Why Did I Take Up The Ukulele? By Sylvia Chadwick

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Life is like a road with many turnings and my musical interests have been many and varied.

It started way back as a child when I loved the weekly “Singing Together” programme broadcast on the radio for schools. At secondary school, our music teacher was inspirational, and talented enough to play every instrument in the school orchestra. I longed to emulate him. I began as hundreds of others have done by playing the recorder and moved on to the violin. My parents? Tolerant or deaf I would think. I eventually became part of the youth orchestra and finally became the leader… more about my age than ability.

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I began to play an accordion because my dear old Dad thought it was a super instrument and you could always earn a bob or two in a dance band. At the time I just wanted to make music so I started to learn on a small 48 bass one and soon moved to a much larger one, which was almost as big as me… being rather a small child.

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However this was not ‘cool’ as in the 60s everyone played the guitar and what teenager wants to be different than their peers. If only my dad had known that that it was the best tool I ever had for teaching young children to enjoy singing.

All this led to Chester Teachers’ Training College to study music and drama as part of my teaching course. It was here that I took up the piano. I was catching up with my secondary teacher.

It was in retirement that I joined High Wycombe and district U3A. Somehow my musical skills were discovered. A friend approached me one day saying that she knew that I played the guitar but did I play the ukulele?

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Did I? Well no, but I remembered a ukulele which I had been bought as a kind of joke Christmas present a couple of years earlier. I was in business. We went to listen to an established group in Marlow to see what we thought. First impressions? It was in a pub, so bring it on. In the back room were around 40 players. We sat down to listen when someone put a ukulele in my hand, I managed a few chords and I realised that I was hooked.

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So lets start a group up in the U3A we decided. We hoped that we could find a teacher but no one came forward so without more ado I was coerced into leading the group.

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We have been going around 6 months now and the group is growing from an initial start of around 12 to over 20. We have a percussion section too, and that is growing well.

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We meet once a month to play and we had our first ‘gig’ at our Christmas U3A coffee morning. It was great fun and seeing the smiles on everyone’s faces was fantastic. Its not a difficult instrument to get the basics going but it is really good fun to play together. I am still learning and keeping enough steps ahead of the group to be able to pass on the skills. My philosophy is that you cannot be sad when you are singing a cheery song and playing a ukulele. I love it. So we just keep strumming.

 

 

 

Interview With Dan Schreiber About The Great UFO Conspiracy

An interview with Dan Schreiber about The Great UFO ConspiracyThis Saturday night (14 March) sees More4 dedicate its schedule to some out-of-this-world programming for Aliens Night. In an all new one-off documentary airing first on More4’s Alien Night, comedian and presenter Dan Schreiber has gone in search of some of the Britons who believe in a huge government cover-up of extra-terrestrial life.

The Great UFO Conspiracy will air Saturday 14 March at 9:05pm on More4.

You’ve made a film, The Great UFO Conspiracy – what’s it all about?

It’s looking at the phenomena of conspiracy theories to do with aliens UFOS. Most of the time, when you think about that stuff, you think of the USA, of Area 51 and Roswell and so on. It all seems to be America-based. But actually, Britain has a huge role in the constant stream of theories of what’s going on. And this country has some of the largest ever encounters that are acknowledged worldwide by the community. So I wanted to find out more about the people who are leading the front, who think there’s something more going on.

Is this an area you’ve been interested in in the past?

Yeah, I’m interested in it in a slightly lateral, leftfield kind of way. I love the storytelling. I love the way the theories are put together. I see it as a type of storytelling that nobody really acknowledges. It’s a group of people looking at a thing and coming up with an alternative story and timeline for. And they all contribute to it, worldwide. And it adds to this bigger story, this growing, creative idea. The difference between them and me is that they believe it to be true, whereas I don’t. But I don’t think that should step in the way of admiring what’s a great story.

How much of this did you know before you embarked on your journey? Did what you encountered surprise you?

Oh, I was totally surprised. My background is in making sure that I know virtually everything about a subject before I get involved with it. That’s from a background of working on shows like QI. But on this show, the production team didn’t want me to find out anything beforehand. They wanted me to be put into the situation and learn on the spot. So I did go in thinking I’d know the majority of the theories, but there are so many of them, you just can’t get a handle on them. And also, all the theories that I thought were dead, like crop circles, are now alive again, and being reinterpreted. For example, we know they were created as a prank, but now the theory is that the pranksters were actually having their actions controlled by aliens. I love it that you can’t seem to kill a conspiracy theory – it will find a new way to live.

Almost by definition, these are people who are very suspicious of the motives of others, especially establishment organisations like broadcasters. Was it difficult to get them to trust you?

It’s a really odd one. They all seem to hate the BBC with a total passion, They think everyone’s involved. But this thing has grown so big, as an industry, that people are making their living off the back of talking about these theories or writing books about them. There’s so much money now being made that you can live your life by these theories. So they have to co-operate with the devil, because they know they can get more exposure for a talk that they’re going to do, or a book that they’re going to do.

What did you think if the people you spoke to?

I really liked them all, and found them really interesting. And one thing that struck me was that when we weren’t talking about UFO stuff, they’re all really chatty, nice, friendly, likeable people, who liked a laugh and liked to talk about football. One of them, a guy called Tony, very openly says that the last few years of his life have been absolute hell, he’s gone through various things. We didn’t go into what that was – I imagine depression was involved – so they’re not all completely rounded, happy, optimistic people. But if you’re sitting in a pub and start talking about acting or movies, they’re all interested in talking about that stuff.

Some of these guys seemed a convinced the authorities were after them. Do you think any of them were genuinely scared for their safety?

Tony says that he is, or certainly that he was. I spoke to a guy called Timothy Good, he struck me as someone who was just reporting facts, very much in control. He didn’t seem scared at all. Some of them I found it hard to tell. I didn’t know where the jokes stopped and the beliefs began. So this guy Miles was an example. If we were meant to be meeting someone, and they’d be running late, and you’d receive two of the same text, he’d say “When you get two, it means the government are watching you, and that’s why she had to disappear.” And then you’d wonder if he actually believed that, or was just winding me up.

Where do these ideas germinate from? 

That’s a good question. I went to a conference, and everyone was doing these talks, and I had a weird feeling. I do stand up comedy, and half the time you’re trying out new material to see how it’s received, and at this conference, it felt the same. People were standing up and offering new theories and new connections they’d made, and sussing it out with the crowd. It felt like a new material night for theories. But I think that these theories just seem to pop up out of nowhere.

You don’t try to debunk these theories. Why did you adopt that approach?

That wasn’t the focus of the show for me. None of us wanted to make something that was laughing at these people. It was more a matter of going “Look, this is an actual thing that’s happening, and millions of people around the world believe in it,” and if you’re at a dinner party and you’re sitting next to one of these people, you can either say that they’re mad, or dangerous, or idiots, or you could have a good conversation with them. I’m more interested in just hearing from them what they think is going on and why. If you see a documentary with Richard Dawkins, you don’t have time to understand what the religious person thinks, because Dawkins is shouting them down. That’s in no way productive for a conversation.

What are your own theories about extra-terrestrials?

I think that there’s alien life out there. I almost think it would be weird to think that there wasn’t, the Universe being what it is. I just don’t think that we’ve necessarily been visited yet. All they’ve done is gone one step further, and then added a whole conspiracy side to it, with the government being involved.

Lastly, I can’t let you go without asking you, after all those years of working on QI, what’s your favourite fact?

Let’s see. Oh, there’s a great one which always makes me laugh. You know the DVDs you get with the anti-piracy bit with the dramatic music at the beginning? It turns out they didn’t have the permission to use that song. The guy sued them and got money. That’s so wonderful. The other one I really like, which is from one of the QI books, is that in 1895, the only two cars in Ohio crashed into each other.

 

 

UK’s Most Beloved Comedies

comedy, top comedy, UK, father ted, tv, funnyFor many years Britain has enjoyed something of an unparalleled reputation amongst global audiences for its hit comedies.

And with the global marketplace being ever more important to TV providers with the advent of new technologies, we thought we’d take a look back at some of the UK’s best comedies to see how they’ve succeeded.

The Goon Show

For many, The Goon Show set the ball rolling in terms of British comedy. Although it only featured on BBC Radio, it launched the careers of Peter Sellers, Harry Secombe and Spike Milligan as well as dozens of popular catchphrases that resonate to this very day.

Monty Python

And then in late sixties, six highly creative and chaotic individuals revolutionised comedy with Monty Python’s Flying Circus. The show lasted well over a decade and spawned many critically acclaimed films and is considered one of our national treasures.

The Young Ones

Borrowing some of Monty Python’s surreal humour and injecting it with a great deal of anarchism was the Young Ones. Starring Adrian Edmondson, Rik Mayall, Nigel Planer and Christopher Ryan, it signalled a new dawn for alternative comedy and ushered in a whole new wave of national moral panic!

Blackadder

Another classic comedy that capitalised on the new wave of alternative comedy stars was Blackadder that launched the careers of Rowan Atkinson, Stephen Fry, Hugh Laurie and Tony Robinson. Ingeniously setting the show over different historical periods allowed the show’s subversive humour to blossom to great effect.

Only Fools and Horses

One of the nation’s favourite comedies has to be Only Fools and Horses that saw the hapless Delboy and Rodney in their eternal struggle to be millionaires. Although the pair never fully managed to make their fortune, they still regularly return for Christmas specials.

Little Britain

Signalling a new wave of comedic talent for the 21st century, Little Britain relied on an old-school sketch show format with catchphrases and instantly recognisable characters. But what really propelled this show to legendary status were the talents of Matt Lucas and David Walliams, and Little Britain has become so popular that it now has its own slot game where players can win impressive bonuses whilst being mocked by their favourite Little Britain characters!

Father Ted

And finally, one of the most unlikely recent success stories is that of Father Ted. This classic series saw three priests on the remote Craggy Island survive a series of surreal and hilarious mishaps that perfectly sums up the eccentricities of living a somewhat backwards parochial life!

 

 

Theatre, For The First Time, INSIDE The Ivy!

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Restoration theatre was a revolution in itself, staged anywhere that was available – from disused tennis courts to ancestral family homes. In light of this, forward thinking theatre company Go People are bringing John Vanbrugh’s The Provoked Wife to intimate venues across London; and see they have an amazing opportunity to explore a revival of this idea, making new and unusual spaces our playground in the delivery of a brilliantly alternative theatrical experience. Their current bookings include both private and public performances happening in living rooms, member’s clubs, churches and hotels and run from 10th March – 23rd March.

The spring tour sets it’s main venue (for 4 nights) in the beautiful 1733 church building of St-Giles-in-the-Fields is a perfect setting in which to view this startling exploration of Restoration morality. The play is also being perfromed in Hoxtorn Holborn Hotel and Private Member’s club Home House.
Additionally, for the first time in history, The Ivy – famous for dining the media, celebrities, actors, directors and theatre goers themselves in it’s exclusive and luxurious setting – will be providing theatre in it’s own premises with Go People’s production. Tickets are available both for the public and for Ivy Club Members and dinner and drinks can be enjoyed in the Club before or after the performance.
Go People’s snappily-cut 90 minute production distills the best of playwright Vanbrugh’s 1697 original play, foregrounding the fabulously funny narrative whilst keeping his deliciously drawn characters firing on all cylinders. Sexy, silly and sumptuous, this contemporary interpretation of a restoration classic showcases the finest of London’s upcoming professional theatrical talent.
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Venues:

10th March      7:30pm            HOME HOUSE

Members only; champagne & canapés before

13th March      7:45pm            THE IVY

Members and public

Booking:          Email lissa@the-ivyclub.co.uk

 

18th March      7:30pm            ST-GILES-IN-THE-FIELDS

Completely open to the public

Booking:          www.wearegopeople.com

 

19th March      7:30pm            ST-GILES-IN-THE-FIELDS

Completely open to the public

Booking:          www.wearegopeople.com

 

20th March      7:30pm            ST-GILES-IN-THE-FIELDS

Completely open to the public

Booking:          www.wearegopeople.com

 

21st March       7:30pm            ST-GILES-IN-THE-FIELDS

Completely open to the public

Booking:          www.wearegopeople.com

 

23rd March      7:00pm            HOXTON HOLBORN HOTEL

Completely open to the public; complimentary drink before

Booking:          www.wearegopeople.com

 

Cast and Creatives:

Director – Oliver Kaderbhai

Producer – Go People

Designer – Emily-Jane Swanson

Music Composer – Alex Woolf

 

Lady Brute – Lucy Eaton

Lord Brute – David Bryan

Constant – Mark Donald

Heartfree – Freddie Hutchins

Belinda – Rose Riley

Lady Fanciful – Greer Dale-Foulkes

Mademoiselle – Suzie Preece

Razor – James Mack

Cornet – Amelia Clay

 

BBC young composer of the year 2012 Alex Woolf has written new incidental music for the piece and has also composed a number of original songs for the production’s musical moments.

 

Director Ollie Kaderbhai is the Artistic Director of theatre company :DELIRIUM. Credits include ‘Go to Your Grave Like a Soldier’ for the Old Vic Tunnels and ‘From Where I’m Standing’ for Pegasus Theatre. Ollie has a long-standing association with the Old Vic Theatre and has directed numerous projects on behalf the Kevin Spacey Foundation, both in the UK and internationally.

 

Designer Emily-Jane Swanson experience covers theatre, film and editorial. She was awarded the NSDF and Methuen Drama Emerging Artist Award for Design at Edinburgh Fringe and also runs a successful online fashion business, popular with celebrities as diverse as Caitlin Moran and Nikki Minaj.

 

About Go People:

Go People are a theatre company formed of three professional actors who first met at Cambridge University, aiming to bring under-appreciated or undiscovered plays – as well as talent – to the London theatre scene. They believe that theatre belongs equally to the people making it and the people who watch – and that this can happen anywhere, from a traditional theatre to a living room, church or hotel bar.

Go People make having a group of actors come to your home to perform solely for you and your guests an utterly unique reality, offering exclusive performances of plays for private parties and corporate events – the full theatre experience without having to leave the house!

The production company aim to recapture the fun and excitement, energy and surprise that private, live theatre can add to any occasion, whether you are planning a celebration for hundreds of people or an intimate soiree with close friends, Go People will work with you to create something truly magical and memorable.

Go People can tailor the event to suit your needs – you might like to select something from their extensive repertoire of modern plays and old favourites, or maybe you already have something particular in mind you would like them to adapt. And, what’s more, they can perform in any space you choose – from a spectacular garden to a cosy living room, every seat is top price quality – no more restricted views or struggling to hear every line!

http://www.wearegopeople.com

 

 

The Rise and Rise of Benedict Cumberbatch

Benedict_Cumberbatch_SDCC_2014Since becoming a household name with his star-making turn as the iconic Sherlock Holmes, Benedict Cumberbatch has notched up an astoundingly impressive resume of film and TV roles. Considered one of the greatest actors of his generation, he’s demonstrated a remarkable range, and gained a hugely loyal fanbase in the process. Often cited for having a startling aptitude for playing geniuses, his latest character is no exception, as he takes on the role of war hero Alan Turing. To celebrate the release of The Imitation Game we take a look back at some of his most memorable roles.

The Imitation Game (2014)

Based on the true story of legendary cryptanalyst Alan Turing, this historical biopic recounts the nail-biting race against time by Turing (Benedict Cumberbatch) and his brilliant team of code-breakers at Bletchley Park during World War II. The film spans key periods in Turing’s life, from his unhappy years at boarding school and the triumph of his secret work on the revolutionary electro-mechanical ‘Bombe’, which broke the Enigma code, to the tragedy of his post-war decline following his conviction for a now outdated criminal offence. Cumberbatch garnered multiple leading actor nominations for his astounding performance, including for an Academy Award, BAFTA and SAG.

12 Years A Slave (2013)

This multi-award winning historical biopic of Solomon Northup, the free black man from upstate New York who was abducted and sold into slavery, is regarded as a modern classic and won the Academy Award for Best Picture on its release. Chiwetel Ejiofor plays Northup, with Cumberbatch taking the supporting role of William Ford, a benevolent but weak-willed plantation owner who is impressed by Northup’s innovative ideas for running his plantation, but ultimately sells him on to sadistic plantation owner Edwin Epps (Michael Fassbender).

August: Osage County (2013)

Based on the play by Tracy Letts, this darkly comic look at a family in turmoil boasts a star-studded cast, including Cumberbatch, Juliette Lewis, Meryl Street, Julia Roberts, Ewan Macgregor and Margo Martindale. Cumberbatch plays Little Charles, the shy, awkward son of Mattie Fae (Martindale), summoned home by his grandmother (Streep) after his grandfather (Sam Shepard) goes missing- with the ensuing crisis unearthing long-buried secrets and resentments.

Parade’s End (2012)

This BBC mini-series based on Ford Madox Ford’s novels was adapted for the screen by Tom Stoppard and garnered five Emmy nominations. Cumberbatch stars as the protagonist Christopher Tietjens, a conservative, deeply honourable English aristocrat who finds himself in a love triangle between his cruel, calculating socialite wife (Rebecca Hall) and headstrong young suffragette Valentine Wannop (Adelaide Clemens), all against the backdrop of WWI.

Tinker Tailor Soldier Spy (2011)

This atmospheric spy drama based on John Le Carre’s novel boasts a star-studded cast which includes Cumberbatch alongside British acting stalwarts Gary Oldman, John Hurt, Colin Firth and Kathy Burke. Nominated for three Oscars, and winning three BAFTAs, it follows ex-spy George Smiley (Oldman) as he is forced out of retirement to investigate an allegation by rogue agent Ricki Tarr (Hardy) that there is a Soviet spy operating within MI6. Cumberbatch plays Peter Guillam, one of several agents who are under suspicion.

War Horse (2011)

Cumberbatch stars alongside Jeremy Irvine, Emily Watson and Tom Hiddleston in this war epic based on the novel by Michael Morpurgo, and directed by Steven Spielberg. The acclaimed drama follows young Albert Narracott (Irvine), separated from his beloved horse Joey when he is sold to the British cavalry and shipped to France. Albert enlists in WWI and embarks on a hopeful, heartbreaking journey to reunite with him, as the war rages on around them. Cumberbatch plays Major Jamie Stewart, leader of the cavalry company and a fellow soldier of Albert’s.

Third Star (2010)

This moving drama stars Cumberbatch as James, a terminally ill young man who embarks on an ill-advised trip with his three closest friends, Davy (Tom Burke), Miles (JJ Feild) and Bill (Adam Robertson), to visit his favourite place on earth before he dies- Barafundle Bay in West Wales. As they make the trip, the bonds of their friendships are tested with comical, poignant results- and a wonderfully heartbreaking performance from Cumberbatch.

Sherlock (2010-2016)

Widely considered to be his breakout role, this BBC series created by Steven Moffat and Mark Gatiss catapulted Cumberbatch into the mainstream, winning him legions of fans and launching him into the A-list. Taking on the titular role, he’s joined by an equally brilliant Martin Freeman as the consulting detective’s best friend and colleague, Dr John Watson, with supporting turns from Una Stubbs, Rupert Graves, Louise Brealey and Andrew Scott. Critically acclaimed and adored, Cumberbatch has won countless praise for his unique, fresh and pitch-perfect portrayal of the beloved literary character, and the show picked up three Emmys in 2014; leading actor for Cumberbatch, supporting actor for Freeman and writing for a miniseries for Moffat.

Atonement (2007)

This heartbreaking wartime drama based on Ian McEwan’s bestselling novel boasts a stellar cast, including Cumberbatch, Keira Knightley, James McAvoy, Saoirse Ronan and Vanessa Redgrave. When the budding romance between Cecilia Tallis (Knightley) and Robbie Turner (McAvoy) is cut brutally short following a lie told by Bryony Tallis (Ronan), the repercussions span several decades. Cumberbatch provides a brilliant, deeply unsettling and sinister supporting turn as confectioner Paul Marshall, a guest of the Tallis family whose actions reverberate across the lives of the entire household…

Starter for Ten (2006)

Based on the novel by David Nicholls, this British comedy follows the trials and tribulations of student Brian Jackson (James McAvoy), a working class student in 1985 who finds himself navigating the campus of Bristol University, and attempting to impress the object of his affections, Alice (Alice Eve), while finally succeeding in his lifelong ambition to win University Challenge. Cumberbatch steals every scene he’s in, demonstrating a brilliant knack for comedy as the socially inept and uptight captain of the team, Patrick Watts.

The Imitation Game is available on Blu-ray, DVD and digital download from the 9th March 2015, courtesy of StudioCanal

 

 

 

Keira Knightley’s Top Ten Films

Keira Knightley , top ten, films, best filmsBritish actress Keira Knightley has accumulated a hugely impressive resume in her 29 years, showing incredible skill and development as an actress, as well as breathtaking movie star looks. With a wonderful aptitude for period pieces, she has a particular talent for portraying brilliant, conflicted and nuanced women- and her depiction of brilliant cryptanalyst Joan Clarke in The Imitation Game, is no exception. To celebrate the home entertainment release of The Imitation Game, we count down some of her most memorable roles.

 

The Imitation Game (2015)
Based on the true story of legendary cryptanalyst Alan Turing, this historical biopic recounts the nail-biting race against time by Turing (Benedict Cumberbatch) and his brilliant team of code-breakers at Bletchley Park during World War II. The film spans key periods in Turing’s life, from his unhappy years at boarding school and the triumph of his secret work on the revolutionary electro-mechanical ‘Bombe’, which broke the Enigma code, to the tragedy of his post-war decline following his conviction for a now outdated criminal offence. Knightley provides a superb Oscar-nominated supporting turn as Joan Clarke, a fellow cryptanalyst, and Turing’s close friend and confidante.

 

Begin Again (2013)
Knightley shows off some impressive singing talents in this enchanting romantic musical drama, based on the hit musical Once. It follows the repercussions after down-and-out music executive Dan (Mark Ruffallo) chances upon young singer-songwriter Gretta (Knightley) at an open-mic night. Gretta, still reeling from the break up with her rock-star ex Dave (Adam Levine), agrees to collaborate with Dan on an album- recording each of the songs in a different location in Manhattan.

 

Anna Karenina (2012)
The third collaboration between director Joe Wright and Knightley, this adaptation of Tolstoy’s classic novel offered an experimental approach to the source material. Wright chose to set the majority of scenes were shot on a rundown theatre built from scratch in Shepperton. The various locations in the film, such as the train station, and horse stables, were actually built on top of the stage. Knightley takes the lead as the tragic heroine, opposite a stellar cast that includes Jude Law, Domhnall Gleeson, Aaron Taylor-Johnson and Emily Watson.

 

A Dangerous Method (2011)
Knightley takes on the daring role of Sabina Spielrein in this David Cronenberg- directed historical drama which focuses on the tense professional relationship between Carl Jung (Michael Fassbender) and Sigmund Freud (Viggo Mortensen), as well as Jung’s relationship with Spielrein. Knightley gives a brilliant, sensitive portrayal of the psychologically disturbed Spielrein, who eventually went on to become a talented and respected psychoanalyst in her own right.

 

Last Night (2010)
This little-known ensemble piece, directed by Massy Tadjedin and starring Keira Knightley, Sam Worthington, Eva Mendes and Guillaume Canet, offers a slow-burning and understated study on the nature of monogamy. Joanna (Knightley) and Michael Reed (Worthington) are seven years into a happy, stable marriage when he is sent on a business trip with a colleague he is fighting an attraction to (Mendes). That same evening, Joanna runs into an old flame and spends the evening considering how things might have been.

 

Never Let Me Go (2010)
This haunting, dystopian drama based on Kazuo Ishiguru’s novel of the same name stars Knightley alongside Andrew Garfield and Carey Mulligan, and recounts the lives of Ruth (Knightley), Kathy (Mulligan) and Tommy (Garfield), three friends who grow up together in an idyllic English boarding school. However, after they leave the school the horrific truth of their fate becomes apparent, and they are forced to confront the inevitable, while dealing with the ever-present love triangle hanging over them.

 

The Duchess (2008)
This biographical drama chronicles the life of 18th century aristocrat Georgiana, Duchess of Devonshire, played by Knightley. A celebrity of the time, Georgiana’s charm, kindness, activism and fashion bring her high regard everywhere she goes. But the oppressive restraints of her controlling husband (Ralph Fiennes) lead her into a passionate affair with the younger Charles Grey (Dominic Cooper) highlighting the stark, appalling differences in treatment between men and women in the aristocracy of the 18th century.

 

The Edge of Love (2008)
Written by Knightley’s mother, Sharman Macdonald, this historical drama is loosely based on real events, and focuses on the friendship between two married couples- the poet Dylan Thomas (Matthew Rhys) and his wife Caitlin Thomas (Sienna Miller) and Thomas’s old flame Vera Phillips (Knightley) and her husband William Cillick (Cillian Murphy). Both Knightley and Miller garnered rave reviews for their nuanced portrayals of two women whose genuine, close friendship was built on a fragile foundation of suppressed feelings and suspicion.

 

Atonement (2007)
This heartbreaking wartime drama based on Ian McEwan’s bestselling novel boasts a stellar cast, including Knightley, James McAvoy, Saiorse Ronan, Benedict Cumberbatch and Vanessa Redgrave. When the budding romance between Cecilia Tallis (Knightley) and Robbie Turner (McAvoy) is cut brutally short following a lie told by Bryony Tallis (Ronan), the repercussions span several decades. Knightley provides a masterfully reserved and heartbreaking turn as the stoic Cecilia, and Wright’s tackling of the novel’s twist ending is a particular masterstroke.

 

Pride & Prejudice (2005)
Joe Wright’s adaptation of Jane Austen’s most famous work earned him a BAFTA for most promising newcomer and follows the trials and tribulations of the five Bennett sisters after two eligible bachelors move into town- Mr Darcy (Matthew MacFayden) and Mr Bingley (Simon Woods). Wright was famously reluctant to cast Knightley in the lead role of Elizabeth Bennett, deeming her ‘too attractive’… until he met her, and realised her tomboyish attitude was ideal for the role. Knightley provides a brilliantly fresh portrayal of a beloved literary character, which led to her first Academy Award nomination.

 

The Imitation Game, arrives on Blu-ray™, DVD and digital platforms on 9th March 2015, courtesy of StudioCanal

 

 

 

Planning The Perfect Event

BELVEDERE Vodka 'Walks Its Way' Into Cannes With Reverend Run And DJ RuckusWhether it is a birthday, engagement, wedding, or corporate event, there are certain factors that need to be considered when planning the perfect event. As well as the obvious things such as food and venue, there are some not-so-obvious considerations to make sure your event goes with a swing.

Planning and research

First of all, brainstorm! Create an event wish-list to record your first ideas. Then you can establish your budget – this depends on the size of the event and its purpose. When you have an idea of the size of the event, get a team on board to help you; choose people with different skills, contacts, and areas of knowledge. Make a list of guests or attendees. Decide on a date for your event, or narrow it down to several dates – you should have a contingency plan in case the venue you want is unavailable on a certain date. Consider whether any special permits will be required from governing bodies. Send “Save the Date” notices if you want to invite guests more than eight weeks in advance; make a note of those that RSVP.

Choosing a dynamic theme 

Consider involving an event design team for an event with a difference. You could style your event on a fashion show, sophisticated wine bar, hip nightclub, Hard Rock Café, theatre, award ceremony, circus or show with acrobatics. If you have ambitious plans, you may need some advice from experts.

Lighting and technical effects can make all the difference. Consider custom theme décor, sound, music, a DJ, and special effects to create mood and atmosphere. You could have strobe lighting, projected images, spotlights, neon lights, or lasers; or maybe your event calls for intimate lighting or candlelight.

Decorating the venue

Room and table decorations will really set the scene – consider wall hangings, furnishings and drapes, and chandeliers. Decide on the dress code and make a plan for food and drinks. Think about entertainment or professional speakers, and don’t forget to plan how you will photograph or film the event.

Advertising your event

Promote and advertise your event; create an event website to include details of agenda, location and ticket purchase. Post links on social media sites, advertise and contact the press. Keep attendees engaged by posting updates on social media.

The run-up to the event

Send out invitations eight weeks before the event and keep a list of replies. Set a schedule and delegate; establish deadlines. What equipment will you need, and can you hire it? Get quotes, ask for recommendations, and obtain samples. You need to finalize catering arrangements, music or entertainment for your guests, event staff such as bartenders and waiting staff, volunteers to guide guests, florists, gifts and favors, tables and chairs, officiants (priests, rabbis, etc.). Consider name badges or passes, and how to manage the attendee list.

Finally, don’t forget to plan how you will clean up afterwards, get the venue back to how it was before, and return the hired equipment. You will also need to send out thank you messages. You can then post photos and videos of your event on your website. With so much to think about, detailed checklists and being able to rely on your team of helpers will really help you keep on top of things.

 

 

Milo’s Planes Aural Palate Cleaning Exercises | Music News

Release date: 23 March 2015
Lead Tracks:
Lost Talent
Only Listen
Two Feet in a Crowd

Formed in Bristol in 2013, melodic hardcore/punk band Milo’s Planes began as a duo of Joe Sherrin (guitar, vocals and bass) and Harry Sherrin (drums and backing vocals). After recording their first album they were joined by Charlie Horne (bass and backing vocals) who was a natural fit, sharing a love of Wire, Fugazi, Leatherface, Lync, Rites of Spring, early Modest Mouse and Pavement.

Priding themselves on their DIY approach to their music, the trio record and produce all their tracks themselves on a sixteen track in Harry’s bedroom.
Joe’s guitar playing is influenced heavily by the nineties emo/post hardcore band Lync; he uses a off-beat tunings as a means to create interesting chords.

The band have earned support slots for Eagulls, Skaters, Traams, Electric Eel Shock and their hero Mike Watt, who made a cameo appearance in their music video for ‘Two Feet In a Crowd’.

‘Aural Palate Cleaning Exercises’ has been a labour of love with Joe spending months re-ordering track listings, carefully editing exact track lengths, dropping songs and adding piano interludes/snippets of radio samples to make it flow as one complete piece.

Of the subject matter, Joe says largely focuses on his experiences within soul destroying, bureaucratic admin jobs and the seemingly endless supply of bizarrely ordinary characters that can only be found within these roles. He explains “A large part of the fun I have writing lyrics is studying the mundane to the point where tiny details can be unearthed, exposed as real concerns and then exaggerated upon maniacally as a way for me to express the true feelings of frantic despair I feel sitting at a desk for 8 hours of my day. Being pretentious I would say a running theme of the album is using language as a means to disguise tiny, nit-picky & personal matters as universally angry subjects worth shouting about.”

In between ‘A Letter In Confidence’ and ‘Interlude 2’ is a hidden track; a shortened acoustic version of an earlier track – this was a concious effort to end the album in what Joe describes as a “dissonance of feedback which quickly resolves into something pretty & melancholy, with the album’s final words (“I have good intentions, but I never know why”) a statement intended to summarize the whole album.”