Category Archives: Film

Raindance Award Winners Announced

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There was a 62% Rise in Attendance for the 19th Raindance Film Festival

Some of the winners this yeat included British Indie Stranger Things (Best UK Feature), Croatian/Serbian/Slovenian co-production Just Between Us (Best International Feature), Bulgaria’s Tilt (Best Debut Feature) and Italian
short Reset (Film of the Festival) Raindance Film Festival Awards. The prestigious jury, which included actor Dexter Fletcher, director Gillies Mackinnon, and TV/radio presenter Alex Zane, selected winners in the eight awards
categories.

“There were some outstanding films across the whole line-up so selecting winners was especially
difficult this year,” said Elliot Grove, Festival Director. “This has been a really successful festival – from the heart of London’s West End we’ve screened over 200 features and shorts at the state-of-the art

Apollo Cinema, Piccadilly. Attendance was up by a staggering 62% on last year proving that the
appetite for independent film is thriving.”

The winners were announced on Saturday night (8th October) at the festival venue, the Apollo Cinema,

Piccadilly Circus. The 19th Raindance Film Festival, which started on 28th September and wrapped on 9th October, brought 94 UK feature film premieres and 137 shorts to London, cementing Raindance’s position as Europe’s leading independent film festival.

The other winners were How To Start A Revolution (Best Documentary), the UK’s Monk3ys (Best
Microbudget Feature), Denmark’s Words (Best International Short), and Love At First Sight (Best UK Short). The winning team behind Reset (Film of the Festival) will be offered the chance to film next year’s Raindance Film Festival trailer, with the support of the Independent Film Trust.

Festival Jury
The jury comprised Sally Bibawy of photography company Lomography, actor Dexter Fletcher (Lock,
Stock and Two Smoking Barrels), Director Gillies MacKinnon (Hideous Kinky), Julian Richards,
filmmaker and co-founder of Jinga Films, Oli Harbottle from Dogwoof, CŽline Masset, co-founder and artistic Director of the Brussels Short Film Festival, actress Helen McCrory (The Queen, Harry Potter films), Wendy Mitchell, Head of News at Screen International, and radio/TV presenter and film critic Alex Zane.

Festival Awards – nominated films with winners indicated

Best International Feature

Just Between Us / Rajko Grlic – Croatia/Serbia/Slovenia WINNER
No Return / Miguel Cohan – Spain / Argentina
After Fall, Winter/ Eric Schaeffer – USA
Youth H2 “Come As You Are” / Kota Yoshida – Japan
War Games / Cosimo Alemˆ – Italy

Best UK Feature
Stranger Things / Eleanor Burke/Ron Eyal – UK WINNER
Acts Of Godfrey / Johnny Daukes – UK
A Thousand Kisses Deep / Dana Lustig – UK
Flutter / Giles Borg – UK
Hollow/ Michael Axelgaard – UK
Seamonsters / Julian Kerridge – UK

Best Debut
Tilt / Viktor Chouchkov Jr. – Bulgaria WINNER
Synchronicity / Joe Tanaka – Japan
Exteriors / Marie Kristiansen – Norway
On The Way Home / Emiliano Corapi – Italy
Restive/ Jeremiah Jones – USA

Best Microbudget Feature

MONK3YS / Drew Cullingham – UK WINNER
Julius Caesar / Adam Lee Hamilton & John Montegrande – UK
Uspomene 677 / Mirko Pincelli – Bosnia Herzegovina / UK
Meso Cafe / Ja’far ‘Abd al-Hamid – UK
Black Pond / Tom Kingsley & Will Sharpe – UK

Best Documentary

How to Start A Revolution / Ruaridh Arrow – UK WINNER
White Button / Igor Stoimenov – Serbia
The Echo Of Astro Boy’s Footsteps / Masanori Tominaga – Japan
Where My Heart Beats / Khazar Fatemi – Sweden
Heaven + Earth + Joe Davis / Peter Sasowsky – USA

Best International Short

Words / Sven Vinge – Denmark WINNER
The Lady Paranorma / Vincent Marcone – Canada
Martyr Friday / Abu Bakr Shawky – Egypt
Zoltan- The Hungarian Gangster of Love / Justin Reardon – USA
Hemingway’s Pen / Renzo Carbonera – Italy

Best UK Short
Love At First Sight / Michael Davies – UK WINNER
This Side of the Afterlife / Adam Horton – England
God View / Billy Lumby – UK
The Girl Is Mime / Tim Bunn – UK
Rough Skin / Cathy Brady – UK

Film of the Festival (Short)

The winner is offered the chance to film next year’s Raindance Film Festival trailer, with the support of the Independent Film Trust:

Reset / Nicolangelo Gelormini – Italy

The Raindance Film Festival runs from 28 Sept – 9 Oct at the Apollo Cinema in London’s Piccadilly Circus, with the Opening Night premiere of Another Earth at Cineworld Haymarket on 28 Sept.

Now in its 19th year, Raindance Film Festival is Europe’s leading Independent Film Festival showcasing feature films, shorts and docs from around the world and specialising in independent films and directorial debuts.

The festival has a strong legacy of showing alternative, edgy films. Since 1993 Raindance Film Festival has uncovered the hottest new filmmakers to hit the cinematic scene. Raindance-premiered hits include Pulp Fiction, Memento,
the Blair Witch Project, Ghost World and Love Exposure.

www.raindance.co.uk

19th Raindance Film Festival Highlights

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After Fall, Winter is a sexy love story about a French dominatrix who falls in love with a New York writer in Paris. It is directed by Eric Schaeffer and has the talented Rebecca Jameson in a smaller role. Well worth a watch.

Some of my favourite films that I saw at the Raindance Film Festival were short films.

Death of A Pop Star was an impressive short about A personal physician and the characters in the home of an ailing celebrity. 

Dying Everyday was a wonderful slice of life short from Spain, a short that managed to entertain the audience despite the fact not much happened.

Gin & Dry is a booze heist film set in an old people’s home at Christmas, Oscar Plewes short is funny and entertaining.

Ketchup was a very good film with a tragic ending.

Russell Harbaugh’s Rolling on The Floor Laughing is a high end short film about two grown sons who return home for their widowed mother’s birthday, only to find themselves competing with her new boyfriend for her attention. A well made film that’s worth watching.

Jeremy Craig’s Terrebonne is a visually stunning film. The lead actress is Jessica Heap is a beautiful actress destined to be a movie star.

The Potential Wives of Norman Mao and Exit were also good short films.

I went to the UK Premiere of Bonsai, directed by Cristian Jimenez. The film is from Chile and I thought it was brilliant. Cristian couldn’t be there but filmed an introduction for the film. It tells the story of young writer, Julio, who turns to the romance he had 8 years earlier with the beautiful Emilia when both were studying literature in Valdivia when he gets dropped from writing for a famous author because his asking price is too high. We’re told from the beginning that Emilia dies and Julio remains alone, but don’t let that put you off. It is a wonderful, sensual film. Catch it if you can.

After Bonsai was the closing night gala after party, I bump into Rory O’Donnell and I met some other talented people. I didn’t get home to 2am, can’t wait until next year.

One To Watch: Leoni Kibbey

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On Wednesday 5th of October I attended Short Film Premieres. A premiere of five short films at BAFTA; In the Can, Taken, Ellie, The Unknown and Bird Brain. The short films were well-acted, well-written, well-directed with very high production values.

 

All of the films had a running theme: Leoni Kibbey, she either acted, produced, wrote or cast them. She’s a one women film industry. She is Frost’s One To Watch this month not only because she is talented – the world is full of talented people who do nothing- but because she takes that talent and does something with it, she is one of the hardest working people I know, and she is a working mother! Frost also got a thank you on the Bird Brain credits – which proves Leoni is a classy lady.

 

I previously worked with Leoni on Love Tourettes, a comedy web series I am part of and Frost interviewed her last year. http://frostmagazine.com/archives/688

 

Check out Leoni’s IMDB http://www.imdb.com/name/nm3156365/

The Girl With The Dragon Tattoo (2011) trailer

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I will talk about the trailer in a bit, but first some context for those who are diving straight in without knowing this particular film. As we all know, it is based on a Swedish novel (and first in the Millennium trilogy) by the late Stieg Larsson and has already been adapted as a TV-movie in 2009 (starring Michael Nyqvist as Mikael Blomkvist and Noomi Rapace as Lisbeth Salander). It received three BAFTA nominations (including Best Leading Actress – Noomi Rapace and Best Adapted Screenplay), though it left with one; Best Film not in the English Language.

It wouldn’t be long till Hollywood would decide to grab their hands on it and develop their own version. It cause some outcry and some saying that it should be left alone. I will admit, I was pretty adamant on the idea of a Hollywood version of the novel/TV-movie. Though the talent behind it started to make me have some sigh of hope; they recruited Steven Zaillian to adapt the novel (previous credits – Schindler’s List, Gangs of New York and American Gangster) and David Fincher was hired to direct the film (previous credits – Se7en, Fight Club and The Social Network) Who was going to play the leading players? Daniel Craig (Casino Royale) as troubled yet talented journalist and Rooney Mara (The Social Network) as the socially awkward goth/punk hacker. This is a team that no one could ask anymore better from them! Fincher, especially, is in familiar ground; a dark mystery thriller that practically runs in his veins.

Now our questions were what was the film going to look like? Would the actors attempt to pull a Swedish/English dialect? Well the look is very slick and top notch, Rooney Mara really becomes Salander but actually more like a punk/goth than Rapace did (sorry fans of the original movies but I quite like this new Salander). It features the Oscar winning composers, Trent Reznor & Atticus Ross, music in the trailer (Reznor even created a cover of ‘Immigrant Song’ by Led Zeppelin with Karen-O for the teaser trailer). Even the trailer runs at 3 minutes and 40 seconds (usually average running time for a theatrical trailer is 2 minutes 30 seconds) reveals only enough to not spoil anything for those who have not read the book or seen the previous films.

My reaction to the trailer? I cannot wait for it! It has moved from being number 2 to number 1 on my most anticipated list (http://frostmagazine.com/2011/03/top-most-anticipated-movies-of-2011/). Plus it’s directed by David Fincher! Do I need to explain why that’s a good thing? As you’ve seen from his credits, he has made a movie that everyone likes! What do you think? Are you excited for it as much as I am or do you think it should’ve been left alone from the very start?

Bubbles: Short Film Perfection

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I went to see Bubbles at the Soho Screening Rooms, and it was perfection.

Short films are hard to do. Trying to tell an entire story in under 20 minutes is something not everyone can achieve, although they do try. Bubbles succeeds on many levels. When it ended, everyone at the screening was disappointed.

Bubbles is an amazing accomplishment: a short film that you don’t want to end. Beautifully shot and framed, Bubbles is a high quality film which is well-written and well-acted. A triumph for all involved.

Vanessa Bailey is wonderful in her part, sexy, beautiful and smart. Playing a role most actresses would kill for. She is definitely one to watch.

The film tells the story of three generations in a country mansion after a funeral. A photograph resurfaces that changes everything. The past becomes present, and former loves refuse to be forgotten. Leyla Pope is an outstanding talent, I cannot wait for her next film, or, indeed, a feature length version of Bubbles.

http://www.shortfilmbubbles.com/index.html

REVIEW: THE DEEP BLUE SEA

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Tom Hiddleston and Rachal Weisz

 

Director: Terence Davies
Starring: Rachel Weisz, Tom Hiddleston and Simon Russell Beale
Running Time: 93mins

DEEP BLUE SINKS ON THE BIG SCREEN

There’s an exchange at the start of Terence Davies’ adaptation of Terence Rattigan’s stage play where unfaithful Rachel Weisz says to her cuckolded husband, ‘It’s a tragedy’. To which stage super-star Simon Russell Beale replies, ‘No, that’s such a big word. It’s just sad.”

And this is the film’s main problem – it’s not a tragedy, it’s just a bit sad.

The story of a young pretty wife who cheats on her Judge husband with a young pretty pilot, only to have him be a bit of a bastard might have been relevant and boundary pushing in the 1950’s but now it feels prudish, small and out of touch.

While it does have moments or genuine intimacy and insights into relationships that would not be out of place in a modern drama, it’s when the film’s stage roots show that it suffers.

Stage actors are allowed to be bold and brassy, vocalising their emotions to the back rows, but apply that to cinema and it feels melodramatic. Where things should be told with glances, looks and clenched jaws, they are often told with screaming speeches.

There are, however, a handful of stand-out beautiful moments in Deep Blue Sea. An uptight Tom Hiddleston trying to hold his anger at bay in a lively pub, a joke in an art gallery that’s taken in wrong way or a muted exchange in the back of a car – however, these scenes all are ruined by the inevitable burst of anger and melodrama.

You feel that maybe Davies was a bit in awe of the material. After all, not only was this one of Britain’s best-loved playwrights’ best-loved plays, but it’s also being released in the year of Rattigan’s 100th birthday. Maybe Davies felt a major reimagining, or reboot as its called these days, of the play would have been sacrilege.

Which is a shame, as with three such excellent lead actors, this would have made a great stage play.

The Greatest Movie Ever Sold, New Frontiers in film financing.

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The Greatest Movie Ever Sold directed by Morgan Spurlock.

Where and When: Thursday 29th September at BFI Southbank

On Thursday I saw Morgan Spurlock’s new documentary about branding, advertising and product placement, which is entirely funded by branding, advertising and product placement.

Afterward, a panel of experts from film and advertising discussed how producers can create new synergies and forms of production finance without losing their artistic integrity. The panel included; Pippa Cross, Producer of Chalet Girl, Duncan Forrester, Head of Public Affairs, Volvo, Darryl Collis, Director of Seesaw Media, Pete Buckingham, Head of Distribution and Exhibition at the BFI

“Nothing like a cold call to let you know how little power you have.” Morgan Spurlock.

What I learned:

1) The Greatest Movie Ever Sold was the first film to be in profit before it hit theatres

2) Spurlock ‘didn’t negotiate for success’ so the brands didn’t have to pay him any more money when the movie became a runaway success.

3) In the first few months, The Greatest Movie Ever Sold had over 900 million media impressions.

4) Spurlock called over 100 ad agencies and 650 companies to contribute to the documentary, only 15 companies said yes. A success rate of only 2%.

5) Pom juice is 40% as effective as Viagra for helping a man sustain an erection.

6) Volvo did not pay to be in Twilight, the filmmakers stayed true to the fact that Edward drives a Volvo in the book. But they have people come in and buy the car Edward drives after seeing the movies, even though it’s a £35-50,000 investment.

7) A big champagne company turned down the opportunity to be in The King’s Speech because they ‘didn’t do period films’.

8) Morgan Spurlock could not legally disparage the entire country of Germany in or around the Mini that he was given for the film. Most of the contracts had a non-disparagement clause.

9) Spurlock said all of the brands asked for ROI (return on investment) but not of them got it.

10) Ditto for the final cut, Spurlock says: ‘Retain final cut or it’s not your film”. However, if your film costs more than $40-50 million, you will not get final cut.

11) Spurlock’s advice to filmmakers when negotiating with brands and advertisers is: Always know what you are willing to give up. Integrity is valuable.

12) Fed ex did not pay to be in Castaway.

13) The film uses all of the things it criticise in the beginning to sell the film to you later

14) Old Navy gave Spurlock a cheque for £200,000 after seeing the documentary at the Sundance Premiere.

15) The brands have bigger lawyer than you.

16) Pippa Cross had to spend 2K on CGI to get ride of a beer bottle on Shooting Dogs because the beer brand did not want to be associated with the genocide.

17) The Social Network has Mark Zuckerberg and the rest of the cast using Sony laptops, but, factually, the real people the film is based on would have been using Apple Macs.

18) Pippa Cross got Tesco vouchers for Chalet Girl, and the best Ski brands on board.

19) Morgan Spurlock made a deal with a tri-state pet discount store; you could get a goldfish and after the first one died, use a voucher to get another one. Like Spurlock does in the film.

20) Spurlock tried to get a gun company onboard, but they all said no.

21) The lawyer Morgan interviews in his documentary tells of of the term ‘Faction’. Where fact and fiction meet, and what advertisers use to confuse you and integrate their products into your favourite TV shows and Films.

The documentary is essential viewing for anyone interested in film, or raising finance.

Raindance announces Jury for Festival Awards

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Raindance announces Jury for Festival Awards for 19th Raindance Film Festival

28 Sep – 9 Oct

Raindance is delighted to announce the jury for this year’s Festival Awards. The panel, which includes
actors, directors, presenters, journalists and members of the film and photograph industry, will judge
the films nominated in each of the eight categories, with the winners to be announced on Saturday 8th
October, 8pm at the Festival venue, the Apollo Cinema in Piccadilly Circus.

The eight categories are:

Best International Feature, Best UK Feature, Best Debut Feature, Best Documentary, Best Microbudget
Feature, Best UK Short, Best International Short and the Film of the Festival.

“Our jury represents the spectrum of the film industry – from actors to directors and critics to
programmers – they bring an in-depth knowledge of film to the judging panel and will have the
difficult job of choosing winners from the outstanding titles nominated this year,” said Elliot Grove,
Festival Director.

The jury is as follows:

Sally Bibawy
Sally Bibawy joined analogue photography company, Lomography, in 1995 and took over the art direction
and product development in 2000. She is a board member, together with Matthias Fiegl and Wolfgang
Stranzinger, since 2004 and is based in Vienna.

Dexter Fletcher
Best known for his role in Lock, Stock and Two Smoking Barrels, Dexter Fletcher has grown up on screen,
beginning with his role as Baby Face in Bugsy Malone and on the British TV series Press Gang. His many
credits include The Elephant Man, Layer Cake and Kick Ass. Dexter also appeared in the 2009 Raindance Film Festival Trailer.

Gillies MacKinnon

Scottish Director Gillies MacKinnon has assembled one of the most impressive bodies of work in
recent British cinema with directing credits including Small Faces, Trojan Eddie starring Richard Harris
and Stephen Rea, A Simple Twist of Fate with Steve Martin, Regeneration starring Jonathan Pryce,
James Wilby and Jonny Lee Miller, Hideous Kinky with Kate Winslet, and the Golden Globe-winning
television Film, Last of the Blond Bombshells starring Judi Dench. His other work includes The Escapist,
Pure, historical drama Gunpowder Treason and Plot with Robert Carlyle, Tara Road , and The Snow
Goose starring Billy Connolly.

Céline Masset
Céline Masset is the co-founder and Artistic Director of the Brussels Short Film Festival, which will
celebrate its 15th anniversary next year. Her company, Un Soir Un Grain, also distributes and produces short films.

Helen McCrory

Helen McCrory is a multi award-winning actress on stage, television and the silver screen. She played
Cherie Blair in The Queen and The Special Relationship and played Narcissa Malfoy in the last three Harry
Potter movies. She will appear in Martin Scorsese’s soon-to-be-released film, Hugo and We’ll take
Manhattan for the BBC.

Wendy Mitchell

Wendy Mitchell is head of news at Screen International and ScreenDaily.com. Before moving to London,
she worked on staff in New York for Entertainment Weekly, indieWIRE, Rolling Stone and CMJ, as well as
freelancing for the New York Daily News, Playboy, Variety, Billboard, Time Out New York and The Wall
Street Journal. She is also the author of New York City’s Best Dive Bars (published in 2003).

Alex Zane
Alex began his career hosting the film review show Screenplay and fronting MTV’s flagship show, TRL.
A talented radio broadcaster, Alex began working at Xfm in 2002, and hosted the station’s Breakfast
Show for two years. His TV credits include Popworld, Balls of Steel, 8 out of 10 Cats and he hosted this
year’s Red Carpet Live for the Golden Globes and the Oscars. Alex currently hosts Channel 4’s Rude
Tube, Alex Zane’s Guest List and is the lead film reviewer for The Sun.

Festival Awards – nominated films

Best International Feature

Just Between Us / Rajko Grlic – Croatia
No Return / Miguel Cohan – Spain / Argentina
After Fall, Winter/ Eric Schaeffer – USA
Youth H2 “Come As You Are” / Kota Yoshida – Japan
War Games / Cosimo Alemà – Italy

Best UK
Acts Of Godfrey / Johnny Daukes – UK
A Thousand Kisses Deep / Dana Lustig – UK
Flutter / Giles Borg – UK
Hollow/ Michael Axelgaard – UK
Seamonsters / Julian Kerridge – UK
Stranger Things / Eleanor Burke – UK

Best Debut
Tilt / Viktor Chouchkov Jr. – Bulgaria
Synchronicity / Joe Tanaka – Japan
Exteriors / Marie Kristiansen – Norway
Restive/ Jeremiah Jones – USA

Best Microbudget Feature

MONK3YS / Drew Cullingham – UK
Julius Caesar / Adam Lee Hamilton & John Montegrande – UK
Uspomene 677 / Mirko Pincelli – Bosnia Herzegovina / UK
Meso Cafe / Ja’far ‘Abd al-Hamid – UK
Black Pond / Tom Kingsley – UK

Best Documentary

White Button / Igor Stoimenov – Serbia
The Echo Of Astro Boy’s Footsteps / Masanori Tominaga – Japan
Where My Heart Beats / Khazar Fatemi – Sweden
How to Start A Revolution / Ruaridh Arrow – UK
Heaven + Earth + Joe Davis / Peter Sasowsky – USA

Best International Short

The Lady Paranorma / Vincent Marcone – Canada
Martyr Friday / Abu Bakr Shawky – Egypt
Words / Sven Vinge – Denmark
Zoltan- The Hungarian Gangster of Love / Justin Reardon – USA
Hemingway’s Pen / Renzo Carbonera – Italy

Best UK Short

This Side of the Afterlife / Adam Horton – England
God View / Billy Lumby – UK
The Girl Is Mime / Tim Bunn – UK
Love At First Sight / Michael Davies – UK
Rough Skin / Cathy Brady – UK

About Raindance Film Festival

Raindance Film Festival will run from 28 Sept – 9 Oct at the Apollo Cinema in London’s Piccadilly Circus, with the
Opening Night premiere of Another Earth at Cineworld Haymarket on 28 Sept.
For press accreditation visit: www.raindance.co.uk
Tickets and passes to the festival will be on sale from 6th September on www.raindance.co.uk

Now in its 19th year, Raindance Film Festival is Europe’s leading Independent Film Festival showcasing feature films, shorts and docs from around the world and specialising in independent films and directorial debuts. The
festival has a strong legacy of showing alternative, edgy films. Since 1993 Raindance Film Festival has uncovered
the hottest new filmmakers to hit the cinematic scene. Raindance-premiered hits include Pulp Fiction, Memento,
the Blair Witch Project, Ghost World and Love Exposure.
Raindance – The Voice of Independent Film

Raindance is dedicated to fostering and promoting independent film in the UK and around the world. Based in the heart of London, Raindance combines Raindance Film Festival, Training Courses, the prestigious British Independent Film Awards and Raindance.tv

Frost will be covering the Raindance Film Festival.