Midnight in Paris – Review

It’s hard to go into a film fresh, viewing it as a single work, as opposed to comparing it to similar films or previous films from the creator. Especially when it comes to Woody Allen.

 

He is a writer/director who has had, in many critics’ eyes, a very specific golden age. There’s been many calls of a ‘return to form’, but these are often followed up by huge flops.

 

Sweet and Lowdown was followed by Small Time Crooks, Match Point by Scoop and Casandra’s Dream, Vicky Cristina Barcelona by Whatever Works.

 

Everyone wants to see him hit his heights again, and so are constantly comparing his recent output to early greats like Annie Hall and Manhattan. However, this is unfair to Allen, and it’s a point he makes well in his most recent ‘return to form’.

 

While many could see Midnight in Paris as a love letter to a bygone era, it can also been seen as a dig at critics who are always looking for something greater in the past.

 

After all, it’s about a screenwriter who has been successful in the Hollywood system but who is trying to break out in writing something real, a true work of art, his great American novel.

 

Allen has been doing this his whole career – yet he’s been trapped by mainstream success. Even in Annie Hall, Alfie suffered a similar problem.

 

Like the critics who endlessly long for the days of Hannah and her Sisters, Owen Wilson’s Gil longs for Paris in the 1920’s. And, through one of the most simple time travel devices ever, he manages to find it.

 

Hemingway, the Fitzgerald’s, Dali, Picasso and many more all happen to be holidays in Paris and Gil takes a tour of his dream world with the greatest hosts he could imagine. However, it’s when he meets Marion Cotillard’s ‘art groupy’ that things start to get real for him.

 

Not only does she highlight the problems he’s facing with his soon-to-be wife in the real world, she, too, also longs for a different era, declaring Paris in the 20’s to be boring.

 

As a movie, it’s the most fun Allen has been in a while. While not really touching upon some of the bigger issues Allen has handled in the past, it doesn’t matter as its so funny, charming, and beautifully shot.

The Avengers (2012) trailer

There hasn’t been a movie so massive in anticipation and scale since The Dark Knight back in 2008. Now Marvel has completed on introducing our main characters; Captain America, Iron Man and Thor, it’s time for the inevitable team-up that has been teasing us with each end-credits scene. On October 11th, we finally get an official teaser trailer of The Avengers.

The trailer shows us that Tom Hiddleston’s Loki will be the film’s main antagonist, but his motives are unclear (world domination or simply causing chaos?). We also get a glimpse of Captain America’s and Thor’s new costume change (not to mention Thor’s hair extension). Each giving witty comebacks, such as Steve Rogers saying;

Steve Rogers: Big man in a suit of armour. Take that away, what are you?
Tony Stark: Er a genius, billionaire playboy and philanthropist.

This is all to be expected from writer/director Joss Whedon, whose previous works are Angel, Buffy the Vampire Slayer and Firefly (we’ll just ignore he wrote Alien Resurrection).

From the look of this teaser, it really does show Loki to be more an intimidating villain than he was in Thor. Then we also get to see Jeremy Renner as Hawkeye in action and can’t not have shots of Scarlett Johansson as Black Widow doing what she knows best. Although we see both Captain America and Thor battling it out in a forest?

It gives a sigh of relief that Joss Whedon does know what he’s doing and does seem to deliver the spectacle but also great characterisation. Though he’s got some strong competition against Christopher Nolan and Warner Bros./DC Comics with The Dark Knight Rises. All will be revealed when the film is released on 4th May, 2012.

Official website; http://marvel.com/movies/movie/152/marvels_the_avengers?fullscreen=1

The Avengers teaser trailer on Apple iTunes; http://trailers.apple.com/trailers/marvel/avengers/

Ms Dynamite, Charlie Simpson joined young unemployed from across the UK in a ‘Walk for Work’

Ms Dynamite and Charlie Simpson joined young unemployed from across the UK in a ‘Walk for Work’ to Westminster to raise awareness about the million UK young people out of work

Musicians Ms Dynamite and Charlie Simpson joined a congregation of young unemployed people from across the UK outside a Job Centre in central London, to take part in the ‘Walk for Work’ – a walk to Westminster to raise awareness about the million young people out of work in the UK, the highest number since records began.

At their head was Joseph Hayat, 18, from Lincoln and Hafsah Ali, 17, from Leicester who have been running a campaign as part of T4’s flagship youth campaigns show, Battlefront.

Joseph said: “The ‘Walk for Work’ is all about making a big noise and making sure the government continues to focus on youth unemployment and it’s another way to get employers to notice young people and all our amazing talents. We’re so thankful that Ms Dynamite came to join us today to help raise awareness!”

Dressed ‘ready for work’ in identical outfits of a bowler hat, smart suit and briefcase, the young unemployed, Ms Dynamite and Charlie Simpson walked side-by-side as a rigid cohort, starting from the Job Centre in Denmark Street to Parliament.

The walk culminated at Old Palace Yard, a historic site of protest opposite the Houses of Parliament, where the young people got into formation and held up huge numbers to reveal: 973,000 young people unemployed. The youngsters then took off their top halves of their outfits to reveal a ‘uniform of the unemployed’ – a ‘Ready for Work’ T-shirt that Joseph and Hafsah designed to help show young people are eager for employment.

The campaign message was simple: Young people are ready for work. They are not Neets (Not in Employment, Education or Training,) but Beets, (Brilliant, Enthusiastic, and Eager To Start!)

Joseph and Hafsah’s Ready for Work campaign for Battlefront will be broadcast on Channel 4 on 27th November 2011. For more information, please visit: http://www.battlefront.co.uk/

Men as clueless as women when it comes to car maintenance

Women have always relied on good old dad or their other half to fix their cars, but new research by Unipart Automotive has revealed that four in ten men are as clueless as women when it comes to car maintenance.

The poll revealed that half of women have always avoided garages to resolve any car problems as they felt intimidated because of their lack of car knowledge. A further three quarters felt at risk of getting ripped-off by mechanics who blinded them with jargon.

But research reveals millions of men feel exactly the same and also feel susceptible to being conned as their understanding of cars is so poor.

It emerged that after popping the bonnet millions of men struggle to identify where the screen wash is located, how to check the oil and change a light bulb.

Staggeringly some men couldn’t get that far – as the study found 19 per cent don’t know how to release the bonnet on their car, and this is something my friend with an Infiniti can confirm (Infiniti G37’s are known for their reliability but are very hard to tune when they do break down).

Unipart Automotive, which polled 2000 men and women in conjunction with National Car Care Week, found one in five women could competently change a tyre and three quarters of females could check their oil.

But a third of men who completed the poll also wouldn’t know where their jack was or how to top up the car with water.

They also fail to fathom how to correctly check the tyre pressure, change a wheel and replace windscreen wipers.

It also emerged that one in ten men never bother to get their car serviced or get their vehicle check online and a further 12 per cent only get their car serviced when they can afford to.

Two in five respondents said an MOT and servicing was the same thing.

One in ten men said the first thing they would do if they broke down was to ring their wife, 13 per cent said they would panic and 16 per cent said they would ring their dad for help.

Stuart Sims, general manager, marketing services for Unipart Automotive, says: “These results are worrying as they suggest many drivers are not checking the roadworthiness of their vehicle. The more advanced cars have become the less adept consumers have been at maintaining them.

‘’Modern vehicles are computerised and many motorists don’t tend to tinker with their cars like they did say twenty or thirty years ago.

‘’Having said that, every car has an engine, brakes and tyres so there are plenty of simple checks that need to be carried out to ensure cars are safe and run efficiently.

‘’It’s important both men and women know the basics when it comes to their cars and keep on top of regular servicing and repairs.’’

More than a third of men (36 per cent) and half of women say they never give their car the ‘once over’ claiming they’re too busy, totally inept or the car is new so it doesn’t need it.

Alarmingly 16 per cent of men have driven a car whilst knowing it had bald tyres, compared to only one in ten women.

A third of both sexes regularly drive with no screen wash and one in ten men have even driven their car knowing the brakes were in poor condition.

It’s not surprising then that four in ten men admit to being lazy when it comes to caring for their car.

Although half of men said they were better at dealing with car trouble than women.

It’s no wonder when 20 per cent of women who took part in the study said that they refuse to fill their car up with petrol and insist their other half does it.

Four in ten men that were questioned during the study said they would much rather pay someone to take care of their car than do it themselves.

Tim Ferris, Unipart Car Care Centre Panel chairman says: ‘’It’s alarming that so many motorists, regardless of whether they’re male or female, are not carrying out any checks themselves and combining this with no servicing.

‘’Cars need to be serviced regularly and in accordance with the vehicle manufacturer’s schedule to ensure that the vehicle is running safely.

‘’Car servicing is something that needs to be included in the household budget and should be considered as much of a necessity as paying the gas or electric bills. An independent garage such as a Unipart Car Care Centre can be significantly cheaper than a franchised dealer, saving motorists a considerable amount of money and making an annual service affordable.

“A local, friendly, independent garage that is trustworthy and reliable is really important to instill confidence in the motorist, especially women drivers who have a greater fear of being ripped off than men.

“Another advantage of a good quality independent garage network is that the vehicle’s warranty isn’t invalidated if the motorist doesn’t go back to the franchised dealer from which the car was bought.

Furthermore, Unipart Car Care Centres offer the only nationwide guarantee in the country on both parts plus the labour it takes to fit them.”

The study found that two thirds of women said they had no idea what servicing entailed and so did 52 per cent of men.

TASKS BRITS COULD COMPETENTLY CARRY OUT

Female Male

Release the bonnet 84.33% 81.83%
Find the dipstick 72.71% 73.62%
Check the oil 72.87% 75.24%
Change the oil 15.83% 38.36%
Locate the jack 47.89% 67.03%
Locate the spare wheel 65.55% 68.24%
Change a tyre 21.08% 56.39%
Top up screen wash 68.66% 70.39%
Top up air in tyres 56.25% 67.70%
Recharge your battery 16.31% 44.41%
Topping up with water 57.84% 64.87%
Replace a bulb 17.66% 48.18%
Check your headlights are working 59.90% 64.47%
Replace your windscreen wipers 26.41% 51.01%
Check the engine coolant 22.99% 47.51%
Check your brake fluid levels 17.10% 42.26%
Check your shock absorbers 3.98% 19.92%
Check your brakes 16.15% 29.21%

Raindance Award Winners Announced

There was a 62% Rise in Attendance for the 19th Raindance Film Festival

Some of the winners this yeat included British Indie Stranger Things (Best UK Feature), Croatian/Serbian/Slovenian co-production Just Between Us (Best International Feature), Bulgaria’s Tilt (Best Debut Feature) and Italian
short Reset (Film of the Festival) Raindance Film Festival Awards. The prestigious jury, which included actor Dexter Fletcher, director Gillies Mackinnon, and TV/radio presenter Alex Zane, selected winners in the eight awards
categories.

“There were some outstanding films across the whole line-up so selecting winners was especially
difficult this year,” said Elliot Grove, Festival Director. “This has been a really successful festival – from the heart of London’s West End we’ve screened over 200 features and shorts at the state-of-the art

Apollo Cinema, Piccadilly. Attendance was up by a staggering 62% on last year proving that the
appetite for independent film is thriving.”

The winners were announced on Saturday night (8th October) at the festival venue, the Apollo Cinema,

Piccadilly Circus. The 19th Raindance Film Festival, which started on 28th September and wrapped on 9th October, brought 94 UK feature film premieres and 137 shorts to London, cementing Raindance’s position as Europe’s leading independent film festival.

The other winners were How To Start A Revolution (Best Documentary), the UK’s Monk3ys (Best
Microbudget Feature), Denmark’s Words (Best International Short), and Love At First Sight (Best UK Short). The winning team behind Reset (Film of the Festival) will be offered the chance to film next year’s Raindance Film Festival trailer, with the support of the Independent Film Trust.

Festival Jury
The jury comprised Sally Bibawy of photography company Lomography, actor Dexter Fletcher (Lock,
Stock and Two Smoking Barrels), Director Gillies MacKinnon (Hideous Kinky), Julian Richards,
filmmaker and co-founder of Jinga Films, Oli Harbottle from Dogwoof, CŽline Masset, co-founder and artistic Director of the Brussels Short Film Festival, actress Helen McCrory (The Queen, Harry Potter films), Wendy Mitchell, Head of News at Screen International, and radio/TV presenter and film critic Alex Zane.

Festival Awards – nominated films with winners indicated

Best International Feature

Just Between Us / Rajko Grlic – Croatia/Serbia/Slovenia WINNER
No Return / Miguel Cohan – Spain / Argentina
After Fall, Winter/ Eric Schaeffer – USA
Youth H2 “Come As You Are” / Kota Yoshida – Japan
War Games / Cosimo Alemˆ – Italy

Best UK Feature
Stranger Things / Eleanor Burke/Ron Eyal – UK WINNER
Acts Of Godfrey / Johnny Daukes – UK
A Thousand Kisses Deep / Dana Lustig – UK
Flutter / Giles Borg – UK
Hollow/ Michael Axelgaard – UK
Seamonsters / Julian Kerridge – UK

Best Debut
Tilt / Viktor Chouchkov Jr. – Bulgaria WINNER
Synchronicity / Joe Tanaka – Japan
Exteriors / Marie Kristiansen – Norway
On The Way Home / Emiliano Corapi – Italy
Restive/ Jeremiah Jones – USA

Best Microbudget Feature

MONK3YS / Drew Cullingham – UK WINNER
Julius Caesar / Adam Lee Hamilton & John Montegrande – UK
Uspomene 677 / Mirko Pincelli – Bosnia Herzegovina / UK
Meso Cafe / Ja’far ‘Abd al-Hamid – UK
Black Pond / Tom Kingsley & Will Sharpe – UK

Best Documentary

How to Start A Revolution / Ruaridh Arrow – UK WINNER
White Button / Igor Stoimenov – Serbia
The Echo Of Astro Boy’s Footsteps / Masanori Tominaga – Japan
Where My Heart Beats / Khazar Fatemi – Sweden
Heaven + Earth + Joe Davis / Peter Sasowsky – USA

Best International Short

Words / Sven Vinge – Denmark WINNER
The Lady Paranorma / Vincent Marcone – Canada
Martyr Friday / Abu Bakr Shawky – Egypt
Zoltan- The Hungarian Gangster of Love / Justin Reardon – USA
Hemingway’s Pen / Renzo Carbonera – Italy

Best UK Short
Love At First Sight / Michael Davies – UK WINNER
This Side of the Afterlife / Adam Horton – England
God View / Billy Lumby – UK
The Girl Is Mime / Tim Bunn – UK
Rough Skin / Cathy Brady – UK

Film of the Festival (Short)

The winner is offered the chance to film next year’s Raindance Film Festival trailer, with the support of the Independent Film Trust:

Reset / Nicolangelo Gelormini – Italy

The Raindance Film Festival runs from 28 Sept – 9 Oct at the Apollo Cinema in London’s Piccadilly Circus, with the Opening Night premiere of Another Earth at Cineworld Haymarket on 28 Sept.

Now in its 19th year, Raindance Film Festival is Europe’s leading Independent Film Festival showcasing feature films, shorts and docs from around the world and specialising in independent films and directorial debuts.

The festival has a strong legacy of showing alternative, edgy films. Since 1993 Raindance Film Festival has uncovered the hottest new filmmakers to hit the cinematic scene. Raindance-premiered hits include Pulp Fiction, Memento,
the Blair Witch Project, Ghost World and Love Exposure.

www.raindance.co.uk

19th Raindance Film Festival Highlights

After Fall, Winter is a sexy love story about a French dominatrix who falls in love with a New York writer in Paris. It is directed by Eric Schaeffer and has the talented Rebecca Jameson in a smaller role. Well worth a watch.

Some of my favourite films that I saw at the Raindance Film Festival were short films.

Death of A Pop Star was an impressive short about A personal physician and the characters in the home of an ailing celebrity. 

Dying Everyday was a wonderful slice of life short from Spain, a short that managed to entertain the audience despite the fact not much happened.

Gin & Dry is a booze heist film set in an old people’s home at Christmas, Oscar Plewes short is funny and entertaining.

Ketchup was a very good film with a tragic ending.

Russell Harbaugh’s Rolling on The Floor Laughing is a high end short film about two grown sons who return home for their widowed mother’s birthday, only to find themselves competing with her new boyfriend for her attention. A well made film that’s worth watching.

Jeremy Craig’s Terrebonne is a visually stunning film. The lead actress is Jessica Heap is a beautiful actress destined to be a movie star.

The Potential Wives of Norman Mao and Exit were also good short films.

I went to the UK Premiere of Bonsai, directed by Cristian Jimenez. The film is from Chile and I thought it was brilliant. Cristian couldn’t be there but filmed an introduction for the film. It tells the story of young writer, Julio, who turns to the romance he had 8 years earlier with the beautiful Emilia when both were studying literature in Valdivia when he gets dropped from writing for a famous author because his asking price is too high. We’re told from the beginning that Emilia dies and Julio remains alone, but don’t let that put you off. It is a wonderful, sensual film. Catch it if you can.

After Bonsai was the closing night gala after party, I bump into Rory O’Donnell and I met some other talented people. I didn’t get home to 2am, can’t wait until next year.

One To Watch: Leoni Kibbey

On Wednesday 5th of October I attended Short Film Premieres. A premiere of five short films at BAFTA; In the Can, Taken, Ellie, The Unknown and Bird Brain. The short films were well-acted, well-written, well-directed with very high production values.

 

All of the films had a running theme: Leoni Kibbey, she either acted, produced, wrote or cast them. She’s a one women film industry. She is Frost’s One To Watch this month not only because she is talented – the world is full of talented people who do nothing- but because she takes that talent and does something with it, she is one of the hardest working people I know, and she is a working mother! Frost also got a thank you on the Bird Brain credits – which proves Leoni is a classy lady.

 

I previously worked with Leoni on Love Tourettes, a comedy web series I am part of and Frost interviewed her last year. http://frostmagazine.com/archives/688

 

Check out Leoni’s IMDB http://www.imdb.com/name/nm3156365/

The Cursed Crusade – Game Review

 

Take a dark period of thirteenth century history, mix in generously some supernatural elements, now whisk in some of that ‘buddy genre type thing’ and turn up the combat engine to about 89 degrees centigrade. Now pop in the oven with some decent cut scenes. Add a sprinkling of Darksiders, a dessertspoon of Dantes Inferno, a gallon of blood.

What do you get?

 

A dish that looks good, tastes good, but ultimately could have stayed in the oven just that little bit longer.

 

The dish in question is none other than The Cursed Crusade, the latest game from French seasoned PC Games developer Kylotonn Entertainment. A game, I might add that has had so many delays that not even ‘Game’ knew when it was coming out. It also sports the now familiar ‘reduced’ price tag of £32. Make of that what you want, the reality is The Cursed Crusade is nowhere near a bad title, it’s just not a great one and it could do with more, a little bit of a lot more refining.

 

Young Templar Knight Denz de Bayle is the hero of the piece. His dad has gone missing, his family’s land seized and his mother killed. All knights of the crusade have committed unspeakable acts, but those who have carried out true evil atrocities find that they are befallen with a curse. A curse that will follow their bloodline and damn their souls to hell. Denz is heir to this curse; what’s more, Death wants him and will stop at nothing to take him personally to the hot house.

 

So begins the story. Denz de Bayle is a more than capable fighter but like many tales of this genre like Ghost Rider he can use this curse to his advantage. He can switch between this world and the cursed parallax of hell almost at will. Think Constantine but with horns and glowing eyes and screams. In the hell world he is stronger, can move faster, attack quicker and has access to more power and more areas but it comes at a price – energy and then health, not to mention also providing death with easy access to your soul and he cannot be stopped.

 

Denz is joined on his generic quest by Esteban Noviembre, a wise-cracking Spaniard, tried, tested and formulaic. Esteban has the curse as well so together they form a partnership and it is their camaraderie that flows throughout the game.

 

Combat is what this game is all about. If you look at other games of this genre it is really hard to escape the ‘old chestnut’ of repetitive gameplay. However The Cursed Crusade gets around this with a deep enough combat system. Thanks to the directional controller you can carry a combination of swords, axes, shields, double handed swords, maces, with either one in each hand or, if the weapon is big enough just one. Blocking, parrying and dodging is built around timings of button presses with enemies flashing a certain colour if they are about to attack. Points are awarded at the end of every stage which you can use to build up your combos and finishers to make you even more of a formidable fighter.

 

The scenarios themselves never vary too much from the reliable old staple diet of ‘go here’ ‘do this’ ‘meet this person’ ‘fight that person’ but the nature of the storyline and their friendship is strong enough to carry it through. More often than not the enemy just runs towards you and then take it in turns swinging their swords in your direction and at first you don’t need to think about your parries and protecting your self. But later when preserving your health is a requisite to survival you find yourself drawing on all your skills and Death really doesn’t give a damn how he gets you so hopping in and out of hell to get a one up on your foes is not always the answer.

 

Did I mention the game is bloody? Well be warned, true to its historical origins heads roll, maces can be used on either side to flatten a head to a pulp, axes chop people in two. I like the way the game developers opted to define each and every limb so that you can remove each one from the torso with deadly blows each one splattering blood on impact.

 

All of this sounds pretty good and indeed like the first mouthful of Diet Coke it actually tastes really good. I found myself drawn into this game quite quickly; rapidly building combos and cutting swathes through my opponents learning new skills all the time. However there were a few things that the game can’t shake.

 

Firstly the camera angle is dreadful. Why oh why did they opt for a floating camera when it would not know its way through a paper bag? Even with the right analogue stick being used as a last resort to control it gets stuck behind trees, buildings and walls. In the early stages this is not so much a problem but later, when you have tough enemies you cannot do anything other than block and watch as your life is ebbed away by an enemy who will tag team you into oblivion.

 

Secondly there is a real lack of direction, there are a few times where it really is not clear what to do or where to go. You spend ages aimlessly running around when if they had incorporated it into the ‘hell self’ or even done as LA Noire did where you could ask your partner for guidance the game would have flowed better.

 

Finally the game tends to sporadically save at the end of the level which means that if you die; even at the end of a stage you have to do the whole thing again and this includes the cut-scenes of which; take it from me, there are many. Just incase you are thinking to yourself – hey I have done Demon Souls and there is no way this game can be tougher than that, then hats off to you and you are right; this game isn’t tougher but the enemy tends to infrequently jump in difficulty and with the camera angles not being as solid you should expect to lose lives.

 

My Verdict

 

With a thrilling action packed story not to mention blood guts and gore and a reduced price tag The Cursed Crusade is not a bad title at all. However it does suffer from faults that set it back from being a decent enough purchase especially in light of the competition which is going to be huge in the run up to Christmas. It is competent and satisfying enough and no where near a bad title just not a great one. Try before you buy or Wait until the price drops further before you splash your cash.

 

7.5 / 10

 

 

How does this game compare to others in its genre?

 

 

Equal to: Quantum Theory

 

Better than: Wet, LEGO Pirates of the Caribbean: The Video Game, Disney Universe

 

Worse than: Enslaved, Castlevania, El Shaddai: Ascension of the Metatron