Theatre, which later went to Broadway.

Harewood appeared in Separate Lies, written and directed by Julian Fellowes; the 2004 screen version of Shakespeare’s The Merchant of Venice, starring Al Pacino and Jeremy Irons; and Blood Diamond, alongside Leonardo DiCaprio and Jennifer Connelly.

On British television, Harewood was a regular on such series as The Vice, Robin Hood and Babyfather. He was also seen as Mandela in the television movie Mrs. Mandela. Harewood also guest stars in a number of series including Doctor Who, Strikeback and Criminal Justice.

 

A surprising number of fans of Homeland don’t realise that you’re a Brit. Explain where you’re from…

I’m from Small Heath in Birmingham. It’s hilarious to me. I’ve been acting for 26 years, in everything from Casualty to The Bill to The Vice, I’ve played Othello at The National Theatre – it’s taken me 26 years to be an overnight success, as the old gag goes, and it’s hilarious that all these Brits think that I’m American. And here in America, whenever I turn up on the red carpet, they’re all stunned to find out that I’m British.

 

That’s particularly impressive that the Americans themselves are stunned. That clearly shows that you’re doing something right.

Well, yeah. It’s always something I try to do. I’ve always tried to put character ahead of personality. I’m really glad that, even today, people kind of recognise me, they kind of know where I’m from, but no-one’s able to place me. I think that’s because I’ve done so much stuff, and hopefully it’s a testament to my ability to act.

 

Growing up in Birmingham, you were a very useful goalkeeper, weren’t you?

Very useful – The Cat, I was once known as. [Laughs] I used to play a lot as a kid, and I had trials as an All England Schoolboy. But I was never going to do it too seriously. Whenever it rained, on a wet, windy Saturday morning, I’d stand there thinking “What on earth am I doing here?” My heart was never really in it. But I played with some fantastic footballers, and it was a huge part of my life.

 

You went to RADA at the age of 18. Did that open up a whole new world for you?

Completely! I’d never really paid much attention at school – I was always a bit of a clown, really – that’s why I started acting. I wasn’t particularly attractive, and I wasn’t particularly academic, so the only way I could really get any attention was to mess about and be a bit of an idiot. At the time it was fantastic, but I suppose it was to the detriment of my education. Then I turned up at RADA, and went in on my first day, and they’re all talking about Brecht and Moliere and Dostoyevsky, and I’m thinking “Who the hell are they?” It was a real eye-opener. I really started to appreciate literature, and it was a wonderful journey. I was very lucky, I had a wonderful few years there.

 

Did you struggle to find work after you left?

I was very lucky, I came straight out and got a job. I played Romeo for Temba Theatre Company, which was the biggest black theatre company at the time. I’ve always been really, really busy, I’ve been very lucky. I think I spent the first five or six years just not stopping. I didn’t have any difficulty – the difficulty came much later on, when I got older and started to play roles with more authority on stage, that there were fewer and fewer roles for me on screen to do. That’s when I started to struggle, because of the frustration of playing really authoritative, strong roles at The National, but really struggling to match that on screen. I’ve been really, really fortunate to fall into this role [in Homeland].

 

Landing the role must have been a great thrill – acting opposite actors of the calibre of Claire Danes, Damian Lewis and Mandy Patinkin.

I hadn’t worked for a year when I got the gig – partly for personal reasons, and partly because I just couldn’t get a gig, and then suddenly to find that I was sharing a screen with them was just extraordinary. I’ve just had a wonderful year. I suppose it’s like football – you play with better footballers, you get better. I’ve really found that just by watching them and working closely with them, seeing how they prepare and how they execute, has been a real joy, and I can only hope that there are more roles for me of this calibre, working with this calibre of actor. It’s been an absolute pleasure, it really has.

 

When you’re filming something like Homeland, do you get a real sense that you’re making something that’s going to be really, really good, or can you never tell?

A bit of both. I think everybody was very surprised by the immediacy of the success of the show – we were still filming the show when it became a massive hit in America. It’s kind of a goldfish bowl filming here in Charlotte, North Carolina – I think people do watch it here, but I was really surprised when I went to New York how many people were coming up to me and saying they enjoyed the show. I think in LA it’s such a huge show – it’s on posters and billboards everywhere, and this isn’t that kind of town, where there are billboards for TV shows.

 

David Estes is a fairly ambitious character, intent on climbing the greasy pole. What are your feelings towards him?

To be honest with you, I really struggled with him during the first season – I just didn’t know who he was. I told that to the writers at the end of the season, and they’ve done a fantastic job of really filling him out this year and giving him much more of a personality. Last year he was just the authority figure in the background who was always anti-Carrie. That was difficult, because I didn’t know why he had such antagonism towards her, and I didn’t know who he was. I only really discovered that when I played a scene right at the end of the season, when I played a scene with Mandy Patinkin, when you realise that actually he is implicated, and inextricably linked to this whole bomb attack on Abu Nazir, and how much he’d buried all of that information, and how much he was linked to the Vice President. I didn’t know any of that until the very last couple of episodes. It was a huge revelation to me that the reason why I’d been so antagonistic about Carrie finding out about Abu Nazir was because I’d been responsible for this drone strike. It was a huge piece of the jigsaw for me, when I read those scenes, and it’s been like taking a cork out of a bottle. This season has been fantastic for me, because now I know who he is, I understand him, I like him. Yes, okay, he may have sold his soul to a certain extent to get where he wants to, but who wouldn’t? A lot of us, to get where we want to be, would do what we can. It’s fascinating being out here in the world of American politics during an election. You see the real dirty side of politics, with the ads they’re running. If you want to get where you want to get to, you might have to do things that are seemingly unpalatable.

 

Why do you think they went for two Brits in key roles in the series?

That’s the million dollar question, isn’t it? It’s what everybody’s been asking. And we’ve got a third Brit – we’ve got Rupert Friend joining in this series. The director just says that they were the most interesting tapes that he saw.

 

When you’re on set, between scenes, or when you break for lunch, do you keep talking in an American accent, or do you revert back?

It’s quite extraordinary – all three of the British actors have almost an unspoken rule that nobody’s ever mentioned – we nearly always stay in our American accents when we’re at work. Damian’ll come to work and I’ll be like [puts on American accent] “Hey, man, how’s it goin’?” And he doesn’t look at me and say “What the f*** are you talking like that for?” It’s just unspoken. Every now and again one might drop out of accent and talk about the Olympics, or about something political that happens in the country, like the riots last year, when you have to get out of the accent. But most of the time you just forget, it becomes second nature.

 

You’ve mentioned that it’s election year in America. I hear that Homeland is Barack Obama’s favourite show. Is that a great thrill?

Oh it is. He’s metnioned it several times in interviews – it’s a fantastic thrill. It’s unfortunate that we were on hiatus when he was here for the Democratic convention. I’m sure he knows that we film the show here in Charlotte. Apparently, because his big speech was moved from the stadium to indoors because of the weather, he might be coming back to the state just to do something for the volunteers. Wouldn’t it be amazing to get a visit from the President?

 

Dare I say that it probably wouldn’t be as much of a thrill to have Mitt Romney visit?

Not really! I am astonished it’s so close, to be honest with you. It’s just beyond me that people are even considering him. But there are a lot of people who aren’t convinced by Obama. A lot of people are saying they’re not even going to bother voting this time. That’s bad, that people feel that politics doesn’t mean anything to them. That’s the scary part, that he’s going to lose because the people who voted for him last time just can’t be bothered this time.

 

Season 2 is about to Premiere in the US. Are you excited?

I’m really genuinely excited. From a personal point of view, it’s great because Estes has been given a lot more to do in this series. But it’s just such a fantastic show, I think people are going to be really, really excited to see it. I’ve read so many tweets and blogs where people have said it’s just a one season show which they can’t take any further, but these writers are fantastic. They’ve managed not only to recreate the same amount if tension, but to ratchet it up again. I think fans of the show are going to be very, very pleased.

 

Are you allowed to give us any hints about what we can expect from the series?

I can tell you that the second season begins in Israel. And I can tell you that Carrie will be back in the CIA in some capacity, and that, from what I hear, though I still don’t know, the mole will be revealed. You’re all going to be very surprised.

 

You were awarded an MBE at the beginning of the year. How did that feel?

Absolutely tremendous. It remains, and always will be, one of the proudest days of my life. To have gone there and got that pinned on, and had my daughter and mum be at the palace watching me get that award, it’s one of the proudest things that ever happened to me. I’m really, really chuffed about it.

 

Series 2 of Homeland will be on Channel 4 in October.

Joe McElderry set for a home run for Teenage Cancer Trust

Joe McElderry will be taking part in the Great North Run for the third year running to raise money for Teenage Cancer Trust.

 

Joe, who is the charity’s celebrity ambassador and North East Patron, completed last year’s 13.1 mile race in 1 hour and 40 minutes and smashed his fundraising target by raising over £10,000. All monies raised from sponsorship will go towards developing Teenage Cancer Trust services and facilities for young people diagnosed with cancer in the North East.

 

Joe, whose new album is out now, has been fitting in training around his packed schedule. He said, “Completing the Great North Run last year was such a great experience. The atmosphere was incredible and I was really happy with my time.”

 

Talking about Teenage Cancer Trust, he adds, “Teenage Cancer Trust is an absolutely amazing charity. Their units feel like home and really help to boost morale for the young people being treated there. Not only do they look great, but there is a real family atmosphere in the charity and I love that! With the help of my fans, I know we can raise loads of money to help young people fight cancer. Please help me to reach my target and donate £5 by texting JOE91 to 70500.*”

 

Teenage Cancer Trust is the only UK charity dedicated to improving the quality of life and chances of survival for the six young people aged between 13 and 24 diagnosed with cancer every day.  We build specialist units within NHS hospitals bringing young people together to be treated by teenage cancer experts in a place designed just for them.  We want every young person with cancer to have access to this specialist support, no matter where they live.

 

Traditionally treated alongside children or elderly patients at the end of their lives, young people can feel extremely isolated during treatment, some never meeting another young person with cancer.  Being treated alongside others their own age can make a huge difference to their whole experience.  There are currently 22 Teenage Cancer Trust units across the country, including two in Newcastle – both of which Joe helped to officially open.

 

Teenage Cancer Trust also educates young people and health professionals about cancer to ensure a swift diagnosis and referral to specialist support.  Cancer in young people is rare but we want young people to know the common signs and symptoms so they can seek medical advice if they are worried.

 

There are over 90 runners in Teenage Cancer Trust’s Team this year, and their cheering squad will be based at Simonside Youth Centre, between miles 8 and 9 from 10am on the morning of the race. To get involved, email Emily.fitzwater@teenagecancertrust.org or call 020 7612 0720.

 

* Please text JOE91 to 70500 to donate £5 and help Joe raise money for Teenage Cancer Trust. The charity will receive 100% of every donation

https://www.justgiving.com/Joe-McElderry0

 

 

For more information about Teenage Cancer Trust visit www.teenagecancertrust.org

Londoner’s Life – Overheard 39 by Phil Ryan

I’ve had a frantic week replying to emails and finishing a writing project. But I still had three windows of opportunity to sort out another London overheard. Found myself in Hungerford in Oxford mid- week at a fancy gastro pub. And caught this brief gem from a couple sat watching a traditional looking house barge mooring by the side of a canal. Man to wife pleasantly “Look at that Miriam that’s the kind of life I could get used to” Miriam in a bored tone “I don’t think so you actually have to work quite hard to run one of those things. You are completely useless and workshy and you know it” Ouch! But here’s this week’s stolen moment from a bar at a gig in Central London:

Two Goth looking girls: Girl one “I couldn’t believe it really it’s not like I’m on Facebook that much” Girl two “So he cut you off just like that” Girl one “Yeah I know and I really liked him” Girl two “What made him turn so funny then?” Girl one “Well he saw me updating my status when we were doing it at his mum’s house” Girl two giggling “No” Girl one proudly “Well he was going at it like he does and I figured he was busy and they’ve got that wireless Infinity broadband you know the really fast one. So I replied to a couple of messages” Girl two “What while he was..” Girl one “Hm I mean it was good but sometimes I don’t feel that involved. He used to just shove away for ages and think it was good for me. But I didn’t mind that much. He was sweet really the little noises he’d make” Girl two “So what’d he say?” Girl one “Ah you know the usual it’s not you it’s me but I noticed that he changed his status that night. I mean how insensitive. I’m glad he’s gone cos I really I don’t need that kind of negative energy in my life to be honest” Girl two “So you’re with TZ now right” Girl one “Yeah he’s not that bright but he’s loyal and he’s got a car. Oh yeah and he’s got really nice legs and his bum is like really firm” They then started talking about the bands……..

I must just say at this point in case you think I just make this stuff up. I often record bits with my phone (especially in cafes) and I now carry a small pad and pen everywhere as well of course as my trusty Samsung. So although it might be not exactly the words they are very very very close. Trust me I don’t have this kind of imagination.