What’s Next for Britain’s Got Talent?

britainsgottalentSince launching in 2007, Britain’s Got Talent has gone through some ups and downs that, truthfully, are to be expected. When a TV program achieves what feels like flash-in-the-pan success, it can be difficult to continue on at that same level. That’s particularly the case with talent shows like BGT, whose livelihoods hinge on the whether or not a contestant wins over the audience (both during and after their appearance on the program).

For BGT, they’re obviously hoping to recapture the magic of previous series by looking forward to 2015. They recently put out a call for applications and auditions through ITV. Would-be superstars have the chance to try out for a spot on the show through the middle of December. Given that this year’s series began in April, it’s likely that the next one will launch at a similar time in 2015.

What’s been frustrating for fans of the show and the team behind it is the following: Both the popularity of the program and its winners have been on the decline over the past few years. In 2012, for example, the planned live, touring version of BGT was axed because of lower-than-expected ticket sales, as reported by The Sun.

Additionally, the winners have had a difficult time pushing their debut albums to listeners. No one has had quite the success of Susan Boyle (a runner-up in Series 3) and Paul Potts (the Series 1 winner), though that’s not to say the others have done terribly. Considering the fact that album sales are not quite what they used to be, it’s commendable that some finalists and contestants have moved at least 100,000 copies of their first albums.

Those same stronger years—the Potts-to-Boyle era, if you will—also led to increased revenue for BGT in other outlets. Namely, they branched out to and found success in merchandising. Among the products released, there were a few that are especially enjoyable as they double-down as games and not just, say, a buzzer from the judge’s panel (yes, that’s a real piece of merch). As you can see on Betfair, the online gaming platform teamed up with BGT to create a gaming experience that utilises music, sound effects, and images from the show to create a unique experience for players. It’s worth noting that similar talent shows (The X Factor) and generic game shows (Deal or No Deal) have also found a new life on this platform.

Similarly, the BGT empire was expanded to board games back in 2009 with an electronic board game. The only downside in that case, though, is that the reviews don’t seem too hot for the game. According to Amazon, players either love or hate it—perhaps an update or new version is in order, then, to coincide with the upcoming series.

All this being said, could the next series of BGT be what the show needs to regain the attention of its once huge audience? We’ll have to wait and see if those taking on the call of the show’s producers have what it takes to be the next Susan Boyle, though no one’s holding his or her breath.

 

 

David Walliams Writes Book For Simon Cowell’s Son

Apparently David Walliams loves teasing Simon Cowell so much that he wrote a book. David’s latest is all about Simon’s son, Eric. He apparently gave Simon fifty copies of the book, David Walliams presents Baby Eric, backstage at Britain’s Got Talent.

david walliams writes book

The cover is an illustration of Simon and girlfriend Lauren Silverman with their son.

The blurb reads: “Simon Cowell was the man who thought he had everything, until the day Baby Eric arrived in his life. This is the story of how Eric David Sinitta Louis-Walsh Cowell came into the world.”

A source told The Sun “He didn’t quite know what to say” at first but was then really touched. We wonder who Simon will give the other copies to?

IAN WATSON. THIS WEEKS REALITY

The Voice ReviewIt’s getting to that time isn’t it? Our reality TV avalanche is thundering along merrily, wiping all before it away like a spitty hankie on an ice cream covered toddler.
The problem is… like that toddler, we were enjoying that ice cream and having it replaced with parental gob whether we want it or not can be a bit distressing.

I don’t watch TOWIE, or MIC or GS because, well, I just can’t. It’s a physical reaction like when my sphincter tries to run up inside my body and hide behind my kidneys when I watch Embarrassing Bodies. My reaction to watching the semi-real but still nut-crushingly mundane lives of ‘some people’ gets me so angry I nearly ate my own chin when a BAFTA- that’s right a f*****G BAFTA! Was handed out to these vacant lots in the name of entertainment.

I can’t live with that level of anger in my life. That’s how wars start.

I can watch EB, albeit lying like an ironing board and peering through the fingers of one hand, because it’s incredibly educational, gripping and necessary. A frank program about medical taboos is long overdue and I applaud the makers and those brave enough to get their hair and make-up done and wave at the kids down the lens just before it pulls focus on their knotted labia. I can just imagine the conversation when they return to an angry child who believed a close-up of their mothers cervix was a once-in-a-lifetime deal.

I can of course, watch talent shows.

Presently we have, BGT, The Voice and The Apprentice. I’m putting the latter in the list of ‘talent’ because it stopped being anything to do with serious business about eight seconds after the first candidate spoke at the start of series two. Now it’s all about who can be the biggest moron and prove, beyond any doubt at all, that the ability to proclaim yourself almost god-like is so easy even a halfwit who can’t do basic sums can do it as long as they’re wearing a suit.
They talk ‘Branson’, they walk ‘Branston’ (thick, made almost entirely of vegetable matter and, in Luisa’s case, goes down well after a little pork).

So that leaves us with BGT and The Voice- what a choice (poetry comes as standard).

We’re about to head into the live finals of both. Jessie’s hair is about to disappear like the promises of stardom she doles out to everyone and Uncle Tom is, perhaps, finally going to stand up, point at Will and shout, “What is he saying?”
For a while it looked like some musical theatre bods were actually going to get the chance to be voted for by real people but a quiet word on Will’s ear had him yanking the handbrake and sending the clearly better Liam home and illustrating that the only keys he understands are on the keyboard of his ‘autotune-o-gram’ [dope edition].

Over on BGT, or Simon’s private fluffer auditions as it’s veered dangerously towards becoming, we witnessed a scene that took me back to my days of working at a Blackpool nightclub in the 80s. Loads of badly dressed under-aged hopefuls waiting hours just to be sent home… and a couple of drag queens.

So all in all, the search for actual talent seems pretty hopeless. Getting through on BGT is easier than beating Mr. Chips off ‘Catchphrase’ at poker… “Hmmm, he seems to be sitting on a toilet and wearing a crown… I think I’ll fold!” And getting through to the finals of The Voice is easy as long as you sound like you smoke thirty a day and desperately want to be Ed Sheeran or Adelle and have never even hummed the melody to “I Dreamed a Dream.”

BGT live finals start tonight and run every night till it’s all over and Sico Productions can buy another country but we’ll have to endure another 7 shows spread over several weeks before we get to see who will be crowned winner of The Voice and guaranteed anonymity forever more. Could you pick Leanne Mitchel out of a crowd? Nope, me neither.

Oh well, if it all ends up being one big vacuous cloud of hype in the name of ratings at least they’ll be able to walk into any lead role in the West End, aint that right Jessie?

Susan Boyle- The Emperor's got Talent.

I was right about The Darkness. Sorry, but while you were all hailing them as the new ‘Queen’ I was shaking my head and thinking, ‘That lad’s a ‘top C’ and a bag of chips away from disaster.’
I still feel I’m right about button flies. I stand there by the exit of public toilets, fiddling with myself and thinking, ‘This is how they came up with ‘The Cube’!’

I was wrong about Uggs- fair enough. I was wrong about Mark Wright- seems like a decent lad, he can live. I’m happy to be corrected.

So can somebody, please, tell me why Susan Boyle is worth millions?

I saw her this morning on the day-before-yesterdays ’This morning’, which I’m sure qualifies me for my own Tardis, and all I could think was what I always think when I hear her sing: “It’s just a woman, singing!”

As I write, my wife is treading the boards in a West-End musical. Many of our friends are from the same industry. Trained, talented people. My wife can sing. She’s a very good singer- a professional, as it were. She’s not worth millions.

Susan Boyle can sing, of course she can. She’s got quite a nice voice, but take the echo off her microphone and she’s just a woman who can sing, and there are thousands of those.

Everyone, even now, goes back to that moment on BGT when she came out onto the stage looking, it has to be said, slightly bovine and did what has, in my opinion, made her fortune. She sang ‘better than expected’. In other words, she sings better then she looks like she can sing. If she’d looked like Celine Dion she’d have got a raised eyebrow from Simon and a, ‘yes, but would the Queen like it?’ from Piers.

She waddled out before the judges, all flock wall paper and facial hair, and started gyrating her hips and speaking in tongues. Everyone thought she was going to be guided gently back off by someone in a smock and marigolds muttering, “Honestly Susan, I turn my back for five minutes…” But instead she nodded to the magic hand on the sound system that, thankfully for her, could still play C90 cassette tapes, and let rip.

It was impressive. Anton- the taller half of the conjoined presentation unit ‘Anton Dec’, turned to the camera, “You didn’t expect that, Didga!” I shook my head- I hadn’t. But then, I didn’t expect Diversity to be as good as they were. I didn’t expect that guy who swallows snooker balls and goldfish to be able to regurgitate Amanda Holden’s ring after unlocking it with his over-worked duodenum, but he did, and he’s not worth millions either.

Nine days later she’s an internet sensation and tipped to win the whole thing. She’s mentioned on Oprah and has been credited with reinventing music altogether and fathering/mothering Jesus, so I thought I ought to Google her performances since that moment on BGT and see what all the fuss is about.

Well, apart from that two minutes and twenty seconds of audition, and a CD version of ‘cry me a River’ from TEN YEARS previously. There was nothing… that would be ‘nothing at all’, the kind of thing that you’re left with if you take something from something- that nothing.

That CD of ‘Cry Me A River’ by the way, was dug up after her appearance on BGT. ‘Hello’ claimed it “cemented her status” as a singing star and no less a journal than the New York Times saw it as proof that she wasn’t just a ‘one trick pony.’ But, surely, even a pony with two tricks is no ‘Mr. Ed’.

Years pass and I’m left fiddling with my flies while I queue outside the Ugg shop for a £200 pair of lazily-crafted slippers, expecting the moment of revelation to come. Waiting for that enlightenment where I suddenly hear what everyone else can hear, but I can’t. All I can hear is a woman singing. All I can see is a woman who can sing better than her appearance would have you expect.

Susan, like Cher and Madonna, is now known by only one name but, unlike them and more like Jedward, it’s not her actual name but an abbreviated amalgamation: ‘SUBO’. Thankfully her second name isn’t Bale or it would be ‘SUBA’ which is ‘A BUS’ backwards and her PR people will want her as far from associations with the back of a bus as possible.

The worry is that, as her image is cultivated and her appearance improves, that ‘juxtaposition’ [wikipedia’s word- not mine] is lessened. As her fame and income increase she will, inevitably, end up looking more like Beyoncé Knowles and less like Nick Knowles and somebody, somewhere will finally look at her and think, ‘Hang on, it’s just a woman, singing.’

From what I’ve seen of her, Susan Boyle is a lovely lady. She seems to have a good sense of humour, a degree of humility and a half decent singing voice. I have nothing against her at all and wish her all the best. I just don’t understand, now the surprise has worn off, what all the fuss is about.

Maybe I’m wrong- maybe, thankfully, she’s not ‘in the altogether’ after all and her voice really is millions of pounds better than all the other women who can sing but, like the emperor’s new outfit, I just can’t see it.

Kate Middleton Has a Contender For The Title of Nations Princess

Kate Middleton, 29, has a contender for the title of the nations favourite princess say new price comparison site Theatrebillboard.com

The UK can’t get enough of Amanda Holden! After winning over the nation’s hearts on her return as lead judge on Britain’s Got Talent, tickets to see her perform as Princess Fiona on the new West End’s ‘Shrek The Musical’, have been flying out of the box office.

The 40 year old actress and presenter, who stars alongside David Hasslehoff and Michael McIntyre as a judge on ITV’s top talent show, will be making her debut in Shrek The Musical from the 6th May at Theatre Royal, Drury Lane.

According to price comparison website Theatrebillboard.com, advance ticket sales have risen a dramatic 250% for the West End musical, since the weekend’s launch of the new series of Britain’s Got Talent. Amanda has been cast as Princess Fiona in Shrek the Musical, and will be showing off her own talents alongside co stars Nigel Harman, Richard Blackwood and Nigel Lindsay who plays Shrek.

Mike Walker, Marketing Director for Theatre Billboard.com says “Amanda has won over the nation’s hearts in recent years and this huge boost in tickets sales following her recent television appearance just goes to show that the public can’t get enough of her at the moment.”

The peak in volume of ticket sales for the musical, since Amanda’s taken a leading role on our screens leaves us in no doubt that Kate’s not the only princess winning the hearts of the people this Spring..but her Prince Charming definitely has better table manners!

Theatrebillboard.com, is a price comparison site, offering customers an easier and impartial way to search for the best price on theatre tickets with potential savings of up to 60% on ticket prices.

Theatrebillboard.com enables customers to search, compare and buy theatre tickets to over 350 top shows in a matter of minutes, comparing prices and deals from all the major ticket vendors online including Last Minute Theatre Tickets , Ticketmaster, lastminute.com and See Tickets.

For more information, latest deals and offers, visit www.theatrebillboard.com.

Playing Tag With Cheryl Cole And Jennifer Aniston

Do you know, I’m almost embarrassed to post this, but it’ll be interesting – promise, even if it’s just for the top 10 further down.

Years of writing news stories and articles. Flogging over a hot keyboard to gain journalism qualifications. It means absolutely sweet FA if no one reads the results of the writer’s Herculean labours.

Journalism, as my colleague Holly Thomas covered recently, is an over-subscribed business. Writing seems to be something a lot of people think they can do.

Let me tell you guys, ranting over Twitter while misspelling everything ain’t journalism. But everyone’s out there, blogging, tweeting, Facebooking (or whatever today’s adjective for being on Facebook is) and rambling on for 18 pages – FRONT AND BACK!

Must be the glamour that attracts people to writing. The joys of getting rained on, on a bitterly frozen Arctic day covering an escaped prisoner from Feltham Young Offenders, waiting for the police to acknowledge your press card while reluctant witnesses hurtle off down the street pursued by journos and TV crew.

Yeah, I’ve done that, and covered a few sporting occasions, which can be another joy. Coaxing comments out of monosyllabic players and managers after they’ve just been on the receiving end of a brutal defeat.

On the bright side, I haven’t yet been clouted. Surprisingly, neither has my friend Emma who works in local news and sometimes has the unenviable task of speaking to grieving family members in search of a story.

As well as newspapers and magazines, I also write web copy for a sports website. Ah, the fun of being called a disgrace to journalism and a London-based hack on the internet. Admittedly, I’ll concede the second point.

Trouble is, that sporting web copy? Often live and very pressured. The moment you press the button, you’re out in the ether. Doesn’t matter if you spot it immediately and correct it, umpteen people around the world have seen it and already – rightly – commented on what a twat you are.

Now you may say that this is contradictory. How can I complain about journalists not being noticed and then whine about it when they are?

Fair point.

Truth is, from a purely personal point of view, I qualified in News Writing, Media Law and Shorthand among others. So while sport has been kind to me in the respect that I’ve been able to keep most of the roof over my head and occasionally eat, I also like to think I have a wider range to offer.

And that’s what Frost does. As a writer and editor, I have a lovely medium to rattle on about pretty much anything for your enjoyment and edification.  Which brings me to the point of this article 13 paragraphs on.

While we have thousands of regular readers, getting brand new, shiny people to pop in to Frost and read us, and hopefully stay to dip in to our box of delights is all about the tags. Those little words and hooks that grab your attention – even if you didn’t want it to. Sorry, but that’s what we do. Engage.

So with that in mind, Google’s most searched terms of 2010 were apparently, in order:

1. chatroulette

2. ipad

3. justin bieber

4. nicki minaj

5. friv

6. myxer

7. katy perry

8. twitter

9. gamezer

10. facebook.

Which is worrying, because as a duffer, I haven’t heard of some of those.

And falling faster than – oh, I don’t know, something really heavy and inert, say a cartoon safe – in 2010, was:

1. swine flu

2. wamu

3. new moon

4. mininova

5. susan boyle

6. slumdog millionaire

7. circuit city

8. myspace layouts

9. michael jackson

10. national city bank.

So, theoretically, if I add all those top 10 most popular terms into an article and tag them myself, (hey, look at that! I just did!)  It should garner some attention.

And then looking into my crystal ball for 2011… Actually, why bother? If I just throw in say, X Factor, Britain’s Got Talent, Doctor Who, Cheryl Cole, Lady Gaga, Brighton Rock, Manchester United, Barcelona, Jose Mourinho, Angelina Jolie, Brad Pitt and Jennifer Aniston, oh, and romcom, I think that’ll do it.

Welcome to Frost. Thank you for stopping by. We love you and please feel free to look around. And come back and tell your friends!

Or you can just wait for them to stumble on the same set of tags and blog/tweet/facebook each other about us. I’m easy either way.

2010's most popular bands, comedians and shows. {Showbiz}

2010: The Year of the ‘man band’

viagogo reveals the most popular gigs of 2010

2010 was the year of the man band with Take That topping the charts as the most popular act of the past 12 months.

According to viagogo, Europe’s largest secondary ticket marketplace, 2010 was a year of testosterone-fuelled acts as the Kings of Leon and JLS complete the top three. There was just one woman in the top ten – Lady Gaga in fourth position.

The Libertines, in their intimate comeback gig at the HMV Kentish Town Forum, was the highest priced ticket of 2010.Tickets for Libertines reunion gig sold for well over the odds with the highest price ticket going for £223, £197 above face value.

Surprisingly, Cliff Richard’s recent 70’th anniversary gigs also pulled in the pennies with fans paying £136 – £76 over face value – to get a glimpse of the golden oldie.

Top 20 most popular acts of 2010

1. Take That

2. Kings of Leon

3. JLS

4. Lady Gaga

5. Michael Bublé

6. Roger Waters

7. Bon Jovi

8. Muse

9. Black Eyed Peas

10. Westlife

11. Usher

12. Katy Perry

13. Justin Bieber

14. Rhianna

15. Leona Lewis

16. Foo Fighters

17. Eric Clapton

18. Linkin Park

19. Tinie Tempah

20. Florence and the Machine

Top 10 most expensive gigs of 2010

1. The Libertines £223

2. Sade £144

3. Cliff Richard £136

4. Van Morrison £133

5. Eric Clapton £126

6. Elton John £125

7. Roxy Music £124

8. Michael Buble £122

9. Kylie Minogue £120

10. Barry Manilow £115

Ed Parkinson, director of viagogo UK said: “This year has been all about Take That with ticket sales breaking all records but other ‘man bands’ have benefitted from a year that’s been all about the boys including Kings of Leon and The reformed Libertines. The X Factor has also played a pivotal role in driving ticket demand for certain acts, with nine acts from the top 20 appearing live on the talent show this year.”

Top 10 most popular theatre shows of 2010

1. Glee Live!

2. Britain’s Got Talent

3. Flight of the Choncords

4. Lord of the Dance

5. Doctor Who Live

6. Love Never Dies

7. BBC Electric Proms

8. Strictly Come Dancing

9. Diversity

10. Les Miserbales

As for theatre, it’s TV that is driving us from our sofas to the stalls, with two

thirds (60 per cent) of shows in the top 10 most in demand theatre productions being based on the small screen

Top 10 most popular comedians of 2010

1. Michael McIntyre

2. Frankie Boyle

3. Peter Kay

4. Lee Evans

5. Ricky Gervais

6. Billy Connelly

7. John Bishop

8. Jimmy Carr

9. Dara O’Brien

10. Tim Minchin

TV dominates the most in demand comedians list as well with newly appointed Britain’s Got Talent judge Michael McIntyre topping the funnymen league, whilst Apprentice You’re Fired host Dara O’ Brien clinches ninth place. Panel show guests Frankie Boyle and Jimmy Carr are also cashing in on their TV fame, taking 2nd and 8th place in the most in demand comedians’ list.

Who was your favourite entertainers of 2010? Let us know.

X Factor and BGT here at least until 2013 {TV}

ITV has signed a new, three-year deal with The X Factor & Britain’s Got Talent, keeping Simon Cowell in work for at least another 3 years.

As part of this renewed collaboration with Syco Entertainment and FremantleMedia, the broadcaster has also secured exclusive UK broadcast rights to the American version of The X Factor and America’s Got Talent for ITV2.

Simon Cowell said: “I am thrilled this deal has been concluded with ITV to enable our relationship to continue to develop. I am committed to making sure both shows get bigger and better every year. I have a lot to thank ITV for; they have been key in making The X Factor and Britain’s Got Talent the UK’s biggest television shows.”  

The X Factor and Britain’s Got Talent are the UK’s most popular entertainment television programmes on any channel.  The two shows provided the most watched television moments of 2009 with peak audiences of 19.3 million for The X Factor final and 19.9 million for the Britain’s Got Talent Final.
This year’s seventh series of The X Factor has been the most popular ever with viewing figures across every stage reaching record levels. Almost 17 million watched the second Judges’ houses show, and yesterday’s second live results show peaked at an enormous 15.2 million; the highest ever at this stage of the competition.
Online, ITV.com/TheXFactor attracted over 95 million page views during the 2009 series with over 30 million video views across the run.