Author Archives: Frostie

An Introduction to BDSM – a beginner’s guide by Tiffany Reisz

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Here is an excellent guide to BDSM (Bondage, Discipline, Sadism, Masochism) from erotic writer Tiffany Reisz. Perfect for turning up the heat in winter, and beyond.

  1. Think about why you want to try. A healthy sexual relationship should be about having fun and enjoying each other. There are many different ways to inject a touch spice into your sex life and BDSM although scary sounding can be a fun way of adding a touch of ooh lah lah as well as bonding you and your partner. In more ways than one, perhaps!

 

  1. Think first – Before you approach the topic of introducing BDSM into your sex lives, make sure you are doing it for the right reasons: to get closer and deeper into the relationship, enjoy and celebrate each other as well as to spice up your sex life.

 

  1. Talk about it – How else will you know what you want to explore? Talk about what type fantasies you may have – it’s part of the fun discussing and planning what you think you want to try out. BDSM needs a lot of communication.

 

  1. First steps – Try out some fantasies in ‘non-threatening areas’ such as during phone sex. It’s a fun way of easing into roleplay and can be done throughout the day at unexpected times.  It may help to suggest days and times when it’s best to call – the last thing you want is to have someone else answer the it!

 

  1. Light bondage is always fun, sensual and sexy. For example, my favorite scene in The Prince involves nothing more than light bondage. Søren has his lover Kingsley tied to a bed so Kingsley can’t move his hands. The only thing Søren does is touch and kiss Kingsley every where except where Kingsley wants to be touched and kissed. Orgasm denial mixed with light bondage is a delightful way to sensually torture your partner. Tease him or her until they’re begging for release and only when they’ve begged enough do you give them what they want.

 

  1. BDSM doesn’t require expensive equipment or a dungeon all your own. Household objects can be used for light pain-play. Do you own a leather belt. It’s great for light-whipping on the bottom or back of the thighs. Søren and Kingsley don’t have access to BDSM equipment when they first become lovers at school That doesn’t stop them from doing pain-play. Everything from a belt to a thin but sturdy tree branch can be used. If it was good enough for our grandparents to punish our parents with, it’s good enough for us to use during S&M play.

 

  1. Mistress Nora loves sensual BDSM. She loves mixing pain with pleasure. In The Siren, she ties a young man spread-eagle to a bed on his back, mounts him in women superior position, and drips candle wax on his chest during the sex. Pleasure + Pain = Magic.

 

 

  1. Keep communicating – BDSM is always about communication. After sex or while you are feeling especially close to your partner, it’s good to share things and let each other know how it felt, what parts you may want to do again.  It is critical to know when one of you wants to stop. Agree on a ‘stop’ word or signal – remember some areas of BDSM may mean difficulty in speaking (mouth lightly gagged, for example).

 

 

  1. Take Turns – As with everything, it is give and take. Agree to try out something new and take turns. As time goes on, you will both learn who is the ‘dominant’ and who is the ‘submissive’. Kingsley had no idea he had a submissive/masochistic side until the first time Søren held him down by his wrists on a bed. It’s something as simple as enjoying or loathing being held down that can tell you what your sexual persuasion is.

 

  1. Keep it coming As you continue to play these games, your relationship will reach levels of trust, communication, and intimacy that you’ve never experienced before so introduce it as regularly as you see fit.

 

By Tiffany Reisz who’s book ,The Prince is out now

 

 

Household spending edges higher, while spending patterns differ by income

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The ONS recently revealed their latest report and Frost Magazine found it very interesting. As the seemingly never ending recession kicks our butts, the facts are that we are spending more and more. Check out the survey below.

 

Family Spending, the annual report from ONS on household expenditure in the
UK, found that in 2011, average UK weekly expenditure rose to £483.60, an
increase of £10.00 on the level recorded for 2010. The 2011 average
expenditure is the highest recorded by Family Spending.

Spending was highest on the transport costs category at £65.70 per week, up
80p from the previous year. Over half of all transport (£36.40) was on
running costs, which rose by £3.10 (an increase of nine per cent, following
last year’s 14 per cent increase). Most of the increase in running costs
was due to spending on fuel, as petrol, diesel and other motor oils
increased by £3.30. Higher expenditure on personal transport was also
reflected in vehicle insurance (£9.40 in 2011 compared with £8.00 in 2010).
On average, household expenditure was more than twice as much on
second-hand cars (£12.90) as new cars (£5.50). Unlike most types of
transport expenditure, spending on new cars decreased in 2011, from £6.50
per week in 2010.

The second highest expenditure category was recreation and culture (£63.90
per week). There was a small decrease in expenditure on audio-visual
equipment (including computers) averaging £6.30 per week in 2011 compared
with £7.20 in 2010. Spending on many recreation items remained fairly
constant, including games and toys (£2.20) and garden equipment (£2.60).
Spending on newspapers, books and stationery was similar in 2011 at £5.70
per week. However, there was a small increase in spending on recreational
services, including cinema tickets, leisure classes and admission to
sporting events, from £17.80 to £19.80. A weekly average of £4.00 was also
spent on pets and pet food. Average expenditure levels in the third highest
category: housing, fuel and power increased to £63.30 in 2011 from £60.40
in 2010. This was partly due to an increase in maintenance and repair of
dwellings, which rose by £1.00 to £7.70. Gross rent rose by 70p in 2011, to
£40.60. Average expenditure on electricity, gas and other fuels was £22.10
per week, an increase of 70p.

Weekly household expenditure on food and non-alcoholic drinks increased
from £53.20 in 2010 to £54.80 in 2011. However, the amounts spent on fresh
fruit (£3.10) and vegetables (£4.00) were unchanged.

Some types of expenditure decreased in 2011. This was notable for household
goods and services, which saw a drop of £4.10 to £27.30. This was mainly
due to a decrease of £2.80 in spending on furniture, to £13.80. Expenditure
on clothing and footwear was also lower in 2011 than in 2010, decreasing by
£1.70 to reach an average weekly expenditure of £21.70; of this decrease,
£1.00 was in clothing, which fell to £17.60. Spending on men’s outer
garments decreased by 60p to £4.20, while spending on women’s outer
garments fell by 70p but remained much higher than men’s at £7.70 per week.
Footwear for adults decreased by 40p in 2011, men’s footwear fell by 10p to
£1.30 and women’s fell by 30p to £2.10.

There were notable differences in expenditure patterns by income, seen by
comparing the ten per cent of households with the lowest incomes and the
ten per cent of households with the highest incomes. The lowest-income
group spent a larger proportion of their total average weekly expenditure
on housing, fuel and power (23 per cent), and food and non-alcoholic drinks
(16 per cent), than those in the highest income group (8 per cent in both
expenditure categories). Households in the highest income group spent a
greater proportion on transport (16 per cent) and recreation and culture
(14 per cent) than those in the lowest income group (7 and 10 per cent
respectively). Differences by income were also evident for internet access,
with 41 per cent of households in the lowest income group having access to
the internet at home, compared with 99 per cent of the highest income
households.

Overall, average household expenditure in the UK was £470.70 per week for
the years 2009–11 combined. There were five regions in which expenditure
over this period was higher than the UK average: expenditure was highest in
London (£574.90 per week), followed by the South East (£539.30), the East
(£497.10), Northern Ireland (£489.40) and the South West (£479.90).
Spending was lowest among households in the North East (£384.20 per week),
Wales (£398.20) and Yorkshire and the Humber (£410.10).

The high spending of London households of £574.90 was partly due to the
housing, fuel and power category, £91.30 per week, compared with the UK
national average of £60.30 per week. Households in rural areas had higher
overall expenditure (£510.50 per week) than those in urban areas (£458.30
per week). This was reflected in expenditure on transport, where spending
was highest (£77.40 in rural areas and £58.80 in urban areas), and
recreation and culture (£68.80 in rural areas and £57.20 in urban areas).
However, expenditure on the housing, fuel and power category was higher in
urban areas (£61.30 per week) than in rural areas (£58.30 per week).

Read the full report at
http://www.ons.gov.uk/ons/rel/family-spending/family-spending/family-spending-2012-edition/index.html

Les Miserables Movie Musical Exclusive Review

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Les Miserables’ movie musical – screened for cast and crew members at the Odeon Cinema in London, Leicester Square on the 4th of December 2012 – soon to be released in the cinemas.

 

I was lucky enough to be invited to the cast and crew screening of ‘Les Miserables’ on the 4th of December 2012 at the Odeon cinema in London, Leicester Square.

 

 

In a speech, held before the screening, award winning British film and television director, Tom Hooper, did thank all the cast and crew in the cinema making his dream come true.

 

Sir Cameron Mackintosh admitted that it had been their dream to make a movie musical and the fact Tom Hooper asked him on this amazing project was a really good thing as the director came up with an amazing vision of how he wanted it. Tom had in fact suggested disaggregating all the scenes for filming purposes to then put them back together in the movie. Mr Mackintosh admitted making a movie and especially a movie musical takes so much more work than putting together a theatre production. He funnily mentioned how the lack of sleep was a constant thing during the production!

The film musical had just been completed before the screening and Mr Hooper ironically wished he could have had a couple of hours more to do some extra touches.

‘Les Miserables’ movie has already had the Guildhall screening in the USA where it received a great feedback but now, the main aim is to bring the production in London.

In between the mentions in Hooper’s speech, Simon Hayes and his team for the sound department and all the post production team which did an amazing work, the costume department – which had to really work out the choice of fabrics so that the microphones would not be inhibited – Steward Hilliker took care of this. The camera team which had to film several scenes with multi-cameras; it was a real challenge. Really, a great team work. Also, Hugh Jackman’s remarkable and poignant performance of Jean Valjean cannot be left unmentioned.

 

The live sung movie musical is much more emotionally bounding than the old school movie musical version where actors used to mime the singing on a pre-recorded track. I found the movie as poignant as the live staged version. In the theatre it is great to be present and literally breath the performance but unless you are sitting in the very first rows, you hardly get to see the actors expressions when in the movie musical you can clearly see their eyes and facial expressions. This works amazingly to get into the actors’ deep feelings highlighted by remarkable close ups that, on the big screen together with the musical effects, make the audience unavoidably feel exactly how the characters felt whilst singing those lines live to the cameras (see video link below).

The movie respects the same sequence of events of the original Boublil – Schönberg musical theatre score. The musical and emotional tension is not released till the ‘Master of the House’ entertaining scene where we even see a featured Father Christmas!

Pablo Bubar – one of the many cast members who attended the screening – explained to me how, for the revolution scene, he had been called on set for 6 days, working 13 to 14 hours per day. Crew members worked even more than 17 hours per day.

 

The movie produced by Working Title Films (Sarah Radcliffe and Tim Bevan) will be released on the 25th of December 2012 in the United States and on the 11th of January 2013 in United Kingdom.

Might this movie be the landmark for more live sung movie musical productions to come celebrating really good acting and filmmaking and I bet cinemas will be full again!

 

http://www.imdb.com/video/imdb/vi2587403289/

 

 

Written by Paola Berta

 

Encouraging Imaginative Play is the Best Gift you can give this Christmas

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When children play, it looks and sounds incredibly random. They seem to shift from one imaginary game to another with each game having no relation whatsoever to the previous. One minute they are quite happy creating mud pies with a delightful concoction of grass, worms and dirt while leaving horrifying holes in the grass, and the next minute they are hiding from dangerous jungle creatures in their exciting safari shelter / garden bush. No matter where they are, who they are with or what they’re supposed to be doing, children will find extraordinary ways to create some fun imaginary
playtime.

With Christmas on its way, mummies and daddies all over the land are trying to find the perfect gifts for their little ones, and with the latest flashy gadgets arising from the tech-toys market, it’s easy to become distracted by their bright lights and impressive noises, and we forget why traditional imaginative play is so important. With technological advances in children’s toys, playtime appears to become more and more complex with lots of working buzzers, buttons and mechanical devices;
however the very nature of these modern toys actually encourages play to become simpler. The
more complex the toy, quite often the play becomes less thoughtful and the style of play is already
decided by the gadget itself.

Whilst the recurring holes in the grass and injured garden foliage may become increasingly annoying,
it’s this sort of play that can be the most beneficial for our youngsters’ development. Don’t despair,
though, these benefits don’t just apply to garden antics; it’s the imaginative factor that’s so crucial.
Imaginative play is encouraged the most if children’s toys leave some things to the imagination.
Wooden dolls houses, for example, are one of the best sources of imaginative play; a wooden dolls
house creates a whole world of possibilities. Playing with dolls and furniture inside a dolls house
gives children chance to create any type of story they wish; the dolls can become lots of different
characters that talk and play with each other, and these conversations help to develop important
communication and language skills.

Although dolls house dolls and furniture have a gorgeous amount of detail and special features
these days, the style of play is still left to the imagination. Children’s dolls houses are designed to
encourage imaginative play, and it is this freedom that helps children to learn so many valuable
skills. The very nature of a children’s dolls house encourages children to share with each other and
enjoy making plans together; whether that’s making the dolls pop to the local shop for some milk,
or having fun making lunch in the kitchen. When children take part in role play with the characters,
they are involving their own feelings about the world around them, and making decisions about
how the characters behave and talk is a lovely opportunity for them to explore behaviours and conversations that they’ve seen and heard in the real world. This involves important decision making and helps to develop logical thought processes in preparation for real social experiences.

While wooden toys are perfect for imaginary play, they are also wonderfully eco-friendly and
economical; they don’t include any chemicals or harsh substances which makes them perfectly safe – particularly when little ones have a habit of putting anything they can find in their mouth! The durability of high quality wood means that the toys have a very long life and are perfect gifts to pass down to future generations, making them timeless and extra special for those loved ones.

Written by Hannah Davey, a consultant for The Play Experts at the Big Game Hunters Dolls Houses
team.

Improve the Workflow of any Business by Improving Organisation by Matt Rawlings

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When you’re looking to take a business of any genre to the next level, the main stumbling block is quite often the level of organisation. It can be absolute chaos in some industries with paperwork here, there and everywhere, products being shipped all over the world, employees at various different company locations, the list could go on and on.

As a result, keeping your staff not only in order but in a positive mood to ensure that productivity is at its highest can be difficult; but nowhere near as difficult as keeping productivity and efficiency to the standards desired by those paying for your goods and services. This is where technology can come in handy.

Let’s look at an example that might not immediately spring to mind when you think of computerized organisation – the construction industry. You could have a head office on one side of the UK, in Newcastle for instance, and you could have a project in progress in Taunton, the complete opposite end of the country.

Communication between the two locations is simple – you can just ring from the site to the office – but paperwork needs to be signed off at the end of each stage of the process, and when it has to be mailed from one location to the other this can take days, even longer, slowing the whole construction process down, decreasing productivity.

If the company were to install some form of documentation controlling software, they could store all of the papers in one central location on a computer and provide access for all relevant parties, whether it’s those in the head office, those at the site, or the company they’re building for – allowing them to monitor progress and make sure that the deadline will be met.

As with any business, the more organised a company can be, the more efficient the essential processes can become, helping you to take your business to the next level in terms of productivity, customer service and also reducing the stress levels of those involved!

Matt Rawlings

Louie Spence to take on ‘Saving The Nation’ in new Gocompare.com TV campaign.

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Louie Spence is the latest star to take on ‘Saving The Nation’ in the new Gocompare.com TV campaign. 

Following in the footsteps of Ray Mears, Stuart Pearce and Sue Barker, the Dancing on Ice judge is on a quest to Save The Nation from notorious tenor, Gio Compario. 

Launching on Monday, 12th November, the Christmas themed ad sees Gio adorned in Christmas tinsel and forced to dance along to a video of Louie flamboyantly prancing around. Viewers may also be surprised (and relieved!) that there’s something obviously missing from this ad.

Kevin Hughes, chief finance and marketing officer, Gocompare.com, commented, “We have had a great reaction to our Saving The Nation campaign so far and hope to see this continue with our latest ad starring the insatiable Louie Spence. This instalment is a lot of fun and Louie manages to silence our moustachioed tenor in a completely different way to previous celebrities. This is also the only instalment that will not feature the famous “Go Compare!” song – we know that some people find the song annoying so this is our gift to the nation at Christmas.”

The 16th UK JEWISH FILM FESTIVAL

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this year’s UK JEWISH FILM FESTIVAL (November 1st-18th) which opens in London and Manchester on November 1st with the UK premiere of PARIS-MANHATTAN, the debut of French writer/director Sophie Lellouche. A delightful romantic comedy inspired by the philosophy and comedy of Woody Allen, PARIS-MANHATTAN stars Alice Taglioni and Patrick Bruel (left with Sophie Lellouche) and features a cameo by Woody Allen himself.

This year’s UK Jewish Film Festival rolls out simultaneously to Manchester, Liverpool, Leeds, and Glasgow for the first time since Executive Director JUDY IRONSIDE founded the festival in Brighton in 1997. More than 70 feature films, shorts, documentaries, and TV programmes will be shown at this year’s festival including the hotly tipped ZAYTOUN starring Stephen Dorff; the highly anticipated YOSSI, Eytan Fox’s follow-up to his Tribeca winner, Yossi & Jagger; HIS PEOPLE, a poignant, funny black and white silent film made in 1925 which will screen at the Barbican with a live score performed by SOPHIE SOLOMON; the riveting documentary GAINSBOURG ON GAINSBOURG: AN INTIMATE PORTRAIT; the absorbing SIMON AND THE OAKS by award winning Swedish director Lisa Ohlin; SHARQIYA an absorbing story about the plight of a family of displaced Bedouins; ROMAN POLANKSI: A FILM MEMOIR; MY DAD IS BARYSHNIKOV the uplifting tale of a misplaced ballet pupil in the pre-Perestroika Bolshoi Ballet School; and many more.

Events include THE SHARPEST CUT in which David Baddiel, Norman Lebrecht and guests discuss the portrayal of Jews in TV and film; EMERGING FILMMAKERS day with workshops by the likes of Michael Kuhn and Tim Bevan; TEL AVIV ON FILM which celebrates the way the city has been captured on film; PEARS SHORT FILM EVENT which will screen the two winning films and lots of Q&A sessions with filmmakers throughout the festival.

New luxury lifestyle emporium – Cuckooland launches in the UK

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– Another dreary luxury Gifting Site? Not on your nelly…. an exceptional site for extraordinary women launches in the UK-

Women deserve to be spoilt…check. Women love surprises…check. Women love unique…check. Well now comes a website that will spoil and surprise in equal measure with its unique and inspirational products for you, for your friend, for your family, heck – even your pooch!

Now if you are stressed out and have no time to pop down to John Lewis you just have to fire up your computer and go to Luxury lifestyle emporium Cuckooland is a website catering for the needs of the modern day woman and all her interests, impulses and indulgences. It features a range of luxurious and lavish products handily divided into useful categories including Mrs Smith, Mr Smith, Lifestyle Cool, Little Smiths, Pet Accessories, Travel and After Dark.

Each category showcases a cherry-picked selection of some of the most original and opulent brands on the planet including: luxury leather goods from across the pond with GI New York, the chicest jewellery from Sence Copenhagen, audiophile heaven from Ruark Audio, the sartorialist’s choice in travel accessories with TravelTeq and where else could you buy a white shirt for your dog? Only the most exclusive, original and desirable “non-mass produced” products reside in Cuckooland!

Even better, as a member you can earn site credits for sharing products you love with Cuckooland’s

“Share the Trends” incentive. Just share the products you love via Facebook or Twitter buttons on the product pages or you can create a Wishlist and then share your Wishlist by email, Facebook or Twitter and when the recipient buys the product via these links you receive credits:

• By sharing products up to the value of £75 you receive £2.50 credit on your

account.
• By sharing products over the value of £75 you receive £5.00 credit on your
account.

Unlike most luxury online gifting stores, the vast majority of Cuckooland’s stock is bought outright and kept at its warehouse for speedy delivery. All product deliveries are tracked and if you’re not happy with your delivery or order there is a “no questions asked 30 day returns policy”. And of course there is also a gift-wrapping service and a free gift tag available at checkout. In fact, the team at Cuckooland likes to think it has the best check out service in the business – quick, simple and secure. And, if you’re lucky you might even fall prey to a “Random Act of Cuckooness” – little surprises released by these slightly cuckoo people to brighten up your day.

Lastly, watch out for Zebarella, the awfully clever zebra centaur with a fabulously large bottom who you can thank for Cuckooland. It is Zebarella who had the idea of selecting the incredible array of original, desirable and non-mass produced products found in the hills, valleys, streams and estuaries of her native Cuckooland to share with you all online. If you want to see some of Zebarella’s favourite products take a peak at, “Zebarella’s Picks” a fantastic place to get you inspired before you flex your card.