I am NOT Jeremy Clarkson

I’m not Jeremy Clarkson. Let me make that absolutely clear. In fact I care not one bit for pretty much everything he says and does and his attitude, which can be summed up as, “Shut the fuck up, hippie, I’m talking,” makes me wish I was a short, black lesbian working-class aristocratic motorphobe, just to be as unlike him as possible.
I have gone to great pains to make the above distinction because I’m about to write some things that might, on the surface, look like they were written by the planet-murdering controversy whore himself- or Jeremy Kyle. And, just to keep an unexpected ‘Jeremy’ theme running a little longer, I suspect I shall become as popular as Beadle in his wilderness years and look as big a dick as Ron’s by the end of this blog, but I just have to do it.
I don’t have a job. Up until now it has been by choice because I’ve been trying to make it as a writer, but my dear wife will no longer be able to pay the bills in a few weeks when her contract ends so it falls to me to take the reins and get off my frigging backside. I am job hunting.
I’ve only signed on once in my life. It was in my late teens when I left film school and was trying to find funding. Apart from that, I’ve always worked when I had to find money and even though I don’t want to wear my pride like superman’s cape, I’m proud that I have a work ethic that stops me from signing on now.
I’m working class. Not because my family have always been skint or because I’m from the grim north, but because I am from a class of people who believe in work. In paying their way. In doing the right thing so that those who, through no fault of their own, can’t, get whatever help they need until they can.
It’s not just that though. I genuinely believe that benefits are essential for people unable to provide for themselves and their families and that’s not me. It’s single parents, people caught out by redundancy or disability, or anyone who just can’t get work in spite of their best efforts and has bills to pay and a life to live. These are the people who should be looked after by those of us able to work- that’s the principle behind the welfare system and I think it’s a marvelous thing.
That’s why I get so upset when people abuse it.
When I see some twat on Jeremy Kyle (him again) with a face tattoo that will almost certainly stop him getting his first ever job outside a cave or the London Dungeon, it riles me. When I then work out that, if he’s never had a job, the several hundred pounds that his ‘personal statement’ cost has come from tax payers money I start to froth at the mouth.
“WE!” shouts the man who hasn’t had any paid work for over a year, “have been handing you money to help you get by until you find a job and start chipping in to help others, and you spend it on something that guarantees you never will!”
That’s theft. Isn’t it? Surely if someone takes money that is given in good faith and pisses it up the wall on tattoos, facial piercings or anything else that makes him, or her, unemployable in real terms, it’s theft. the only other explanation is that he paid for it from some other source of income- which he shouldn’t be earning if he’s claiming benefits.
And before anyone says it. Fuck his freedom of expression, fuck his personal liberties, and fuck his right to do whatever he likes to his own body. If he was funding himself he could have more ink than Squidopollis and pierce himself with a Renault Clio for all I care but he’s not. He’s essentially asking for money from society to fund his life until he funds it himself, and now he’s got a head like a Stilton bowling ball, he never will.
I’ve spent the last two weeks sending my CV off to every minimum wage job I can find from shelf stacking to laboring on building sites and, eventually, I’m sure I’ll get something. When I go to the interviews and sit before a prospective employer, I’m going to try and look as employable as I can. It’s boring, in fact it’s demoralizing having to put your best suit on and get your hair cut in the hope that someone will pay you next to nothing to shovel shit but it’s the least I can do. It’s the least EVERY job seeker should be doing.
Imagine you met an out of work juggler and gave him a few grand to keep him going till he got a job, then, next time you met him, he’d spent it having his arms chopped off for a laugh, you’d close your wallet before he could say, “hold this mate, I need to pee.”
At what point do we stop benefits? When does someone finally get sat down by a lady in a cardigan to be told, “You know breathing isn’t a job don’t you?” I want to see the government ad campaign where a cleaner, a mechanic and a lollipop lady stare down the camera lens and say, “If we all lived like you, you’d be dead. Start making an effort dick head!” It doesn’t have to rhyme but it’s nice of a party slogan does- makes it easier to remember.
While I’m in the stocks, how hard is it NOT to have kids? I’ve been doing it for all my adult life with no training or special skills. My wife and I want to be parents but it’s expensive so we’re waiting for a time when we have some sustainable income. Why aren’t people who can’t afford their own lives being bollocked when they start making new ones?
Again, before anyone says it. Fuck their human right to have kids- there’s no such thing. Nobody has the right to have kids, you either can or you can’t and if you can’t, whether it be for physical or financial reasons, you just don’t. It doesn’t get much simpler.
Here’s a radical idea that’s going to make Clarkson look like Shami Chakrabarti and me look like the love child of King Herod and Karl Pilkington.
What if every male child born in this country, along with various inoculations and blood tests, had, at birth, small plastic plugs injected into his Vasa Deferentia (sperm pipes to you and me) so that every male is incapable of reproduction until they’re ready to be a parent? No? There must be a safe and cheap way to do something of this nature though- surely? Anyone?
If you’re going to throw fruit please make sure it’s fair trade.. and out of it’s tin.
Call me Hitler if you want but if people are physically incapable of stopping themselves reproducing then it needs to be taken out of their hands and trousers until such a time that they’re responsible enough to take on the weight of parenthood.
You need a license for a dog and if you want to adopt you have to pass more tests, checks and selection panels than an astronaut and yet bored skint merchants can happily populate their surroundings with gay abandon and the sure knowledge that it won’t cost them a bean and nobody so much as raises an inquiring cough.
My scheme, which I admit needs a little smoothing out in the technical details, would leave everyone free to shag to their hearts content. It would be like the sexual revolution in the twitter age- the sixties with hash tags, and we’d then only have STDs, AIDS and moral decimation to worry about.
Once someone can demonstrate their ability to support a child, their plugs are removed on the NHS- naturally, because it would be loaded by then and every hospital would be made of gold and every nurse would be on the kind of wage they deserve. I’m sure the procedure could be done in an afternoon.
Selective social engineering? ‘Big Brother’ control? Favoring the fortunate? Maybe, but right now, as I stand on the brink of doing shit work for very little money and then still having to give some of it to twats with face tattoos, I really don’t care.
All those with a greater understanding of social decay, economic forces and the causes of deprivation please form an orderly queue, or educate me via the comments section. Cheers.

 

 

BOARDWALK EMPIRE SEASON 2

American cable network HBO’s modus operandi seems reliably similar across many of its shows. A large array of characters interacting on an arresting, gigantic backdrop and slowly building up their story arcs with one another before tying them together in a steadily escalating rush to the end. Those seeking immediate, self contained thrills each and every week should look toward FOX and ABC for such shows. This approach extends to HBO’s current hot ticket Boardwalk Empire; an epic, lavish and violent show set in Atlantic City at the beginning of prohibition in the 1920’s and the explosion of organised crime that followed. Central to the action is Enoch ‘Nucky’ Thompson (played by American indie king Steve Buscemi), the county treasurer with an eye for opportunity and loose morals. He straddles the worlds of both law and crime effortlessly ensuring that he, his corrupt sheriff brother Eli (Shea Whigham) and their cronies come out of a situation with their wallets bursting. As the drama unfolds Nucky contends with both infamous historical figures of the time; Arnold Rothstein (Michael Sthulbarg) and Al Capone (Stephen Graham), and with fictional counterparts such as unhinged war veteran/prodigy Jimmy Darmody (Michael Pitt), widow turned mistress Margaret Schroder (Kelly MacDonald) and zealous Federal Agent Nelson Van Alden (Michael Shannon).

Due to the delayed release of season one in the UK, we had the pleasure of both seasons only being separated by a few months. At the outset of season two Nucky and Margaret are living together seemingly contented. Yet this is shattered when Eli and Jimmy, the latter spurned on by his domineering mother Gillian (Gretchen Moll), lead an open rebellion against Nucky’s leadership with the alcohol flowing into the city proving the key factor. Battle lines are drawn, blood ties are broken and bodies drop like flies as both sides struggle to hold onto what both believe are theirs.

The most easily recognizable aspect of Boardwalk Empire’s quality is its look and design. Every scene, every location and arguably every frame are immaculate to a tee and the cinematography and visual effects weigh up just as much. The show is produced by master filmmaker Martin Scorsese (who also directed the pilot episode) and his influence and sway clearly show and not just in the visual department. As a whole the show engages with the love/hate relationship between America and the almost mythic figure of the organised criminal. There is nothing as trivial as good and bad in this world; the viewer has to use their own moral compass to determine who is the least evil. The theme of betrayal and mistrust runs throughout this season as protégé’s turn against mentors and families against their own. This comes to a head particularly in the penultimate episode where we discover the cause of the friction between Jimmy and Gillian as their story takes a turn similar to Oedipus Rex. The tension is practically unbearable as…well let’s just say things get Freudian. Very Freudian…

The performances of Boardwalk Empire are frequently cited as its major draw. Indeed any show with Steve Buscemi at the helm is worthy of all attention. As well as playing to the strengths of confidence and arrogance that have permeated through many of the characters he has played in the past, there is a vulnerability to Nucky that allows Buscemi to tap into emotional depths that perhaps he has not had the chance to truly reach in previous roles. His roles opposite his brother, from both fisticuffs to graveside revelations, are nothing short of heart-breaking. Michael Pitt proves an almost perfect foil, his youthful charm and handsomeness are a sidestep diversion to Jimmy’s brutality and crumbling psyche under the pressure of demon parents and gangster dealings. His eyes are deep and expressive but there is an underlying darkness that is sometimes genuinely terrifying. Pitt has utilised similar skills on the independent circuit and it’s a pleasure to see them demonstrated on a mainstream outlet. There are equally impressive turns amongst the supporting cast, most underrated amongst them being perhaps British actor Jack Huston as disfigured veteran turned hitman Richard Harrow, a role that despite being delivered beneath a prosthetic mask rings with tortured emotion.

Unfortunately it is in the initial portrayal of its female characters that the show falls down. Model turned actress Paz de la Huerta is saddled with an inconsequential role as Nucky’s former mistress Lucy, a role that could have more impact if it were not for de la Huerta’s inert performance; every line reading is as flat as the Ferns’. Her poor performance would be less distracting if the shows maker didn’t insist on her being nude in the majority of her scenes. Aleksa Palladino fares a little better as Jimmy’s unsatisfied artist wife Angela. Her performance is fine yet she is given little material to work with which makes a particular end of game plot revelation lack the gut punch it deserves. Thankfully there are two roles for women in the show that stand tall and proud; Kelly MacDonald and Gretchen Moll. When we meet Margaret Schroder in season one she appears initially as an oppressed victim who slowly but steadily reacts with confidence and assuredness to her changing circumstances. Ranging from deceiving lawman to fending off attackers via shotgun, MacDonald is a tour de force of vulnerability and uncertainty; her later scenes as she grapples with her personal guilt never lapse over into sentimentality. On the flip side of this Gretchen Moll inhabits the role of Gillian with such chilling venom (‘You will not be disrespected!’) with moments of breathtaking clarity into her characters inner torment. An early scene where she confronts the invalid man who violated her as a child is perfectly paced; drawing in with allusion, steady reveal and a final devastating explosion in violence. A sympathetic villain if there ever was one.
All in all Boardwalk Empire has played like crafty card shark. It knows exactly when to show its big hand yet also feels like its holding a lot of tension back. Every jaw dropping set piece or character moments is bookended by copious amounts of exposition and the sense of characters moving into place though on a large chess board. It is these moments of sheer muscular strength that make the show a force to be reckoned with and earn the patience during its quieter moments. It has been renewed for a third season and after its powerful final seasons there is the strong hope that these two first seasons have laid the groundwork for the true fireworks. Even still below par HBO is miles ahead of the competition and with Buscemi and MacDonald at the helm, anything is possible.

Boardwalk Empire Season 2 finale was broadcast on Christmas Eve. Boardwalk Empire – Season 1 (HBO) [DVD]

British Comedy Awards

The British Comedy Awards will be starting soon so we brought you a quick clip to whet your appetite.

@ComedyOn4 will be live tweeting from the British #ComedyAwards tonight.

They have a AAA rating (the French can’t interfere here) and will be announcing winners, taking backstage pictures and dishing out gossip along the way. Please follow and RT. They will be retweeting the best tweets from people there on the night as well as the funniest comments from people at home using the #ComedyAwards hashtag.

Join Comedyon4 now…. http://www.twitter.com/ComedyOn4

To whet your appetites here’s a compilation of some of the best bits from the Comedy Awards. Check out @Wossy’s hair! Link to view and embed code attached – http://bcove.me/2r9rkwiu

 

 

 

 


 

The British #ComedyAwards 2011. Tonight, 9pm, Channel 4. @ComedyOn4 will be live tweeting from the awards. Join them.

Too Short and not Very Funny Either, That's Life

I really don’t want to do this. It feels like telling your kids you just don’t love them any more, or stabbing a Labrador in the nose with a cocktail stick… yeah, well maybe not, that but it’s pretty gut-wrenching in any case.

There’s a sketch in ‘Kentucky Fried Movie’ called ‘Rex Kramer- Danger Seeker! We see Rex, a weedy white guy, put a crash helmet on and, after a brave ‘I’m going in’ wave to the camera he stands amongst a gang of big black guys, gambling on a disused railway track. He screams ‘NIGGERS!’ at the top of his voice and then legs it as they chase after him.

I feel like Rex right now. I know that what I’m about to write will not only alienate me from right-minded folk everywhere but will probably get me chased by a righteous lynch mob. Unlike Rex the racist, I’m doing it to someone I love and respect too so the pain is all the sharper. I’m going to do the old ‘plaster removal’ technique and just get the pain over with in one go:
‘Life’s Too Short’ isn’t funny, to me.

Last night I watched the episode that Ricky Gervais had tweeted was the best of the series and included the ‘best thing ever said on TV’ and I thought that I would finally laugh after sitting silently through every episode so far.

I felt like a drunk trying to make himself sick so he can get a decent nights sleep. Head in a toilet bowl, fingers tickling tonsils, desperately trying to get my body to do something it clearly doesn’t want to do and dreading the process but knowing I’ll feel much better after it’s done.

When the episode was over and I still wasn’t purged I wanted to cry.

Here was some brand new comedy from my idol. I’d been waiting for it for ages. I’d clicked on all the tweeted links from the great man himself. I’d laughed heartily at the scene with Liam Neeson trying to break into stand-up (seen in isolation) and ran out to tell all my friends that the new series was going to be superb.

I’m a huge RG fan. I’ve listened to every podcast so many times I can almost recite them from memory. I followed and adored the birth of KP, like Ed Harris in The Truman Show, with love and empathy and huge tears of laughter. I loved Ricky in all his stand-up DVDs and even ‘The 11 O’clock show’ (I always thought Ricky Grover’s ‘Bulla’ was going to be a big hit too) and remember the awkwardness and bravery of his interview technique in the hardly seen Meet Ricky Gervais.

I’ve watched with utter admiration and loyalty everything he’s done, but ‘Life’s Too Short’ makes me feel like an Elvis fan leaving a concert in the early 70’s, knowing he’s just seen his god as a mere mortal- fallible, human and, sadly, just no longer able to do that which he used to shake the world doing with every breath.

Before you remind me of the ratings and, more importantly, the huge success, incredible reviews and general appreciation from genuine fans, I know I’m wrong.

I know it really is funny because everyone tells me it is. My own friends tweet the man himself, knowing full well the odds on a reply, just to tell him how much they’re enjoying it and can’t wait for more. (As do I but on every other subject I can think of) Meanwhile, I’m sitting there every week like a kid who lives next door to a vampire, pressing his bare neck against the castle window and shouting, “Bite me! I’m O-Negative, never eat garlic and I’m a virgin! Why won’t you bite me?”

Warwick Davies is a cracking actor. The opening scene in the last Harry Potter film, where he plays a captured Griphook, is mesmerizing. His pacing is sublime and the menace and regret he builds into the scene is fantastic.

What he’s not so good at is David Brent impressions and that’s mainly what’s asked of him in LTS- well, that and the need to look like he’s genuinely enjoying being ridiculed.
This is where it gets tricky. If RG were ever to read this, or Stephen Merchant of course because he doesn’t get anywhere near enough exposure and all the podcasts allow him to do is subtly reveal his sexual frustration, I’m sure he’d tell me what I’ve been telling his ‘haters’ for years.

He’s NOT a bully, he’s NOT racist, he’s NOT homophobic (bit harder to back up if you listen to the podcasts but I like to ignore patterns and give him the benefit of the doubt) and, most of all, he’s definitely NOT using Warwick Davis as some kind of toy for his amusement and mockery. It’s ironic, It’s satire- it’s bloody fiction!

Is it? I notice Brent wasn’t called Gervais and yet the name chosen for Warwick’s character is…

He posted a clip of him and Warwick (dressed as a frog) sitting on some stairs. It was meant to be a promotional clip for LTS but it was just him making Warwick do stuff and laughing his nuts off at it. He has the manner of a young Louis XIV, presented with a new toy. Walk here, stand there, can you jump up and down little man? If I throw you at a wall will you stick to it? Every time Warwick does as he’s bid, Ricky just points and laughs and looks at us through the lens, and I can’t see, “This is me and my mate having a laugh together,” or even, “we’re in character, as ourselves but definitely still in character.” I can just see, “Look at how ridiculous he looks in this frog suit because he’s a dwarf. What shall I make him do next?” It’s funny to him because Warwick is a dwarf, not because his mate is acting like a fool for laughs. It could be any dwarf. It doesn’t fit with their fictional relationship in LTS (this dwarf is really not our friend and keeps popping in, uninvited) so it comes across as a reflection of their real relationship.

My problem is that where I should see a great pair of mates playing the characters of bully and victim, lord and jester, organ grinder and monkey, to highlight amongst other things the struggles of life as a dwarf- and I must say that LTS has done that for me if nothing else. I just see Warwick going along with it because… well It’s Ricky Gervais and it’s a massive career boost and it will make him globally famous in his own right, and if he were to protest he’d be cutting his nose off to spite his face and seem like an ungrateful killjoy that isn’t brave enough to make himself look a fool for comedy- like Ricky does all the time. See my ugly photos on Twitter? And it’s not exploitation, ask Karl, he’s a grown man, he can always say no.
I get all that but I don’t see it. What I also don’t see is anything original in LTS. The awkwardness in the scenes that made the office so engrossing and that was bolstered by being reflected off the polished surface of A-List Hollywood in ‘Extras’ now looks genuinely awkward- the wrong way. Last night’s appearance by Cat Deeley was pointless, unrealistic and just not very funny. It’s not even saved by Warwick doing his best Brent and looking embarrassed at the camera every three seconds as if to say, ‘Wow! Did you see that boys and girls? That was embarrassing wasn’t it? Did you get the madness of what my assistant just said? Did you? Coz that was it, just then, that was the funny bit and I’m caught up in it and… well, just checking you saw that funny bit just then.” Nor by anybody else’s Brent either. The Clairvoyant was some guy doing a Brent, the accountant is some guy doing a Brent. It’s like the auditions for an am-dram production of ‘The Office’.

As for plot- something so beautifully drawn in the past projects, the whole ‘throwing away the new washing machine’ scene that was telegraphed from the moment we saw that there were two machines but still managed to eat up several minutes of screen time, wouldn’t have made it into ‘Some Mothers Do Have ‘Em’ in the 70s. It was just lazy and predictable and utterly unbelievable. Then there’s Warwick’s supposed insensitivity, which appears out of nowhere and out of character, with his new girlfriend and everyone around him. It’s so utterly stretched beyond panto that it’s no more awkward than seeing Tom hit Jerry in the face with a frying pan.
We still have our Big names of course. There’s Ricky himself, painting himself the bad guy so… you know. ‘Come on Warwick, if I can do it’. The episode with Johnny Depp, which I just didn’t find- well you get the idea, was plastered all over the internet and TV. It felt exactly like Warwick introducing Cat Deeley or Right Said Fred, “look everyone! It’s Johnny Depp! Pretty amazing eh? Johnny Depp everyone! Look!” It looked like an afternoon of poor improv that we all just had to marvel at because it was… Johnny Depp, Yeah, I get it, he’s proper famous and all that.

Where’s Warwick’s payback? When do we get on his side? Where’s that subtlety of The Office? Those silences and that realism? Where’s all the believability gone?

Life’s Too Short is like Gervais and Merchant said, “Right, we’ve done the fake documentary- brilliant. We’ve done real life celebrities playing themselves- check. We’ve also done the old, he’s not really an idiot, he’s a great natural resource and we’re not bullying him because we’re really great mates- loving all that. Let’s just do them all and make the lead a dwarf- they’re funny.”

There’s just no substance and nothing new happening. It’s just like the bits that never made the previous shows have been squashed into a dwarf who has then been told- “the only thing you can bring to this character is your height. Do your best Brent and take it on the chin and we’ll make you a star.”

I’m in a no-win situation here because it’s going great guns and is loved by all and I’m sure I’d get some ‘idiots like this just show me I’m doing it right’ tweet from Ricky if he ever did read this but I have to say as I find, even if it kills me to do so.

Every joke in ‘The Office’ was unexpected. I cringed, I could hardly look, I cried with laughter. As for LTS? Two out of three aint bad- it’s heartbreaking.

A Passionate Woman DVD Review

 
A Passionate Women comes from Kay Mellor, so I expected it to be good. I’m glad to say I wasn’t disappointed. It is a well written piece of drama and wonderful to see stories about women’s lives on TV. Something we don’t necessarily see enough off. It’s a sprawling, engaging piece of drama.

The series boasts a strong cast, with Billie Piper putting in another brilliant performance, Theo James also gives a great performance as ‘Craze’, the Polish womaniser who Pipers character has an affair with. James did this show before his star turn in Downton Abbey. He is a star in the making. A Passionate Women is a great piece of drama that gets you thinking. Set in the 50s and 80s, it has beautiful cultural reference points and a wonderful ending that pays off. Your mother will love it and I reckon you will too. I particularly liked the moral tail of the story, it opens up the debate on infidelity and it’s long-reaching consequences.
 
The mini-series charts two stories in two feature-length episodes – the first focusing on a mother’s affair in the 1950s while the second is set in the 1980s and looks at the consequences of that affair 30 years on.  Set in Leeds in the 1950s Cold War period, Billie Piper stars as Betty, a young wife and mother who reluctantly falls passionately and hopelessly in love with her charismatic Polish neighbour.  But little does Betty know that some 30 years later, in 1980s Britain, her affair will implode on her beloved son Mark’s wedding day…
Sue Johnston plays the older Betty in the 1980s, while Andrew Lee Potts, Frances Barber, Theo James, Rachel Lesokovac, Alun Armstrong and his real-life son, Joe Armstrong, also star.

Kay Mellor OBE, one of Britain’s leading TV writers, has penned numerous hit dramas including The Chase, Fat Friends, Playing The Field and the seminal Band Of Gold. A Passionate Woman is based on the real-life affair of the writer’s own mother, and is a very personal look at the changing role of women over the last 50 years, making it an ideal Mother’s Day gift.    
The DVD of A Passionate Woman will be released on 27 February 2012 by High Point Home Entertainment through HMV and other retailers and is soon to be available on Amazon and Play for Pre-ordering A Passionate Women 

Jack Bauer is Back as 24 Film Gets Green Light.

Good news for fans of 24, the new film is coming your way soon(ish). Kiefer Sutherland said he was more than a little excited about returning to the role of tough guy Bauer in an interview in October.

He said: ‘We’re going to hopefully start production in April on the film, and that’ll be out later on in the year.

‘We’re still a few months away, but we’ve got a script that we’re very excited about and we’re moving forward.’

Fox has announced that they will start filming next Spring.

Sutherland also said: ‘It’s going to be a two-hour representation of a 24 hour day, so we were not going to be restrained by the real time aspect of the TV show.  With the TV show we always had to have the crisis come to us because we couldn’t move.  Twice we put Jack on a plane and it was a disaster.

‘This will be different – it will be very feasible to get from Eastern Europe to England in the course of 24 hours! And the crisis can be more personal – it doesn’t have to be a huge bomb, it doesn’t have to take out the rest of the world.  It’s very exciting.’

Fresh Meat To Return For Second Series

SECOND SERIES FOR FRESH MEAT AND BEAVER FALLS

NEW RUNS GREENLIT FOR HIT CHANNEL 4 and E4 DRAMA

FRESH MEAT
‘it has hit written all over it’ – Sunday Times
‘smart, sympathetic and pretty much adorable from the get-go’ – The Guardian
‘brilliant new comedy drama’ – The Sun

Channel 4’s critically-acclaimed smash-hit show Fresh Meat has been recommissioned mid way through its first eight-part run.

The Jesse Armstrong/Sam Bain created comedy drama centres on a group of six housemates embarking on the hilarious and painful business of being a student and features an ensemble cast of hot young talent.

Made by Objective Productions and Lime Pictures and produced by Rhonda Smith, the series is executive produced by Sam Bain and Jesse Armstrong, Judy Counihan, Phil Clarke and Andrew Newman for Objective Productions and Tony Wood for Lime.

BEAVER FALLS
‘heart-warming and gut-wrenchingly funny .. you’re guaranteed to fall for Beaver Falls!’ – The Sun

E4, home to BAFTA award-winning series Skins, Misfits and The Inbetweeners gets set to get out the Factor 50 (safety first) as it heads back to Beaver Falls for a second six-week run.

It’s Summer 2012 and while all is not perfect between Barry (John Dalgleish), A-Rab (Arsher Ali) and Flynn (Samuel Robertson) the three of them are ready and raring for another summer of mischief. But with a night in jail, a shotgun wedding and a run-in with the locals, the Brits are going to have their hands full …

The 6 x 60’ series was created by Iain Hollands, produced by Liz Lewin and executive produced by Charlie Pattinson for Company Pictures.

Commenting on the recommissions, Channel 4 Head of Drama, Camilla Campbell, said: ‘I am delighted that our strong series output has been recognised with a double recommission. Our series continue to reach the heart of the 16-34 audience, and consistently bring loyal viewers to Channel 4 and E4.’

Christmas TV on Channel 4…and some Christmas facts.

Photo: King of Christmas Lights

Some Christmas facts for you:

The idea that Father Christmas is red-and-white because of Coca Cola branding is an urban myth.

In Britain, the traditional Christmas meal used to be a pig’s head and mustard.

Kissing under the mistletoe is thought to spring from Frigga, the Norse goddess of love, who was associated with the plant.

Frigga is an excellent name for a goddess of love.

In Greece, Italy, Spain and Germany, workers get a Christmas bonus of one month’s salary by law. However, in the first three, there probably won’t be such a thing as money by Christmas.

In Holland, Father Christmas (Sinterklaas) is accompanied by Black Pete (Zwarte Piet) who, legend has it, takes bad children away in a sack. To Spain. Seriously.

Here are the delicious Christmas offerings on Channel 4 this Yuletide. Jesus, did I just write Yuletide?

Week 51

Saturday 17/12/2011
10pm
Catherine Tate: Laughing at the Noughties
Catherine Tate leads a two-hour romp through the very best comedy of the ‘Noughties’. Catherine meets Alan Carr, David Walliams, Noel Fielding, Rob Brydon and her Doctor Who co-star, David Tennant, all of whom reflect on the greatest comedy moments in recent history.

Sunday, 18/12/2011
8pm
Home for the Holidays 1/7
A soon-to-be-married couple bring their extended families together for the first time in Channel 4’s brand new, live entertainment event. Can they survive their own family, 24 hours a day for a week, to win up to half a million pounds? The family have to live together, put up with each other and bond under one raucous roof in an enchanting Christmas country manor house that is not quite what it seems. With tantalising twists and unexpected turns, festive surprises, treats and celebrity guests, can the young couple keep everyone together as they face a festive family experience like nothing ever seen on television before?

Sunday, 18/12/2011
10pm
Brüno
(2009) Sacha Baron Cohen follows up his outrageous PC-busting mockumentary Borat… with this outrageous PC-busting mockumentary about a disgraced gay Austrian fashion journalist seeking fame and fortune in the US of A. Network premiere.

Monday, 19/12/2011
7:30am
Perfect Couples
The US comedy series about three couples trying different ways to keep the spark in their relationships alive comes to Channel 4. In the first episode, Dave is disappointed that Julia doesn’t make an effort with him anymore so they decide to put on their best clothes and hit the town. Amy and Vance have a misunderstanding about some bed bugs and Rex and Leigh plan an Italian holiday.

Monday, 19/12/2011
4pm
Deal or No Deal: Deal Panto
The world of pantomime and fairytales descends on the Dream Factory this December, as Noel the Genie oversees proceedings in the hope of granting some Christmas wishes on Deal or No Deal: Deal Panto. In these special editions, contestants in live play at five box will have the opportunity to rub the Genie’s lamp and make a wish, which could allow them to continue one box at a time, or even walk away with a holiday. But, the wrong choice could let The Banker look inside their box or they could end up leaving with a pair of his underpants!

Monday, 19/12/2011
8pm
The Year the Earth Went Wild
A look back at a year where almost every month was affected by a natural disaster. With a record-breaking cold winter, the tsunami in Japan, the extraordinary killer American tornado season, the floods in Australia and a hurricane in New York, 2011 has seen an onslaught of epic-scale climate and geological events across the world, all caught on camera in the most spectacular fashion.

Monday, 19/12/2011
9pm
King of Christmas Lights
Cutting Edge explores the world of extreme Christmas decorating, meeting people who live for adorning their houses in festive regalia every year. Throwing a spotlight on what Christmas means in contemporary Britain, the film follows these people as they plan for months, buying the latest equipment and music-sequencing software and spending much of their disposable incomes on nothing but lights. The programme provides an insight into their true motives, relationships under strain from overindulgent merriment, households pitted against their neighbours in a bid to make their decorations outshine all others, and communities united in their desire to light up the night sky.

Monday, 19/12/2011
11:10pm
Syria’s Torture Machine
An investigation into the detention and torture of Syrian civilians featuring shocking video evidence of men, women and children being subjected to beatings, whippings and more elaborate torture. Victims, refugees and activists who have experienced or witnessed such brutality at the hands of Syrian President al-Assad’s forces speak out. Their stories, combined with the torture footage, refute President Assad’s claims that his forces are simply quelling an armed insurgency.

Tuesday 20/12/2011
9pm
Jamie’s Christmas with Bells On 2/2
In the second of two festive specials, Jamie Oliver shows how to create an original Christmas Day menu featuring festive fiesta tacos, brussels with hustle, and bloody mary seafood platter.

Wednesday 21/12/2011
8pm
Kirstie’s Home for Christmas
Having mastered the 12 crafts of Christmas, for the second of her two festive specials Kirstie shows off her skills as once again she gets into the competitive spirit at a magnificent, and very merry, annual Christmas fair.

Wednesday 21/12/2011
9pm
Obsessive Compulsive Hoarder
In a pretty village in the Surrey stockbroker belt lives the infamous Mr Wallace, whose hoarding habits have spread across a million pounds-worth of property that used to belong to his parents. His detached bungalow, four-bedroom semi-detached house and separate double garage are all stuffed from floor to ceiling with newspapers and other household items. Cutting Edge is given unique access into his intriguing home, where no one else has ever ventured.

Thursday, 22/12/2011
9pm
London’s Burning
Set in Clapham Junction, London, London’s Burning is a dramatic interpretation of a single night of rioting and looting that took place in August 2011. Starring David Morrissey and Samantha Bond as senior police officers, London’s Burning tells how residents, shopkeepers and businesses dealt with the violence.

Friday, 23/12/2011
8pm
Come Dine with Me: Comedians Christmas Special
Four comedians do culinary battle in a bid to win £1000 for charity. Going head-to-head in this festive special are Sean Hughes, Gina Yashere, Paul Tonkinson and Duncan Norvelle.

Week 52

Saturday 24/12/2011
7:10pm
Hairspray
Adam Shankman’s adaptation of the 2005 musical stars John Travolta, Queen Latifah, Christopher Walken, Zac Efron and Elijah Kelley. Network Premiere.

Saturday 24/12/2011
10:50pm
Bill Bailey: Dandelion Mind
Captured in performance live, and featuring his trademark musical interludes, observations and stories of the road, Bill Bailey takes centre stage in Dandelion Mind, which is based loosely on the theme of doubt (or is it?) and features reflections on celebrity, TV, creationism, Michael Winner, and a brand-new French Disco re-working of Gary Numan’s hit, Cars.

Sunday, 25/12/2011
10am
Gordon’s Christmas Cookalong Live
This Christmas there’s no need to panic if you’ve left your festive food shop to the last minute, or the idea of cooking for the whole family fills you with dread. Help is at hand as Gordon Ramsay serves up an action-packed and irresistibly entertaining guide to cooking a fool-proof Christmas dinner – live on Christmas Day.

Sunday, 25/12/2011
2pm
Ice Age: A Mammoth Christmas
Special TV spin-off from the makers of the Ice Age film series. When Sid accidentally ruins one of Manny’s Christmas traditions, he’s told that he will now be on Santa’s naughty list. Sid heads to the North Pole with Crash, Eddie and Peaches in tow to plead his case directly to Santa Claus. Manny is worried when he hears that Peaches has gone with Sid and along with Ellie and Diego, treks to the North Pole to find her. Meanwhile, the gang accidentally destroy Santa’s workshop and have to pull off a miracle to save Christmas. Prod.Co: Fox Animation Studios

Sunday, 25/12/2011

4:15pm
Alternative Christmas Message
Channel 4’s traditional alternative to the Queen’s Christmas Day broadcast. First airing in 1993, the Alternative Christmas Message has previously featured an illustrious and varied selection of presenters, including the President of Iran, Mahmoud Ahmadinejad, an injured veteran from the war in Afghanistan; Quentin Crisp; the Reverend Jesse Jackson; Doreen and Neville Lawrence; a 9/11 survivor; and The Simpsons.

Sunday, 25/12/2011
9pm
Alan Carr: Chatty Man Christmas Special
Settle in for a treat of festive frolics plus the odd song or two as Alan is joined on the sofa by Ruth Jones who talks about her new drama, Stella. David Walliams drops in to talk all things Christmas. Plus infamous twosome Jedward are on hand to cause mayhem in the studio. Music comes from the newly reformed Steps, who perform a medley of their greatest hits.

Sunday, 25/12/2011
11:05pm
So This Is Christmas
So This Is Christmas is a festive comedy offering brimming with the UK’s freshest comedians as they examine the good, bad and downright ugly aspects of our favourite national holiday. Based in a domestic winter wonderland, the comedians all re-live their best and worst Christmas moments.

Monday, 26/12/2011
6:35pm
Come Dine with Me: Celebrity Christmas Special
It’s high camp at Christmas as five plucky celebrities take to the stage for a festive pantomime special for five nights across the week. Taking part are singer Linda Nolan, Bianca Gascoigne, former Doctor Who actor Colin Baker, Dancing on Ice and Coronation Street star Danny Young and pantomime villain ‘Nasty Nick’ Bateman.

Monday, 26/12/2011
9pm
Bear’s Wild Weekend with Miranda
Bear Grylls takes Miranda Hart on a once-in-a-lifetime expedition to the spectacular Swiss Alps for an exhilarating new programme. Adventurer, Chief Scout and best-selling author Bear challenges novice Miranda to go far beyond her comfort zone with a series of exhilarating adventures during an intense two-day expedition. Miranda traverses a glacier, crosses crevasses roped to Bear, tackles deep snow in snow shoes, completes a huge boulder scramble and abseils down a waterfall.

Monday, 26/12/2011
10pm
Chris Moyles’ Christmas Quiz Night
Chris Moyles’ Quiz Night loves Christmas like no other quiz show and tonight’s instalment is a very special seasonal edition. Chris will be competing against mighty comedy actor James Corden, X Factor singing sensation Olly Murs and Pineapple Studio’s irrepressible Louie Spence as each endeavours to win their supporters in the audience a share of a festive thousand pounds.

Wednesday 28/12/2011
8pm
Jon Snow’s 2011
Jon Snow reflects on an extraordinary 12 months of news. It’s a personal recollection of the news stories that mattered to him. Some he witnessed first-hand, like the fall of Mubarak or the aftermath of the Japanese tsunami; others he covered from the studios of Channel 4 News; all left their mark on him and millions of others. The Arab Spring, the English riots and the Eurozone economic and financial crisis have all helped define 2011 but for Jon these stories were also linked by the phenomenon of social networks and instant global communication. This was also the year of Hackgate, when his own profession came under intense public scrutiny. And it’s the year he got an honorary degree from Liverpool University, 45 years after the same university chucked him out for student activism.

Wednesday 28/12/2011
9pm
The Untold Tommy Cooper
This one-off special looks at the untold life of British national treasure, comedian and magician Tommy Cooper. Fans as diverse as Johnny Vegas, Damien Hirst, Ozzy Osbourne, Sir Roger Moore, Alfred Molina and Reece Shearsmith talk about their love of Cooper.

Wednesday 28/12/2011
11:35pm
Ben Elton: Laughing at the 80s
Ben Elton presents this two-hour romp through the very best comedy of the 1980s. Featuring .Rik Mayall, Lenny Henry, Harry Enfield, Victoria Wood, Jimmy Tarbuck, Stephen Fry, Dawn French, Jennifer Saunders, Ade Edmondson, Jo Brand and Nigel Planer.

Thursday, 29/12/2011
9pm
Dorian Gray
(2009) Ben Barnes, Colin Firth and Ben Chaplin star in this gothic horror adaptation of Oscar Wilde’s cautionary fable. Network Premiere.

Friday, 30/12/2011
9pm
Comedy Showcase: The Angelos Neil Epithemiou Show
The Angelos Neil Epithemiou Show is a studio-based comedy entertainment show written by and starring Dan Skinner as his comic character Angelos Epithemiou.

Friday, 30/12/2011
9:30pm
Lee Evans: Access All Arenas
Lee Evans hosts a very special night showcasing his incredible stand up shows and TV series.

Phew, a good amount of stuff to watch! Merry Christmas from Frost.