Chuffing brilliant! The Railway Children Theatre Producer Tristan Baker Talks

The Railway Children on stage at Kings Cross, London

The Railway Children on stage at Kings Cross, London

Theatre producer Tristan Baker talks about the show where the West End’s heaviest leading lady is not only delighting audiences of all ages, but is also inspiring marriage proposals …

Take one of the best loved books and films of all time. Add a vintage steam engine, a superb cast and mix well. While the ingredients are blending, crack on and build a theatre from scratch, including a railway track, against the clock. Add a dash of blind panic and garnish with lashings of Edwardian style. Serve to critical acclaim and enchanted audiences of all ages.

That’s the simplified version of how The Railway Children came to life at its new home in London’s Kings Cross. The unabridged version involves so many technical challenges that you could travel from London to York on old rolling stock in the time it would take to tell. Certainly one of the show’s producers reckons that the team who made it happen deserve their share of the five- star reviews.

“I am very proud of the team,” says Tristan Baker, with feeling. “In five weeks they built a one-thousand seat, purpose-built, theatre from the ground up, including laying a train track. It meant working around the clock to get the show on – they were sometimes laying track in the rain at 2am – but they did it.”

And when he says it’s a purpose-built theatre Tristan isn’t exaggerating. Walking around the venue on King’s Boulevard with him, the detail is extraordinary; from the state of the art heating system (to ensure maximum audience comfort), to the unique railway platform stage. Located behind King’s Cross Station, the site has been loaned by Google and will one day be Google HQ. But for now it is home to The Railway Children – “a steam engine rather than a search engine,” laughs Tristan, explaining that the objective was to create not just a show, but an experience.

“It is very site specific. From the moment you arrive and pick up your tickets you are in Edwardian England.” Bang on cue a group of costumed front of house staff surge forwards to greet members of tonight’s audience, directing them to the foyer, which is a perfect replica of an Edwardian station waiting room.

“Our front of house team are all carefully selected and trained to give the audience a really wonderful and authentic experience,” says Tristan, navigating a path through an excited party of teenagers and a group of middle-aged ladies who have come up from Cambridge for a day of shopping, lunch and theatre.

Undoubtedly it is a show with universal appeal. An average audience comprises dating couples, families (from toddlers to great grandparents and all the generations in between), tourists, students, WI ladies, book clubs, Guides and Scouts – people of all ages.

“They are all transfixed,” says Tristan, adding: “I think adults experience it on a different level. Maybe they remember the film from when they were children, or perhaps reading the book, but as adults they realise the political and emotional aspects of the story.” Leaping nimbly up the steps of the bridge that separates the two platforms (the audience sit either side of the track) he stops and looks fondly up at the hefty leading lady, her paintwork gleaming under the lights. “And who can fail to be excited by a three-hundred ton steam train arriving on stage?”

He’s got a point. The magnificent engine is breath-taking. Dating back to 1896, complete with a vintage carriage, this grand old lady is, quite literally, the West End’s biggest diva. Transported from the National Railway Museum in York on a low loader, even her arrival was the kind reserved for superstars as, like the most illustrious celebrities, she arrived with a police escort.

Adapted by Mike Kenny, The Railway Children was first produced by York Theatre Royal at the National Railway Museum, York in 2008. Two sell-out seasons were followed by a transfer to Waterloo Station, where it opened in the former Eurostar terminal and again enjoyed smash-hit success, bagging the 2011 Olivier Award for Best Entertainment along the way. And steaming into Toronto in 2011, Canadian audiences also fell in love with this stage version of Edith Nesbit’s classic story.

Telling of three children whose lives change dramatically when their father is mysteriously taken away and they are forced to relocate from London to a cottage in rural Yorkshire with their mother, the book was first published in 1906. Exciting, with plenty of adventure and drama at its heart (“what happens to the children is quite awful but they are resilient and make the best of their situation”), heading the current cast is Caroline Harker as Mother and comedian and actor Sean Hughes as Mr Perks.

“Sean has just joined us and he brings a joyous warmth to the role,” says Tristan, agreeing that ‘joyous warmth’ pretty well sums up the feeling that audiences go away with.

And it seems that The Railway Children also inspires romance. “We do get a lot of couples coming to the show on date nights and we have recently received a request for permission to make a marriage proposal from the train,” smiles Tristan, as we take our seats.

Long before we reach the end of the last act, with the heart-rending ‘Daddy, oh my daddy!’ line, the reasons for the production’s success are abundantly clear. With ‘wow!’ factors at every turn, this much-loved classic story has been transformed into chuffing brilliant theatrical experience. Whether you’re eight or eighty, it’s one that should not be missed.

Come on now! All aboard!

Vicky Edwards

THE RAILWAY CHILDREN

King’s Cross Theatre, Goods Way, King’s Cross, London N1C 4UR

Currently booking until 6 September 2015

Box Office 0844 871 7604

Website www.railwaychildrenlondon.com

Facebook www.facebook.com/railwaychildrenlondon

Twitter @TRCKingsCross

Google+  plus.google.com/+RailwayChildrenLondon

Fufanu Debut Single Circus Life | Music News

Fufanu Debut Single 'Circus Life' Music NewsFUFANU: ‘Circus Life’ [b/w] ‘Goodbye’
Debut Single, 6th April One Little Indian

Formerly operating as techno duo, Captain Fufanu, with the addition of live instrumentation – and the band name shortened to a more economical Fufanu (“the Captain was left behind at a rave in Cologne”) – the Icelandic group began working up a dark, metronomic take on 70s and 80s European music.

The rolling, hypnotic, seven minute ‘Circus Life’ – uploaded to YouTube in October – primed early adopters at Rolling Stone (‘Disclosure attending Bela Lugosi’s funeral’), Line of Best Fit (‘…like a mythical Ouroboros’) and JaJaJa (‘mesmerising’) – and is formally released as Fufanu’s debut single on the 6th April, backed with shuddering and drolly-titled live opener, ‘Goodbye’.

In the space of one week last November Fufanu became the most talked about new band of Iceland Airwaves, made their UK live debut at JaJaJa Festival and supported Damon Albarn at the Albert Hall – winning the approval of Brian Eno into the bargain.

They repeated the trick in January with crushing sets at Eurosonic and are back in the UK supporting *Bo Ningen in early April as below:

Wednesday 1st April London, Hoxton Bar & Kitchen*
Thursday 2nd April London, Sebright Arms

Fufanu is: Kaktus Einarsson (vocals)/ Gulli Halldór (guitar/programming).

 

 

 

At the Foot of the Cross by Angela Taplin

An evening of music, prayer and meditations for Good Friday from Radio 2

Radio 2 recently recorded an evening of music, prayer and readings for Good Friday. Tickets were free through a ballot so on a damp evening in February a friend and I went along to Methodist Central Hall, hard by the Houses of Parliament. Arriving about 5.30, we found most people heading home so we had a chance to walk round the outside of this famous landmark without benefit of surging tourists and selfie sticks. It’s such a fine building and in the twilight gap between showers it looked beautiful.

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We made our way through ancient courtyards to Methodist Central Hall, another impressive and imposing building.  It was the first time I’d been to a radio recording for many years (the last time was a pop quiz in the 70s, I think). The music was provided by the BBC Concert Orchestra with a chorus drawn from a number of London choirs, with three soloists – Jermaine Jackman, winner of The Voice 2014, Louise Marshall and 12 year old Helena Paish, one of the BBC Radio 2 Young Choristers of the Year.

Readings were given by Patrick Robinson, star of Casualty and Strictly whilst prayer was led by The Revd Michaela Youngson. The evening was presented by Diane Louise Jordan, well known for her appearances in Songs of Praise. We assembled in the auditorium which was dominated by the beautiful cupola and where the acoustics were perfect.

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The music programme was varied: traditional English, gospel, well-known hymns, with an underlying thread of connections to the Great War. Butterworth’s The Banks of Green Willow, a pastoral piece inspired by English folk songs, was rendered particularly poignant by the knowledge that he died in 1915 during the first battle of the Somme. The second half consisted of Sir John Rutter’s Requiem in which the pure tones of Helena Paish shone clear in the Pie Jesu. It was a thoughtful and moving evening.

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At the end of it all, my friend and I felt happy to have been part of it and will look forward to hearing it all again when it is broadcast at 8pm on April 3rd, Good Friday, on Radio 2.

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Boux Avenue Summer Launch Pool Party In The Heart Of Mayfair … A Night Of Blinis And Bikinis

Lingerie, swimwear and nightwear brand Boux Avenue and business owner Theo Paphitis, celebrated their Summer Launch in style last week at the Haymarket Hotel in Mayfair.
Celebrities including Vogue Williams, Ola Jordan, Rebecca Ferguson and many more enjoyed ‘Boux on the Beach’ cocktails by the beautiful candle lit pool, whilst listening to summer beats by DJs Charlotte De Carle and Becca Dudley.
The brand’s gorgeous summer collection was showcased at the party, which included their beautiful swimwear collection featuring key trends for the season including neon tones, cutesy florals and beach-ready tropical prints plus cover ups to match.
Guests were also treated to an exclusive preview of the brands new Summer TV ad, which is set to be aired this April.

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Celebrity guests included Chloe Lewis, Lauren Goodger, ex Big Brother’s Bit On Side presenter AJ Odudu, Lilah Parsons, Ashley James, Rebecca Ferguson and Brian McFadden’s wife, Vogue Williams,

Made In Chelsea’s Ollie Locke arrived with girlfriend Catherine Louise Radford.

Charlotte de Carle, Lizzie Cundy, Hatty Keane and Scottish R&B singer Tallia Storm looked thrilled with their Boux Avenue gift bags.

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So, what can we expect from Boux Avenue this spring and summer?

From flattering tankinis to stylish kaftans, head off
to your dream destination with the latest styles from
the Boux Avenue swimwear collection. Their bikinis are holiday
must-haves, from halter necks and multiways to
bandeaus in prints that sizzle, you’re sure to be spoilt
for choice. Their cup-sized bikinis in 32A-40G (B cups
start with 28 underbands), and many DD+ swimwear
styles will have you dreaming of the beach in no time.

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Bikinis tankinis seven One ten three two

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About Boux Avenue…

Boux Avenue is a sparkling new lingerie brand that you can find online and at 24 stores across the country.

Born out of a love for lingerie, nightwear, swimwear and all things romantic, with a desire to bring traditional service, superior fit and outstanding quality to a modern and beautiful setting, Boux Avenue is a luxurious shopping haven.

With an unrivalled eye for detail, passion for gorgeousness and design flair that will bring romance, seduction and a little slice of style to your boudoir, Boux Avenue aims to make love happen with an aspirational blend of nostalgic and contemporary design.

Boux Avenue is inclusive and for everybody, no matter what your age, size or style, creating irresistible lingerie and nightwear that will compel the desire to look, touch, feel and of course, wear.

www.bouxavenue.com

@BouxAvenue

About the Haymarket Hotel, Mayfair…

Housed in a smart Regency building, this ritzy boutique hotel puts you in the heart of London’s theatre-land. It’s a 5-minute walk to Charing Cross or Piccadilly Circus, giving you a choice of Tube lines. The flagship stores along Regent Street are all within a mile.
Art on your doorstep
You’ll be just a few blocks from the National Gallery at Trafalgar Square, and a 15-minute stroll from both the Royal Academy and the Courtauld Gallery. Need a rest? Rent a deck chair at nearby St James’s Park.
Making an impression
Guests at Haymarket Hotel rave about pretty much everything, from the staff and impeccable 24-hour room service to the chic fabrics and furniture. You can enjoy a drink by the glamorous pool, from the library’s honor bar, or in trendy Brumus Bar & Restaurant.
Comfy beds and linens
Rooms and suites are stylish, spacious, and quiet (windows are double glazed). Guests love the comfy beds, Frette linens, and bespoke Miller Harris toiletries. On the entertainment front, you’ll have free WiFi, a flat-screen LCD TV, an iPod dock, and a DVD/CD player.

 

Angelina Jolie Gives Inspiring Speech In First Post Surgery Appearance | Video

Angelina Jolie Gives Inspiring Speech In First Post Surgery Appearance, angelina jolie, daughters, speech, surgeryFirstly, if you have not read Angelina Jolie’s moving account of her latest preventative cancer surgery then you should. Two years after having her breasts removed she had her ovaries and fallopian tubes removed and has since gone into menopause. Read her moving account here. In her first appearance since writing the piece for the New York Times she gave a heartfelt speech telling the audience at the Nickelodeon Kids’ Choice Awards that it is okay to be different.

Jolie said: ‘Different is good. So, don’t fit. Don’t ever try to be less than what you are, and when someone tells you that you are different, smile and hold your head up high and be proud.’

Jolie made the speech after winning the Favourite Villain award for her role in Maleficent. She attended the awards with her gorgeous daughters Zahara and Shiloh, melting hearts everywhere as her daughters screamed and hugged their mother. Watch the video below.

Do you find Jolie inspirational?

 

 

Anna Wintour Quotes

Anna Wintour QuotesAnna Wintour is the British Editor-in-Chief of American Vogue and has been for the past 25 years. What she doesn’t know about fashion is not worth knowing. Talented, fierce and fashionable. She is incredibly inspirational. Have a read of some of her quotes below and feel inspired. 

 

“I look for strong people. I don’t like people who’ll say yes to everything I might bring up. I want people who can argue and disagree and have a point of view that’s reflected in the magazine. My dad believed in the cult of personality. He brought great writers and columnists to ‘The Standard.”

 

“I’m very good at delegating – people work much better when they have a real sense of responsibility. But at the same time, I don’t like surprises. I don’t pore over every shoot, but I do like to be aware at all times of what’s going on.”

 

If one comes across sometimes as being cold or brusque, it’s simply because I’m striving for the best.”

 

“There is something about fashion that can make people really nervous.”

 

“I wasn’t academically successful. And maybe I’ve spent a lot of my career trying to make up for that.”

 

“Create your own style… let it be unique for yourself and yet identifiable for others.”

 

‘Vogue’ is a fashion magazine, and a fashion magazine is about change.”

 

“The notion that a contemporary woman must look mannish in order to be taken seriously as a seeker of power is frankly dismaying. This is America, not Saudi Arabia.”

 

“I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we’re doing. By investing in them, I’m investing in the magazine. All over ‘Vogue,’ ‘Teen Vogue,’ and ‘Men’s Vogue,’ there are people who have been through not only my office but also many other offices at ‘Vogue.'”

 

“My father was a newspaper editor, so I was surrounded by journalists my entire life. I think the fact that he was so well known may be why I chose to go into magazines and move to the States at a young age.“

 

“It’s always about timing. If it’s too soon, no one understands. If it’s too late, everyone’s forgotten.”

 

“I don’t really follow market research. In the end, I respond to my own instincts.”

 

“You either know fashion or you don’t.”

 

“Because of reality television and all these celebrities thinking they can be designers, everyone imagines that they can just become a designer, photographer, or model, but that’s not the way things work. People have to go to school, learn their craft, and build a brand – that’s the right, healthy way to do things.”

 

“I want ‘Vogue’ to be pacy, sharp, and sexy – I’m not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She’s interested in business and money.“

 “If you look at any great fashion photograph out of context, it will tell you just as much about what’s going on in the world as a headline in The New York Times.”

 

“Just be true to yourself, and listen as much as one is able to to other people whose opinions you respect and look up to but in the end it has to come from you. You can’t really worry too much by looking to the left and the right about what the competition is doing or what other people in your field are doing. It has to be a true vision.”

 

“I think possibly what people working for one hate the most is indecision. Even if I’m completely unsure, I’ll pretend I know exactly what I’m talking about and make a decision. The most important thing I can do is try and make myself very clearly understood.”

 

“[The democratisation of luxury] means more people are going to get better fashion. And the more people who can have fashion, the better.”

 

“It’s very important to take risks. I think that research is very important, but in the end you have to work from your instinct and feeling and take those risks and be fearless. When I hear a company is being run by a team, my heart sinks, because you need to have that leader with a vision and heart that can move things forward.”

 

“Fashion’s not about looking back. It’s always about looking forward.”

 

“In the end I do respond to my own instincts. Sometimes they’re successful, and obviously sometimes they’re not. But you have to, I think, remain true to what you believe in.”

 

“Part of the pleasure of editing ‘Vogue,’ one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.”

 

“Fashion is not beautiful, neither is it ugly. Why should it be either? Fashion is Fashion”

 

“To be in ‘Vogue’ has to mean something. It’s an endorsement. It’s a validation.”

 

“I surround myself with a talented group of people that are opinionated and interesting. I try to remain very open to what others have to say.”

 

 

 

 

What’s Going On With Golf?

What’s going on in golf?

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by  Keith Allison 

Golf is a sport that has reached a mature stage in life and all of a sudden doesn’t seem to know quite what to do next. It might be a bit late to call it a mid-life crisis, but a sport which for a few short years was rendered borderline sexy by Tiger Woods is now slipping back into the sort of quiet, well-heeled cul-de-sac that characterised it before the Tiger Revolution.

There is no doubt that the contemporary fate of the game and that of Tiger are inextricably intertwined. He may be ranked as low as 104 in the official world rankings and his own playing future may be far from assured, but the weight of sponsorship dollars suggests that Woods is still the go-to man when it comes to golf. Despite barely having swung a club in competitive anger in the past twelve months, Woods is still the sixth most commercially bankable athlete in world sport with a commercial income exceeding $60 million, according to Forbes Magazine.The old cliché about no one athlete being bigger than the sport is certainly tested to the full when it comes to Tiger Woods.

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by  Keith Allison 

Declining participation

But as a rich man’s (and woman’s) sport, the impact of the economic downturn has put the brakes on what seemed at one stage to be an insatiable demand for golf around the world. In the UK, for example, golf courses are closing at the rate of one a week, as reduced playing numbers make themselves felt in terms of reduced club memberships and fewer casual golfers paying to play on an occasional basis. The bottom line is that golf clubs are closing and their courses are being irrecoverably turned over to housing or commercial development.

Admittedly the UK is relatively well supplied with courses. It is estimated that there is a course for every 28,000th head of population in the England and Wales, compared with one for every 112,000 in France and 114,000 for Germany (the ratio for Scotland – the home of golf – is 1: 9,800). But whilst the figures are suggestive, they do not reflect the way that golf’s problems extend beyond the simple question of economics.

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by  dennisborn 

Media disconnect

There is a growing disconnect between the ultra-competitive high end of the professional sport and the recreational lifeblood of the sport. As the furore over the BBC’s loss of broadcasting rights to the British Open highlighted last year, golf remains a much sought after TV product. There is a huge audience for televised golf at the highest level. The mix of personalities and perfect swings offered by the likes of Rory McIlroy and his rivals make an ideal sporting drama for armchair fans. Likewise, the bookmakers do a brisk trade on fans’ willingness to back their heroes with cold hard cash. Top flight golf betting remains a bookmaking media staple.

But in terms of ordinary people’s leisure time pursuits, golf is slipping down the list. There is a widely held argument that the real cause for the decline in participation in golf is the lack of large chunks of leisure time that people have access to. A round of golf, plus the associated travel and social commitments, can easily take up a full day. A half- day would be a notably fast turnaround. A dart out to a driving range is more in keeping with the pace of modern life.

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by  stmunchins 

A generational paradox

But this argument misses out on one of the key features of golf and its place in our society. Whilst Tiger Woods’ impact was notable for the way it encouraged youngsters to take up the game as never before, it is easy to forget that the game has always been the province of a more mature constituency. Golf clubs are famously the preserve of men of a certain age. Golf has only fleetingly ever been a young man’s game. The youthful panache provided by the likes of Woods and his heirs has always been the exception rather than the rule. The celebration of such young tyros has been as much about a middle aged fantasy of what might have been as it has been any sporting drama per se. And this is what points up a paradox in the demise of golf as a participation sport.

At a time when the retired portion of the population is as numerous as it has ever been, and more to the point, when that section is the one enjoying a better standard of living than ever before, it would be logical to expect that golf club memberships were on the rise. You would have thought that all those men of a certain age, with their healthy pensions and their abundant equity would like nothing better than to mingle with like-minded souls in the cosy and closely manicured arenas of the nation’s golf clubs and courses. There is no shortage of those who have taken early retirement, who still have their health, a taste for gentle exercise and a keen competitive appetite.

But this does not seem to be happening. This is the real mystery of golf’s contemporary demise.

An accidental turn off

Could it be that the limelight thrust upon the likes of Rory McIlroy, Ian Poulter and their Ryder Cup colleagues works as a turn off to precisely the constituency they are supposed to be appealing to? Is it possible that somehow the game of golf – seduced no doubt by the Tiger Effect – is slowly and painfully making itself unpalatable to the very constituency that sustainted it throughtout the 20th century?

There is no equivalent golfing metaphor for shooting yourself in the foot. But it does seem that in the excitement  to celebrate golf as somehow macho, go-getting and up beat the game has developed a kind of middle aged and thoroughly paradoxical identity crisis. It has become a game for the old, played and competed for by the young; a game for a moneyed elite, targeted at the man in the street.

There is perhaps no sadder indictment of the current mini crisis in which the game finds itself than in the public scorn and contempt in which the ailing Tiger Woods now finds himself. The collapse in his game has been cruelly lampooned and derided by people who have never come near his level of ability – even at his stricken worst.

There are minority trends that go against the gloomy grain described here. Women’s golf is increasingly well represented and there are a highly promising number of younger female golfers emerging – especially in China and the Far East. In fact, in China the game is growing at a remarkable rate. The picture there is incredibly complex and deserves its own fully fledged treatment, but clearly to simply declare that golf is on the wane is to offer a distinctly one-eyed view of the situation. Around the world the game continues to thrive.

golf

by  Fevi in Pictures 

A last chance

With the US Masters just around the corner and Tiger Woods still hoping to compete, there is still scope for golf’s western talisman to galvanise interest in the sport once more. There is a certain grandeur to tales of great champions who refuse to bow their heads to the inevitable. If Woods were to return to the top echelon of the sport once more it would be one of the more remarkable sporting stories of recent times. In doing so it would also give the game of golf another dramatic impetus.

Until that happens, exactly who might be inspired to take to their local course will remain a matter for conjecture. That is always assuming that those local courses have not been turned into housing estates by the time those casual players go hunting for their clubs in the back of the garage.

 

 

Worry Dolls 4-Track EP ‘The Ride’ … Released Worldwide Today

‘Once upon a time there was a lively bunch who were worried…

…worried that music had become bland dull and middle-class.

So they put their worries in a jar, and from their limbs they grew guitars.

Johanna’s face was made of string and Emma’s tonsils start to sing.

They collected words and whistled tunes, drunk and smoked and act like loons.

They made a record in a glass, music for the working-class.

So play it loud and dance around, its WORRY DOLLS that you’ve just found!’

THE RIDE EP ART

Feisty, energetic, highly talented and driven to write music that compares with their heroes, the song writing trio of Emma Baldry, Martin Sloyan and Jon Kearley are the creative heartbeat of Worry Dolls.
 
Formed in April 2011 the band spent their subsequent years honing their craft, writing, tirelessly gigging and creating a debut album “The Man That Time Forgot” (released in 2014) that can live up to the hype surrounding the Bournemouth band. 
The Album reached number 3 in the Amazon rock download chart and their single ‘Lucy In The Sky With Diamonds’,  a cover of the Beatles classic, went straight in at number 4! 
 
This year the band are kicking it hard with trips to Ireland and LA for live radio performances supporting their new 4-track EP ‘The Ride’,  with tales of trials and tribulations of being in a signed band,
the EP was released today on download, ITunes etc, and a special limited edition on hard copy vinyl CD. 
Worry Dolls
‘The Ride’ contains brand new recorded WORRY DOLLS music, searing vocals, crashing guitars and loads of attitude.
The EP showcases the band’s development and moves to a rawer sound and won’t disappoint.
To support the release, the band will be gigging extensively and will be doing plenty of radio/media appearances (TBC).
You can get in touch with the Worry Dolls via their facebook page www.facebook.com/worrydollsuk