Sarah Parish has given a rather excellent interview to the Radio Times. Here are some of my favourite quotes from it.
On starting acting: “I had no confidence. I think because I started so low. I had quite low expectations. I felt one step behind, and it’s always been, ‘I can’t believe they actually chose me’. I went for small parts because I thought that was probably the only thing I would get. I never auditioned for leads. I just assumed I wouldn’t get them.” That is said with so much self-parody that I feel like I’m allowed to ask: “Do you think you missed out because of that?” Huge eyebrows: “Well… ya think? But you live the life you’ve lived, don’t you? I didn’t have that God-given confidence you get from going to a public school and going to Rada. I went to a comprehensive and felt lucky if I got a job in the chorus. But the upside is I was never disappointed.”
If the industry has gotten better for women in the past 20 years: “I did hear something alarming the other day, I bumped into a friend at an audition, another girl my age. I asked if she was still doing this show – I can’t tell you what it is – and she said, ‘No, it was cancelled. The reason they gave was that they already had a female-driven programme.’ Wow. Because you can’t have two female-led dramas on telly. How awful would that be! So we’re still not there. I don’t know if we’ll ever be equal. We’ve still got an old-fashioned way of receiving female characters. They’ve got to be the wife, or they’ve got to be nuts.”
On the charity she and her husband, James Murray, set up; the Murray Parish Trust: “It’s in memory of Ella-Jayne, our first daughter.” [She died of congenital heart failure at eight months old] “It’s a terrifying and traumatic time [when your child is ill], you just want to be there all the time. They really, really need this hospital. The accommodation they’ve got for parents at the moment is so sad. £70 million it’s going to cost. Our charity is the little Jack Russell that goes down the hole and scoops everybody out. The big money willcome in afterwards.”
Second daughter Nell gets in the way of her career: “My agent will say, Darling, you’ve got to do a play’. I don’t want to do a play. Why do I have to do a play? You have to go off and do your time in a play to remind a certain genre of people that you’re still an actor. It’s a ball ache. I don’t want to have to leave my daughter and go to London every night.”
On pilot season: “If there was a little room you could go in beforehand where you checked in your dignity, your soul and your pride, that would be fine. But unfortunately you have to go into pilot season as a whole person. Every day you drive around with your clothes in the back of the car, you sit in rooms full of people as sad and as desperate as you are, with so much make-up on they could sink the Titanic, tiny little thin people. Sometimes casting directors might look at you, sometimes they might be on the phone, sometimes they’ll talk over you. And more often than not, you’ll hear nothing. I have got jobs out of it before, but it’s just not worth it. We tape all our [audition] stuff in our garden shed, now. Having a shed in our back garden has made us a lot of money, me and Jim.”
On the pressure on men: “You have to have a six pack, you have to have a pair of glutes, you have to wax your chest. You have to sign a contract saying you will show your bum. You see these poor guys right before a scene, doing press-ups, when they should be thinking about their character. That’s what we’ve come to expect from men on screen now. It’ll be from up there [she gestures to some nameless authority]. Hot, young people with perfect bodies. That’s what people want to see. And of course it actually isn’t what people want to see. I want to see interesting faces. I want to see different bodies. I want to see people I can relate to. There’s nothing attractive about knowing a man has been flexing in front of a mirror five minutes before a scene. When did that become sexy? And I don’t want to see a woman looking starved to death. When did that become sexy? These are first world problems, It’s very easy as an actor to live in a bubble and think that life is about acting, and of course it’s not. It can turn you into a bit of a monster.”
Isn’t she awesome? I think so.
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How do you put Shakespeare’s King Lear on a stage the size of a postage stamp with 6 actors (3m,3f) running 90 minutes?
