Category Archives: Culture

WELSH WRITING WEDNESDAYS: JANE CABLE ON HER FATHER POET, MERCER SIMPSON

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As I have written in Frost before, my formative years were spent in and around the vibrant Anglo-Welsh poetry scene. Writers such as Tony Curtis, Dannie Abse and Gillian Clarke were taking over the mantle from the Dylan Thomas generation and my father Mercer Simpson was in the thick of it.

First as an expert on the genre – he wrote the section on it in The Bloomsbury Guide to Literature – and a reviewer. Then as poet himself. Except he wasn’t Welsh by birth – he was English, although in the end he lived in Cardiff for the last 55 years of his life. His first – and last – collections were through Rockingham Press in East Anglia, but I think the one of which he was always most proud was Rain From a Clear Blue Sky which was published by Gomer with the help of Welsh Arts Council funding.

Having a poet as a father gives a unique insight into their lives. This is not to say all poetry is autobiographical – it’s certainly not – but my father was very clear that some of his were and there is a section in Rain From a Clear Blue Sky that deals with childhood memories. All this was easy to accept as my father’s past, but when the present reared its head, it could be harder. Or simply incredibly beautiful, like these lines about a rose bush that stood in my parents’ garden.

Fruhlingsgold
shakes her
curling-papered head,
the wind’s
premature blow-drier
scattering news
of dispersed beauty,
the white petals
leaving the golden heart
on each stem…

But there were certainly times when the insights seemed far too close to home and I still find parts of his last two collections difficult. Not just because I helped him to correct the proofs of the last one when he was in a nursing home, dying. It wasn’t a bad time – apart from the obvious – we became even closer over those galleys – and we were able to discuss what was going to happen surprisingly easily.

Six months before the Welsh Academy had put on an eightieth birthday reception for him in the Norwegian Church in Cardiff Bay. For him it was the pinnacle of his acceptance as an Anglo-Welsh poet and I will never forget how much it meant to him. I was more than proud to be at his side as we listened to Tony Curtis, Ruth Bidgood and others read from their own work and celebrate my father’s. And he read himself – of course he did – he had been a lecturer, had even taught public speaking, so he was a consummate performer.

There was a humour in his work, even in the most serious of subjects, particularly in Honest to God, a poem he read that night and I read at his funeral. And pathos too. As the child of a poet, there are times you get to look inside your parent’s soul.

Dear God
I hope I’ve got your correct address:
with so much mail going astray these days I wouldn’t want this letter
to get lost in the post.

I hope you don’t mind me leaving the writing of it rather late
but I felt I had to thank you for letting me stay in your house for so long.
I know I haven’t been the easiest of guests,
stealing your son’s bread and helping myself to his wine…

…Now that my time is nearly over
I insist on having the last word which must be gratitude:
gratitude for the miracle of your world that I, who might have died at birth,
was spared to live in…

…So please forgive me if I seem impertinent
in asking if I may come back and visit you again some time?

 

 

 

Anna Kent My Writing Process

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Anna Kent, author, writer, What you have written, past and present?

I was a journalist before I became an author, so I’ve written an awful lot of articles for publications in the UK and the UAE, and I was also a columnist for The Telegraph for six years and for Stylist Arabia for a year.

In terms of fiction, I have four psychological suspense novels out under my own name, Annabel Kantaria. They are Coming Home, The Disappearance, The One That Got Away and I Know You.

My fifth novel, called The House of Whispers under the pen name of Anna Kent, is due to be published on August 5.

I’m currently writing my sixth novel. It’s yet to get a title but I’m really excited about the premise!

What you are promoting now?

I’m promoting The House of Whispers by Anna Kent.

Tell us a bit about your process of writing?

I try to treat writing as I would an office job, so I have a strict routine: I put in about three or four solid hours in the morning, then I try to go to the gym or do an exercise class before lunch, then I fit in another hour or so of writing before it’s time to pick up my son from school. 

If I can, I’ll work again in the afternoon but it’s not always possible. I never work at night and I try not to work at the weekend, too.

In terms of the writing process, every book begins with the seed of an idea: sometimes it’s the ending, sometimes the twist, or, in the case of the book I’m currently working on, it was the inciting incident – the event that kicks off the whole story. I try and flesh this out, sketching out how the character will change throughout the story, and working out a plot that will carry that internal change and also allow room for a few duplicitous scenes, red herrings and twists.

I try to use a system where I write scenes on index cards and move them about but, generally, once I’ve got a foggy idea of the story in my head, I just want to start writing. It’s a mistake to start too soon, though, as I invariably then get stuck about 20,000 words in because I haven’t planned enough.

There’s always a point, about halfway or three quarters of the way into a manuscript that I lose faith and start to doubt myself. Writing is a solitary process and it can be a challenge to keep up both the momentum and the self-belief. You just have to push on through and trust the process. Having a good support network of friends and family really helps.

How do you do structure your books?

They’re all different. Most of them have multiple viewpoints because I love seeing events through different people’s eyes. 

In The House of Whispers, interviews with one of the characters are interlaced throughout the narrative, only you don’t know who is interviewing the person, nor why – you just know that something major has happened. The Disappearance started half-way through then tracked back, and it also had two timelines set about 50 years apart. I Know You was told with the benefit of hindsight, which allowed me to do a lot of foreshadowing to keep up the suspense, and The One That Got Away had alternate chapters from the points of view of a husband and wife. 

I do love a clever structure, but they can be very tricky to pull off.

What do you find hard about writing?

The hardest thing for me is trying to come up with that million-dollar best-selling idea: the high-concept story that becomes the most talked-about book of the year!

I also hate it when I get stuck in my plot. It happens at some point in every book, and I’m antsy and stressed until I get through that block and start writing properly again.

Other than that, just trying to be creative, day in, day out, with little or no feedback on how I’m doing, and no colleagues to bounce ideas off. Keeping faith in myself that I can do it. Not knowing if my book is any good or not until I submit it to my agent when it’s finished. That’s tough. 

What do you love about writing?

I love the creative freedom at the start of a new book, when the world really is your oyster. It’s like playing God. You have the power to create a whole world, and to populate it with whomever you like, and to make whatever you want happen to those people. There’s nothing like starting a fresh story. Even better if you know it’s a really fabulous idea! 

Days when the words flow and the story just comes flying out through my fingers are also fabulous. There’s no feeling like it.

 

THE DIARY OF A BOOK, JULY 2021

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At the end of June Jane Cable was poised to start writing The Lost Heir. Did it happen? Not a bit of it…

There were several reasons for my lack of progress, most of which I can share. We had a week or so’s holiday planned early in the month, and publication of The Missing Pieces of Us, my first title writing as Eva Glyn, was scheduled for the 21st. What I wasn’t anticipating were the scale of the structural edits for The Olive Grove, Eva’s second book.

Let me explain a little about this process. As an author you submit a final draft manuscript to the publisher, and your editor reviews it with the objective of making it better. My editor at Sapere Books does most of the work for me, so basically my input is to read, negotiate, and perhaps add a few extra tweaks. Eva is signed to a bigger publishing house (0ne More Chapter is a division of Harper Collins) and the system is entirely different.

So I received an editorial letter telling me in some detail what they would like me to do to improve the book. At this point people often ask questions along the lines of ‘don’t you mind?’. Of course I don’t mind – it is absolutely fantastic to have detailed feedback that will make the book a real joy for readers and a story that will stay with them long after they have finished it.

You lose perspective on your own book – or at least I do. Just before the submission deadline it seems common amongst authors to loath your manuscript, but even once you are over that you still need to accept that you probably can’t see the wood for the trees.

The problem was that I needed to juggle the edits not only with a full on holiday – a historical tour of Hadrian’s Wall – but also with our nephew coming to stay. This meant everything else had to be swept to one side, but my husband was magnificent, taking over all the domestic duties (he does most of them anyway as I am so useless!). And I suspect he enjoyed some ‘boy time’ with our nephew too.

So in the main I have spent a large chunk of July editing The Olive Grove and I absolutely know I have a better book, which I can’t wait for you to be able to read in September. And the last few days I’ve been running around like a headless chicken on social media, what with the launch of The Missing Pieces of Us, and The Forgotten Maid being on Netgalley ready for publication next month.

But I also had a holiday. We had intended to do a long distance walk but instead found ourselves drawn to a historical tour led by a university professor, where we would learn so much about the Romans who built and defended Hadrian’s Wall. It was a fascinating week when we went from one end of the wall to the other – and beyond it to outposts in the north. We visited all the famous sites; Vindolanda, Housesteads, and were shown around Birdoswald by Tony Wilmot, the archaeologist responsible for digging most of the fort over the years. It wasn’t only fabulous, but a break I needed to return refreshed and hit the ground running.

And as for The Lost Heir? This month I’m going to wise up and make no promises in that respect at all!
 

 

 

 

 

 

 

 

One August Night By Victoria Hislop Book Review.

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I read One August Night By Victoria Hislop over two balmy days. I was drawn in immediately even though I have not read The Island. I was whisked away to the gorgeous island of Crete. The book is set in 1957. One August Night is a dramatic and ultimately beautiful story of love, betrayal and tragedy. It is a story with depth that compels you to carry on reading whilst completely absorbed in the story and the characters. Hislop’s books are always so well researched. This is a gorgeous book that you can sink your teeth into. I feel like I learnt a lot about redemption and the power of forgiveness from this perfectly-written book. An essential read.

25th August 1957. The island of Spinalonga closes its leper colony. And a moment of violence has devastating consequences.

When time stops dead for Maria Petrakis and her sister, Anna, two families splinter apart and, for the people of Plaka, the closure of Spinalonga is forever coloured with tragedy.

In the aftermath, the question of how to resume life looms large. Stigma and scandal need to be confronted and somehow, for those impacted, a future built from the ruins of the past.

Number one bestselling author Victoria Hislop returns to the world and characters she created in The Island – the award-winning novel that remains one of the biggest selling reading group novels of the century. It is finally time to be reunited with Anna, Maria, Manolis and Andreas in the weeks leading up to the evacuation of the island… and beyond.

One August Night By Victoria Hislop is available here.

 

CARIADS’ CHOICE: JULY BOOK REVIEWS

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Josephine Tey’s Brat Farrar, reviewed by Evonne Wareham

A classic from 1949 by an acclaimed novelist and playwright, this is an impostor story loosely based on a Victorian cause célèbre – The Titchbourne Claimant. A long lost heir, presumed dead, emerges to inherit a fortune. It is made clear to the reader from the start that Brat is a fake, but Tey manages to sustain sympathy and support for him despite this. Alongside a portrayal of loneliness and the desire of an orphan to find a family and to belong, a slow burning mystery unfolds. What exactly did happen the night thirteen year old Patrick  Ashby disappeared, leaving an ambiguous suicide note? Who is Brat and what is his real relationship to the Ashby family? An unusual crime story, displaying attitudes of its time – including to horse training – which can jar, it is still an absorbing portrayal of a lost age and an intriguing crime that would no longer be possible with modern DNA techniques.

 

Isabelle Broom’s The Getaway, reviewed by Jane Cable

I was drawn to this book because it is set in Croatia, as my September release is, so I was very curious to read it. Plus lovely Isabelle sent my a copy.

This is such a good holiday read and the descriptions of the island of Hvar are mouth-watering. At the beginning of the book Kate crashes and burns in the most public fashion, so decides to disappear to Croatia where her brother and his partner are about to open a hostel. The Getaway is about her recovery, and how she grows into an even stronger person in this beautiful place, surrounded by supportive people.

There is humour, there is romance and there is drama. But I won’t say any more because I would love you to read this gorgeous book for yourselves.

 

Mhairi McFarline’s Last Night, reviewed by Carol Thomas

I have greatly enjoyed each of Mhairi McFarlane’s previous novels and this was no exception. She has a fast-paced, economic style that makes for page-turning entertainment; no sentence is wasted as her astute talent for observation shines through. (Within the pages of her novels there are always sentences I wish I had said – or written – that sum up a moment, feeling or action perfectly!)

With relatable characters, struggling to cope in the wake of a loss, Last Night is emotional, witty and thought provoking. The story had me hooked, and the possible romance kept me guessing, even as I headed towards the final chapters and the very satisfying ending. With the theme of loss and mention of dementia this story is a little darker than McFarlane’s previous novels, but those aspects are grounded in reality and balanced perfectly with lighter moments. Last Night is a thoroughly enjoyable read.

 

Anita Shreve’s The Stars Are Fire, reviewed by Angela Petch

Set in the immediate post-war years, this is a fascinating glimpse into the life of an ordinary young mother of two young children trapped in a difficult marriage. In 1947, the woman’s place was in the home and the thought of years stretching endlessly ahead with a man mentally scarred, turned cruel by the war, is grim.

The title is beautiful, taken from Shakespeare’s Hamlet, summarising the story perfectly: “Doubt that the stars are fire, Doubt that the sun doth not move, Doubt truth to be a liar, But never doubt that I love.”

Aptly-named Grace is mostly accepting of her fate but when a fire ravages through her hometown, her husband, a volunteer fireman disappears and Grace’s life opens up.

Written in present tense, Grace and her plight feel very immediate. It’s a short book by usual standards, but perfectly formed and I am now a huge fan of this writer.

 

 

WELSH WRITING WEDNESDAYS: HELGA JENSEN ON WALES AS A SETTING FOR COMMERCIAL FICTION

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When I was planning my debut novel, Twice in a Lifetime, there was only one place for me to set it in. Having been brought up in West Wales, I was determined that any book I wrote would focus on some of the stunning areas around us. How you could possibly put those scenes into words was a completely different challenge! However, I knew that I wanted to promote Wales and see it featured in more commercial fiction. We have many women’s fiction books set in Cornwall or Ireland, so why not Wales?

When I first queried my book and sent it to agent’s I had a mixed response. Some loved the idea of a different setting, but one agent stated that perhaps Cardiff would be acceptable for my romantic comedy, but nothing further west. I was quite surprised at this. We often see Cornwall with its beautiful beaches, so why not West Wales with its similar beauty?

Whilst I was surprised at this observation, as always, when someone tells me something might not be possible, it makes me more determined. Therefore, I persevered and, although my book is also set in New York, I finally saw success with my romantic comedy that features the beautiful township of Laugharne.

After all, Laugharne is famous for many things, including the more recent television series, ‘Finding Faith,’ which has helped put it further on the map. But, of course, the association with Dylan Thomas is probably the most famous claim to fame that Laugharne has, so as Dylan spent his time in New York too, I felt a setting for a book with Laugharne and New York were the perfect marriage for my debut novel.

Since Twice in a Lifetime was released, I have had lovely messages telling me how refreshing it is to have a romantic comedy set in Wales. Naturally, I was thrilled at this feedback, as this is precisely what I set out to achieve.

I am now working on book two, which will have a combined setting of Wales and Denmark. It remains my ultimate goal to promote Wales in the world of women’s fiction. There are so many opportunities for the glorious parts to be shown to the world that I simply can’t help promote it through my books. Just as there are many prolific Irish writers, such as Maeve Binchy, with her incredible story, ‘Circle of Friends,’ I hope there will be similar best-selling commercial love stories and adventures coming out of Wales.

Trends are certainly changing, and more and more books are getting published in the mainstream from the region, but I would still like to see Wales in more romantic comedies. We have ubiquitous books traditionally set in mining villages or used in historical fiction, so I would now like to see it featured as a setting in comedies and romance. After all, welsh men can be funny and romantic when they want to be!

So, there might be many tales of Wales in books on folklore, myth and magic and eras gone by, but here’s hoping for a future filled with books set in Wales for romantic comedies and similar commercial women’s fiction.

 

 

Twitter: www.twitter.com/HelgaJensenF

 

 

 

 

The Devil’s Advocate By Steve Cavanagh Book Review

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The Devil’s Advocate is the first Steve Cavanagh book that I have read. Lucky me, I have so many books to read now. I am totally hooked on Eddie Flynn and will be working my way through the series. The Devil’s Advocate is atmospheric with a smart plot that weaves a thrilling tale. The characters are brilliant and the entire book is just waiting to be made into a movie.

This book is a rip-roaring ride which cements Steve Cavanagh not as the next John Grisham, but as John Grisham on speed. I cannot imagine anyone being able to start this book and not finish it. It is impossible to put it down.

The Devil's Advocate By Steve Cavanagh Book Review

A DEADLY PROSECUTOR

They call him the King of Death Row. Randal Korn has sent more men to their deaths than any district attorney in the history of the United States.

A TWISTED RITUALISTIC KILLING

When a young woman, Skylar Edwards, is found murdered in Buckstown, Alabama, a corrupt sheriff arrests the last person to see her alive, Andy Dubois. It doesn’t seem to matter to anyone that Andy is innocent.

A SMALL TOWN BOILING WITH RAGE

Everyone in Buckstown believes Andy is guilty. He has no hope of a fair trial. And the local defense attorney assigned to represent him has disappeared.

A FORMER CON-ARTIST

Hot shot New York lawyer Eddie Flynn travels south to fight fire with fire. He plans to destroy the prosecutors case, find the real killer and save Andy from the electric chair.

But the murders are just beginning.

Is Eddie Flynn next?

The Devil’s Advocate By Steve Cavanagh is available here.

 

Ahead of Her Time By Judy Piatkus Book Review.

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It is hard to think about now but female entrepreneurs used to be thin on the ground. Sure we are lucky to have Jo Malone, Anya Hindmarch, Natalie Massenet, Kelly Hoppen and Karen Brady, but before all of them came Judy Piatkus. A single mother-of-three who built a publishing empire with one hand behind her back. Well, almost.

Now Judy has written a book Ahead of Her Time; How a One-Woman Startup Became a Global Publishing Brand and it is the new bible to help other entrepreneurs and people who are interested in business. The book gives a fascinating insight for those who are interested in publishing. Judy did all of this while while taking care of her three children, one of whom is disabled.

I found this book so inspiring that it has made me drag out an old business plan I had and start work on a logo for that, and a new one for Frost. Piatkus books was built at a time when women were discriminated against. We still are, but it has got better.

I implore anyone who is interested in building a business, publishing, or even just loves a story about how someone built something amazing, despite the odds against them, to read this book. It really is brilliant. I will be handing copies out to my female friends. Judy Piatkus truly was ahead of her time.

Ahead of Her Time; How a One-Woman Startup Became a Global Publishing Brand  by Judy Piatkus is an incredibly inspiring book. 

Judy Piatkus did not come from a monied background and began her career as a secretary after failing to achieve a university place. By the time she founded Piatkus Books from her spare bedroom, she was married with a disabled small daughter and pregnant with her second child. Gradually she learned how to be both a publisher and a managing director and to combine that with her family life as she had become a single mother of three. A lot of mistakes were made but she also got a lot of things right. The company prospered, thanks to the risks Judy took in tackling new subjects in the marketplace and also her approach to running the company, which focused on transparency, honesty and trust and was rewarded by the loyalty of the staff, many of whom worked alongside Judy for upwards of twenty years.

In 1979, Judy Piatkus founded what would become a global publishing brand— Piatkus Books — from her spare bedroom.

A single mother, with a child with learning disabilities, at a time when being a self-made woman entrepreneur was rare, Judy defied expectations, influencing, shaping, and giving rise to a new industry of personal growth and development publishing.

 

Long before the bestseller charts were packed with mind/body/spirit, business, and relationship books, Judy created a platform for new, as yet unknown, voices and leading authorities and experts in their fields, including Jon Kabat-Zinn, Mary Berry, David Allen and Brian L. Weiss.

 

‘Ahead of her time’ goes behind-the-scenes and reveals the inner workings of book publishing. Judy details how her combination of financial risk taking, transparent approach in business, and courage to tackle new subjects in the marketplace rather than follow trends, led PiatkusBooks to become a leading global independent publisher.

 

Judy’s memoir is also a fascinating insight into building a company and brand identity and what enables a team and a business to succeed.

 

Judy details her learning experience as an entrepreneur — the triumphs and the pitfalls, what worked and what didn’t, how to reinvent through lean times, learning to be both a publisher and a managing director, and how it felt to overcame obstacles in order to build the career she wanted from the ground up, as a truly self-made woman.

 

‘Ahead of her time’ is published by Watkins Publishing, £14.99, and is available here and from all good bookstores.