Social Fabric Exhibition

Social Fabric Exhibition: 19 January–10 March 2012

 

Iniva (Institute of International Visual Arts) presents Social Fabric exhibition at Rivington Place, in which textiles are used to explore colonial history, international trade, labour and militant politics. In the 19th Century Karl Marx’s account of the cotton industry tracked fifty years of boom and bust and the effects this had on workers in Britain and its colonies (and in particular India). Social Fabric cross references different accounts of textile history, focusing on works by two contemporary artists Sudhir Patwardhan and Alice Creischer, presented alongside extensive range of recent and historical archival material.

 

Alice Creischer’s installation Apparatus for the Osmotic Compensation of the Pressure of Wealth during the Contemplation of Poverty tracks the threads that connect cycles of investment, disinvestment and decline. Inspired by a trip to India, the work looks at the economic and social impact of European colonialism and subsequent globalisation. The craze for Indian Chintz caused protest amongst Spitalfields weavers in 1719 and devastated whole sections of its textile industry. This led to Gandhi’s choice of the spinning wheel as a symbol of decolonisation, and caused Nehru to comment that – ‘the history of cotton and textiles is not only the history of growth of modern industry in India, but in a sense it might be considered the history of India.’

 

Since the mid-1970s, Sudhir Patwardhan has depicted Mumbai and its urban proletariat. His painting Lower Parel (2001) shows ‘Girangaon’ (mill village) the place where the cotton mills that transformed the city’s economy and led to the Indian industrial revolution were located. By the 1970s textiles employed one in three of the city’s workers and sucked in migrants from surrounding regions. New social institutions evolved with forms of cultural expression including street theatre, poetry and music and it was a hub for trade union activity and left politics. This painting depicts the area after the mills closed down in the early 80s, superimposing different urban strata – the defunct factories, new small scale enterprises and high rise luxury apartments, invoking the workers’ struggle to keep the mills going and resist gentrification.

 

These two complex works are examined through an extensive display of archival loans and artist interventions, including Company Paintings, Indian Chintz, original journals from Marx, films, photographs, newspaper articles and recordings of mill workers’ testimonies. A curtain and two support structures, a table and wall unit, have been designed by artist Celine Condorelli to display the archival material.

 

There will also be an extended programme of talks and events running alongside, including a symposium on textiles; and workshops with activist and writer Meena Menon. Social Fabric is curated by Grant Watson, in collaboration with Christine Checinska, Nida Ghouse, Shanay Jhaveri, Nada Raza and Karen Roswell.

 

Social Fabric will tour to Londs Konsthall from 6 April until 27 May.

 

Dates: 19 January – 10 March 2012

Venue: Rivington Place, London, EC2A 3BA

Rivington Place public opening hours:

Tuesday, Wednesday, Friday: 11am – 6pm

Late Thursdays: 11am – 9pm (last admission 8.30pm)

Saturday: 12noon – 6pm

Admission: free

 

www.rivingtonplace.org

 

Tubes: Old Street/Liverpool Street/Shoreditch High St

Rivington Place is fully accessible, for parking & wheelchair facilities call +44 (0)20 7749 1240

 

WEST END STYLE COMES TO HEATHROW



A brand new bar has opened at the Radisson Edwardian Heathrow Hotel, bringing West End style and panache to the UK’s busiest airport.

The designers of Bijou Bar have created a  “jewel” within the 4 star hotel renowned for it’s spacious and luxurious events spaces. The Bijou Bar features opulent silver fabric wall coverings and a mirrored champagne and spirits bar creating an intimate and sophisticated stop-over for both flyers and locals.

“We aren’t like the airport lounge-style open plan bars known around Heathrow” said General Manager Gavin Sanders. “We’re more like a private club; intimate, stylish and with a cool vibe.”

A striking chandelier is the statement piece of the room and is positioned below a multi faceted mirror, which throws shimmering light across the room.

An impressive cocktail list and champagne menu makes the bar a destination for celebrations, after meetings, pre and post flights or just for the sheer enjoyment of relaxation in the most gorgeous room at the airport.

“We’re incredibly excited about the opening of Bijou and the response from guests and the local community has been really positive which makes it all worthwhile.” Mr Sanders continued.

The recent new look at the hotel has extended to dining too with designers having unveiled a brand new style and feel in the Brasserie earlier this year.


Bijou is open from 5pm until 1am Monday-Friday and 8am-1am Saturday and Sunday.  To book a table call 0208 7577 917 or visit www.radissonedwardian.com.

 

 

Golden Globes 2011. George Clooney and Meryl Streep Win.

Ricky Gervais hosted the Golden Globes for the second time, despite his controversial first effort.

However, the Los Angeles Times  says this time Gervais was “surprisingly subdued”. In 2011, Gervais shocked with comments about the Hollywood elite. It lead the Hollywood A-lister to comment on the jokes being “mean-spirited and mildly sinister”.

Gervais said the Globes were to the Oscars what US reality TV star Kim Kardashian was to Kate Middleton – “a bit louder, a bit trashier, a bit drunker and more easily bought, allegedly”.

The Los Angeles Times noted that the British fared well.

Downton Abbey won best TV mini-series and Kate Winslet won for lead actress in a TV mini-series or movie, for Mildred Pierce.

They also said: “When Idris Elba took to the stage to accept the award for lead actor in a miniseries for Luther, one did begin to wonder how many Brits it takes to screw in a Golden Globe.”

 

Meryl Streep also swore in her acceptance speech and looked shocked when she won. A full list of winners is below.

 

MOTION PICTURES
– Picture, Drama: “The Descendants.”
– Picture, Musical or Comedy: “The Artist.”
– Actor, Drama: George Clooney, “The Descendants.”
– Actress, Drama: Meryl Streep, “The Iron Lady.”
– Director: Martin Scorsese, “Hugo.”
– Actor, Musical or Comedy: Jean Dujardin, “The Artist.”
– Actress, Musical or Comedy: Michelle Williams, “My Week With Marilyn.”
– Supporting Actor: Christopher Plummer, “Beginners.”
– Supporting Actress: Octavia Spencer, “The Help.”
– Foreign Language: “A Separation.”
– Animated Film: “The Adventures of Tintin.”
– Screenplay: Woody Allen, “Midnight in Paris.”
– Original Score: Ludovic Bource, “The Artist.”
– Original Song: “Masterpiece” (music and lyrics by Madonna, Julie Frost, Jimmy Harry), “W.E.”

TELEVISION
– Series, Drama: “Homeland,” Showtime.
– Series, Musical or Comedy: “Modern Family,” ABC.
– Actor, Drama: Kelsey Grammer, “Boss.”
– Actress, Drama: Claire Danes, “Homeland.”
– Actress, Musical or Comedy: Laura Dern, “Enlightened.”
– Actor, Musical or Comedy: Matt LeBlanc, “Episodes.”
– Miniseries or Movie: “Downton Abbey (Masterpiece),” PBS.
– Actress, Miniseries or Movie: Kate Winslet, “Mildred Pierce.”
– Actor, Miniseries or Movie: Idris Elba, “Luther.”
– Supporting Actress, Series, Miniseries or Movie: Jessica Lange, “American Horror Story.”
– Supporting Actor, Series, Miniseries or Movie: Peter Dinklage, “Game of Thrones.”

PREVIOUSLY ANNOUNCED
Cecil B. DeMille Lifetime Achievement Award: Morgan Freeman.

Photo: Capital M.

The May Fair Hotel Plays Host To London Fashion Week.

This February will see the illustrious fashion set descend on the capital as London Fashion Week takes hold.  The May Fair Hotel is proud to announce its status as the official hotel of London Fashion Week, for the fifth year running. Last year Frost had lots of fun at the venue learning to walk in high heels.

A hotel located in the heart of the Mayfair village, the May Fair is THE fashion hotel. An ideal location for industry stalwarts to conduct impromptu meetings, host events and off course the ultimate place for those looking for some respite from the relentless round of parties. The hotel has a stunning selection of world- class signature suites in which to showcase collections, fashion brands and more besides. Its plush portfolio of offerings also includes a stunning Penthouse, the Crystal Room, the Danziger Suite, the Quince Salon, plus a private cinema for special event screenings.


For those who feel in need of some reviving spa time, the May Fair Spa has created a number of express treatments to deal with LFW fatigue, in particular The Crystal ‘Face of Fashion’ Massage (30 mins £55), which will leave you feeling fresh-faced and glowing with radiance. For those suffering with tired, aching feet the Fashion Eco Chic Pedicure (50 minutes £65.00) nourishes and softens. Only organic products are used, leaving you revitalised with aromas of peppermint, lavender and geranium.

The London Fashion Week experience continues in to the hotel’s May Fair Bar, where you can sample the latest cocktail creation from the bar’s renowned mixology team – The Show Stopper.

For further information please visit http://www.themayfairhotel.co.uk/fashionweek

The evian® Alpine Experience hits the South Bank

This January sees evian® bring all that is pure from

The Alps to London

 

The evian® Alpine Experience hits the South Bank, London

 

Wednesday 11th to Sunday 15th January

 

www.facebook.com/evianUK


This January evian® is putting a fresh twist on the traditional New Year detox by shipping the positive spirit and tranquillity of its Alpine source to London in the form of a pure Alpine retreat.

With the post-Christmas and January blues setting in, evian® is transporting Londoners from the grimy crowded London cityscape to its pristine Alpine source, leaving them feeling purified and revitalised.

 

evian® is packing all of the best elements from The Alps into one derelict container and shipping it to London so participants can immerse themselves in a one-off pure experience.  Londoners will be able to book in for a slot in the container via the evian® UK Facebook page. Each 45 minute journey is designed to stimulate your five senses – leaving you feeling purified through sight, sound, touch, smell and taste.

 

From bursts of fresh mountain top air and the fragrant scent of an Alpine forest, to the warmth of a cosy log fire with stunning views over The Alps, consumers will be transported to the untouched source of evian® Natural Mineral Water for the ultimate purifying experience.

 

The purifying eating and drinking journey, includes cleansing ‘snow melt’ concoctions and edible purifying creations such as liquid nitrogen nibbles – the grey English Winter never felt further away as enjoy whilst gazing across stunning views of the Alps! All cocktails and canapés have evian® right at the heart – Natural untouched Mineral Water straight from The Alps.

 

From liquid nitrogen infused Alpine Air Crunch Bites designed to cleanse the palette and the body with antioxidants, to a rush of bubbles which burst to release a pure flavour and stimulating aroma, and a refreshing evian® Snow Melt mocktail, consumers will be educated on the health benefits that Natural Mineral Water has for your body.

 

For the first time ever, evian® will open a retreat for consumers with an interactive online twist. Six guests at a time will enter into the space and sit in the luxury surroundings of the cosy wooden Alpine lodge – with the scenery interchangeable by online Facebook polls, with fans able to trigger a snowball fight, send in a troop of lederhosen dancers or even a litter of huskie puppies. All experiences are designed to provide some light relief for consumers, leaving them feeling relaxed and happy, purifying them in unexpected ways.

 

The space is open from 11th to 15th January – the perfect time to purify your body and mind after the indulgences of the festive period.

 

To find out more and to apply for a slot for you and up to five friends go to www.facebook.com/evianUK

 

 

How Much Does Valentine's Really Cost?

Who says romance is dead?

Standard Life’s ‘Your Commitments, Your Future’ report reveals the nation’s true spending on their other half – a clue to what we might expect this Valentine’s Day.

Spend on your partner:
– Each month couples splash out an average of £34 treating each other, with men leading the way, spending £42 compared to women spending just £26
– However, 18-24 year old males spend only £20 a month on their partners on average.  To put this in perspective, 18-24 year old males spend an average of £27 a month on paid for TV subscriptions
– But there is good news; as men get older their generosity increases, with men aged 45-54 spending nearly £50 (£49) on average each month on their partners
– Women are at their most generous when aged 25-34, where they spend an average of £32 a month on their partners

Thinking about your partner
– Men and women devote nearly an hour each day (50 minutes) to thinking about their other half

– 18-24 year old men are the least romantic, thinking about their partners for only 36 minutes a day on average, whereas 18-24 year females spend over 59 minutes on average every day thinking about their partner (this is more than one whole day a month)
– Men over 55 are spending almost an hour (55 minutes) a day thinking about their partners, the highest of any male age group, while women spend the most time thinking of their partners when they are 18-24
– Nearly a quarter of people think that if they spent as much time thinking about their finances as they do on their emotional relationships then their finances would be in far better shape.

John Lawson, Personal Finance Expert at Standard Life said: “Despite the tough economic climate, it’s good to know we are still able to spoil the most important people in our lives. We devote a lot more to time thinking about our loved ones than we do to our finances, but it’s worth remembering that planning our future finances plays a key role in our relationships.  Whether it’s starting a family, a home in the sun, a romantic break or a financially secure retirement, budgeting and planning ahead is essential to a happy life. And with the end of the tax year looming, it’s a great time to sit down with your partner and think about how your finances can help you enjoy your life together.”  

To help people better understand their financial and emotional commitments, Standard Life has published knowyourcommitments.co.uk with an interactive tool and thoughts on financially preparing for the future. Further help with financial planning is also available at yourfuturemoney.co.uk

 

 

Vivienne Westwood's 'Frozen Planet' Collection

 Autumn – Winter 2012/13

 

Our collection is in support of David Attenborough’s documentary series ‘The Frozen Planet’, which will go to America but unfortunately without the final episode where he explains that we humans are responsible for the ice melt. So we took the polar explorers as our heroes and we love polar bears. Barack Obama never mentions the words climate change.

If our leaders would admit the fact of climate change and conduct their politics from that perspective then we might have a chance – we have 10 years at the most to stop it.

 

How impossible it is for us to imagine ourselves victims of disaster.  We suffer for the poor people who were thrown into the sea from their cruise ship off the coast of Tuscany, some losing their lives.  Imagine a world of accelerating natural disasters, one after the other so that nobody can help anyone else.

 

Public opinion is the only thing that will save us.

 

 

GreenUp! Europe Campaign

 

I was approached by the United Nation Environmental Programme to design a t-shirt for their GreenUp! campaign – when you start doing things you find people come to you. They’re starting with a terrific idea which is to plant corridors of trees to link Europe’s forests. This new initiative is about triggering new habits for a greener Europe and for greener economies.  I have created a design for UNEP in support of the project.  It’s a really practical idea and it raises public awareness – it’s great for the environment, great for people, great for animals.

 

My design has been printed on a t-shirt provided by sustainable manufacturers, ANVIL. The ‘Tree-shirts’ will be sold exclusively through YOOX.com on a worldwide level and in our Milan shop during menswear fashion week with all proceeds to be donated to the GreenUp! fund, helping to re-plant trees in Europe’s worst affected regions.

 

 

For more information on the project please visit www.unep.org

 

I am NOT Jeremy Clarkson

I’m not Jeremy Clarkson. Let me make that absolutely clear. In fact I care not one bit for pretty much everything he says and does and his attitude, which can be summed up as, “Shut the fuck up, hippie, I’m talking,” makes me wish I was a short, black lesbian working-class aristocratic motorphobe, just to be as unlike him as possible.
I have gone to great pains to make the above distinction because I’m about to write some things that might, on the surface, look like they were written by the planet-murdering controversy whore himself- or Jeremy Kyle. And, just to keep an unexpected ‘Jeremy’ theme running a little longer, I suspect I shall become as popular as Beadle in his wilderness years and look as big a dick as Ron’s by the end of this blog, but I just have to do it.
I don’t have a job. Up until now it has been by choice because I’ve been trying to make it as a writer, but my dear wife will no longer be able to pay the bills in a few weeks when her contract ends so it falls to me to take the reins and get off my frigging backside. I am job hunting.
I’ve only signed on once in my life. It was in my late teens when I left film school and was trying to find funding. Apart from that, I’ve always worked when I had to find money and even though I don’t want to wear my pride like superman’s cape, I’m proud that I have a work ethic that stops me from signing on now.
I’m working class. Not because my family have always been skint or because I’m from the grim north, but because I am from a class of people who believe in work. In paying their way. In doing the right thing so that those who, through no fault of their own, can’t, get whatever help they need until they can.
It’s not just that though. I genuinely believe that benefits are essential for people unable to provide for themselves and their families and that’s not me. It’s single parents, people caught out by redundancy or disability, or anyone who just can’t get work in spite of their best efforts and has bills to pay and a life to live. These are the people who should be looked after by those of us able to work- that’s the principle behind the welfare system and I think it’s a marvelous thing.
That’s why I get so upset when people abuse it.
When I see some twat on Jeremy Kyle (him again) with a face tattoo that will almost certainly stop him getting his first ever job outside a cave or the London Dungeon, it riles me. When I then work out that, if he’s never had a job, the several hundred pounds that his ‘personal statement’ cost has come from tax payers money I start to froth at the mouth.
“WE!” shouts the man who hasn’t had any paid work for over a year, “have been handing you money to help you get by until you find a job and start chipping in to help others, and you spend it on something that guarantees you never will!”
That’s theft. Isn’t it? Surely if someone takes money that is given in good faith and pisses it up the wall on tattoos, facial piercings or anything else that makes him, or her, unemployable in real terms, it’s theft. the only other explanation is that he paid for it from some other source of income- which he shouldn’t be earning if he’s claiming benefits.
And before anyone says it. Fuck his freedom of expression, fuck his personal liberties, and fuck his right to do whatever he likes to his own body. If he was funding himself he could have more ink than Squidopollis and pierce himself with a Renault Clio for all I care but he’s not. He’s essentially asking for money from society to fund his life until he funds it himself, and now he’s got a head like a Stilton bowling ball, he never will.
I’ve spent the last two weeks sending my CV off to every minimum wage job I can find from shelf stacking to laboring on building sites and, eventually, I’m sure I’ll get something. When I go to the interviews and sit before a prospective employer, I’m going to try and look as employable as I can. It’s boring, in fact it’s demoralizing having to put your best suit on and get your hair cut in the hope that someone will pay you next to nothing to shovel shit but it’s the least I can do. It’s the least EVERY job seeker should be doing.
Imagine you met an out of work juggler and gave him a few grand to keep him going till he got a job, then, next time you met him, he’d spent it having his arms chopped off for a laugh, you’d close your wallet before he could say, “hold this mate, I need to pee.”
At what point do we stop benefits? When does someone finally get sat down by a lady in a cardigan to be told, “You know breathing isn’t a job don’t you?” I want to see the government ad campaign where a cleaner, a mechanic and a lollipop lady stare down the camera lens and say, “If we all lived like you, you’d be dead. Start making an effort dick head!” It doesn’t have to rhyme but it’s nice of a party slogan does- makes it easier to remember.
While I’m in the stocks, how hard is it NOT to have kids? I’ve been doing it for all my adult life with no training or special skills. My wife and I want to be parents but it’s expensive so we’re waiting for a time when we have some sustainable income. Why aren’t people who can’t afford their own lives being bollocked when they start making new ones?
Again, before anyone says it. Fuck their human right to have kids- there’s no such thing. Nobody has the right to have kids, you either can or you can’t and if you can’t, whether it be for physical or financial reasons, you just don’t. It doesn’t get much simpler.
Here’s a radical idea that’s going to make Clarkson look like Shami Chakrabarti and me look like the love child of King Herod and Karl Pilkington.
What if every male child born in this country, along with various inoculations and blood tests, had, at birth, small plastic plugs injected into his Vasa Deferentia (sperm pipes to you and me) so that every male is incapable of reproduction until they’re ready to be a parent? No? There must be a safe and cheap way to do something of this nature though- surely? Anyone?
If you’re going to throw fruit please make sure it’s fair trade.. and out of it’s tin.
Call me Hitler if you want but if people are physically incapable of stopping themselves reproducing then it needs to be taken out of their hands and trousers until such a time that they’re responsible enough to take on the weight of parenthood.
You need a license for a dog and if you want to adopt you have to pass more tests, checks and selection panels than an astronaut and yet bored skint merchants can happily populate their surroundings with gay abandon and the sure knowledge that it won’t cost them a bean and nobody so much as raises an inquiring cough.
My scheme, which I admit needs a little smoothing out in the technical details, would leave everyone free to shag to their hearts content. It would be like the sexual revolution in the twitter age- the sixties with hash tags, and we’d then only have STDs, AIDS and moral decimation to worry about.
Once someone can demonstrate their ability to support a child, their plugs are removed on the NHS- naturally, because it would be loaded by then and every hospital would be made of gold and every nurse would be on the kind of wage they deserve. I’m sure the procedure could be done in an afternoon.
Selective social engineering? ‘Big Brother’ control? Favoring the fortunate? Maybe, but right now, as I stand on the brink of doing shit work for very little money and then still having to give some of it to twats with face tattoos, I really don’t care.
All those with a greater understanding of social decay, economic forces and the causes of deprivation please form an orderly queue, or educate me via the comments section. Cheers.