Best Endeavours Business Best Practice: Jane Cable On what happens once that publishing deal is in the bag continues

writing, #amwritingBEST ENDEAVOURS

Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.

BUSINESS BEST PRACTICE

So there we have it: from a deal signed in August to the perhaps untimely escape of the book just before Christmas – the first part of Another You’s story is complete. But in many ways the hard graft is just beginning.

Having come through the ranks of savvy indie authors it amazes me when I meet writers with publishing deals who think that marketing isn’t their job. Yes, when you have a deal you aren’t the only one trying to sell as many copies as possible, but I don’t believe you can delegate responsibility. As a writer I have three books to market – as a publisher Endeavour has thousands.

My motivation for writing is to share my stories. Perhaps it’s different for other authors; maybe the craft itself is enough, and finding a publisher is sufficient reward for a job well done. Perhaps for them it is the end of the journey.

How other authors approach the business of writing fascinates me and next year I’ll be using this blog to talk to some of them about how they make a living from their words. This will come as later in 2017 I’ll be making the transition from more-or-less full time accountant to more-or-less full time writer. It’s going to be quite some year.
Jane Cable, publishing, writing

But for now I am back to the anxious business of nursing a new baby through its first fragile steps into the world. I can’t stop myself from checking Amazon rankings daily and I am waiting with equal parts of terror and excitement to read the first review. Quite frankly I need to get a grip because no one is going to get around to reading the book over Christmas.

As for me, I’ll keep on gently marketing during the break. I need to approve a press release for issue early in the new year. I need to send seasonal/promotional emails to friends. I need to perfect the art of creating publicity material with Canva (my new favourite website). Perhaps I need a Facebook advert. And I have blog tour material to prepare and at least four guest blogs to write.

Thank goodness my husband has Christmas sorted…

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. Another You tells the tale of how chance meetings on the 60th anniversary of D-Day help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.

A day in the life by the marketing team at Troubador.

 

 At Frost we’re particularly fond of Troubador Publishing – a self publishing organization, one that is hugely successful. Apart from being hugely successful and professional we’re fond of it because it helps Words for the Wounded publicise its fundraising Independent Author Book Award. Indeed, WforW’s inaugural winner, Jane Cable, was published by them. Jane has now been taken by Endeavour Press and Another You has just been published.

 

We were really pleased when we  asked the marketing team to take us behind the scenes, and they readily agreed.  We will be publishing their Day in the Life in four sections over four weeks. But let’s hear it in the Troubador team’s own words.

 

………..

pic-1-alexa-davies-drafts-an-advance-information-ai-sheet

Alexa Davies drafts an Advance Information (Al) sheet

For a new title, the route to market – and customer – is multi-faceted, and it’s vital to undertake each important step within the process. Many authors only think about marketing once they’ve signed off their print files and approved their book for print, but it’s crucial to start thinking about this much earlier on. Marketing, and distribution, are key parts of the publication process – and parts that a book depends upon in order to make sales, as well as media coverage – which in turn leads back to sales.

 

To highlight the different steps within the marketing of a title – and the importance of doing them all at the right time – we’ve broken down the process into four distinct steps, which all happen at different stages of the production process. These are all things that happen every day in the marketing department of Matador, the high-quality self-publishing imprint of Troubador Publishing Ltd.

 

Jasmin Elliott, Alice Graham, Alexa Davies and Sarah Taylor from Matador’s marketing team each take a turn to explain exactly what happens – and when.

 

3-6 months pre-publication: Trade Marketing. This involves notifying retailers and libraries of an upcoming book in order to generate sales.

 

Trade marketing begins with drafting Advance Information (AI) sheets once an author signs up to publish with us. Once they’ve been approved and updated with a finalised cover, copies are sent out to relevant local and national bookshops. Every AI contains all the information that a buyer needs to know when deciding whether or not to stock a book. Quite often there is a lot of information, which we need to condense into a single page – while still providing all the relevant detail! Writing AIs is one of the more fun parts of trade marketing – it involves being creative with the information that our authors have given us and turning them into professional, industry-standard documents that will result in book sales.

 

When the first draft of the AI has been completed, from the information that the author provides at the beginning of the publication process, we then send this on to the author. It’s important to us that our authors are happy with the way their book is represented, and so we strive to work with their suggestions as much as possible, but we also provide guidance where we feel that something won’t work or has been omitted.

 

Once the author has approved their AI drafts, we add the information to a central book listing, which then gets sent out to a data aggregator called Nielsen – who then send this information on to recipients within the trade. This is a crucial point in the process, as it’s the only way that a title is discoverable/orderable – and we ensure that we keep this updated moving forward. We also update the book page on our own Troubador website (as we sell books directly to both customers and retailers) to entice buyers to purchase.

 

Once we have been sent a final, approved cover from the production department, we add it to the sheet (it’s important to include a cover, as most buyers make or finalise their stocking decisions based on what the book will look like) and then send it out. Each sheet is sent out to a highly targeted local and national mailing list, which is created according to the subject and interest area of a book, as well as the author’s own local area. This includes both the key outlets that we send information all of our titles to – like Waterstones and WHSmiths – as well as independents and chain branches. Once we have our list of appropriate booksellers, the final stage of envelope stuffing begins! Though some buyers prefer information by email, a lot still goes out by post – which has close to a 100% open rate.

See the next instalment in a week.

http://www.troubador.co.uk

About us…

Matador offers a bespoke, comprehensive and high-quality self-publishing service. (www.troubador.co.uk/matador). We also offer standalone marketing and distribution services for authors who publish elsewhere (http://www.troubador.co.uk/distribution.asp) and standalone design and editorial services via our sister company, Indie-Go (http://www.indie-go.co.uk).

Our annual Self-Publishing Conference, held on 22nd April 2017, offers sessions on all aspects of the publishing process and can be tailored to each delegate’s requirements – registration is open now for £65 per person: (http://www.selfpublishingconference.org.uk).

 

 

Over 19 Million Homes at Risk of Fire This Christmas

CHRISTMAS PAST & PRESENT   by Jenny Falconchristmastree1Regulatory body for Electricians advises on how Brits can avoid leaving their homes at risk of electrical fault and potential fire at Christmas
Make an electric check part of your routine this winter

  • 9 in 10 UK homes will be using Christmas lights this year
  • Only 1 in 4 question whether the lights they are using are safe
  • Shockingly 97% show no concern that the amount of lights they use could be a danger

The NICEIC & ELECSA are reissuing a crucial message as we approach the Christmas season; think safety first when decorating your home this Christmas.

The UK’s leading regulatory body for electricians NICEIC and ELECSA surveyed 2,000 UK tenants and homeowners. With 9 in 10 of us using lights to decorate this Christmas, some disturbing facts have been revealed about our attitude to electric safety over the festive period. In excess of 1 in 4 showed no concern about the safety of the lights they are using. This result is marginally better than the response to the 2015 study. Tony Cable, Senior Electrical Engineer for NICEIC and ELECSA said;

“Electrical safety in the home is important at any time of the year, but at Christmas we tend to forget that all the decorative lights we use around the home massively increase the dangers to our family. Just grabbing old lights from the loft and plugging them in isn’t acceptable. Everyone needs to be aware of the dangers and take into account the risks”.

Faulty electrics in the home account for 20,000 house fires each year, causing upwards of 70 fatalities. Most electrical issues in the home are easily preventable by ensuring your home is regularly checked electrically by a suitable, registered electrician.

Last year it was highlighted that people use the same Christmas lights year on year and 2016 has shown similar results.  65% of Brits are guilty of  reusing lights, which is a 5% increase on last year.

A further concern that the study unveiled is that 97% of Brits do not consider the amount of Christmas lights they have running on their tree, across the home, and in the garden; Vicente McNeill, a London based electrician is all too familiar with this issue:

“The most common problem that occurs at Christmas is over-loading due to people plugging in too many lights… In my opinion, homeowners are not aware of the strain they are putting on their home systems.”

Brits are advised to think safety first when decorating their home this Christmas. To assist NICEIC and ELECSA have identified the top five tips to ensure your home is electrically safe this Christmas;

  1. Do not overload sockets– Try to avoid extensive use of extension sockets and adapters. Do not plug multiple extensions into each other.
  2. Do not re-wire your lights– Many homeowners will be tempted, or have already rewired lights to include 2, 3 or sometimes 4 sets of lights into a single plug. This is dangerous and causes a potential fire risk.
  3. Make sure lights you use outside are certified safe for external use– Only use outdoor lights that have been specifically designed to be used outdoors. If you are unsure check the manufacturers’ instructions.
  4. Do not leave lights on for long periods– Many homes will be tempted to keep lights on for 24 hours, overnight or even more concerning, leave them on when they go out. All Christmas lights increase the risk of fire and overloading and should only be switched on whilst you are at home.
  5. Always use Christmas lights that have been certified for use– This can be identified by the European Standards Symbol (represented by CE) and the British Standards Kitemark. If in doubt, don’t use them. Always buy lights from reputable stores.

If anyone is concerned about the safety of their home electrics, or would like to obtain professional advice about their Christmas lights, they can visit www.niceic.com/safechristmas or www.elecsa.co.uk/safechristmas to find the latest advice and tips and to find a registered electrician.

 

 

Monday Club A Collective For Actors and Creatives

ttf-photographer-tom-metcalfe-1Monday Club is a collective of creatives who meet once a week as a company of actors, dancers, writers, directors and more to generate new ideas and to share skills from our various artistic backgrounds. We encourage collaboration and the development of new writing and performance, and support individuals in the exploration and achievement of their artistic goals.

TAKE THE FLOOR

Take the Floor is an exciting new scratch night, hosted by Monday Club at Chelsea Theatre. The night promotes new work within all forms of the arts and forges connections for collaboration between these varying mediums. At the event, we encourage creative support between participants and we provide ‘no pressure’ networking opportunities. All of our pieces are handpicked from a variety of promising new artists with fresh and dynamic ideas.

The evening begins at 6pm when visual artists exhibit their new work in and around the bar. The auditorium then opens at 7pm for a number of eclectic ten-minute performances on Chelsea Theatre’s wonderfully spacious stage. The twenty minute interval sees the first of our selected singer-songwriters perform in the bar, with the second musician playing at the end of the night, when performers and audience members discuss what they’ve seen, and perhaps even swap details for future collaboration over a very reasonably-priced drink at the bar.

Following our first Take the Floor in October, writing partnerships have been formed, advice has been shared from participant to participant, and pieces shown have continued on their various trajectories with feedback from our Take the Floor audience to help shape their development.

A celebration of diversity and collaboration within the arts, Take the Floor is a stimulating evening of creativity for those interested in seeing short bursts of varied entertainment, and those who are looking for inspiration to create their own work.

Visit www.mondayclub.co.uk to find out more.

Date: Sunday 15th January 2017

Time: 6pm for visual art; 7pm for performances on stage

Location: Chelsea Theatre, 7 World’s End Place, King’s Road, London, SW10 0DR

Tickets: £6 for one or £10 for two tickets for the whole night; £3 entry on the door for music only.

Tickets available from www.chelseatheatre.org.uk soon!

Take the Floor is run by James Bailey, Charlotte Whitaker, Robyn Hoedemaker and Guy Remy.

info@mondayclub.co.uk

 

Soothing balms for all the family from Puressentiel

puressentiel muscle and joint soothing balm
PURESSENTIEL MUSCLE AND JOINT SOOTHING BALM

If you suffer from aching joints before or after sports why not try this soothing balm from Puressential. Made from a nourishing blend of shea butter, beeswax and sunflower oil along with fourteen essential oils which include peppermint, juniper and wintergreen. It smells quite intoxicating and the warmth penetrates the skin as soon as it is applied. Great for athletes, runners or simply those who have overworked the muscles. Apply the massage balm three times per day to soothe those aching joints.

No colouring and preservative free. 100% pure and natural. The range also includes gel, roller and heat patches.

www.puressentiel.com/uk

puressential_babyrelaxbalm

PURESSENTIEL REST & RELAX BABY BALM – Ideal for babies & toddlers / pre-schoolers

The Baby Relax Balm made from 100% natural essential oils will help soothe fractious babies and may be an absolute godsend for fraught parents. Gently massage your baby’s body with a small amount of balm, a couple of times a week, and your baby will relax and sleep more easily.

Blended from cypress, lavender, marjoram, orange and thyme it smells gorgeous – so good I used it myself.

Puressentiel takes the best from nature in an ecologically responsible way. It is dye and preservative free and has no synthetic perfumes. For use on babies from 3 months.

http://www.puressentiel.com/uk

Mustela Skin Care for Babies

 

 

It’s not just adults that suffer from dry skin, especially at this time of the year.

From birth to around the age of two, babies have particularly fragile skin which needs to be moisturised daily. Some babies can be born with skin that maybe be dry or that has a tendency towards flakiness.

Mustela® offers a range of skincare products formulated with specific ingredients not only to protect and moisturize but also to nourish the skin.

Mustela Nourishing Cleansing Gel with cold cream

This cleansing gel comes in a handy pump dispenser. It is gentle on the skin, easy to wash off, and leaves skin feeling smooth and smelling gorgeous. Its rich, creamy texture is ideal for dry skin.

Mustela Nourishing Lotion with Cold Cream

Nourishes and strengthens delicate skin.

Mustela lotion is quickly absorbed leaving skin gently nourished and moisturised. It also smells so delicious that I think many mums will be using it on themselves.

musti-eau-de-soin

Mustela Eau de Soin

Mustela  Eau de Soin can be used daily to delicately fragrance hair, body and clothes. It is an aromatic mix of subtle citrus notes combined with the soft fragrances of rose, lilac and amber. Chamomile and honey extracts offer soothing and softening properties and the fragrance is alcohol-free.

Mustela products are guaranteed safe from birth onwards and they are tested under dermatological and paediatric control.

Taking care of our children also involves taking care of the environment in which they live. At every stage along the life cycle of its products, Mustela does everything it can to minimize the impact that they have on the environment. Mustela bottles, for example, can all be recycled. The boxes used are from sustainably managed forests, and Mustela Bébé foaming formulations are all biodegradable

If you are pregnant or a new parent the Mustela website has lots of great advice www.mustela.co.uk

 

 

 

Over Three Quarters of the 50 Richest People Under 30 didn’t go to University

educationUniversity of Life: stats reveal that over three quarters of the 50 richest people under thirty didn’t go to university…

  • Only 24% of the Young Rich List were privately educated.
  • 84% are self-made.
  • Sports stars make up 40% of the Young Rich List.

 

Young, rich, and famous: that’s what everyone wants to be, right? But while we all want to ‘get rich’, there’s no one, clear path to going about it. Some people are born rich, some will work incredibly hard to become rich, while others are just plain lucky. So, is there any secret to it? Does it all depend on what kind of education you had? Is private school necessarily ‘better’ than state school? Should you go to university, or could it actually be a waste of money? Do some professions make you richer than others? Are there any short cuts?

The questions are endless. However, creators of eco classrooms and modular school buildings TG Escapes, decided to analyse the backgrounds of the 50 richest people under thirty, who appear in this year’s Sunday Times Young Rich List, and they made some very interesting discoveries…

Firstly, only 34 out of the 50 (that’s over two thirds) went to state schools, proving that you don’t necessarily have to pay for a ‘better’ education to end up rich. If you have talent and skill, then that will take you far; just look at the likes of footballer Wayne Rooney (6th on the list, worth £96m), singer Ellie Goulding (at number 39, she’s worth £17m) or boxer Amir Khan (worth £18m, at number 36); they all went to state school, but clearly already had an innate talent that shone through.

And an even greater proportion of people (76%), didn’t go to university. Perhaps that’s not too surprising, given the crippling fees it costs these days, but it certainly didn’t do the likes of older, successful entrepreneurs like Sir Alan Sugar or Sir Richard Branson any harm; following in their path are the likes of techpreneur Pete Cashmore, who founded tech blog Mashable (and, at number 5 on the list, is worth a staggering £170m).

What is also inspiring is that 42 of them (84%) are totally self-made, and didn’t inherit family wealth. This can’t be said for the person at the top of the list, 30 year Tom Persson – who’s worth a whopping £672m – because he’s part of the family who own fashion label H&M. But for the majority of sports stars, or musicians, many of whom come from relatively humble backgrounds, they’ve made their wealth on their own, thanks to their skill. Footballer Gareth Bale, for example, amassed his £34m fortune (no 17 on the list) himself, while the four current members of One Direction are all worth £33m (at no 18).

So what are the professions which will make us the richest? Well, 40% of those on the list are in sport, while 37.5% are involved in creative industries such as film (like Emma Watson, no 16 on the list with £35m), music (like Ed Sheeran, no 14 with £45m), or fashion (such as model sisters Cara and Poppy Delevingne (worth £14m between them, at no 49). Two per cent are lottery winners, Nottinghamshire couple Matt and Cassey Topham, who won a £45m Euromillions draw in 2012.

But perhaps more soberingly, only 10% of the people on list work in industry – in electricals, property or cars – such as 28 year old Thomas Mackie, who runs the electrical goods wholesaling company his grandfather started in Kenilworth and has built it up so much that his net worth is now £380m (putting him at no 3 on the list).

There are obviously a variety of ways to become rich and successful,’ says Richard Harvey, Managing Director at TG Escapes: ‘Good, hard graft rewards many, and talent will get you far, too. However, it’s a little sad if young people reading this think that the only way to make money is to become a pop star, actor or sportsperson, which couldn’t be further from the truth. It’s worth sticking with an education for as long as you can, which will give you so many more options later in life.’

 

 

Best Endeavours Book Blogging Best: Jane Cable on what happens once that digital publishing deal is in the bag continues.

janecablenewbookwriterBEST ENDEAVOURS

Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.

BOOK BLOGGING BEST

It wasn’t how I’d expected to find out that Another You was live on Amazon. It was just a hint, really, in an email from Endeavour. The lovely Dorset author Rosanna Ley had given me a cover quote for the book so I’d passed it on. Only to receive the reply that the Amazon description would be changed but it might take twenty-four hours to update.

I was straight on the internet and searching. Yes – there it was. Pristine, undownloaded, unnoticed. Just how I wanted it to be.

Nevertheless I sprang into action. My Amazon author profile needed updating and the book linked to it. My web designer needed a prod… but only because she’d been moving house and once she realised the urgency she rushed to publish the updates.

I also needed to tell the bloggers signed up for the tour. I’d envisaged tying it in with a January launch but it was becoming clear there was no way I could keep my promotional powder dry for that long. So I consulted and we’ve agreed that it doesn’t matter so very much and we’ll probably go for early February. It’s an enviable line up of premier British book bloggers including Rosie Amber, Liz Loves Books, Linda’s Book Bag, Being Anne and Jaffa Reads Too.

The next question was review copies. With my previous titles I relied heavily on Netgalley – and Netgalley promotions – to reach anyone who may want to review the book. Matador had made them available for four to six weeks but Endeavour’s policy is just seven days – and the clock started ticking on Friday. My next task was to reach every blogger who’d shown an interest in my books in the past; by email, through Twitter – even Goodreads (although Goodreads frown on this sort of behaviour) just to let them know the book was there. Some weren’t interested but overall the response has been really good. And of course I’m tweeting the link to the Netgalley download as often as I dare.

Jane Cable, publishing, writing

Regular readers of Frost will know my connections with Margaret Graham’s charity, Words for the Wounded, and I had always intended to use the book to raise funds and awareness. Not just because I believe in it, but because a major character in Another You is a soldier suffering from the aftereffects of combat. So what I have decided to do is to donate £1 for every review of the book on Amazon in the UK and the US. For more information on the hows and whys, please visit my article on Words for the Wounded’s own blogspot:http://wordsforthewounded.blogspot.co.uk/

In the middle of all this activity, sometime on Sunday evening, the book escaped. It was being downloaded, beginning to achieve an Amazon ranking. So there was no point in keeping quiet about it anymore. Which leaves me with quite a long to do list for this week.

Happy Christmas everyone!

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. Another You tells the tale of how chance meetings on the 60th anniversary of D-Day help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.