Time To Take A Break? Get Out Of Your Chair, It’s Killing You

If you think working overtime, skipping your lunch hour and staying chained to your desk will make you more productive, you need to cut yourself some slack and take a break.

Working non-stop without taking a break can increase your chances of weight gain, heart disease and worse. Staring at a computer screen for more than 2 hours per day can cause Computer Vision Syndrome, a real affliction, which causes blurry vision, headaches, dry eyes and can lead to long-term nearsightedness. However, getting up and away from your desk for just 5 minutes can alleviate eye strain and reduce fatigue in addition to making you feel better. The mere act of standing at your desk instead of sitting at it can help you burn up to 2500 calories per week. Not bad for just standing around.

Work hard and break hard; doing so will make you a healthier, happier and more productive employee.

Take A Break

Take A Break by LearnStuff.com

Ratedpeople.com Launches Find a Tradesman App

 

The Ratedpeople.com app connects homeowners with quality, local tradesmen on the go

The UK’s number one tradesman recommendation service RatedPeople.com has today announced its new tradesman comparison app. Available both on Android and iPhone platforms, RatedPeople.com’s Find a Tradesman app enables users to easily locate job-specific tradesmen instantly through their mobile phones.

Predominantly functioning as the fastest and easiest way to connect homeowners with quality tradesmen, the RatedPeople.com app gives homeowners the opportunity to upload descriptions and photos of the work they would like to be done, whenever and wherever. The user is matched with up to three tradesmen in their local area, who are interested in the submitted job. Each tradesman will provide a quote for the work. The homeowner has access to ratings and reviews from the tradesmen’s previous customers, to help when selecting which tradesman to hire.

When the job has been completed, the user can add their own review and recommend the tradesman to their friends. The app also automatically builds a list of all the tradesmen the homeowner has used, creating their own ‘little black book’ of tradesmen.

Key App Features:

·         Upload up to 5 photos to the posted job

·         View each tradesman’s profile: ratings, photos of previous work and qualifications

·         View the RatedPeople.com checklist, with advice for hiring a tradesman

·         Rate their tradesman

·         View all their tradesmen in an address book

·         Share the app and tradesmen details with friends

 

Tariq Dag Khan, CMO of RatedPeople.com, commented: “The mobile industry is booming in the UK at the moment, with 75% of Brits now projected to own a smartphone by 2013. Our tradesmen are well ahead of the curve, 70% already own a smartphone, which is why our business is taking off. With both homeowners and tradesmen able to react with immediate response, finding a tradesman has never been quicker or easier.

“We understand how busy homeowners are during the day and we wanted to come up with a solution that enabled them to more speedily and efficiently manage their home improvement needs. The RatedPeople.com app now gives our customers the chance to instantly connect with tradesmen whilst on the move, providing a service that we believe will help generate more and better quality leads for tradesmen.”

New app shows women how to man up in time for EU gender directive

On 21st December the EU gender directive comes into force which means car insurance companies will no longer be able to differentiate between men and women. So does this mean the European Union now believes women are no different to men?

Now women can see for themselves what it would be like to live life as a man with the Manify Me smart phone app. Women’s car insurance specialist, Diamond has worked with Rantmedia to develop the app which takes a headshot of a woman and ‘manifies’ her into a man. So Katy Perry could become Keith, Cheryl Cole could become Charles and Holly Willoughby could become Harry.

Dave Halliday, Diamond managing director, said, “Despite evidence to the contrary, the EU insists that men and women are the same, so we thought we’d take the idea one step further and allow women to see what they would look like if they were a man.

“Unfortunately for young women, the EU’s change to the law is likely to mean higher insurance premiums because from a risk point of view, women will have to be treated the same as men, and young men in particular have the worst driving record and are the highest risk.”

Diamond’s own statistics clearly show that young women have a safer driving record than young men. Men under 21 are four times more likely to have a dangerous driving conviction than women under 21. While on average accidents involving men under 21 cost 48% more than those involving women of the same age.

Despite the EU’s assertion that men and women are the same, most women clearly don’t feel the same. Diamond surveyed 1,000 women aged under 30 on the issue, 72% said they believe men and women drive differently, while a massive 83% believe men and women think differently.

The Manify Me app is available for Android phones and can be downloaded from Google Play.

 

London’s First Art Busker

One of Britain’s most aspiring young contemporary artists has become the capital’s first ever art busker, hitting the concourse at London St. Pancras station to capture still life scenes for public entertainment.

Rosie Emerson, whose work has appeared in Vogue and is billed as ‘beautiful, original and highly collectable’ shunned her studio for one of the UK’s busiest railway stations, swapping a guitar for canvas, easel and a life model to perform for an estimated 100,000 commuters as they made their way to work on Monday morning.

Regular visitors to St. Pancras will be used to seeing independent musicians in the popular busking spot but this is the first time an artist has taken up the iconic space. The unique performance precedes the opening of the Affordable Art Fair which launches in the capital this Thursday.

Rosie, who has exhibited widely in the UK, as well as in Europe and the US, donated the £205.40 made during her busking session to the Affordable Art Fair’s chosen charities; Caring for Courage and Keats Community Library.
Rosie comments, “I loved seeing all the surprised looks from people rushing to work when confronted with an artist and a life model busking. Why should busking be limited to musicians? I think my artistic interpretation turned heads and got people talking! I’m looking forward to displaying my work at the Affordable Art Fair and delighted to have raised so much money for worthy causes whilst having such fun.”

Nicky Wheeler, MD of the Affordable Art Fair UK said “We decided to bring the excitement of the Affordable Art Fair to the streets of London and remind the capital that creativity is all around us every day. Rosie brightened up a grey and rainy morning for commuters and we hope she has inspired a few people to pick up a paintbrush or start up an art collection of their own as a result.”

Rosie will be one of hundreds of artists whose work will be on sale to the public at the upcoming Affordable Art Fair, taking place in Battersea Park (25-28 October) and Hampstead Heath (1-4 November).

Storm Watches AW12

My first ever watch was by Storm, and I have been a fan ever since. There AW12 collection has some interesting, stunning pieces. They also have some beautiful jewellery, a personal favourite is the Storm Allegra Jewelery Collection, they have an original and quirky musical note in a cube. The collection is available in silver and gold.

Vogue On Designers | Book Review

VOGUE ON

Elsa Schiaparelli, Coco Chanel, Christian Dior, and Alexander McQueen

Out Now, £15 each, hardback

 

 Sometimes I love my job, and the opportunity to review these books was one of those times. These books are as beautiful, elegant and enjoyable as the designers the books are about. I love the layout of the books and each one has great quotes from the designer.

Vogue on: Coco Chanel, by Bronwyn Cosgrave. Vogue on Chanel may be a short book but it is incredibly comprehensive. The book is full of pictures and quotes. It is hard to read the story of Coco Chanel’s life and not be inspired by what an amazing business women she was. To Vogue’s credit it does not brush over the rumours about Nazi collaboration (Chanel had an affair with a German officer during World War II) and the book is well-researched and beautifully written. The Vogue archive pictures are to-die-for and I learnt a lot from reading this book. Coco Chanel managed to leave her mark, not just fashion, but also the world. An excellent businesswomen she built an entire empire by creating a signature look.

Coco Chanel’s private life was as interesting as her business. She dated the Duke of Westminster and traveled in high society. She was backed by Kitty De Rothschild who stated, “I shan’t buy a thing without showing her. That child’s got more taste than the rest put together.” After this stamp of approval the elite of the day bought her clothes in droves, and still do.

I loved this book. It is a triumph for Bronwyn Cosgrave. A perfect gift for Christmas and beyond.

 

Vogue on: Alexander McQueen,  by Chloe Fox. This book is different from the others as I actually remember Alexander McQueen, and was very upset when he tragically took his own life. He is the most modern of the fashion designers and I remember some of the collections. For 15 years the mouthy, East-End, working-class boy-did-good, McQueen was deliberately controversial.

Talented beyond belief, McQueen was also arrogant, likable and visionary. He knew how to be quotable and work the press as much as he knew how to design beautiful, wearable clothes. This book has a ting of sadness as both McQueen and Isabella Blow committed suicide. Blow had ovarian cancer and McQueen killed himself not long after Blow, and then his mother died

McQueen’s label lasts and the mantle has been handed to Sarah Burton, who designed the wedding dress of Kate Middleton. Burton talks fondly of her former boss in this book.Burton says, “He was my inspiration everyday. Everything I know, I learnt from him.”  In fact, the book has access to all of the main players in McQueens life. A must have for fashion lovers and McQueen fans.

In this book Plum Sykes says, “The fact was, Alexander created a new silhouette for a generation. When you look back at the history of fashion, the only designers with any longevity – from Balenciaga to Dior to Yves Saint Laurent – are the ones who created their own iconic shape.” This quote is what you learn from Vogue’s series of books on designers: they all created their own shape.I really hope there will be more books in this series.

 

Vogue on: Christian Dior, by Charlotte Sinclair. Dior was such a visionary that he completely changed how women dressed. The ‘New Look’ he invented stunned the fashion world and had a cataclysmic effect. The truth is, Dior did more than create a look, he created a revolution. When Dior showcased his new range so many people would come that even the staircases would be filled. There is a wonderful picture of Marlene Dietrich in this book, clutching her ticket as a child would hang onto candy. This book, and indeed all of the others, is not just a book on fashion, but a book on history. Vogue on Christian Dior is a fascinating read, I could barely put it down. I could also stare at the pictures for hours.

All of Diors couture clients had their own mannequin that was made to their own measurements. Upon reading this I rather longed to be incredibly rich and that Christian Dior was still alive, as it sounded so romantic and wonderful. One of the reasons Dior was so successful was because he gave women what they wanted. “I brought back the neglected art of people pleasing.” He said.

Of course, all of the designers these books are about are dead now. An era ended. Even Alexander McQueen, sadly gone too soon. I hope Vogue do more books in this series. Yves Saint Laurent would be an obvious, and much deserved, subject.

Vogue on: Elsa Schiaparelli, by Judith Watt. Like the rest of the books in the series, Vogue on Elsa Schiaparelli is well illustrated, picture perfect and wonderfully written. Schiaparelli may not be as well known to the wider public as the other designers but she remains influential.

Schiaparelli was also a rare thing, even today: a female fashion designer. She had a lasting rivalry with Coco Chanel who was dismissive of her. Schiaparelli was born into high society but lost all of her money after her husband spent her dowry and then left her and her young daughter. She went to work and managed to open her own label. She said: ‘Poverty forced me to work, Paris gave me a liking for it.” Schiaparelli  not only managed to design her own “look”, she also made designs for different types of women, no matter what their body shape or personality. She was also an artist, collaborating with Salvador Dali and Man Ray,

This book is a brilliant story of flair, tenaciousness and perseverance. A wonderful book.

“Life on the dotted line was of no possible interest.” Elsa Schiaparelli

 

Vogue On is an influential and covetable series of short books from the fashion bible Vogue, celebrating the defining fashion designers of the last century.  The first four books in the series illuminate the significance of Elsa Schiaparelli, Coco Chanel, Christian Dior and Alexander McQueen, each pioneers of their time, and draw extensively on the Vogue archive, the definition of portraiture and fashion illustration. 

 

Alexandra Shulman, Editor of British Vogue, comments “Vogue On offers an authoritative overview of the work of the 20th century’s most influential designers. Unique access to the treasures of the Vogue library combined with concise, elegant and informed writing ensures that this series is an unmissable addition to any student or enthusiast of fashion’s library.”

 

Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. No magazine is better positioned to present a library on the most influential fashion designers of the modern age.

 


 

 

A spectacular party in Paris launched the AdR at H&M Collection

Yesterday night, at the peak of Paris fashion week, an extravagant party launched the AdR at H&M collection with theatrical flair. Hosted by H&M together with fashion icon Anna Dello Russo, the Paradis Ball took place in Paris famed cabaret nightclub Paradis Latin. The glitzy party married fashion, performance and a live showcase by music star Azealia Banks. Friends and fashionistas, including Olivier Theyskens, Rachel Zoe, Jefferson Hack, Poppy Delevingne, Peter Dundas and super models Karlie Kloss, Constance Jablonski, Liya Kebede and Isabeli Fontana gathered to celebrate.

Staying true to AdR’s belief that fashion is something that makes you dream, the eccentric party was the perfect backdrop to present the unabashedly glamorous, playful line of jewelry, shoes and accessories that Anna Dello Russo designed for H&M, which will be on sale from October 4, 2012, in 140 stores worldwide and online.

“We wanted to give the guests an unforgettable experience: an ever-evolving night that started on the red carpet and ended on the dancefloor. We created an amusing cabaret show that, while being pure Parisian entertainment, could also function as a metaphor of the carousel of fashion. There was a vogueing performance, too, and I had an army of mini AdR around me, wearing the collection, just for the sake of something unexpected. Excess for me means success”, says Anna Dello Russo.

“It is great to bring eccentricity to a wider public, and that’s what H&M is doing with this collaboration. It was truly a fun night”, says Caroline de Maigret.

“People love Anna: she is fearless, she loves the stage and she is a great communicator. Anna is totally pop: Andy Warhol would have loved her, I am sure”, says Giovanna Battaglia.

“The Paradis Ball was the perfect way to launch a collection that is all about fantasy and decoration. It was eye-catching, with an optimistic injection of energy that I found particularly inspiring. We hope that our customers are excited about the launch”, says Margareta van den Bosch, Creative Advisor at H&M.

Yasmin Müller, Copia : Modern disbelief

Yasmin Müller

Copia : Modern disbelief

Exhibition dates: 5th October – 10th November, 2012
Opening hours: Tue – Fri 11-6, Sat 11-3 or by appointment

Maria Stenfors is proud to present ‘Copia: Modern disbelief’, Yasmin Müller’s second solo presentation at the gallery. The installation is embodied in the title word copia, meaning a mass, copiousness, and also a wealth of knowledge and ideas.

Like an expanse of open ocean, constantly shifting in shape and unquantifiable, multiple abstract light patterns fill the volume of the room, continuously moving focus from artwork to room. A confusing and disorientating space, that is darkened and unknown, illuminated in passing moments. These light shapes create an endless moving mass, a copious pattern that conducts the perception.

Central in the space are two geometrically shaped sculptures, erected like columns. These columns and piercings of light are Müller’s reconfiguration of razzle dazzle, a pattern created by Norman Wilkinson and utilised by 20th century warfare engineering. Designed not so much to camouflage but to disorientate, it blurs the perception of depth, contour and edge. it doesn’t hide, but is more of a visual disruption, making it impossible to estimate size and shape.

Placed throughout the installation are objects of pictorial chaos plucked from the everyday images of modern life and cultural trends, copies of copies, an evolution of the original, and all framed and constrained by hard minimalist shapes: exquisitely angled diamonds and sharp edged lightboxes. Familiar patterns merge with common place fashion styles confined by geometrically perfect dimensions, as seen in the clothing of the figurative lightbox images, and visual emblems like the parrot, featured on multiple canvases, each copy being an evolution, a mutation of the former, allowing the copy to perhaps stand stronger than the original.

Yasmin Muller was born in 1977, studied at the Staatliche Akademie der bildenden Künste Karlsruhe, and lives and works in Berlin.

Maria Stenfors, Unit 10, 21 Wren Street, London WC1 0HF