A Day In The Life / Hester Young

Posted on August 25, 2015 by Margaret Graham

Today finds me far from the New Jersey suburb that I call home, in the midst of a research trip for my second novel. My husband and I have left our kids with my mother and journeyed to Arizona. The timing isn’t perfect–my first book, THE GATES OF EVANGELINE, has a lot going on publicity-wise as we prepare for our U.S. release. But the sequel needs some love, too, so here I am!

Today, we begin the morning at a B&B on the edge of Tucson, a city I used to live in. I take a 5 AM stroll on the trail out back and watch the sun come up. Lizards, birds, and rabbits scuttle and hop about, and I even spot an antelope jackrabbit. I make notes on the different types of cactus and desert plants I see so that I can accurately describe them in the book later.

My husband and I enjoy a breakfast of tortilla chips, black beans, and nopalitos (a type of cactus)at a place called Coyote Pause. I scan through publicity and marketing emails regarding THE GATES OF EVANGELINE while he frets over the weather reports. Looks like we will be braving temperatures of up to 46 degrees Celsius! My first novel required research trips to Louisiana during Mardi Gras–this is not quite as cushy. We chat and review our plans for the day, and then I sneak in some writing time with a notebook in the courtyard before it gets too hot.

Next, we head an hour south to Nogales, an Arizona town that borders a Mexican city by the same name. I’ve arranged a tour tomorrow with an officer at U.S. Customs and Border Patrol to get info for the book. Today, we are meeting Scott Nicholson, an American charity worker who has offered to guide us through the Mexican side of Nogales and show us one of the city’s poorest communities.

Scott brings us to Tirabichi, a garbage dump once home to thirty families who made their living recycling found materials. The dump has recently been shut down by the government and its dwellings destroyed by a pair of suspicious fires that killed one resident. Few families remain. My work-in-progress has a scene set here, so I get a good look around and speak a bit with the caretaker in my stilted Spanish.

Over lunch, we chat with Scott about his life and work. Though American, he lives and works at a Mexican community center called HEPAC, which offers free lunches for local children, adult education courses, and a new affordable child care center. In his free time, Scott hikes seven miles through the desert to leave water for desperate migrants who might otherwise die as they seek to cross the border. I am amazed by his big heart. Meeting interesting individuals with powerful stories is one of my favorite parts of being a writer.

My husband and I return to the U.S. mid-afternoon and check into a local hotel. I spend a couple hours writing while he naps. When he wakes, we do a Facetime call with our children, who breathlessly relate their day’s adventures.

Although we aren’t expecting high cuisine from this dusty border town, we find a surprisingly delicious Italian restaurant in a neighboring town. It’s strange to go from the poverty of Mexico to sipping wine and nibbling an eggplant appetizer, but I suppose this is what writers do: move in and out of worlds. Tonight I am particularly grateful for all that we have. I can’t wait to integrate the things I’ve seen into my latest novel.

Naming The Day: Jane Cable On Organising a Charity Litfest

Posted on July 29, 2015 by Jane Cable

Author and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfest

“This is fabulous” said my fellow Chindi author Christopher Joyce, reading about the Words for the Wounded grannies’ latest exploit. “Let’s do something to support them.”
I was so pleased. “Perhaps an event?” I suggested.
“Yes – we’ll have a litfest.”
Nothing if not ambitious, is Mr Joyce.

First, let me explain about Chindi; we are group of indie authors from the Chichester area who work together to share information on best practice in publishing and to promote our books. Christopher Joyce, a children’s author, is one of our founders, our chairman and all round powerhouse. And when he sees a great cause like Words for the Wounded, he can’t help himself but get stuck in.

When we put the idea of holding an event to raise funds for the charity to one of our monthly meetings most people supported it so we agreed to go ahead. But our calendar was already crowded with a series of Saturday morning workshops over the spring and summer and two events as part of the Festival of Chichester in June, so it had to be in the autumn. Plenty of time to arrange things then.

The only person I know with more energy than Chris is Words for the Wounded chief grannie and Frost contributing editor, Margaret Graham. I sometimes worry about what will happen when we get them in the same room. But for the litfest, even Margaret exercised words of caution; Chris was planning a whole weekend – she thought perhaps a day would be fine.

We sketched out ideas of a structure and in the end compromised on a full day on the Saturday and a Sunday breakfast. Margaret would give a morning talk, then lunch with a keynote speaker, a family bookish treasure hunt in the afternoon and an informal fundraiser in a pub in the evening. Rounded off by a book-swap breakfast to nurse our hangovers.

For a while we suffered from chicken and egg syndrome; we had the ‘what’ and the ‘why’ – but should we now focus on the ‘who’, the ‘when’ or the ‘where’? Realistically it had to be when so we narrowed it down to a couple of dates when Margaret and her right hand woman Jan could make it.

Next was who: – we had Margaret, of course, but really wanted another writer as a keynote speaker. Once again we turned to Margaret – having read Words for the Wounded’s impressive list of literary patrons – and she suggested Elizabeth Buchan. I have to admit I was nervous emailing such a superstar of the writing world but I received an almost immediate reply – she would be honoured to help out, but she could only make one of the dates – 17^th October.

So there you have it… save the day if you’re anywhere near the Chichester area – 17^th & 18^th October, Chindi’s Words for the Wounded Litfest.

But have we left ourselves too much to organise in too little time? Find out, dear reader, next month.

Learn more about…
Words for the Wounded: www.wordsforthewounded.co.uk
Chindi Authors: www.chindi-authors.co.uk
Margaret Graham: www.margaret-graham.com
Elizabeth Buchan: www.elizabethbuchan.com
Christopher Joyce: www.creaturesofchichester.com
Jane Cable: www.janecable.com

Why Writers Return To Carcassonne By Jane Carling

Posted on March 17, 2015 by Margaret Graham

I am always on the look out to find ways of improving my writing and I also know that not only is a good tutor essential, but one needs time to think and concentrate. So hey, why not combine it with a holiday? I struck lucky when, two years ago, I discovered French House Party. It is a country retreat that provides an all-inclusive oasis of calm for both experienced writers and novices who seek inspiration away from daily distractions of life.

Located in the hamlet of Pexioria, the converted stone barn is about twenty minutes from Carcassonne in SW France. Each of the pretty eight bedrooms are en-suite, individually styled and in June the scent of lavender fills the air, whilst just across the track are fields of sunflowers. If only I could paint. On arrival at Toulouse, I was whisked away in an air conditioned limo to this haven and was greeted by my host, Moira Martingale with a glass of champagne as she introduced the group to one another. There were only six of us last year, although they can cater for up to twelve. The only important decision required was Red, Rosé or White as delicious meals, prepared by the innovative Regine, was placed before you.

Sarah Hymas runs the creative writing courses. She is an accomplished mentor, coach, editor, and a recognised poet who also writes short stories and performs plays. Effortlessly, she really made us think outside the box, encouraged our inner creativity, dispelled any inhibitions to overcome writing blocks and has a wicked sense of humour.

The course began at ten each morning until lunch, then we were free to write, walk, cycle
(the Canal du Midi is close) play tennis or table tennis, swim, or just sit in the sunshine with fellow scribes.

Included in the price, are two suppers in excellent restaurants, one of which is highly acclaimed and set within the Medieval City walls of Carcassonne. There is also a free day for relaxation, to write, to shop or visit local attractions and one evening was dedicated to discussing our work over a leisurely Dinner.

This year they have introduced a retreat week, “Pen and Think” for those wishing to focus on personal projects and Sarah will provide individual support and critique.

Since discovering French House Party, I have made some great new friends including a Tasmanian hermit who is now travelling the world, an enigmatic octogenarian who was writing her risqué memoirs and a fun character whose interpretation of French House Party was not quite what he expected. In between the laughter and fun, there is much discussion and sharing of writing and publishing tips.

Although this is not a cheap week, it is worth every penny for anyone of any age who is writing a novel, short stories or just starting out as a writer. Stepping out of one’s comfort zone is daunting, but last year the disparate bunch of people blended so well that my laugh lines had doubled on my return. So, armed with excess baggage of eye cream, in June I shall be returning for the “Pen & Think” week to indulge in the delights of words, warmth, and a little wine whilst hoping to get some work done.

As a romantic Indie novelist, I like to write fast paced romantic stories set in sunny locations and to date I have published two books, Pandora’s Box is set in Greece and my latest, Ruby’s New Coat, is a wartime romance, set between London and Crete.

Details are on my website: www.janecarling.co.uk and both can be purchased on Amazon.co.uk and Kobo.com.

For more information about French House Party visit www.frenchouseparty.co.uk

How Can Organizing a Literary Festival be Fun? By Margaret Graham

Posted on February 10, 2015 by Margaret Graham

Easy peasey, when it’s for a good cause, and you have fantastic writers in support.

The thrust of our fundraising at Words for the Wounded is two-fold. We feel we must earn our donations which help the wounded, and offer opportunities to aspiring writers, and interested readers – hence the writing competitions.

Remember that the three grannies who run the charity absorb all the costs, so every penny goes to the wounded.

Last year, to raise extra funds for the recovery of wounded troops, we grannies, who run Words for the Wounded, decided to throw ourselves out of a plane (with parachutes and a handsome man to cling to, I might add). This year, in August we’re splodging through mud doing a Military Assault Course.

Not quite the same elan, but sons-in-law, who are doing it too, are very much looking forward to not catching us when we toppled from the tyre wall.

It seemed, however, a good idea to do something less strenuous in the meantime. A Literary Festival seemed just about the ticket.

First panic: will people come? Build it and see, seemed to be the thing to do. Wasn’t that what Kevin Costner was told about a baseball field?

Second panic: will we attract speakers? Well, let’s try our mates.

So we get on the phone to call a couple of WforW patrons.

Katie Fforde is a Sunday Times No 1 bestseller and a great pal. ‘’Of course,’ she said. ‘Let’s do it. In fact, you and me together, Margaret, chatting.’ Done.

Second call to Rachel Cuperman. Rachel writes Midsomer Murders scripts, and if they’re not bestsellers, I don’t know what is.
‘Of course,’ she said. ‘Can’t wait. I’ll get my co-writer, Sally Griffiths to come too.’ Done.

I am kissing the hem of their garments by now.

Penny Deacon is one of the grannies, and a crime writer. She will be talking about her work. Done.

A past student, Amanda Hatter, and Catriona Troth, who is a committed member of the Alliance of Independent Authors, are to sit on our self-publishing panel. Me too, me too, to try to keep them under control.

Photo attribution: Ruth Jenkinson

Catherine Balavage, publisher of Frost Magazine, who would have been with us has a far more important project on the go – a son to be born at about the same time.

Finally, we have a fantastic agent: Felicity Trew of the Caroline Sheldon Literary Agency who is really looking forward to meeting all the aspiring authors in the audience. She will be here for the day, so loads of time for networking.

Then we have the food: As real foodies the grannies have been planning lunch, with wine, and tea with cake. We’re of an age where life seems to revolve around cake… Join us in pursuit of the calories.

Waterstones will be there, writers will sign books. There will be an artist exhibiting her work. There will be a buzz. It’s the inaugural Literary Festival for Downley Community Centre, which has been fantastically supportive.

So come. Enjoy the day. Tickets in advance to facilitate catering.

It’s been fun organizing it, and will be even more so, on the day.

Remember: the grannies absorb all the costs of the charity every penny we raise goes to where it’s needed.

Where is it needed? See the sort of injuries our service personnel suffer:

https://www.frostmagazine.com/2014/12/wounded-the-legacy-of-war-photographs-by-bryan-adams/

Date: April 18th. 9.30 for 10.00 start until 5.00. Downley Community Centre, High Wycombe, HP13 5TR Tickets £50 to include all refreshments.

Contact: Margaret@margaret-graham.com for information and tickets, or go to www.wordsforthewounded.co.uk

Askerswell Short Story Workshop by Wendy Breckon

Posted on January 27, 2015 by Margaret Graham

One of the most pleasant ways to spend an afternoon, is to share ideas with other writers and learn one or two writing tips. On Saturday 17^th January, the car ambled through the country lanes to Askerswell near Bridport, for a short story workshop. Accompanied by a rather large notebook and a trusty pen, I bumped into other like minded people as we walked up the path. The flyer for the Dorset Writers’ Network said, ‘let your imagination fly’, and that is exactly what we did. In the warmth of the cosy surroundings of Grey Cottage, our excellent tutor, Frances Colville guided us towards creating the perfect short story.

The twelve writers gathered around the table, listened, scribbled down ideas, exchanged helpful notes and read their work. There is something magical about listening to other peoples’ writing. All so different. Quite fascinating. Wonderful.

Frances is a very accomplished writer. She gave us a clear understanding into the composition of a good short story. I found her tips very helpful and thought provoking. One of the constructive ideas she presented to us, is to hot seat your chosen character. This technique is valuable for gaining further appreciation of characterisation; such as understanding his or her personality; age; relationships with others or individual motives. Either, ask yourself the questions about the person you have created, or ask someone else to ‘hot seat’ you. Both are effective tools to consider when writing a short story.This was very helpful, for gaining an extra insight into the creation of our own characters.

Our tutor made a number of further practical suggestions; the important use of dialogue in short stories; the inclusion of dramatic tension and how to achieve it, and the necessity for vigorous editing. Reading your story out loud is very important for getting the sense of rhythm and pace.

A worthwhile exercise to do at home, (which I immediately applied to my own writing), with great success, is to explore a written piece and the application of descriptive words. Are they the best ones to choose? Are you using cliché and words that are too obvious? Frances suggested, that as writers we underline each one, and think of them on an individual basis.

Four o’clock. It was the end of the session. Chairs were placed under the table. Notebooks and pens disappeared into bags. Coffee cups pushed to one side. Everyone left chatting, heads buzzing.

Frances Colville gave us lots to think about in her invaluable and absorbing session. I could have stayed for another two hours.

So now, it’s time to think of an idea! If you want to take part in the competition, create a story with a maximum of 500 words. This should be set in Dorset, have a strong sense of place and have equally strong characters. The winners will be chosen for the e-book anthology and the closing date is the 31^st March.

So, let those thoughts slide on to the page and your imagination fly. Without any further hesitation get writing.

Short Story Workshops Across Dorset by Margaret Graham

Posted on January 16, 2015 by Margaret Graham

One of Frost’s favourites, author Kate Kelly, who wrote of her experiences at the Edinburgh Festival is featuring as a tutor at one of the free Workshops taking place across Dorset over the next two months.

In an effort to reach aspiring writers living in rural communities a series of free-entry creative writing workshops for adults has been devised and take place at twelve venues across Dorset between 12 January to 14^th February.

Amongst the tutors is another familiar name. Frances Colville who arranged the Bridport Slam, won by one of Frost’s most fun writers, Wendy Bracken, is teaching. Frances herself has featured in Frost in A Day in the Life. In addition, there is Tracy Baines who I taught, and who is a successful short story writer, so lots for the aspiring writer to enjoy.

Perhaps they would like to enter the Words for the Wounded writing prizes? www.wordsforthewounded.co.uk

The short story workshops will kick-start DWN’s first e-book anthology. For anyone and everyone who enjoys writing or would like to learn to write short fiction check out the communities listed here: Winfrith Newburgh, Sturminster Marshall, Cerne Abbas, Askerswell, Durweston Horton & Chalbury, Martinstown, Stalbridge, Verwood, Crossways, Upwey, Bourton

To book a place, email sue@dorsetwritersnetwork.co.uk

Taking part gives you free entry to Dorset Writers Network e-book competition. Competition launch event is on Saturday 24th January – 2.30pm – at Dorchester Library.

Come along to hear Natasha Solomons reading from her work and celebrate the launch of Dorset Writers Network’s e-book competition. Advance booking essential, telephone Dorchester Library on 01305 224440.

THE FAERIE TREE: A book in the making

Posted on December 21, 2014 by Jane Cable

Yule: A time to celebrate with those we love. A season full of magic and new beginnings which spring from the darkest days of the year.

When short, dark days stretch interminably ahead the deep human urge to rebel against nature and celebrate is hardly surprising. It is an instinct deeper than religion, broader than faith; whether it’s carols in church, TV and tinsel, or the burning of a sacred log, it is something which touches almost all of us.

After 21^st December the days start to become a little longer. Actually, that’s what I need. Maybe there is some mid-winter magic to create a few extra hours in each one. Maybe I should write to the fairies and ask them. As well as everything else, this festive season I have proofs to check.

The last few months have been particularly hectic as I balance work, writing, preparing for publication of The Faerie Tree and even a stint or two selling books on Chichester Christmas Market. That came about because I’m lucky enough to be part of Chindi, a very active group of independently published authors in the Chichester area. The reason we exist is because there are so many things we can do together which we couldn’t do alone, and one of those was to take a stall on the Christmas Market. It was something of a learning curve and a great opportunity to meet readers. It was also fascinating to see which books sold well and which didn’t – and to try to work out why.

The huge importance of covers was brought home to us very quickly – which was actually great timing for me as far as The Faerie Tree was concerned. The Cheesemaker’s House is pretty striking visually and people tended to head straight for it on the stall. But when it was stacked sideways with other books the title disappeared – and having watched one gentleman struggle with the colour of the print on the back I realised a few things would need to change next time around.

My main concern when briefing the cover designer at Matador was to make sure the book looked as though it was for adults. The title could imply it’s a children’s story so it had to be crystal clear at first glance who it was meant for. I also wanted it to look as much like The Cheesemaker’s House as possible. It’s an inescapable – if a little uncomfortable – fact that authors are brands these days.

When I first saw the cover of The Faerie Tree I had one word for it: wow. It’s a word I’ve heard time and again as I’ve showed it to the people closest to me and to other members of Chindi. So, for the first time, I am revealing it to the wider world through Frost readers and I’m really interested to see what you think. The significance of the candle? Well, you’ll have to wait until Imbolc to find that out.

Now that the cover has been designed there is a plethora of marketing material to sign off. The paperback will be in the shops from 1^st May and the book trade need to know about it now, so an AI (advanced information) sheet has been prepared as well as a trade press release. They’ve been languishing in my inbox for over a week but gut instinct tells me sending them out this side of January would be a waste of time. The thought is salving my conscience anyway.

The Yeovil Literary Festival – An Author’s Perspective By Kate Kelly

Posted on November 11, 2014 by Margaret Graham

If you braved the rainclouds and ventured into Yeovil in the first weekend in November you might have noticed large green banners flying outside a number of venues, for this was the weekend of the Second Yeovil Literary festival. The first Yeovil Literary Festival took place last September, and this year I was delighted to be taking part again.

Liz Pike, one of the festival organisers.

I was in fact involved in three events across three of the festival venues. They were three very different styles of event, and were only a tiny fraction of what the festival had to offer.

The first event was the Yeovil Prize Winners event on the Friday Morning. The Yeovil Prize was founded by bestselling author, Margaret Graham, with James Mitchell to raise funds for the arts of the area. When Margaret moved from Yeovil, crime writer, Penny Deacon took her place until handing over to Margaret’s ex-student, Liz Pike and her team. It is now in its 11^th year and continues to grow. It is an internationally renowned competition, and since its earliest days it has been watched closely by both editors and agents, and as the list of success stories continues to grow it is clear why.

I am one such author – Red Rock was Highly Commended in 2010 and I’m convinced that this helped tip the balance with the agent who was considering it at the time. This year it was lovely to have a number of winners in the poetry category in our midst. We took turns to read our winning entries and talked about what the Yeovil Prize has meant to us.

The Yeovil Prize Winners Panel.

If you are interested in reading some of the poetry and fiction that has been shortlisted over the past couple of years, then the Yeovil Prize Anthology is now available.

Marcus, manager of Yeovil Waterstones with copies of the Yeovil Prize Anthology.

That evening I was honoured to host “In Conversation with Jason Hewitt”. Jason is a debut novelist and The Dynamite Room was published earlier this year. It is a World War 2 story, but one with a difference and is absolutely superb. Set on the Suffolk coast in July 1940, a German officer swims ashore and breaks into a boarded up house. There he finds Lydia, and 11 year old escaped evacuee hiding in the attic. Over the next five days Lydia is held hostage in her own home – but there is more to the German that meets the eye – for how is it that he knows her name?

In Conversation with Jason Hewitt.

I really enjoyed meeting Jason and chatting to him. The ‘In Conversation’ style of event was a lot of fun, very relaxed, and Jason had so many interesting things to tell us that the time simply flew!

Jason Hewitt and “The Dynamite Room

The following day was my third event, and quite a change from what had gone before. This time I was in the Yeovil Library running a writing workshop for children.

Outside Yeovil Library.

The event was well attended and I couldn’t have asked for a better bunch of kids to work with. They were all so enthusiastic and imaginative and half an hour after the event had ended were all still sitting scribbling away. I suspect there might have been some budding authors in their midst.

Of course, these were only three events in a packed programme. The organisers have really built on last year’s success and I can’t wait for next year.

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