Eva Green Stars In 2015 Campari Calendar

Posted on November 10, 2014 by Frostie

Our favourite Bond girl is looking gorgeous in a series of stunning outfits created by leading designers including Vivienne Westwood, Versace, Alaia and Christian Louboutinin in the new Campari calendar.

Eva Green said: “For me, this project was about much more than simply producing a Calendar. It was about telling a series of stories in an imaginative, creative and beautiful way – and that’s exactly what we’ve achieved. This year, those stories are closer to the heart of Campari than ever before and I personally feel very honoured to have been part of that. The 2015 Calendar is a real testament to Campari as a brand and seeing all of the stories together in one collection just proves that no matter how old these recipes may get, there will always be a firm place for Campari within our contemporary world.”

The Fault in Our Stars Shailene Woodley & Ansel Elgort Interview

Posted on November 7, 2014 by Catherine Balavage

The Fault in Our Stars has been a huge hit and rightly so. We have an interview with the two stars Shailene Woodley & Ansel Elgort. If you haven’t seen it yet, or read the book it is based on, do it now.

Q: Shailene, you emailed John Green about the role. Did he respond in a nicer way than Van Houton?

SW: He did. He was like I’m not the casting director so I actually can’t cast you but thank you for your kind words.

Q: Was it difficult to have that lightness in your performance of sick kids?

AE: Um, no. I think that the way that the book is written is that the characters do have that lightness. And then once also we spent time with kids who actually had the diseases or had been through them we realized that that lightness is present in those individuals. And that it was totally correct to have them present in our characters. Without the lightness it would be a shit movie. It’d be unrealistic and it’d be depressing and I don’t know what the point would be.

I think it’s all about the lightness and all about the fact that they’re real human beings who just happen to have something. The cancer in the story’s just the variable that makes the clock tick. And that makes the love even more important because it’s the last that you’ll have.

Q: Did it make it easier or harder that you’d worked together before?

SW: It made things definitely easier. I mean, we already knew each other; we’re already comfortable around each other. And we already loved each other. We already had a deep sense of admiration for one another. Which I think translated into this film.

Q: How was the atmosphere on set?

SW: Oh it was so much fun. I mean movie sets are really fun regardless of what you do when the camera rolls. But one of the things that’s so beautiful about this movie is it shows you that cancer doesn’t define you. And just like on the set we met a lot of people who did have cancer. A lot of young people and they don’t live their lives like this walking around you know, somber. They live their lives like this and be like yeah, I have this and it sucks. But it’s just what it is. And that’s sort of how our set was. We were dealing with heavy subject matters but you don’t sort of just wallow in the subject matter. You find ways to be light about it.

Q: Did you improvise on the relationship on set?

AE: A lot of those scenes set the stage for the relationship are like word for word from the book. A lot of them. Like the scene in the beginning where Gus talks about how he fears oblivion and Hazel speaks about if that’s what he’s scared of then she suggests he forget it. The metaphor scene down in the basement, those scenes are so important. You’re right. Because so many movies just have two pretty people and I mean they put them together. Yeah they’re supposed to kiss and fall in love right? But I love that this story really takes it’s time and has those scenes. It’s almost like a play. Because it’s so much about the relationship that there’s time for those things to happen. So important. Really lets the relationship develop.

The Fault in Our Stars is available here. Out on Blu-ray now.

Interstellar {Film Review}

Posted on November 7, 2014 by Owun Birkett

*WARNING! MAY CONTAIN SPOILERS*

Christopher Nolan films aren’t just films; they’re events. Although he completed his Batman trilogy with The Dark Knight Rises, Interstellar has been treated like it is the next great blockbuster (as much in the same league we’re anticipating the next DC/Marvel movie). Even continuing his trend to deliver trailers and TV spots that reveal little details about the plot.
The movie revolves around Cooper (Matthew McConaughey) who was once a pilot, now farmer in a Dust Bowl type future. The Earth is running out of food, even down to the last food resource; corn. He is also a widowed father of two children (as with the majority of Christopher Nolan’s films, main protagonist’s wife/love interest either has died or won’t last very long) but yet still has a craving for exploration (even learning that teachers at his children’s schools have new editions of books saying the moon landings were fake). He eventually comes across his old mentor, Prof. Brand (Michael Caine) and his daughter Amelia Brand (Anne Hathaway). They reveal the Earth is dying, so they have been building a space shuttle and needs Cooper to be the pilot. Their mission; to go through a wormhole that will lead to a different galaxy and find a habitable planet.

The movie is probably the most ambitious movie Christopher Nolan has made in his career. He continues to deliver a science fiction movie with challenging ideas and concepts about space travel (as he did with the concepts of dreams in Inception). Though this was originally intended to be directed by Steven Spielberg (based on a script by Chris Nolan’s brother, Jonathan Nolan) and this movie clearly shows Spielberg’s trademark about family (especially focusing on a father character like Jaws and Munich). Nolan has been known to focus more on the ideas than the characters interstellar_ver5_xlg themselves, and you can clearly see that struggle to try balance the two. Though it does work for the most part and it’s all down to McConaughey being cast as the lead. He has certainly been having a huge career change and this film is no exception. If Mud, Dallas Buyers Club and True Detective proved anything, it is that he can be just as involving as he is likeable in his rom-com days. His craving to venture to the unknown is pretty much anyone’s curiosity and makes his motivation to help his family (and the human race) somewhat relatable. Even McConaughey delivers an incredibly emotional performance in one particular scene as he’s watching video messages of his children growing older. If Gravity showed that working in space is no fun and games, Interstellar shows us that space travel is not all that fun as Star Trek likes to make us believe (or wants us to). Especially dealing with relativity; every hour they spend, 7 years have passed on Earth (similar to The Forever War). The stand-out performance has to be character of Murph, played brilliantly by Mackenzie Foy and Jessica Chastain. She is the emotional core of the movie and drives the narrative forward.

The visual effects in this movie is absolutely mind-blowing. The use of both miniatures and CGI both seamlessly mix together. Nolan has been known to do everything real as possible and uses that effect in great use here. Pushing the envelope to make the cinematic experience as immersive the medium can deliver. Even creating inventive and charismatic robots as TARS and CASE (more friendly version of HAL 9000, if you will). The beautiful and stark cinematography by Hoyte van Hoytema (Let the Right One In, Tinker Tailor Solider Spy and Her) brings the alien but familiar planets to life. Though using different contrast of colours, using grey and blue for space travel scenes and using browns with scenes set on Earth. Hans Zimmer’s score rings back to 2001: A Space Odyssey (a movie Nolan has said he used as the biggest influence, as well as Star Wars and Alien on the production design), extending the huge scope of the movie and also creating genuine tension.

If there were one or two nitpicks to have with this movie, it has to do with the pacing. At times, the 3 hour long duration wasn’t noticeable. Though dealing with two story-lines at once felt a bit jumbled at times, yet Nolan was able to accomplish this with three to four scenarios at once seamlessly in Inception. Also, some of the character motivations seem a bit unfocused or rather force fed to us. Nolan’s dialogue, while very well written, seems to be a bit too analytical about its themes and ideas. The scientific theories is all very interesting but could’ve been condensed down. Some of the characters were also hard to be involved with and mainly because they were underwritten (like character of Tom, who gets overshadowed by Murph). Also, the ending will most likely split opinions. Without giving too much away; it basically leaves you to interpretation and suggestion (just like Memento and Inception). How you will feel about that is entirely up to you.

Overall; Inception is still the best Christopher Nolan sci-fi movie but this still stands as an exceptional film of the genre. It does reach to great heights and delivers the spectacle. The cast deliver great performances, especially from Foy and Chastain. It just doesn’t quite reach its grasp.

4 out of 5

Sam Wannamaker’s Globe Works Its Magic By Penny Gerrard

Posted on November 6, 2014 by Margaret Graham

After unexpectedly warm and fine autumn days the weather has taken a sharp downhill turn and it’s cold and very, very wet. What better on such a day than a visit to an outdoor theatre? Courtesy of Amazon local we have half price vouchers for the Globe Theatre exhibition and tour. We owe the reconstruction of such an iconic building to Sam Wannamaker, the American Shakespearean actor, who made it a lifelong project, sadly dying before he could see its completion.

As we walk across Southwark Bridge the contrast is stark between the Elizabethan style of the Globe Theatre, the original of which was built some 300 metres away in 1599,and the brutal architecture of Tate Modern which towers over it. I know which I prefer.

Inside the exhibition centre we are greeted by a series of fascinating exhibits bringing the world of Shakespeare to life. We are struck by the London cityscape as it was in Shakespeare’s time with its low rise buildings dwarfed by the original St Paul’s and love the idea of the Frost Fairs which took place on the Thames in times of colder winters .

In a display cabinet I spot two small pottery objects – spherical with an elongated pointed top and a slot on the upper slope. One is intact and the other has a jagged fracture on it as if it has been dropped or hit. I recognise these as “boxes” which were used by the ticket sellers to collect the pennies which it cost for a standing only ticket in front of the stage and somewhat more for an actual seat. There was no stopper at the bottom as in modern money boxes. Instead they were taken round to the “office” where they were broken open to retrieve the takings. Hence the expression “box office” which we still use today. It also accounts for why intact examples are so rare. It seems to me that replicas would sell like hot cakes in the gift shop?

We embark on our tour, escorted by Simon, almost certainly an actor from his voice and demeanour. We find ourselves sitting on the pine benches (slightly more comfortable than the oak used for most of the theatre construction). The rain lashes down into the unprotected area in front of the stage – where the hardy audience known as “groundlings” stood in the past and still do today, come rain or shine, but now at the price of £5 (a 1200% increase).

My mind travels back across the four centuries since Shakespeare’s time and I can visualise the cast, all male of course, putting on one marvellous play after another, all in broad daylight and with little in the way of scenery. Despite that they still managed to ignite the imagination of the audience in a way that continues to this day. I promise myself to come back next spring and share that timeless experience with them.

By Penny Gerrard

Jay Z And Beyonce Watch Brooklyn Nets’ Home Opener

Posted on November 5, 2014 by Frostie

Global superstars Jay Z and Beyonce were sat courtside as they watched the Brooklyn Nets’ home opener at the Barclays Center last night. Jay Z, a former owner of the Nets and mega star wife Beyonce watched on as the home team defeated the Oklahoma City Thunder 116-85.

Singer and actress Ashanti was also in attendance, singing the national anthem before the game.

All pictures NBAE/Getty Images.

Brooklyn Bowl At The 02 Review

Posted on November 4, 2014 by Paloma Kubiak

Paulo Nutini may have cancelled his gig at the 02 on Thursday, but the stage was rocking at Brooklyn Bowl a few doors down. Sylvain Sylvain of the New York Dolls and Daniel Jeanrenaud – the Camden Cat, belted out the tunes to drown out the clash of skittles in the bowling alley while they provided the perfect accompaniment as we sipped our way through the new cocktail menu.

Brooklyn Collins and Cuban mistress

Created by mixologist Tim, his drinks were a labour of love as it took him nine months of shaking and stirring before getting his way, and his cocktails onto the already commended menu. Brooklyn Bowl – the little sis to the institution over in the States – is busy in terms of every nook and cranny having a set purpose; from the bowling lanes, to the stage, to the dining area, even a mini viewing gallery from the ladies, but the cocktail collection was simple. Just five made Tim’s cut, but for the less adventurous, there’s option number six, a Margarita.

Basilico and wythe avenue

And as we were there to review them, we ploughed through the list, starting off with the most popular –Brooklyn Collins, which included fresh ginger shaken with Beefeater Gin, lemon juice sugar syrup, lemonade and Brooklyn beer.

With a distinct root beer taste, it was sweet and refreshing, though I couldn’t handle the whole glass as the mix of gin, ginger and beer was a little too rich for my taste buds. But with floating chunks of ginger, it made me feel like I was drinking for my health, fending off the onset of cold and flu this winter. My friend Nikki was immediately drawn to the Cuban Mistress which included a three year old Havana Club rum ‘shaken hard’ with passionfruit puree, pineapple juice, sugar syrup and passionfruit liquer. Rum being her firm favourite, she said it went down a treat, it was the perfect combination of sweet and fruity.

The sting and frozen strawberry margarita

For round two, I chose Basilico which included Absolut Vodka muddled with fresh basil, half of lemon, sugar syrup and blackberry liquer.

For mojito fans, this is a great alternative. The sweet, sour and herby essence of basil infused to create a fresh concoction which I finished sipping even before the ice had started melting. Nikki opted for Wythe Avenue created with Buffalo Trace Bourbon shaken with fresh raspberries, sugar syrup, fresh lemon and cranberry juice. Not something she often drinks, the bourbon was strong and hit the spot after a long day at the office.

Already a little merry, my final choice was The Sting. Martell VS Cognac shaken with fresh mint, lemon juice and sugar syrup. The Cognac warmed my throat as the sweet and sour flavours broke down the richness of the brandy.Nikki played it safe with a Margarita. Frozen with strawberries and cream, her face cringed from its coldness but as it was an alcoholic smoothie-like drink, she savoured each sip.

Taylor Swift Watches London-bound Knicks Lose Season Opener

Posted on November 3, 2014 by Frostie

Singer Taylor Swift and actor Ben Stiller and were among the celebrities in attendance at Madison Square Garden to watch the London-bound New York Knicks tip-off their 2014-15 season.

The New York Knicks, who travel to London in January where they will face the Milwaukee Bucks at The O2, hosted the Chicago Bulls and were defeated 80-104 with Bulls debutant, Spaniard Pau Gasol finishing with 21 points and 11 rebounds.

The Milwaukee Bucks host the New York Knicks at The O2 in London on Jan. 15 as part of NBA Global Games London 2015. Tickets at www.theo2.co.uk/nba2015

What’s Next for Britain’s Got Talent?

Posted on October 31, 2014 by Aidan

Since launching in 2007, Britain’s Got Talent has gone through some ups and downs that, truthfully, are to be expected. When a TV program achieves what feels like flash-in-the-pan success, it can be difficult to continue on at that same level. That’s particularly the case with talent shows like BGT, whose livelihoods hinge on the whether or not a contestant wins over the audience (both during and after their appearance on the program).

For BGT, they’re obviously hoping to recapture the magic of previous series by looking forward to 2015. They recently put out a call for applications and auditions through ITV. Would-be superstars have the chance to try out for a spot on the show through the middle of December. Given that this year’s series began in April, it’s likely that the next one will launch at a similar time in 2015.

What’s been frustrating for fans of the show and the team behind it is the following: Both the popularity of the program and its winners have been on the decline over the past few years. In 2012, for example, the planned live, touring version of BGT was axed because of lower-than-expected ticket sales, as reported by The Sun.

Additionally, the winners have had a difficult time pushing their debut albums to listeners. No one has had quite the success of Susan Boyle (a runner-up in Series 3) and Paul Potts (the Series 1 winner), though that’s not to say the others have done terribly. Considering the fact that album sales are not quite what they used to be, it’s commendable that some finalists and contestants have moved at least 100,000 copies of their first albums.

Those same stronger years—the Potts-to-Boyle era, if you will—also led to increased revenue for BGT in other outlets. Namely, they branched out to and found success in merchandising. Among the products released, there were a few that are especially enjoyable as they double-down as games and not just, say, a buzzer from the judge’s panel (yes, that’s a real piece of merch). As you can see on Betfair, the online gaming platform teamed up with BGT to create a gaming experience that utilises music, sound effects, and images from the show to create a unique experience for players. It’s worth noting that similar talent shows (The X Factor) and generic game shows (Deal or No Deal) have also found a new life on this platform.

Similarly, the BGT empire was expanded to board games back in 2009 with an electronic board game. The only downside in that case, though, is that the reviews don’t seem too hot for the game. According to Amazon, players either love or hate it—perhaps an update or new version is in order, then, to coincide with the upcoming series.

All this being said, could the next series of BGT be what the show needs to regain the attention of its once huge audience? We’ll have to wait and see if those taking on the call of the show’s producers have what it takes to be the next Susan Boyle, though no one’s holding his or her breath.

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