Words for the Wounded Fiction/Memoir/Poetry Prize Results

Words for the Wounded Fiction/Memoir/Poetry Prize Results by Margaret Graham

Words for the Wounded Independent Author Book Award By WforW founder Margaret Grahamwordsforthewounded

Words for the Wounded have had a wonderful time reading all the entries for the Fiction/Memoir/Poetry Prize – 400 word maximum 2015.

It was a tough call because as always the entries were many and varied. In the end our decision was unanimous, and we thank everyone who entered, as every penny raised goes to where it should because the organisers absorb all the costs of the charity.

1st: Next of Kin. Sue Hawkins
2nd Worms Hannah Froggatt
3rd A Soldier’s dream of glory. G. Mortensen

Highly Commended

The Call of the Merman. F. Colville
The Factory Machine J. Elford
Heart’s-ease. C. Elstow
Adeline on Tuesday Morning C. Givern
Colour K. Hood
The Undressing J. Moran Neil
Piano Legs and Loose Knickers. M.Rowan.
Lost and Found. A. Taplin
One Day D. Waite.
The Solicitor’s Letter M. Wright

Commended

Under the Hen’s Bottom W. Breckon
Clipped Wings A. Campbell Kearsley
Ephraim Climbs Mount Kilimanjaro P. Heath
Two little faces C. Hewitt
Mr Percy Flint T. Loader
No Secrets T. Oswick
Pickled Turnips M. Pieris
Ronald Dawe J. Pollinger
The Beatles: My part in their rise to fame C. Tolson

The great good news is that Felicity Trew, of the highly respected Caroline Sheldon Literary Agency, is now representing the winner of WforW Independent Author Book Award Jane Cable run at the same time.

Further: Felicity Trew will be judging next year’s Words for the Wounded Independent Author Book Award – open for entries on 11th November 2015.

www.wordsforthewounded.co.uk to read the short prize entries and judges’ comments.

 

 

Words for the Wounded Independent Author Book Award By WforW Founder Margaret Graham

Words for the Wounded Independent Author Book Award By WforW founder Margaret GrahamwordsforthewoundedThe Independent Author Book Award has been a revelation. There are just so many good writers out there, which made our task hugely enjoyable, if difficult. At last we decided on commended, highly commended, and then – the three winners. In the end, our decision was unanimous. Great books all three winners. Thank you all so much for entering – rest assured that 100% of the entry fees go to the wounded.

Words for the Wounded Independent Author Book Award By WforW founder Margaret Grahampalamedes

Thank you, Palamedes PR for sponsoring a professional press release for the winner, and the opportunity of a discounted press release for 2nd and 3rd. Thank you Frost Magazine for publishing a review of the top three

Roll of drums for the list of winners, highly commended and commended.

1st The Cheesemaker’s House.  Jane Cable

2nd No Stranger to Death  Janet O’Kane

3rd Man, Dog, Stroke Eric Sinclair

Highly Commended

Alphabetical order

The Grown-ups Wouldn’t Like it. Diane Kay

Callum Fox and the Mousehole Ghost. A. C. Hatter

Commended

Alphabetical order

The Roman Citizens from Class 6B Kevin Brooke

Run fast, keep low Eleanor Broaders

Ruby’s New Coat Jane Carling

Chasing the Dark Clouds Courtney Hulbert (Guy Mortenson)

Brandy Row Shelagh Mazey

Orange Juice and Codliver Oil. Peter Morley

Pegasus to Paradise Michael Tappenden

The Unorthodox Arrival of Pumplin Allan Susie Twine

The Labyrinth Year Clare Weiner

The great good news is that Felicity Trew, of the highly respected Caroline Sheldon Literary Agency, is now representing the winner, Jane Cable.

Also we are honoured to announce that Felicity Trew will be our final judge for the 2015 Independent Author Book Award.

Let’s have a closer look at our winner, Jane Cable, with The Cheesemakers’ House that achieved First Place in the inaugural WforW Independent Author Book Award. Congratulations!

First Place: The Cheesemaker’s House by Jane Cable.

Words for the Wounded Independent Author Book Award By WforW founder Margaret Grahamjanecable

Alice Hart’s husband runs off with his secretary, she runs off with his dog to lick

her wounds in a North Yorkshire village. Soon she decides to start renovating the barn next to her house and opens a whole can o’ worms.

Judges’ comments: The Cheesemakers’ House by Jane Cable was the only possible winner. The clarity, structure and story line was immediately inviting, the characters interesting. They weave, twist and develop towards the denouement, always keeping us with them. Cable is adept at peeling back the  layers; the writing is snappy, the tension implicit. She holds back, and you have to keep turning the pages unable to work things out until she wants you too.

There is a paranormal flicker, which can be clumsy, but in this case we found it believable, and in keeping with the book. Alice is the main character, a survivor of a marital breakup, but unembittered. Owen is the secondary character and is complicated; infuriating, almost fey. All this set against a rural village setting, which Cable ‘gets’ perfectly.

The Cheesemaker’s House is Jane Cables’ first published novel, but it is the work of an experienced writer. Has she many discarded novels in a drawer? Or has she worked with writing groups and really learned her craft? We do wish this is the case with more writers, because until clarity, organization and structure is achieved, fiction won’t work. It is only then that characters haul you into their world.

Jane Cable’s biog.

I have lost count of the number of stories I have started over the years but my first breakthrough came when I actually finished one. It was a romance about cricket and completely unpublishable. But it made me a much better writer. A few more followed, before I started The Cheesemaker’s House. I changed to writing in the first person and it felt different – it felt as though I had found my voice.

In May 2011 The Alan Titchmarsh Show announced a competition to find a new author – a People’s Novelist – and my mother persuaded me to enter The Cheesemaker’s House. I did and was shortlisted, and then made it through to the final. Though I didn’t win, it gave me confidence.

Mainstream publishing was becoming so risk-averse it was harder than ever to get a contract unless you were already famous and this was making many very talented writers go it alone. I had already come across Matador at a self publishing conference organised by The Writers’ & Artists’ Yearbook. I like them because they are selective about the books they take and very, very professional.

The Cheesemaker’s House was really well received by book bloggers and readers and at the time of writing has sold around a 1,000 copies. I am absolutely thrilled to have won the Words for the Wounded Independent Author Book Award (such a good cause) and a professional press release from Palamedes, and publicity in Frost Magazine. My next novel, The Faerie Tree is now finished. Life is good.

 

 

The Faerie Tree Book Review

The Faerie Tree, book, book review, reviewI loved Jane Cable’s first book, The Cheesemakers House. It was her debut novel and won the suspense & crime category of the Alan Titchmarsh Show People’s Novelist competition in 2011. You can read the Cheesemakers House review here. Cables new novel is even better than the first. Her grasp of human emotion and character description is something to behold. She is a naturally talented writer, destined for even greater things. Cable captures the human condition perfectly, you have the feeling that she could write the phonebook and make it fascinating.

Frost is very proud that Cable is one of our writers and wrote a great series on the making of The Faerie Tree. This in no way influences my review, The Faerie Tree is an enjoyable book of depth. Robin and Izzie are great characters and everyone can relate to a lost love. But will they be reunited? Buy The Faerie Tree to find out.

How can a memory so vivid be wrong?

I tried to remember the first time I’d been here and to see the tree through Izzie’s eyes. The oak stood on a rise just above the path; not too tall or wide but graceful and straight, its trunk covered in what I can only describe as offerings – pieces of ribbon, daisy chains, a shell necklace, a tiny doll or two and even an old cuckoo clock.
“Why do people do this?” Izzie asked.
I winked at her. “To say thank you to the fairies.”

In the summer of 1986 Robin and Izzie hold hands under The Faerie Tree and wish for a future together. Within hours tragedy rips their dreams apart.

In the winter of 2006, each carrying their own burden of grief, they stumble back into each other’s lives and try to create a second chance. But why are their memories of 1986 so different? And which one of them is right?

 

 

THE FAERIE TREE: A Book In The Making | Beltane

THE FAERIE TREE- A book in the making | BeltanefairytreeaprilBeltane: a season of fertility and fire, a time to welcome new life into the earth. A good time to contact spirits or interact with the Fae.

After the rigours of the last few weeks I am absolutely convinced that releasing a new book is akin to passing through fire. Or at very least, virtual fire. I seem to have spent most of my time tweeting, googling, goodreading, facebooking and linking in. Even my dreams – or nightmares – have been seen through the prism of my laptop or iPad screen.

Why? I have been chasing the writer’s holy grail: reviews. In a world where there are thousands of books, how else are readers to choose what to read? And without the right number of reviews (rumoured to be at least fifty) you are not going to kick on with those all important Amazon search algorithms.

THE FAERIE TREE- A book in the making | BeltanebluebellsinFT

Of course hunting down reviews is a potentially risky business because even when you ask… or suggest… that bloggers and other opinion formers review the book you cannot, quite rightly, influence what they say. With my first novel, The Cheesemaker’s House, I had my (only) one star review early on so I got it out of the way. With The Faerie Tree I’m still waiting. No fewer than three stars anywhere. Yet.

Of course there are reviews which are downright irritating and it just isn’t the done thing (again, quite rightly) to reply. Top of my list are the people who spell the main characters’ names wrong; I know reviewers are busy people but if they have skim-read a book they ought to admit to it. I subscribe to the Alliance of Independent Authors’ Ethical Author code (for more information see here: http://allianceindependentauthors.org/ethical-author/) and part of that is about being open and transparent when I review other people’s books. I would love all reviewers to do the same.

On the upside, there are reviewers you just want to pick up and hug. Like the one who completely got the fact that part of my reason for writing the book was to give people who suffer from depression a positive portrayal. Like the one on Goodreads who realised the book wasn’t really their thing but gave it three stars anyway because it was well written. Like the reviews that just make me laugh.

Some of that laughter could just be relief. Until a book is out there you never really know how it will be received. Overall, it’s doing really well; 4 ½ stars on Amazon and 4.1 on Goodreads. People are generally gripped by it – one reader in South Africa finished it by torchlight during a power cut. They are enjoying the characters, their relationships, their stories.

But I am learning, too. Of course it’s too late to change The Faerie Tree now but there is a significant minority who are finding one of the main characters irritating – have I got that wrong? And others feel the resolution of the mystery is too obscure… or even completely lacking. Should I have spelt it out a little more? All useful things to consider as I complete the first draft of my next offering and begin the editing process.

But, being Beltane, I have lifted my eyes from the screen and ventured out into sunshine in the natural world. Where better to go than the fairy tree wood in Hampshire where the story began? And to thank the faeries, elves and pixies who live there for their very large contribution to the success of their book.

The Faerie Tree is available as an ebook or paperback from Amazon, Kobo, Waterstones and to order from all major bookstores. Find out more at http://janecable.com/the-book/4588312168 .

 

 

THE FAERIE TREE: A Book In The Making

book, publishing, self publishing, writing, author, Ostara: A time of rebirth and renewal. A time to celebrate the coming of spring. And the coming of new books…

By the time you read this The Faerie Tree will have been unleashed. Actually, even at the time of writing it’s creeping out there; Amazon have stopped listing it as a pre-order and I’ve had to hold Matador back from making the ebook available before its time.

A few boxes of paperbacks have arrived with me as well. Holding one for the first time was tinged with sadness; my mother, who was a huge supporter of my writing, passed away just ten days before so she never got to see the finished book. But she’d read early drafts and approved the cover – and right at this moment is sitting at my shoulder, telling me to get back to the point of this article.

The point is that it’s hard to publish a novel alone. I’ve written before about the ‘official’ team; my editor, the wonderful Margaret Graham (author, teacher and Frost contributing editor) and the folks at Matador, but in recent weeks I’ve received an enormous amount of help from people who, quite frankly, didn’t have to.

In my last article I mentioned my desire to create a faerie tree near my home city of Chichester. I also mentioned this to a few of my fellow Chindi (Chichester Independent) Authors, and children’s writers Christopher Joyce and Becky Edwards leapt in with huge enthusiasm to brainstorm ideas and open their contact books. We were joined by the administrator of the Sussex Centre for Folklore, Fairy Tales and Fantasy – acting in a personal capacity just because she loved the idea so much.

Through them I met Vicky Edwards, a local book-lover (she runs the Spirit FM book club) and PR. She not only gave me some great ideas to improve my press releases but just as importantly introduced me to a local charity with a woodland walk – the ideal home for a faerie tree. I was due to meet them in early March but had to cancel so there is another date in the diary and I hope that in the next article there will be something definite to tell you about this very special project.

I’ve also had a great deal of support from the bloggers who are taking part in the launch tour. These ladies work so hard reviewing books and helping readers make good choices about what they might enjoy. They do it for the love of it – some are retired, but most hold down day jobs as well. And I think I’m busy. Follow the tour (details below) and browse their other posts for great steers on books you might enjoy.

Finally, I’ve had the blessing of the elves, pixies and faeries who live around the real faerie tree where the book is set. You see I did what many people have done before – for over twenty years, in fact – and I put a letter into their little box. And like everyone else, I received a reply; wishing me well and giving me instructions on where to leave their copy. I hope they like it. I hope everyone likes it. It would be a really fitting thank you to all the unsung heroes who’ve helped me along the way.

The Faerie Tree blog tour…

22nd March: Random Things Through My Letterbox – author Q&A
http://randomthingsthroughmyletterbox.blogspot.co.uk/

23rd March: Rosie Amber – review
https://rosieamber.wordpress.com/

24th March: Liz Loves Books – the settings & scenery of The Faerie Tree
http://lizlovesbooks.com/

25th March: My Reading Corner – the faerie tree itself and book giveaway
http://myreading-corner.blogspot.co.uk/

26th March: Crooks on Books – author interview
http://crooksonbooks.blogspot.co.uk/

28th March: Jaffa Reads Too – the inspiration for The Faerie Tree and book giveaway
http://jaffareadstoo.blogspot.co.uk/

29th March: Being Anne – second chances
http://beingannereading.blogspot.co.uk/

31st March: Beadyjan’s Books – writing with women in mind
http://beadyjansbooks.blogspot.co.uk/

 

 

THE FAERIE TREE: A Book In The Making

faerietreejanecableImbolc: When the days are getting longer and the earth is getting warmer, a time of fertility and fire, and of focussing on our own magical gifts and abilities.

Being an author is in some ways akin to parenthood. Although not, of course, quite so important. But it is an act of creation (albeit solitary), nurture, and then letting your offspring go to make its own way in the world.

The last part is the hardest. Time and again while checking the proofs for The Faerie Tree I was assailed by awful thoughts: it’s not good enough; nobody’ll like it; it will fail. Time and again I had to remind myself to have faith in my editor’s view – and in the opinions of others who have read it.

But when your book makes its way into the wider world it isn’t enough to hover at the school gates for twenty minutes then go home and cry. You have to shout about it – tell the world – make them want to buy it.

So the last month has been focussed on marketing – which isn’t necessarily one of my own magical abilities. I know the theory, but somehow I don’t have the knack of pushing myself that some other authors have. I just don’t know how to stand there and say “Buy my book – it’s amazing.”

The first step in marketing is getting your book into places where people can buy it. Matador does a great deal of this for me, particularly the online stuff. On 21st March (or maybe a little before) it will miraculously appear on Amazon, Kobo, iBooks, Google, Waterstones & WH Smith online. It will be sitting on marketing platforms like Goodreads and I’ve Read That. It will be available for bookshops to order through the industry’s main wholesalers – but the job of persuading them to actually stock it will be down to me.

While the cut price books offered by the big retailers are great for readers they aren’t so good for writers because they have pushed many local booksellers out of business. The chain stores have a stocking policy which rules out local decision making, leaving independent authors and many traditionally published ones out in the cold. Even where they exist the independent book trade can be timid too – before giving it valuable shelf space they have to be sure a book will sell. It’s not their fault – most of them are living hand to mouth and cannot afford to take potentially costly risks. Even on sale or return.

Inevitably many sales are online (The Cheesemaker’s House sales to date are about a 50:50 split ebook and paperback, with half the paperbacks being sold through Amazon) so the marketing focus has to be here too. The first thing I did was organise a blog tour so I am at least guaranteed some coverage around the launch date. The next thing is to make sure the book is available for reviewers, booksellers and librarians to download via Netgalley. And book a Netgalley promotion to make sure it stands out from the crowd.

Other marketing musts are updating my website (www.janecable.com) ready for the beginning of March; moving my Amazon author profile to their new format (long overdue); and polishing up my Goodreads profile, Twitter masthead and Facebook page.

And if that wasn’t enough I’ve also got this really crazy idea to create a faerie tree for my home city of Chichester. I’ll certainly need more than a little help from the hidden folk to pull that one off…

 

 

 

THE FAERIE TREE: A book in the making

Yule: A time to celebrate with those we love. A season full of magic and new beginnings which spring from the darkest days of the year.

When short, dark days stretch interminably ahead the deep human urge to rebel against nature and celebrate is hardly surprising. It is an instinct deeper than religion, broader than faith; whether it’s carols in church, TV and tinsel, or the burning of a sacred log, it is something which touches almost all of us.

faerietreejanecable

After 21st December the days start to become a little longer. Actually, that’s what I need. Maybe there is some mid-winter magic to create a few extra hours in each one. Maybe I should write to the fairies and ask them. As well as everything else, this festive season I have proofs to check.

The last few months have been particularly hectic as I balance work, writing, preparing for publication of The Faerie Tree and even a stint or two selling books on Chichester Christmas Market. That came about because I’m lucky enough to be part of Chindi, a very active group of independently published authors in the Chichester area. The reason we exist is because there are so many things we can do together which we couldn’t do alone, and one of those was to take a stall on the Christmas Market. It was something of a learning curve and a great opportunity to meet readers. It was also fascinating to see which books sold well and which didn’t – and to try to work out why.

The huge importance of covers was brought home to us very quickly – which was actually great timing for me as far as The Faerie Tree was concerned. The Cheesemaker’s House is pretty striking visually and people tended to head straight for it on the stall. But when it was stacked sideways with other books the title disappeared – and having watched one gentleman struggle with the colour of the print on the back I realised a few things would need to change next time around.

My main concern when briefing the cover designer at Matador was to make sure the book looked as though it was for adults. The title could imply it’s a children’s story so it had to be crystal clear at first glance who it was meant for. I also wanted it to look as much like The Cheesemaker’s House as possible. It’s an inescapable – if a little uncomfortable – fact that authors are brands these days.

When I first saw the cover of The Faerie Tree I had one word for it: wow. It’s a word I’ve heard time and again as I’ve showed it to the people closest to me and to other members of Chindi. So, for the first time, I am revealing it to the wider world through Frost readers and I’m really interested to see what you think. The significance of the candle? Well, you’ll have to wait until Imbolc to find that out.

Now that the cover has been designed there is a plethora of marketing material to sign off. The paperback will be in the shops from 1st May and the book trade need to know about it now, so an AI (advanced information) sheet has been prepared as well as a trade press release. They’ve been languishing in my inbox for over a week but gut instinct tells me sending them out this side of January would be a waste of time. The thought is salving my conscience anyway.

 

 

 

Two Star Twist On Christmas: The Square Restaurant Review

New Bond Street wins the battle of the Christmas lights, no question. Even a grey Thursday morning couldn’t dull the shimmer of silvery peacock feathers and they must look even more spectacular after dark. But we weren’t going to hang around to until nightfall – we were in London for lunch at a very special restaurant.

thesquarerestaurantreview

We discovered The Square in Bruton Street a couple of years ago. Chef patron Philip Howard had just won the fish course of The Great British Menu and we were entranced by his fresh, classic style of cookery. To be honest I was also entranced by his silver fox good looks… much like my own husband’s… and the fact we could actually afford to eat in his two Michelin star establishment in Mayfair.

That’s when you know a successful restaurant is all about the food. The set lunch in the run up to Christmas was £50 and I believe it’s still substantially less for the rest of the year. There are bottles of wine on the extensive list for under £30 (and over £1,000). Ours was £55 and a quite superb Barbera. The one tiny fly in the unctuous ointment of our visit was that the young lady sommelier tried to upsell us to one double the price. Last time we were at The Square the fantastic Egyptian master of the wine list had carefully price pointed the desert wine we chose to exactly the same area as the bottle we had ordered – and that was very impressive.

philiphoward

But the rest of the service was outstanding. Although the restaurant is dressed formally its staff have a twinkle of humour and fun about them which makes it anything but starchy. Plus you only have to glance in their direction (or less, but more of that later) and they glide, smiling, across to your table in an instant.

It being Christmas, we started with a glass of champagne and very soon our amuse bouche arrived; a tiny rounded glass of cauliflower puree topped with a crisp bacon and sage crumb, sharp cranberry flavours and sitting on a bed of turkey jelly. You hear chefs talking about balance and this was it – a perfect microcosm of Christmas dinner.

We opted for different starters. My better half went for the terrine of English partridge and foie gras with air dried pear, quince puree and mead jelly. He especially liked the idea of English partridge… we once went to a small restaurant in Brighton and he asked whether the partridge on the menu was English or French… and we were rather amused when the answer came back “chef says it’s from Sussex.” He didn’t seek to question the origin of The Square’s offering; he was too busy eating it.

I chose the lasagne of Dorset crab and scallop because its cappuccino of shellfish and champagne foam is one of The Square’s signature elements. It was rich and light at the same time, and a perfect accompaniment to the delicious minced crab, sandwiched between the thinnest layers of a rather brilliant green – presumably festive – pasta.

For the main course we both headed straight for the roast haunch of Windsor Park venison with beetroot and port puree, roast chervil root (not a tiny parsnip, oh husband mine) and smoked ham and potato galette. The meat was cooked rare and finely sliced over the galette (a simple but time-consuming way of raising the humble potato to a heavenly level) and a bed of shredded sprouts. It was cooked to perfection but the real star of the show was the beetroot puree; sweet, rich and such a vibrant colour, it brought the plate to life on both table and taste buds.

The menus were brought back to us and we discussed our choice of desert. A very brief discussion really; husband of course went for cheese and because I’m not keen on the Brillat-Savarin which constituted the cheesecake, I decided on the Christmas pudding soufflé with chestnut and macadamia nut brittle ice cream.

We were somewhat surprised to see the cheese trolley appear at our table before the waiting staff had taken our order. “You do want it, though, sir” our young French waiter insisted “And you’re having the Christmas pudding soufflé, madam.” The psychic approach is certainly taking service to new levels. He also seemed to instinctively know which cheese to select for my husband, having been given the lead that Epoisses was essential. A Waterloo from Hampshire (“Like our French camembert…”), a goat cheese from the Auvergne, a very high class Cheddar and a blue from Carmarthen before scraping out the last of the Epoisses box to leave a huge dollop on my husband’s plate. I swear I can still smell it now.

The cheese was whisked away to reappear a little while later with my Christmas pudding soufflé, which was served with the understated theatre of a ball of ice cream being dropped into it, followed by hot brandy sauce. It was sublime. Every element of a Christmas pudding was there; spices, peel, plump raisins, but wrapped up in a lightness which is unforgettable. If it hadn’t been for Colin McGurran’s langoustine terrine (Frost, August 2014) it would have easily been my dish of the year.

We ordered our coffee and as we waited there was another delightful treat in store as we were offered a clementine from a beautiful wooden trug. It was the perfect finish to a rich meal, and apart from a few simple wreaths in the restaurant windows, one of the few visible concessions to the festive season. As I said, at The Square – it’s all about the food.

To find out more about The Square, visit www.squarerestaurant.com.

 

Jane Cable, December 2014