First Look At Posh | Film

See the first look images of POSH, from Universal Pictures. Out in UK cinemas on 19th September

 

posh first look

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Cast: Max Irons, Sam Claflin, Douglas Booth, Sam Reid, Ben Schnetzer, Holliday Grainger, Jessica Brown Findlay and Freddie Fox

Directed by: Lone Scherfig

Writer: Laura Wade

Based on a play by: Laura Wade

Set amongst the privileged elite of Oxford University, POSH follows Miles (Max Irons) and Alistair (Sam Claflin), two first year students determined to join the infamous Riot Club, where reputations can be made or destroyed over the course of a single evening. POSH is directed by Lone Scherfig, who most recently helmed ‘One Day’, and the Best Picture Academy Award nominee ‘An Education’. It is produced by Pete Czernin and Graham Broadbent of Blueprint Pictures (‘The Best Exotic Marigold Hotel’, ‘Seven Psychopaths’).

Screenwriter Laura Wade has adapted her critically-acclaimed play, with development support from the BFI Film Fund and Film4. ‘Posh’ premiered at the Royal Court Theatre in London in 2010, before transferring to the West End.

 

Image One – Cast in order of appearance in the image: Olly Alexander, Douglas Booth, Sam Claflin, Max Irons, Sam Reid, Ben Schnetzer, Matthew Beard, Jack Farthing, Josh O Connor, Freddie Fox

Image Two – Cast in order of appearance in the image: Holliday Grainger , Max Irons

 

And the Toscar goes to …. Terminate Her

Before the Oscars Brits in LA, with presenting partner Jaguar North America‘s 7th Annual “Toscars” at The Egyptian Theatre, Hollywood, CA, took place on the evening of Feb 26, 2014, benefiting the UKares Foundation charity.  The night was a roaring success, keeping celebrities and attendees alike giggling all evening! The Toscars The Toscars is a live event that parodies the biggest award show of the year. Ten teams of ten people have 3 weeks in which to make spoofs upon the nominated films for Best Feature at the Academy Awards. The Whacademy made up of a team of experts in their field, hand selected from the Entertainment industry, decide the winners in ten categories including Best Whactor and Whactress. This year’s comedy event will be hosted by Glee’s Alex Newell, who plays Unique on the show. “I’m excited to host this year’s event. It’s for a great cause and it’s a chance for the celebs to let their hair down and have a lot of fun during an intense awards season.”

Winners announced:
BEST TOSCAR FILM presented by DORIS ROBERTS
Terminate Her – Parody of Her – Producer Matt Crabtree
BEST WHACTRESS presented by JOSHUA JACKSON
Elizabeth Arends – Shaving Mr. Hanks – Parody of Saving Mr Banks
BEST WHACTOR presented by JAIME WINSTONE
Matt Crabtree – Terminate Her  – Parody of Her
BEST SUPP. WHACTRESS presented by last years toscar winner – MICHAEL ENRIGHT
Sarah Farooqui – British Hustle – Parody of American Hustle
BEST SUPP. WHACTOR presented by JENNIFER ELISE COX
John Campbell-Mac – British Hustle – Parody of American Hustle
JAGUAR BEST CHOONS AWARD presented by PAUL OAKENFOLD
Guy Ross – Captain Phillips & The horn of Africa – Parody of Captain Phillips
BEST CUTTER (*editing) presented by ADAM WOOD
Laura Harbron – Dallas Biters Club – Parody of Dallas buyers Club
BEST SCRIBBLE (Writing) presented by JIM PIDDOCK
Ben Stanley – Captain Phillips & The horn of Africa – Parody of Captain Phillips
BEST BANG FOR BUCK (Production design) presented by MICHAEL WHETSTONE
Kerry & Evan Marlowe – Pheelaweena  -Parody of Philomeena
BEST DICTATOR presented by OSCAR NOMINATED PRODUCER BRUSNSON GRE

Laura Harbron – Dallas Biters Club – Parody of Dallas buyers Club

 

Past celebrities have included Bruce Vilanch, Janina Gavankar, Siobhan Fahey, Skeet Ulrich, Entourage Rex Lee and Academy award nominee, Eric Roberts, who stated “It was more fun than the real show.” As The Toscars grows so has the talent who get involved. This year Tim Russ who plays the Vulcan, Tuvok on the popular TV series “Star Trek: Voyager” got to direct the parody of Gravity called “Cavity” and retired adult-film actor Ron Jeremy gets to star in his first ever PG -13 movie in “British Hustle”: The Parody of “American Hustle”. Mr. Jeremy who has most recently had a whopping 2 million youtube hits of his parody of Miley Cyrus’ “Wrecking ball” is nominated for best Whactor. Other well-known names who have starred in previous Toscar films are Luke Evans (Fast and the furious 6, Dracula),Tehmina Sunny (Argo, The Following), Jennifer Page (The Master) and British TV star Dawn Porter. This year’s panel of celebrity judges were: Jim Piddock (Best in Show, Epic Movie) The very handsome British actor, Owain Yeomans (The Mentalist) Funny Lady Jennifer Elise Cox, World renowned DJ, Paul Oakenfold will be judging the original scores of the films and many others to be added. The Toscars was inspired by the Michel Gondry movie ‘Be Kind, Rewind” starring Jack Black and Mos Def, in which they have to recreate blockbuster movies on a shoestring budget. Actor and Co-creator Craig Robert Young said “It just seemed like a great way to have some fun with other people in the industry and raise some money for a good cause. We aren’t poking fun at the Oscars, so much as we are paying respect with a cheeky nudge and a wink in our very British humourous way. We are also delighted that Jaguar North America are presenting partners this year, especially as they recently debuted their first ever Super Bowl ad “Rendezvous” starring three iconic British actors, as part of their “British Villains” campaign,  – a partnership with Brits in LA seemed like a perfect fit. We look forward to a fruitful long-lasting relationship with Jaguar and thank them for their support” — Last year the Parody of Les Miserables renamed Miserable Lesbians took home the big prize and went on to become a stage show which toured London’s West End, Off Broadway and the Edinburgh Fringe.

The Most Viral Moments in Oscar History

Here you are, the most viral moments in Oscar history, just for you. Enjoy!

oscars

Jennifer Lawrence Backstage Interview at Oscars

Jack Black and Will Ferrell Oscars Performance: Get Off the Stage

Jack Nicholson Interrupts Jennifer Lawrence Interview at Oscars

Hugh Jackman’s Opening Number at Oscars

Whitney Houston & Mariah Carey Oscars Duet

Adrien Brody Kisses Halle Berry at Oscars

Michael Jackson Performs Ben at Oscars

Roberto Benigni Goes Crazy after Oscars Win

Russell Crowe Acceptance Speech for Gladiator

Tom Hanks Gives Acceptance Speech for Forrest Gump Win

Most viral Oscar moments measured by Visible Measures and its True Reach methodology and patented video platform to analyse over 8.1 billion video views across the web during 2013.

Visible Measures has tracked over 3 trillion video views, 500 million videos, 16,000 video campaigns since 2005, and sees over 380 million people cross its platform every month. Pretty impressive.

Shortlist for Guardian Film Awards announced

guardianfilmawardsThe shortlist for the Guardian Film Awards, which was based entirely on readers’ votes, has been announced.

Steve McQueen’s slavery drama ‘12 Years a Slave’ dominates across the lists, with nominations for best film, best director, best scene, best line of dialogue and biggest game-changer. It also scores two nominations in the best supporting actor category – for Michael Fassbender and Lupita Nyong’o.

Joshua Oppenheimer’s film, The Act of Killing, is also in contention for best film and biggest game-changer – a category which seeks to celebrate innovation in cinema, whether it be technical, creative or financial. It’s up against Gravity, Spike Jonze’s Her, 12 Years a Slave, The Act of Killing, and Ben Wheatley’s A Field in England.

Cate Blanchett and Adèle Exarchopoulos join Chiwetel Ejiofor, Leonardo DiCaprio and Bruce Dern in the race for best actor, while documentarian Joshua Oppenheimer is up for best director alongside Steve McQueen, Spike Jonze, Alexander Payne and Paolo Sorrentino.

Guardian film editor and awards judge Catherine Shoard said: 

“It’s really heartening to see what the readers have done with our longlist. By voting for the likes of Adele Exarchpoloulus in the best actor category, and Paolo Sorrentino and Joshua Oppenheimer for best director, they’re shown that regular movie-goers are capable of an imagination – and an inclusiveness – that seems to be beyond the members of most awards bodies.”


Shortlists


Best film

– 12 Years a Slave
– Gravity
– The Great Beauty
– The Act of Killing
– Blue is the Warmest Colour

Best actor

– Cate Blanchett, Blue Jasmine
– Bruce Dern, Nebraska
– Leonardo DiCaprio, The Wolf of Wall Street
– Chiwetel Ejiofor, 12 Years a Slave
– Adèle Exarchopoulos, Blue is the Warmest Colour

Best supporting actor

– Matt Damon, Behind the Candelabra
– Michael Fassbender, 12 Years a Slave
– Jared Leto, The Dallas Buyers Club
– Lupita Nyong’o, 12 Years a Slave
– June Squibb, Nebraska

Best director

– Spike Jonze, Her
– Joshua Oppenheimer, The Act of Killing
– Steve McQueen, 12 Years a Slave
– Paolo Sorrentino, The Great Beauty
– Alexander Payne, Nebraska

Best scene

– Alan Partridge lip-synching to Roachford in the car in Alan Partridge: Alpha Papa
– The opening scene of Gravity
– The first party in The Great Beauty
– Patsy returning with the soap in 12 Years a Slave
– The struggle back to the car while overdosing in The Wolf of Wall Street

Best line of dialogue

– She was the Picasso of passive-aggressive karate. Irving (Christian Bale) in American Hustle
– Something to eat and some rest; your children will soon enough be forgotten. Mistress Ford (Liza J Bennett) in 12 Years a Slave
– Anxiety, nightmares and a nervous breakdown, there’s only so many traumas a person can withstand until they take to the streets and start screaming. Jasmine (Cate Blanchett) in Blue Jasmine
–  I think if Jesus was here now he’d tip you out of that fucking wheelchair and you wouldn’t get up and walk. Martin (Steve Coogan) in Philomena
– What a story; everything but a fire in the orphanage. Liberace (Michael Douglas) in Behind the Candelabra

Best film festival

– Cannes
– Sundance
– London
– Sheffield Doc/Fest
– Toronto

Best marketing campaign

– Philomena
– Alan Partridge: Alpha Papa
– Anchorman: The Legend Continues
– Blue is the Warmest Colour
– World War Z

Biggest game-changer

– The Act of Killing
– Gravity
– Her
– 12 Years a Slave
– A Field in England

Best cinema

Free readers’ vote.

So-bad-it’s-good film

Free readers’ vote.

Lifetime achievement

Judges’ vote.

Preview For Angelina Jolie’s New Film Unbroken

Angelina Jolie’s second film as a director looks as brilliant as the first.

Based on Laura Hillenbrand’s 2010 best-seller Unbroken; it tells the true story of an Olympic athlete, Louis “Louie” Zamperini who survived in a raft for 47 days after a near-fatal plane crash in WWII along with two fellow crewmen.

In this preview there is narration from Tom Brokaw and some footage from the film intercut with an interview with the real-life Zamperini. Jack O’Connell stars as Zamperini and Domhnall Gleeson and Finn Wittrock as his fellow survivors. Directed by Angelina Jolie and co-written by Joel and Ethan Coen, It opens Christmas Day, 2014. We can’t wait.

Gravity Picks Up 6 Honours At The EE British Academy Film Awards 2014

British Film Gravity picked up six awards at the EE British Academy Film Awards and it also picked up four other awards for Best Visual Effects, Cinematography, Sound and Original Film Music while Gravity Director, Alfonso Cuarón, won the Director Award. 12 Years a Slave received the award for Film while Chiwetel Ejiofor won Leading Actor for his role in the film.  Other winners included Cate Blanchett who won Leading Actress for her role in Blue Jasmine, Jennifer Lawrence who was named Supporting Actress for her role in American Hustle, Captain Phillips star Barkhad Abdi won Supporting Actor and Philomena won Adapted Screenplay. Dame Helen Mirren was awarded the Academy Fellowship, BAFTA’s highest accolade, in recognition of her exceptional contribution to film.

BAFTAs 2014 BAFTAs 2014 BAFTAs 2014 BAFTAs 2014

Champagne Taittinger, official Champagne Partner to the British Academy for the 12th year running, once again added extra sparkle to the proceedings.   Special BAFTA labelled Magnums and 75cl bottles of Champagne Taittinger Brut Réserve were produced for the Awards. A bottle was also included in the gift bags, given to all nominees and presenters.  Taittinger is one of the few premium Champagne houses to remain owned and actively managed by the named family.  It is proud to support the work of BAFTA to acknowledge and encourage the highest achievements in film and television.

 

As New Zealand’s most awarded winery for more than 30 years, Villa Maria makes a very fitting Wine Partner to the Academy.  Guests at the glamorous Awards dinner enjoyed the delicious Villa Maria Private Bin Sauvignon Blanc 2013 which perfectly complimented the Smoked Loch Fyne Salmon and Dorset Crab starter and the Villa Maria Private Bin Merlot Cabernet Sauvignon 2012 which made a mouth-watering match with the main course of Fillet of Aberdeen Angus and Braised Short Ribs.

 

other winners included:

ORIGINAL SCREENPLAY                                              ANIMATED FILM

American Hustle                                                         Frozen

 

FILM NOT IN THE ENGLISH LANGUAGE                      PRODUCTION DESIGN                        

The Great Beauty                                                        The Great Gatsby

 

MAKE-UP AND HAIR                                                   EE RISING STAR

American Hustle                                                         Will Poulter

For the full list of winners visit: www.bafta.org

 

Austenland Film Review

austenlandAustenland is a quirky and fun film; a delightful romantic comedy and a modern twist on the timeless tales of Jane Austen’s romance novels. The imaginative story focuses on a woman named Jane, played by Keri Russell (TV’s “Felicity” and The Americans) who is obsessed with the Regency era and the famed author’s fiction. Determined to be the heroine of her own story, Jane spends her life savings on a trip to Austenland, an eccentric resort where guests experience complete immersion in the Regency era. Armed with her bonnet, corset and needlepoint, Jane strives to avoid spinsterhood … but has a difficult time determining where fantasy ends and real life—and maybe even love—begins.

Jennifer Coolidge is hilarious and adds some brashness while Keri Russell plays the introverted, Austen-obsessed thirty-something women who still believes in old fashioned love and romance. I would have liked a little bit more of the background of her love life, it is referenced to but you feel like you are missing something. Although it is obvious that she was hurt badly.

I love the progression of Russell’s character, Jane. She slowly becomes more kick ass, in a way this is a coming-of-age comedy, or coming-of-self comedy. The regency era set and Austenland itself is amazing. The supporting cast are great, bringing excellent comedy timing and some OTT moments. The script is very good; different and funny. Jane Seymour is also great as the stuck-up owner of Austenland.

Will Jane find true love? Will she regret spending her life savings on going to Austenland? Watch the film and find out. This is a good, funny comedy.

Austenland [DVD] [2013]

 

Crystal Fairy Film Review

crystalfairyfilmreviewA young American in a foreign land, ignorant to the culture and the language, at the crossroads of life, in search cheap booze and an ecstatic high. At first impressions, Crystal Fairy seems depressingly familiar. I’ve personally seen enough dopey nonsense about Americans running amok overseas to last a lifetime. Thankfully such thoughts are quickly dismissed in this unpolished original, made as a small off the cuff project next to psychological thriller Magic Magic by writer and Sebastian Silva. Shot in a largely improvised manner, the film centres on Jamie (Michael Cera, also star of Magic Magic), an obnoxious and self centred young man travelling across Chile with a group of local friends. Drunk at a party, he runs into a fellow American going by ‘Crystal Fairy’ (Gaby Hoffmann), an incredibly enthusiastic mystic willing to see the good in everyone and everything. He inadvertently invites her along with his friends to the north coast where they plan to sample the famed San Pedro cactus juice, known for it’s potent hallucinogenic effects. It’s an idea he immediately regrets as her easy going charm rubs his selfish impulses the wrong way and the group gravitate far more towards her than him. Perhaps losing their heads together may be the only way to get on with one another…

 

In a set up that seems painfully familiar, Crystal Fairy’s primary success is finding a fresh vitality in the worn material. Part of this is down to the beautiful photography of the film. From the urgency of the cityscape to the desolate yet hauntingly beautiful Atacama Desert, the handheld camerawork gives a woozy vibrancy to the films look that matches up with the story tone perfectly. The camera is constantly roving to find detail from the rhythms of everyday local life to fleeting gestures that betray the characters inner thoughts and motives. Its a style that best suits the semi improvisational tone of the writing and characterization. While there is a sense of narrative drift that some viewers may not have the patience for, if they do they will be rewarded by a deviation from the norms you expect from the set up. Jamie and Crystal sound on paper like incredibly two dimensional characters; the ignorant jerk and the manic pixie dream girl. Yet in the midst of the bleak landscape, wry humour and refreshing honesty they come to life in a believable manner that fleshes both of them out.

 

This characterization is further complimented by the excellent performances of both Cera and Hoffman. Cera’s presence could have potentially drawn more unwelcome parallels with thestereotypical fool abroad trope. Having made his name in nebbish, exasperated roles from Arrested Development onward some would argue that he has acted his way into a typecast corner. It’s refreshing to see him not only acting in such a niche project but also that he embraces such an unlikeable character. Jamie is spiky, attention seeking and outwardly hostile to pretty much everyone he crosses paths with. It’s a credit to Cera that his naive charm manages to overcome Jamie’s imperfections and make the inevitable softening of his edges work. Hoffmann pretty much steals the show, her eccentric energy lightening up the screen in pretty much every appearance and avoiding the pitfalls of annoyance that similar characters have fallen into. Together they see through a film that thankfully sidesteps convention and offers up a telling glimpse of young fears, desires and potential hope.

Crystal Fairy [DVD]