The Devine Xperience | Music Profile

Band/Artist: The Devine Xperience
Location: Los Angeles California
Styles: Electronica, Breaks, Dubstep
Similar to: Bassnectar, The Crystal Method, Uberzone, Rabbit in the Moon, The Freestylers.
CD: Self-Titled
Label: Let’s Beat Milo Records
Members/Instruments:
Robert Jaros AKA Robert Devine creates all of the music and also sings backup vocals. Vanessa Garic sings lead vocals and backup vocals. Enki Siruzis a live performer.

About The Album:
The Devine Xperience – Self-Titled debut Album contains classic Electronic Dance Music consisting of the elements of Dubstep, Breaks, Electro, Trance, and Acid. It is the brainchild of producer Robert Jaros AKA Robert Devine and singer & creative director Vanessa Garic. It contains messages in the songs regarding politics, aliens, and various other controversial and transcendental subjects and will elevate the listener to a higher state of consciousness. It features remixes from legendary recording artist’s: Jackal of Jackal & Hyde and previously of Dynamix II, Decoding Jesus, The Duke and The Kaiser, and DJ D-Xtreme. The DevineXperience Album release will be supported by an all encompassing Promotional Campaign consisting of 3 music videos, and full PR, College Radio, and Social Media Promotion. Look out for their upcoming performances at a Rave, Club, Concert or Festival near you.

Devine Xperience

All Songs Written, Produced, and Performed by: Robert Jaros & Vanessa Garic All Songs Recorded, Mixed, Edited, and Arranged by: Robert Jaros.

Bio:
The Devine Xperience is a live music act that plays a unique blend of electronic dance music with elements ofbreakbeat, dubstep, trap, and trance. Their music has been described as timeless by music critics that have tried to categorize it. Robert Devine creates and records the music. Vanessa Garic is the Creative Director guiding the artistic and visual aspects of the group also lending her skills as a live performer. Enki Siruz is the audio engineer and is responsible for adding the polish andsparkle to the music and is also featured as a live performer.

Robert Jaros AKA Robert Devine began playing the piano at the age of 5, then in junior high school he started to play the drums and percussion then he moved on to the guitar and bass in high school. Robert’s first live performances were with various punk bands that he played either the guitar, bass, or sang in during his high school years, in 1992 he attended what he believed to be a Deee Lite concert but it was actually very much more. This was the first Rave party that Robert had ever attended, that night he witnessed the Rabbit in the Moon performing live and it changed his life forever…. He immediately acquired a Roland XP-80 synthesizer and began work on what would become his passion in life, producing music. Throughout the 90’s Robert produced and performed Breakbeat, Drum & Bass, and HouseMusic Live P.A. Shows in the Southeast Rave Scene under the name of The Devine X-Perience while concurrently MC’ing at various parties. Then in the early 2000’s he began producing Hip Hop for various Artists all over the US and opening for various artists such as Lil Wayne, Young Dro, Cashis, D4L, Pastor Troy, and Lil Jon and the Eastside Boyz and others of that caliber while continuing to develop what would become The DevineXperience on the side during what little free time he had. Robert has put his blood, sweat, and tears into this album that he has been recording during the past 6 years, Robert is a raver to the core and Believes in Peace, Love, Unity, and Respect as his guiding principles in life. His dream is to bring his magical and unique sound into the ears of all across the globe in the form of the Devine Xperience.

Vanessa Garic’s passion for artistry lead to her interest in makeup, special effects, and fashion. She attended Sunset Gower Studios Makeup Academy in Hollywood and later became a personnel stylist for Louis Vuitton in Beverly Hills, California. Assisting many of her loyal clients in the luxury of their homes, she helped build their wardrobes; also gaining long lasting relationships.

She later moved into the world of Haute Joaillerie, studying gemstones and providing buying advice to consumers for Chopard, the Swiss based luxury jeweler. Working in collaboration with Hollywood industry events, she worked with stylist dressing several people, often hand delivering a selection of jewels to choose from.

She has a passion for painting and the visual arts and she continues to paint, which had always been close to her heart.
Music and painting have always fueled her energy for finding ways to create new and exciting experiences, which she definitely has delivered with her contributions to this project. Some of her favorite musical influences are New Order, Elliot Smith, DJ Keoki, The DandyWarhols, Brian Johnstown Massacre, Coco Rosie, and The Breeders.

Enki Siruz was born in Los Angeles California and was raised in the San Fernando Valley. He grew up listening to a variety of musical influences such as the Doors, Bob Marley, Jimi Hendrix, Sublime, and Nirvana. He loves to watch live performances and is always attending various music events. He is a graduate of Musicians Institute in the Audio Engineering Program. His goal is to make some of the best sounding, high quality albums the world has ever heard by infusing different music genres to create Amazing Sounding Projects.

Those Who Steal Movies Are Also Happy To Pay

People who illegally download billions of pounds worth of movies also love going to the cinema and don’t mind paying to watch movies.

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In the first study to examine the differences between movie and music pirates, the key finding was those who steal movies seem to be an entirely different breed from those who steal music.

In addition to movie pirates being less likely to stop paying to see movies alongside stealing them, prolific movie pirates also tend to be wealthier, less worried about being caught and more likely to cut down their piracy if they think they are harming the industry.

The research, by Dr Joe Cox and Professor Alan Collins, economists at the University of Portsmouth, also found that compared to those who steal music, movie pirates are more likely to live in large cities and be ‘early adopters’ of new technology.

The research is published in the Journal of Behavioural and Experimental Economics.

The researchers analysed results from a survey of more than 6,000 people aged seven to 84 to examine the attitudes of those who illegally download movies and music from the internet.

On average, each person had illegally downloaded about 2,900 music files and 90 movie files. Experts claim the cost of piracy in the US alone is $US12.5bn to the music industry and $US20.5bn to the movie industry.

Dr Cox said: “It is interesting to see that people who illegally download large quantities of movie files continue to pay for legal movie consumption to a far greater extent than music downloaders.

“However, it came as no surprise to find that the most prolific pirates of either movies or music tend to be younger men. They have the skills, the motivation and the equipment to between them to steal large volumes of music tracks and movies every month.”

Pirates are generally motivated first and foremost by saving money, and second, by seeing themselves as helping artists bypass middlemen and reach wider audiences, the study found. But it also found significant differences in the behaviour and attitudes of music and movie pirates. Those who illegally download large volumes of movie files are likely to be significantly:

– less likely to cut back their spending on legal movies compared to those who steal music;
– better off financially than music pirates;
– more likely to be male;
– less likely to think they’ll be caught compared to those who steal music;
– more likely to limit their piracy if they think stealing is harms the film industry.

Dr Cox said: “These findings are important from a policy perspective, because they suggest campaigns that emphasise the harmful effects on the movie industry of piracy are much more likely to be effective than similar campaigns focusing on the music industry.

“One of the reasons movie pirates are a different breed is downloading and file-sharing films is much more technologically demanding. It requires faster internet speeds, greater digital storage capabilities and access to a wider range of devices for playback than pirating music, which has now become relatively simple, fast and cheap.”

The researchers, from Portsmouth Business School, analysed a Finnish survey dataset of 6,100 people, which reinforces that piracy is not limited to the US and UK markets and that the behaviours and attitudes are similar worldwide.

Among the reasons people gave for downloading files illegally were that it saved money, allowed access to material not on general release or before it was released, and has benefits such as helping artists bypass record companies or movie studios.

Reasons given for not downloading or for limiting piracy included fear of downloading viruses or malware, content not matching the description, being difficult to find, and being of poor quality.

Nigerian Authorities Failed To Act On Warnings Of Boko Haram School Raid

Damning testimonies gathered by Amnesty International reveal that the Nigerian security forces failed to act on advance warnings about Boko Haram’s armed raid on the state-run boarding school in Chibok which led to the abduction of more than 240 schoolgirls on 14-15 April.

Michelle Obama has given her support.

Michelle Obama has given her support.

After independently verifying information based on multiple interviews with credible sources, the organisation today exclusively revealed that the Nigerian security forces had more than four hours of advance warning about the attack but did not do enough to stop it.

Netsanet Belay, Amnesty’s Africa Director, speaking from Abuja, said:

“The fact that Nigerian security forces knew about Boko Haram’s impending raid, but failed to take the immediate action needed to stop it, will only amplify the national and international outcry at this horrific crime.

“It amounts to a gross dereliction of Nigeria’s duty to protect civilians, who remain sitting ducks for such attacks. The Nigerian leadership must now use all lawful means at their disposal to secure the girls’ safe release and ensure nothing like this can happen again.

“The abduction and continued detention of these school girls are war crimes, and those responsible must be brought to justice. Attacks on schools also violate the right to education and must be halted immediately.”

Amnesty has confirmed through various sources that Nigeria’s military headquarters in Maiduguri was aware of the impending attack soon after 7pm on 14 April, close to four hours before Boko Haram began their assault on the town.

But an inability to muster troops – due to poor resources and a reported fear of engaging with the often better-equipped armed groups – meant that reinforcements were not deployed to Chibok that night. The small contingent of security forces based in the town – 17 army personnel as well as local police –attempted to repel the Boko Haram assault but were overpowered and forced to retreat. One soldier reportedly died.

More than three weeks later, the majority of the girls remain in captivity in an unknown location. A climate of confusion and suspicion has so far scuppered efforts to secure their release.

Amnesty reiterates its call on Boko Haram to immediately and unconditionally release the hostages into safety and stop all attacks on civilians.

Warnings ignored

Between 7pm on 14 April and 2am on 15 April, the military commands in Damboa, 36.5 km away from Chibok, and Maiduguri, 130 km away from Chibok, were repeatedly alerted to the threat by both security and local officials.

According to sources interviewed by Amnesty, local civilian patrols (known as “vigilantes”, set up by the military and local authorities) in Gagilam, a neighbouring village, were among the first to raise the alarm on the evening of 14 April after a large group of unidentified armed men entered their village on motorbikes and said they were headed to Chibok. This set off a rapid chain of phone calls to alert officials, including the Borno State Governor and senior military commanders based in Maiduguri.

One local official who was contacted by Gagilam residents told Amnesty: “At around 10:00 PM on 14 April, I called [several] security officers to inform them about earlier information I had received from the vigilantes in Gagilam village. They had told us that strange people had arrived in their village that evening on motorbikes and they said they were heading to Chibok. I made several other calls, including to Maiduguri. I was promised by the security people that reinforcement were on their way.”

Another local official was contacted by herdsmen who said that armed men had asked where the Government Girls Secondary School was located in Chibok.

At around 11:45 PM, a convoy reportedly numbering up to 200 armed Boko Haram fighters – on motorbikes and in trucks – arrived in Chibok town and engaged in a gunfight with a small number of police and soldiers based there. Outnumbered and outgunned, the security forces eventually fled in the small hours of 15 April. Some of the Boko Haram fighters proceeded to the Government Girls Secondary School and abducted more than 240 schoolgirls.

Two senior officers in Nigeria’s armed forces confirmed that the military was aware of the planned attack even prior to the calls received from local officials. One officer said the commander was unable to mobilize reinforcements. He described to Amnesty the difficulties faced by frontline soldiers in north-eastern Nigeria:

“There’s a lot of frustration, exhaustion and fatigue among officers and [troops] based in the hotspots…many soldiers are afraid to go to the battle fronts.”

Amnesty’s requests for a reaction from the military headquarters in Abuja have gone unanswered.

Since the 14 April raid, a climate of confusion and suspicion appears to have slowed down the Nigerian authorities’ efforts to locate and free the abducted schoolgirls. On 16 April, a senior Defence Ministry spokesperson said that almost all of the abducted girls had been rescued and only eight were still missing. The next day he had to retract that statement.

Netsanet Belay added:

“The climate of suspicion and lack of transparency about the rescue effort has been unhelpful – all authorities must work together to ensure the girls are brought home safely and more must be done to protect civilians in future.”

Amnesty is calling on the Nigerian government to provide adequate information to families of abducted girls on the authorities’ current efforts to ensure their safe release. The families – and the abducted girls, once they are freed – must be provided with adequate medical and psychological support.

Background

The information on the advance warnings of the impending Boko Haram attack in Chibok came from multiple sources, including local officials and two senior military officers, interviewed by Amnesty. The sources independently verified a list of Nigerian officials who were alerted on 14-15 April, before and during the raid on the Government Girls Secondary School. They have been kept anonymous for their safety.

The abduction of the schoolgirls in Chibok comes amid months of worsening violence and serious human rights violations and abuses being committed by armed Islamist groups and Nigerian government forces alike in the conflict in north-eastern Nigeria.

Amnesty’s research indicates that at least 2,000 people have been killed in the conflict in Nigeria this year alone.

In a separate incident on 5 May, at least eight girls were abducted by gunmen in the Warabe and Wala communities in north-eastern Nigeria. There have been similar abductions on a smaller scale, mainly of women and girls, in the last two years.

Also on 5 May, more than 200 people were killed in Gamboru, Ngala, Borno state, when an armed group traveling in two armoured cars opened fire on a market in broad daylight. The attack began around 1:30pm and lasted several hours, and the armed group torched market stalls, vehicles and nearby homes and shops.

Despite such ongoing attacks, the Nigerian authorities have failed to adequately investigate the killings and abductions, bring suspected perpetrators to justice, or prevent further attacks.

At the same time, the government continues to unlawfully detain hundreds of people suspected of links with Boko Haram in military detention and is denying them access to lawyers. The majority of those detained around the country are held without criminal charges, and many have been extrajudicially executed by security forces before facing trial.

The Amazing Spider-Man 2 {Film Review}

WARNING! Does contain spoilers *

It has been exactly ten years since Sam Raimi released the first sequel to his 2002 hit, Spider-Man 2. I remember the movie being incredibly fun but also can see and feel the passion behind it. Now it is Marc Webb’s turn with his The Amazing Spider-Man series that we got our first glimpse in 2012 (which resulted to mixed reactions).

 

Andrew Garfield returns as Peter Parker/Spider-Man, continuing his duty help New York City being crime free. While also struggling to keep a promise from Gwen Stacy’s (Emma Stone) father to stay from harm’s way. It’s nice to see him doing more than catching thieves, like stopping a bunch of bullies and walking bullied kid back home. The chemistry between Garfield and Stone are cute and affectionate but all feel contrived to have Peter have another conflict on his plate. The scenes between Peter and Aunt May (Sally Field) are humorous to some level but, again, all feel superfluous (I mean, she seriously can’t tell there isn’t anything going on with Peter from having a dirty face and having the excuse “I was cleaning the chimney”, she catches that by saying “we don’t have a chimney” and he acts flabbergasted?) Star Trek and Transformers writers Alex Kurtzman and Roberto Orci were brought in to redraft the script, thus does comes across the movie having way too many cooks. The movie is unfocused with what it really should be and that’s giving a different take of the story but it is more interested on what it is setting up (i.e. the Sinister Six for the most part). More evidence the movie was unfocused was when they shot scenes with Shailene Woodley as Mary Jane Watson but cut them out as they felt it was overstuffed (definitely can tell when watching the final cut).

 

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The villains in this movie is quite embarrassing, trying to give dramatic weight but it all comes flat. Max Dillon / Electro (Jamie Foxx) is basically another fan of the main protagonist but feels betrayed and becomes the villain (similar to Batman Forever and Iron Man 3). Paul Giamatti as Aleksei Sytsevich (though everyone will just remember him as The Rhino) is wasted as he just shouts his lines in a hammy Russian accent and only becomes his alter-ego in the last 5-10 minutes of the movies. Dane De Haan as Harry Osborn is a character that would’ve been beneficial if introduced in the previous movie but felt forced into the movie as if he was put in at the last second (like Venom in Spider-Man 3). Having both Peter and Harry talk about their backstory on their childhood memories all felt forced and empty. All these villains have one purpose; world building and setting up for Sony’s planned sequels and spin-offs. That may be all well and good but doesn’t give us time to care about the story and characters if they’re not fully developed enough. Also Martin Csokas as Dr. Ashley Kafka seemed he came out from auditioning as titular character in Dr. Strangelove but needed a moustache to twirl as he was comically villainous (both Giamatti and Csokas really do feel out of place from its grounded setting and tone).

 

The action sequences are well choreographed and probably the best Spider-Man swinging sequences since Spider-Man 2. The Green Goblin character in particular may have made Dane DeHaan look creepy but the design looked lazy and plain compared the look in the comic books. Electro was probably the most interesting looking villain in the series, which I give credit to the visual effects team at Sony Imageworks. Hans Zimmer scores another comic book blockbuster and it is relatively creative (the idea of using dubstep style music for Electro felt cringe-worthy but it fitted the character). Though one particular set-piece that had similar affect in Spider-Man 3 was Spider-Man and Green Goblin fight and felt it wasn’t given a lot of thought. The only reason this was included so we would have the famous Gwen Stacy death scene that Spider-Man/comic book fans are very familiar with. It comes off the filmmakers felt they were obligated to include this scene (same way audiences would expect Breaking the Bat scene in The Dark Knight Rises). It should’ve come across being shocking but it was predictable and makes this emotional scene fail on all aspects.

 

Overall; this movie is just a product so Sony can keep the rights to Spider-Man rather than revert it back to Marvel. The leads may be charismatic and production value is all there but the movie feels empty underneath its shiny surface (not since Iron Man 2).

 

2 out of 5

Angelina Jolie And Michelle Obama Add Voices To #bringbackourgirls Campaign For Kidnapped Nigerian Schoolgirls

Last month over 200 Nigerian schoolgirls were kidnapped and thanks to social media, the protest has been loud, with powerful names giving their support. Angelina Jolie and Michelle Obama have added their voices to the #bringbackourgirls campaign. The First Lady tweeted this photo and message of support.

michelle obama #bringbackourgirls

Angelina Jolie told the Agence France-Presse: “The kidnapping of these young Nigerian girls is an unthinkable cruelty, Sadly, of course, there is real evil in the world. You watch the news and you see all of the people suffering and so much cruelty.”

CNN screened a video released by Nigerian Islamic group Boko Haram which featured the group’s leader, Abubakar Shekau, who claimed responsibility for kidnapping the girls and vowed to sell them into slavery. Reportedly, 276 girls were kidnapped from a school in Nigeria’s north-eastern Borno state.

Visit Change.org to sign the petition and use the #bringbackourgirls hashtag.

 

Citizens of Humanity VIP Film Screening: Christy Turlington Burns & Roger Ross Williams Attend

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WHAT:  Citizens of Humanity VIP film screening with Christy Turlington Burns and Roger Ross Williams

WHEN: Thursday May 1st, 2014, 6:30-9pm

WHERE: Soho House New York

Luxury denim label Citizens of Humanity held an intimate film screening to unveil two new film shorts directed by filmmaker and advocate Christy Turlington-Burns and Academy Award winning director Roger Ross Williams. The two films “Every Mile, Every Mother” and “Tutu: The Essence of Being Human” were followed by a Q and A with Christy and Roger, chaired by Style.com’s Katharine Zarrella.

Christy’s film focusses on The Hood To Coast marathon relay race that she completed with members of her charity “Every Mother Counts”, which aims to provide better maternal healthcare for mothers around the world. Roger’s film profiles Desmond Tutu’s role in abolishing apartheid in South Africa and includes exclusive footage of Desmond and his wife Leah on her birthday, showcasing them in an intimate family setting.

Guests including Karlie Kloss, Dree Hemingway and Colleen Atwood sipped bellinis and dined on appetizers during the event, which was held in the cinema at Soho House, New York. All guests also went home with a pair of jeans from Citizens of Humanity’s Spring collection.

WHO:
Christy Turlington Burns, filmmaker and advocate
Roger Ross Williams, Director
Karlie Kloss, Model
Dree Hemingway,  Model
Colleen Atwood, Costume Designer
Kassia Meador, former professional surfer
Jerome Dahan, CEO & Founder of Citizens of Humanity
Catherine Ryu, Women’s Creative Director of Citizens of Humanity
Amy Williams, President of Citizens of Humanity

 

Above: Christy Turlington Burns and Karlie Kloss

Above: Christy Turlington Burns and Karlie Kloss

Above: Moderator Katharine Zarella of Style.com, Christy Turlington Burns and Roger Ross Williams

Above: Moderator Katharine Zarella of Style.com, Christy Turlington Burns and Roger Ross Williams

Above: Amy Astley of Teen Vogue, Dree Hemingway and Karlie Kloss

Above: Amy Astley of Teen Vogue, Dree Hemingway and Karlie Kloss

Above: Amy Astley of Teen Vogue, Christy Turlington Burns, Karlie Kloss

Above: Amy Astley of Teen Vogue, Christy Turlington Burns, Karlie Kloss

WHAT THEY ATE & DRANK:

Truffled arancini

Spicy Tuna + Avocado

Spring pea and mascarpone quiche

Spinach ravioli, peccerino

Veal Meatballs, tomato sauce

Eggplant, roasted red peppers, goat cheese

Bellinis and fresh juices

Above: Christy Turlington Burns

Above: Christy Turlington Burns

Above: Karlie Kloss

Above: Karlie Kloss

Above: Dree Hemingway

Above: Dree Hemingway

WHAT THEY TALKED ABOUT:
Christy Turlington Burns’ inclusion on the latest Time 100 list – Christy was talking about her attendance at the party this week and how inspiring the other names on the list are to her Academy Awards – both director Roger Ross Williams and costume designer Colleen Atwood have won an Oscar, and were discussing the honor of receiving such a world-famous accolade
The films – guests were humbled by the causes both Christy and Roger’s films were highlighting, and there was enthusiastic discussion on how the fashion world can support important humanitarian causes

Jeans, overalls and jumpsuits – Everyone was thrilled to receive a complimentary gift from Citizens of Humanity’s Spring collection. There was much excitement about the overalls and denim jumpsuit which have both become a huge hit and new hot trend.

 

 

Raindance Filmmakers’ Charity Ball | Events

Host of film talent attend inaugural filmmakers’ ball

– Sadie Frost, Helen George and Tamer Hassan attended Raindance Film Festival’s charity party –

 

 A host of celebrities and film industry talent attended Raindance Film Festival’s inaugural Independent Filmmakers’ Ball last night to raise funds for The Independent Film Trust (IFT), the UK charity whose activities include the provision of film-making courses for disadvantaged adults and children. Guests included Sadie Frost, Helen George, Tamer Hassan, Nick Broomfield, Alan Parker, Matt Kernard and Kitty Brucknell.

alanparker elliotgrove geraldmccarthy helengeorge nickbroomfield sadiefrost

Entertainment on the night came from soul band ‘The Indies’ as well as a ‘filmmaker’s dream raffle’, with prizes including a Canon EOS C100 camera and screening-room hire from Motion Picture Solutions handed out to lucky winners.

 

Raindance and British Independent Film Award founder Elliot Grove comments: “It was a pleasure to see the crème de la crème of British indie filmmaking come together under one roof for such a great cause and to celebrate their work. Away from the glamour of tinsel town, these guys work incredibly hard to deliver thought-provoking, disruptive and consistently entertaining material for our viewing pleasure and I can’t wait for the chance to showcase their work when the 22nd annual Raindance Film Festival returns this autumn.”